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This exciting new and original collection locates dance within the spectrum of urban life in late modernity, through a range of theoretical perspectives. It highlights a diversity of dance forms and styles that can be witnessed in and around contemporary urban spaces: from dance halls to raves and the club striptease; from set dancing to ballroom dancing, to hip hop and swing, and to ice dance shows; from the ballet class, to fitness aerobics; and 'art' dance which situates itself in a dynamic relation to the city.
This is the story of English Country Dance, from its 18th century roots in the English cities and countryside, to its transatlantic leap to the U.S. in the 20th century, told by not only a renowned historian but also a folk dancer, who has both immersed himself in the rich history of the folk tradition and rehearsed its steps. In City Folk, Daniel J. Walkowitz argues that the history of country and folk dancing in America is deeply intermeshed with that of political liberalism and the ‘old left.’ He situates folk dancing within surprisingly diverse contexts, from progressive era reform, and playground and school movements, to the changes in consumer culture, and the project of a modernizing, cosmopolitan middle class society. Tracing the spread of folk dancing, with particular emphases on English Country Dance, International Folk Dance, and Contra, Walkowitz connects the history of folk dance to social and international political influences in America. Through archival research, oral histories, and ethnography of dance communities, City Folk allows dancers and dancing bodies to speak. From the norms of the first half of the century, marked strongly by Anglo-Saxon traditions, to the Cold War nationalism of the post-war era, and finally on to the counterculture movements of the 1970s, City Folk injects the riveting history of folk dance in the middle of the story of modern America.
How will patterns of human interaction with the earth's eco-system impact on biodiversity loss over the long term--not in the next ten or even fifty years, but on the vast temporal scale be dealt with by earth scientists? This volume brings together data from population biology, community ecology, comparative biology, and paleontology to answer this question.
In this new edition of a modern classic, Thomas Howard contrasts the Christian and secular worldviews, refreshing our minds with the illuminated vision of reality that inspired the world in times past and showing us that we cannot live meaningful lives without it. Howard explains in clear and beautiful prose the way materialism robs us of beauty, depth, and truth. With laser precision and lyrical ponderings he takes us through the dismal reductionist view of the world to the shimmering significance of the world as sign and sacrament. More timely now than when it was first written, this book is a prophetic examination of modern society's conscience.
Kinesthetic City uses choreography as subject and method to explore how movement through particular spaces at precise moments can illuminate the communities in those places and times. It examines the simultaneous persistence and mobility of the idea of Chineseness as it travels across a transnational network of Chinese cities.
Todd Bolender, Janet Reed, and the Making of American Ballet by Martha Ullman West Pdf
Martha Ullman West illustrates how American ballet developed over the course of the twentieth century from an aesthetic originating in the courts of Europe into a stylistically diverse expression of a democratic culture. West places at center stage two artists who were instrumental to this story: Todd Bolender and Janet Reed. Lifelong friends, Bolender (1914–2006) and Reed (1916–2000) were part of a generation of dancers who navigated the Great Depression, World War II, and the vibrant cultural scene of postwar New York City. They danced in the works of choreographers Lew and Willam Christensen, Eugene Loring, Agnes de Mille, Catherine Littlefield, Ruthanna Boris, and others who West argues were just as responsible for the direction of American ballet as the legendary George Balanchine and Jerome Robbins. The stories of Bolender, Reed, and their contemporaries also demonstrate that the flowering of American ballet was not simply a New York phenomenon. West includes little-known details about how Bolender and Reed laid the foundations for Seattle’s Pacific Northwest Ballet in the 1970s and how Bolender transformed the Kansas City Ballet into a highly respected professional company soon after. Passionate in their desire to dance and create dances, Bolender and Reed committed their lives to passing along their hard-won knowledge, training, and work. This book celebrates two unsung trailblazers who were pivotal to the establishment of ballet in America from one coast to the other.
This exciting new and original collection locates dance within the spectrum of urban life in late modernity, through a range of theoretical perspectives. It highlights a diversity of dance forms and styles that can be witnessed in and around contemporary urban spaces: from dance halls to raves and the club striptease; from set dancing to ballroom dancing, to hip hop and swing, and to ice dance shows; from the ballet class, to fitness aerobics; and 'art' dance which situates itself in a dynamic relation to the city.
A Bird Dance Near Saturday City by Patrick McNaughton Pdf
In 1978, Patrick McNaughton witnessed a bird dance masquerade in the small town of Dogoduman. He was so affected by this performance that its dazzling artistic power has never left him. As he revisits that very special evening in A Bird Dance near Saturday City, McNaughton carefully considers the components of the performance, its pace, the performers, and what the entire experience means for understandings of Bamana and West African aesthetics and culture. The performance of virtuoso dancer Sidi Ballo becomes McNaughton's vehicle for understanding the power of individuals in African art and the power of aesthetics as a cultural phenomenon. Topics such as what makes art effective, what makes it "good," how production is wrapped in individual virtuosity, and what individual artistry suggests about society reveal how individuals work together to create the indelible experience of outstanding performance. This exuberant and captivating book will influence views of society, culture, art, history, and their makers in West Africa for years to come.
Mediated Geographies and Geographies of Media by Susan P. Mains,Julie Cupples,Chris Lukinbeal Pdf
This is the first comprehensive volume to explore and engage with current trends in Geographies of Media research. It reviews how conceptualizations of mediated geographies have evolved. Followed by an examination of diverse media contexts and locales, the book illustrates key issues through the integration of theoretical and empirical case studies, and reflects on the future challenges and opportunities faced by scholars in this field. The contributions by an international team of experts in the field, address theoretical perspectives on mediated geographies, methodological challenges and opportunities posed by geographies of media, the role and significance of different media forms and organizations in relation to socio-spatial relations, the dynamism of media in local-global relations, and in-depth case studies of mediated locales. Given the theoretical and methodological diversity of this book, it will provide an important reference for geographers and other interdisciplinary scholars working in cultural and media studies, researchers in environmental studies, sociology, visual anthropology, new technologies, and political science, who seek to understand and explore the interconnections of media, space and place through the examples of specific practices and settings.
How East New York Became a Ghetto by Walter Thabit Pdf
"How East New York Became a Ghetto describes the shift of East New York from a working-class immigrant neighborhood to a largely black and Puerto Rican one, and shows how a series of racially biased policies caused the deterioration of this once flourishing area. How East New York Became a Ghetto provides insights into the nature of the urban experience."--BOOK JACKET.
Jennifer Atkins,Sally R. Sommer,Tricia Henry Young
Author : Jennifer Atkins,Sally R. Sommer,Tricia Henry Young Publisher : University Press of Florida Page : 362 pages File Size : 53,8 Mb Release : 2020-02-25 Category : Performing Arts ISBN : 9780813065656
Perspectives on American Dance by Jennifer Atkins,Sally R. Sommer,Tricia Henry Young Pdf
Dancing embodies cultural history and beliefs, and each dance carries with it features of the place where it originated. Influenced by different social, political, and environmental circumstances, dances change and adapt. American dance evolved in large part through combinations of multiple styles and forms that arrived with each new group of immigrants. Perspectives on American Dance is the first anthology in over twenty-five years to focus exclusively on American dance practices across a wide span of American culture. This volume and its companion show how social experience, courtship, sexualities, and other aspects of life in America are translated through dancing into spatial patterns, gestures, and partner relationships. This volume of Perspectives on American Dance features essays by a young generation of authors who write with familiarity about their own era, exploring new parameters of identity and evaluating a wide variety of movement practices being performed in spaces beyond traditional proscenium stages. Topics include "dorky dancing" on YouTube; same-sex competitors on the TV show So You Think You Can Dance; racial politics in NFL touchdown dances; the commercialization of flash mobs; the connections between striptease and corporate branding; how 9/11 affected dance; the criminalization of New York City club dancing; and the joyous ironies of hipster dance. This volume emphasizes how dancing is becoming more social and interactive as technology opens up new ways to create and distribute dance. The accessible essays use a combination of movement analysis, thematic interpretation, and historical context to convey the vitality and variety of American dance. They offer new insights on American dance practices while simultaneously illustrating how dancing functions as an essential template for American culture and identity. Contributors: Jennifer Atkins | Jessica Berson | J. Ellen Gainor | Patsy Gay | Ansley Jones | Kate Mattingly | Hannah Schwadron | Sally Sommer, Ph.D. | Ina Sotirova | Dawn Springer | Michelle T. Summers | Latika L. Young | Tricia Henry Young
Delphi Complete Works of Lord Dunsany (Illustrated) by Edward John Moreton Drax Plunkett, Lord Dunsany Pdf
A celebrated pioneer of fantasy fiction, the Irish writer and dramatist Lord Dunsany produced seminal works such as ‘The King of Elfland’s Daughter’, noted for their imaginative power and intellectual ingenuity. Dunsany achieved great fame and success with his early short stories and plays, conjuring mysterious kingdoms of fairies and gods in richly coloured prose, while promoting a characteristic element of the macabre. For the first time in publishing history, this comprehensive eBook presents Dunsany’s complete fictional works, with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Dunsany’s life and works * Concise introductions to the novels and other texts * All 13 novels, with individual contents tables * Features many rare novels appearing for the first time in digital publishing, including THE CHARWOMAN’S SHADOW and THE BLESSING OF PAN * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Special chronological and alphabetical contents tables for the short stories * Includes all of the Jorkens short story collections published during Dunsany’s lifetime – please note: some of the posthumous tales cannot appear due to copyright restrictions. * Rare story collections available in no other eBook, including THE MAN WHO ATE THE PHOENIX * Easily locate the short stories you want to read * Dunsany’s scarce poetry collection, FIFTY POEMS, first time in digital print * Includes the two ‘Sirens’ autobiographies * Features a bonus biography – discover Dunsany’s literary life * Ordering of texts into chronological order and literary genres * UPDATED with improved texts and more images CONTENTS: The Novels Don Rodriguez: Chronicles of Shadow Valley (1922) The King of Elfland’s Daughter (1924) The Charwoman’s Shadow (1926) The Blessing of Pan (1927) The Curse of the Wise Woman (1933) Up in the Hills (1935) Rory and Bran (1936) My Talks with Dean Spanley (1936) The Story of Mona Sheehy (1939) Guerrilla (1944) The Strange Journeys of Colonel Polders (1950) The Last Revolution (1951) His Fellow Men (1952) The Jorkens Series The Travel Tales of Mr. Joseph Jorkens (1931) Jorkens Remembers Africa (1934) Jorkens Has a Large Whiskey (1940) The Fourth Book of Jorkens (1947) Jorkens Borrows Another Whiskey (1954) Other Short Story Collections The Gods of Pegana (1905) Time and the Gods (1906) The Sword of Welleran and Other Stories (1908) A Dreamer’s Tales (1910) The Book of Wonder (1912) Fifty-One Tales (1915) Tales of Wonder (1916) Tales of War (1918) Unhappy Far-Off Things (1919) Tales of Three Hemispheres (1919) The Man Who Ate the Phoenix (1949) The Little Tales of Smethers and Other Stories (1952) The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Plays Five Plays (1914) Plays of Gods and Men (1917) If (1921) Plays of Near and Far (1922) Seven Modern Comedies (1928) Plays for Earth and Air (1937) The Poetry Collection Fifty Poems (1929) The Non-Fiction Nowadays (1918) The Autobiographies While the Sirens Slept (1944) The Sirens Wake (1945) The Biography Dunsany the Dramatist (1917) by Edward Hale Bierstadt
The dance world in New York by Aleksandra Pendarovska Pdf
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2, University of Cologne (Englisches Institut), course: HS "Words, image, sound", 28 entries in the bibliography, language: English, abstract: Since the founding of New York City people from all around the world have flocked there in search of a better reality and fulfillment of their dreams. Some of them found what they were looking for and others did not. Nevertheless, the constant fluctuation of masses from every corner of the world to New York City only increased in the course of time. At the beginning of a new era filled with hectic and rushing, this city has become a symbol for movement, regardless of its form and purpose. The spatial, financial, cultural movement, the movement of information or myriad of immigrants is of essence in this city. Movement in space and time is in its every shape also the primary subject matter of Terpsihora ́s art- the dance. Aside from that, dance as art discipline focuses on the human body using it as clay in its “moulding“ process just like the city “moulds“ in a certain way its inhabitants. The founder of Modern dance for men in America, Ted Shawn, is said to have commented: “Dance is the only art of which we ourselves are the stuff of which it is made“. When it is taken into consideration that the energy of movement in all its forms in New York City relates to the energy of movement in dance, it is not curious at all that a number of dancing styles have been developed or have experienced an incredible flourishing in New York City. The striving to pursue an artistic career in this city is for a lot of dancers the sheer energy for dancing itself. Their life motto - `If you can make it there, you can make it anywhere'. The sublime relationship between the city and the artist and the overwhelming impression New York City gives on an artist is very perspicuously ilustrated in a comment of the young architectural critic Lewis Mumford: The world, at that moment, opened before me, challenging me, beckoning me, demanding something of me ... Here was my city, immense, overpowering, flooded with energy and light ... transmitting through me the great mysterious will ... and the promise of the new day that was still to come (Lewis Mumford 1982:130).