Damnable Practises Witches Dangerous Women And Music In Seventeenth Century English Broadside Ballads

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Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads

Sarah F. Williams
Damnable Practises Witches Dangerous Women and Music in Seventeenth Century English Broadside Ballads Book PDF

Author : Sarah F. Williams
Publisher : Routledge
Page : 258 pages
File Size : 52,8 Mb
Release : 2016-03-09
Category : Music
ISBN : 9781317154891

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Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by Sarah F. Williams Pdf

Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.

Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads

Sarah F. Williams
Damnable Practises Witches Dangerous Women and Music in Seventeenth Century English Broadside Ballads Book PDF

Author : Sarah F. Williams
Publisher : Routledge
Page : 240 pages
File Size : 55,6 Mb
Release : 2016-03-09
Category : Music
ISBN : 9781317154907

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Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by Sarah F. Williams Pdf

Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.

The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700

Elizabeth Scott-Baumann,Danielle Clarke,Sarah C. E. Ross
The Oxford Handbook of Early Modern Women s Writing in English 1540 1700 Book PDF

Author : Elizabeth Scott-Baumann,Danielle Clarke,Sarah C. E. Ross
Publisher : Oxford University Press
Page : 897 pages
File Size : 41,6 Mb
Release : 2022-09-22
Category : Literary Criticism
ISBN : 9780192604736

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The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 by Elizabeth Scott-Baumann,Danielle Clarke,Sarah C. E. Ross Pdf

The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and traditions, while also revealing the ways in which women's lives and writings were often distinctly different, from women prophetesses to queens, widows, and servants. It explores the intersections of women writing in English with those writing in French, Spanish, Latin, and Greek, in Europe and in New England, and argues for an archipelagic understanding of women's writing in Scotland, Wales, Ireland, and England. Finally, it reflects on—and challenges—the methodologies which have developed in, and with, the field: book and manuscript history, editing, digital analysis, premodern critical race studies, network theory, queer theory, and feminist theory. The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 captures the most innovative work on early modern women's writing in English at present.

Boundaries of Violence in Early Modern England

Samantha Dressel,Matthew Carter
Boundaries of Violence in Early Modern England Book PDF

Author : Samantha Dressel,Matthew Carter
Publisher : Taylor & Francis
Page : 166 pages
File Size : 40,9 Mb
Release : 2023-08-25
Category : Performing Arts
ISBN : 9781000933482

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Boundaries of Violence in Early Modern England by Samantha Dressel,Matthew Carter Pdf

This book explores the possibilities and limitations of violence on the Early Modern stage and in the Early Modern world. This collection is divided into three sections: History-cal Violence, (Un)Comic Violence, and Revenge Violence. This division allows scholars to easily find intertextual materials; comic violence may function similarly across multiple comedies but is vastly different from most tragic violence. While the source texts move beyond Shakespeare, this book follows the classic division of Shakespeare’s plays into history, comedy, and tragedy. Each section of the book contains one chapter engaging with modern dramatic practice along with several that take textual or historical approaches. This wide-ranging approach means that the book will be appropriate both for specialists in Early Modern violence who are looking across multiple perspectives, and for students or scholars researching texts or approaches.

The Last Witches of England

John Callow
The Last Witches of England Book PDF

Author : John Callow
Publisher : Bloomsbury Publishing
Page : 353 pages
File Size : 43,9 Mb
Release : 2021-10-07
Category : History
ISBN : 9781350196131

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The Last Witches of England by John Callow Pdf

"Fascinating and vivid." New Statesman "Thoroughly researched." The Spectator "Intriguing." BBC History Magazine "Vividly told." BBC History Revealed "A timely warning against persecution." Morning Star "Astute and thoughtful." History Today "An important work." All About History "Well-researched." The Tablet On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatred of their neighbours endured. For Bideford, it was said, was a place of witches. Though 'pretty much worn away' the belief in witchcraft still lingered on for more than a century after their deaths. In turn, ignored, reviled, and extinguished but never more than half-forgotten, it seems that the memory of these three women - and of their deeds and sufferings, both real and imagined – was transformed from canker to regret, and from regret into celebration in our own age. Indeed, their example was cited during the final Parliamentary debates, in 1951, that saw the last of the witchcraft acts repealed, and their names were chanted, as both inspiration and incantation, by the women beyond the wire at Greenham Common. In this book, John Callow explores this remarkable reversal of fate, and the remarkable tale of the Bideford Witches.

A Weak Woman in a Strong Battle

Jennifer Lillian Lodine-Chaffey
A Weak Woman in a Strong Battle Book PDF

Author : Jennifer Lillian Lodine-Chaffey
Publisher : University of Alabama Press
Page : 253 pages
File Size : 53,8 Mb
Release : 2022-08-30
Category : History
ISBN : 9780817321321

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A Weak Woman in a Strong Battle by Jennifer Lillian Lodine-Chaffey Pdf

"A Weak Woman in a Strong Battle provides a new perspective on the representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. A significant part of the execution spectacle-one used to assess the victim's proper acceptance of death and godly repentance-was the final speech offered at the foot of the gallows or before the pyre. To ensure that their words on the scaffold held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. Just as important as their words, though, were the depictions of women's bodies. Drawing on a wide range of genres, from accounts of martyrdom to dramatic works, this study explores not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance. The reception of women's speeches, Jennifer Lodine-Chaffey argues, depended on their performances of accepted female behaviors and words as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society. The first part of this study investigates the early modern execution, including the behavioral expectations for condemned individuals, the medieval tradition that shaped the ritual, and the gender specific ways English authorities legislated and carried out women's executions. Depictions of the female body are the focus of the second part of the book. The executed woman's body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. These signs, though, were related not just to early modern ideas about female modesty and weakness, but also to the developing martyrdom tradition, which linked bodies and behavior to inner spiritual states. While many representations of women focused on physical traits and behaviors coded as godly, other accounts highlighted the grotesque and bestial attributes of women deemed unrepentant or evil. Part Three considers the rhetorical strategies used by women and their authors, highlighting the ways that women positioned themselves as stereotypically weak in order to defuse criticism of their speeches and navigate their positions in society, even when awaiting death on the scaffold. The greater focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women's roles not just as criminals but as subjects"--

Music, Myth and Story in Medieval and Early Modern Culture

Katherine Butler,Samantha Bassler
Music Myth and Story in Medieval and Early Modern Culture Book PDF

Author : Katherine Butler,Samantha Bassler
Publisher : Boydell & Brewer
Page : 344 pages
File Size : 43,9 Mb
Release : 2019
Category : Music
ISBN : 9781783273713

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Music, Myth and Story in Medieval and Early Modern Culture by Katherine Butler,Samantha Bassler Pdf

The complex relationship between myths and music is here investigated.

Both from the Ears and Mind

Linda Phyllis Austern
Both from the Ears and Mind Book PDF

Author : Linda Phyllis Austern
Publisher : University of Chicago Press
Page : 393 pages
File Size : 54,6 Mb
Release : 2020-07-15
Category : Music
ISBN : 9780226701592

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Both from the Ears and Mind by Linda Phyllis Austern Pdf

Both from the Ears and Mind offers a bold new understanding of the intellectual and cultural position of music in Tudor and Stuart England. Linda Phyllis Austern brings to life the kinds of educated writings and debates that surrounded musical performance, and the remarkable ways in which English people understood music to inform other endeavors, from astrology and self-care to divinity and poetics. Music was considered both art and science, and discussions of music and musical terminology provided points of contact between otherwise discrete fields of human learning. This book demonstrates how knowledge of music permitted individuals to both reveal and conceal membership in specific social, intellectual, and ideological communities. Attending to materials that go beyond music’s conventional limits, these chapters probe the role of music in commonplace books, health-maintenance and marriage manuals, rhetorical and theological treatises, and mathematical dictionaries. Ultimately, Austern illustrates how music was an indispensable frame of reference that became central to the fabric of life during a time of tremendous intellectual, social, and technological change.

The Oxford Handbook of Shakespeare and Music

Christopher R. Wilson,Mervyn Cooke
The Oxford Handbook of Shakespeare and Music Book PDF

Author : Christopher R. Wilson,Mervyn Cooke
Publisher : Oxford University Press
Page : 1289 pages
File Size : 43,5 Mb
Release : 2022
Category : Drama
ISBN : 9780190945145

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The Oxford Handbook of Shakespeare and Music by Christopher R. Wilson,Mervyn Cooke Pdf

"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--

John Stearne’s Confirmation and Discovery of Witchcraft

Scott Eaton
John Stearne s Confirmation and Discovery of Witchcraft Book PDF

Author : Scott Eaton
Publisher : Routledge
Page : 217 pages
File Size : 51,7 Mb
Release : 2020-05-31
Category : History
ISBN : 9781000079432

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John Stearne’s Confirmation and Discovery of Witchcraft by Scott Eaton Pdf

Between 1645-7, John Stearne led the most significant outbreak of witch-hunting in England. As accusations of witchcraft spread across East Anglia, Stearne and Matthew Hopkins were enlisted by villagers to identify and eradicate witches. After the trials finally subsided in 1648, Stearne wrote his only publication, A confirmation and discovery of witchcraft, but it had a limited readership. Consequently, Stearne and his work fell into obscurity until the 1800s, and were greatly overshadowed by Hopkins and his text. This book is the first study which analyses Stearne’s publication and contextualises his ideas within early modern intellectual cultures of religion, demonology, gender, science, and print in order to better understand the witch-finder’s beliefs and motives. The book argues that Stearne was a key player in the trials, that he was not a mainstream ‘puritan’, and that his witch-finding availed from contemporary science. It traces A confirmation’s reception history from 1648 to modern day and argues that the lack of research focusing on Stearne has resulted in misrepresentations of the witch-finder in the historiography of witchcraft. This book redresses the imbalance and seeks to provide an alternative reading of the East Anglian witch-hunt and of England’s premier witch-hunter, John Stearne.

Communicating the News in Early Modern Europe

Jenni Hyde,Massimo Rospocher,Joad Raymond,Yann Ryan,Hannu Salmi,Alexandra Schäfer-Griebel
Communicating the News in Early Modern Europe Book PDF

Author : Jenni Hyde,Massimo Rospocher,Joad Raymond,Yann Ryan,Hannu Salmi,Alexandra Schäfer-Griebel
Publisher : Unknown
Page : 112 pages
File Size : 52,5 Mb
Release : 2023-11-29
Category : Language Arts & Disciplines
ISBN : 9781009384452

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Communicating the News in Early Modern Europe by Jenni Hyde,Massimo Rospocher,Joad Raymond,Yann Ryan,Hannu Salmi,Alexandra Schäfer-Griebel Pdf

This history of early modern news focuses on news itself rather than specific material forms. Centering on movement through different media, time, and place, it makes the case for a truly comparative, pan-European history of news. After the Introduction, the second section, News Moves, explores how we think about and research news culture and news communication, demonstrating movement is more important than static forms. The third, News Sings, focuses on news ballads, comparing actors, publics, music, and soundscapes of ballad singing in several European cities, highlighting the central role of immaterial elements, such as sound, music and voice. The fourth, News Counts, argues that seeing news the way a machine might read it-through its metadata-is one way of moving beyond form, allowing us to find surprising commonalities in news cultures which differ greatly in both time and place.

Dynamic Matter

Jennifer Linhart Wood
Dynamic Matter Book PDF

Author : Jennifer Linhart Wood
Publisher : Penn State Press
Page : 355 pages
File Size : 50,6 Mb
Release : 2022-05-03
Category : Literary Criticism
ISBN : 9780271094113

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Dynamic Matter by Jennifer Linhart Wood Pdf

Dynamic Matter investigates the life histories of Renaissance objects. Eschewing the critical tendency to study how objects relate to human needs and desires, this work foregrounds the objects themselves, demonstrating their potential to transform their environments as they travel across time and space. Integrating early modern material theories with recent critical approaches in Actor-Network Theory and object-oriented ontology, this volume extends Aristotle’s theory of dynameos—which conceptualizes matter as potentiality—and applies it to objects featured in early modern texts such as Edmund Spenser’s The Faerie Queene, Robert Hooke’s Micrographia, and William Shakespeare’s The Tempest. Individual chapters explore the dynameos of matter by examining its manifestations in particular forms: combs are inscribed with words and brushed through human hair; feathers are incorporated into garments and artwork; Prince Rupert’s glasswork drops explode; a whale becomes animated by the power of a magical bracelet; and books are drowned. These case studies highlight the potentiality matter itself possesses and that which it activates in other matter. A theorization of objects grounded in Renaissance materialist thought, Dynamic Matter examines the richness of things themselves; the larger, multiple, and changing networks in which things circulate; and the networks created by these transformative objects. In addition to the editor, the contributors to this volume include Anna Riehl Bertolet, Erika Mary Boeckeler, Naomi Howell, Emily E. F. Philbrick, Josie Schoel, Maria Shmygol, Edward McLean Test, Abbie Weinberg, and Sarah F. Williams.

Singing the News of Death

Una McIlvenna
Singing the News of Death Book PDF

Author : Una McIlvenna
Publisher : Oxford University Press
Page : 561 pages
File Size : 51,7 Mb
Release : 2022-07-05
Category : History
ISBN : 9780197551851

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Singing the News of Death by Una McIlvenna Pdf

Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée study of the complex and fascinating phenomenon of popular songs about brutal public death. Ballads were frequently written in the first-person voice, and often purported to be the last words, confession or 'dying speech' of the condemned criminal, yet were ironically on sale the day of the execution itself. Musical notation was generally not required as ballads were set to well-known tunes. Execution ballads were therefore a medium accessible to all, regardless of literacy, social class, age, gender or location. A genre that retained extraordinary continuities in form and content across time, space, and language, the execution ballad grew in popularity in the nineteenth century, and only began to fade as executions themselves were removed from the public eye. With an accompanying database of recordings, Singing the News of Death brings these centuries-old songs of death back to life.

Gender and Song in Early Modern England

Leslie C. Dunn,Katherine R. Larson
Gender and Song in Early Modern England Book PDF

Author : Leslie C. Dunn,Katherine R. Larson
Publisher : Routledge
Page : 236 pages
File Size : 52,8 Mb
Release : 2016-04-15
Category : Literary Criticism
ISBN : 9781317130482

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Gender and Song in Early Modern England by Leslie C. Dunn,Katherine R. Larson Pdf

Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.

The Broadside Ballad in Early Modern England

Patricia Fumerton
The Broadside Ballad in Early Modern England Book PDF

Author : Patricia Fumerton
Publisher : University of Pennsylvania Press
Page : 480 pages
File Size : 45,7 Mb
Release : 2021-01-01
Category : Literary Criticism
ISBN : 9780812252316

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The Broadside Ballad in Early Modern England by Patricia Fumerton Pdf

In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive. In this magisterial and long-awaited volume, Fumerton presents a rich display of the fruits of this work. She tracks the fragmentary assembling and disassembling of two unique extant editions of one broadside ballad and examines the loose network of seventeenth-century ballad collectors who archived what were essentially ephemeral productions. She pays particular attention to Samuel Pepys, who collected and bound into five volumes more than 1,800 ballads, and whose preoccupations with black-letter print, gender, and politics are reflected in and extend beyond his collecting practices. Offering an extensive and expansive reading of an extremely popular and sensational ballad that was printed at least 37 times before 1701, Fumerton highlights the ballad genre's ability to move audiences across time and space. In a concluding chapter, she looks to Shakespeare's The Winter's Tale to analyze the performative potential ballads have in comparison with staged drama. A broadside ballad cannot be "read" without reading it in relation to its images and its tune, Fumerton argues. To that end, The Broadside Ballad in Early Modern England features more than 80 illustrations and directs its readers to a specially constructed online archive where they can easily access 48 audio files of ballad music.