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DigiCat Publishing presents to you this special edition of "Dames Don't Care" by Peter Cheyney. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Lemmy Caution is a Federal dick, a graduate of the school of hard fists, hard drinks and dubious wisecracks. He is investigating a counterfeiting case mixed with a suspect suicide that originated in New York and brings him in the opening scene to the hot desert outside Palm Springs. The period is somewhere around 1930, give or take a couple of years. He's also got a really big chip on his shoulder: DAMES! According to his book, they are all devious, tricksy, dangerous, lying, impulsive, etc., etc., etc. Lemmy even has a theme song he likes to whistle as he drives around the desert investigating one clue after another.--Algernon at Goodreads. [Suggest a different description.]
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Dames Don't Care (Classic Reprint) by Peter Cheyney Pdf
Excerpt from Dames Don't Care This is the jingle I am singin', an' it's one of them rhythms that sorta keep with you - you know, one of them things. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"This is the first in-depth study of British publishing during the Second World War. Despite increasingly severe paper-rationing and a constant shortage of manpower, it was a period marked by innovation in book design, the advent of new readers in the UK and overseas, and a profound conviction in the power of print. Extraordinary efforts were made to salvage paper and books, and to supply Allied servicemen, prisoners-of-war and citizens of formerly-occupied countries with new publications from Britain."--BOOK JACKET.
"Who Could That Be at This Hour?" by Lemony Snicket Pdf
Before the Baudelaires became orphans, before he encountered A Series of Unfortunate Events, even before the invention of Netflix, Lemony Snicket was a boy discovering the mysteries of the world. In a fading town, far from anyone he knew or trusted, a young Lemony Snicket began his apprenticeship in an organization nobody knows about. He started by asking questions that shouldn't have been on his mind. Now he has written an account that should not be published, in four volumes that shouldn't be read. This is the first volume.
"There is nothing like a dame", proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930s and '40s. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame -- a woman of lively wit and brash speech -- epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words -- and with men. With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes. In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.
