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Dancers Between Realms by Elisabeth Y. Fitzhugh Pdf
The Empath. The word has found its way into our consciousness accompanied by ideas of healing, sharing emotion and pain. Empaths are sensitive, caring, responsive people who have at the core of their nature an innate ability to receive energy, information and awareness from others with a depth and intensity that is beyond our customary understanding of empathy. Yet, this very receptivity and permeability brings its own challenges. It is vital for empaths to recognize themselves as such and to consciously explore, understand and address this energetic flow in their life. Self-inquiry is the essential tool to understanding all that motivates and colors your experience of the world. The book explores in depth this receptivity, as well as tools, concepts and approaches to support understanding and how to flourish with this heightened sensitivity. This book is a shared journey, edited from years of workshops and sessions with Elisabeth Fitzhugh and the Orion group.
*** WINNER: Christy Award, Visionary *** The dancers of the Order direct their floating world of Meriel with their movement... but are they steering it toward destruction? Calara spent her life learning dance patterns and seeking to become the perfect servant to her people. When she discovers the work of the Order is built on lies, she flees with a rough-edged herder, Brantley of Windswell. Pursued by soldiers, her journey through the suffering villages of the rim leads her to encounter a truth that sends ripples through her world--and through her soul. As she seeks clues to her forgotten family, Calara discovers newfound courage in the face of danger, while her quest awakens a growing but forbidden affection for Brantley. Yet even his support can't fully be trusted, since he'd rather destroy the Order than bring reform. She is a lone woman facing opposition from rim villages and treachery from the all-powerful Order. Can she restore the dance to its true purpose and bring freedom and hope to her people?
A history of dances pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the bodys transcendence of itself. Exploring dances historical links to the medical and scientific connotations of a pathology, this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and long-standing connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the bodys meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of choreas. In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is lost in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicines discovery of idea manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest idea, suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might be paradigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.
See amazing photographs of phenomena and events beyond earthly description. Prepare yourself to be inspired by an incredible story of hope and undying love beyond death. Anne Marie and Tim Higgins were looking forward to celebrating their 25th wedding anniversary when Tim was diagnosed with leukemia. He died 18 days later. Blindsided by the devastating events, nothing could have prepared Anne Marie for what was to come next. Anne Marie and Tim had always considered themselves to be logical, rational people. She is a nurse practitioner and he was a city court judge. Throughout their marriage, Tim often said he did not believe in an afterlife, "When we die, it's over." Anne Marie wanted to believe in something more, but her questioning, scientific mind went along with Tim. Then when her departed husband began communicating with her, Anne Marie's reality and belief system completely changed. In this moving memoir, join Anne Marie on her path of enlightenment as she learns what can happen after the death of a loved one. Follow how her journey of unrelenting grief was soothed as Tim communicated to her in many ways and many forms, mostly in hawks. Witness the capability to Dance in Two Realms.
Studying Dance: A Guide for Campus and Beyond is a comprehensive bridge for students transitioning into the first year of a college dance program. Through this text, students will understand dance in new and exciting ways, embrace it as an academic discipline, navigate and take charge of their dance education, and visualize potential careers after graduation. Studying Dance: A Guide for Campus and Beyond opens students’ eyes to all the artistic, cultural, and educational aspects of dance. By expanding their thinking, students will move to a deeper understanding of themselves as dancers and the world around them. The author demystifies the entire first-year experience while guiding students in the discovery of dance as a multifaceted discipline. Students will examine academic expectations, time management, the importance of staying focused, and balancing school and life. They will delve into the various areas of dance and a range of careers and paths available to them. They will learn the differences in types of college dance courses, the approaches used, and how to personalize their dance education through individualized instructional opportunities and peer collaboration. The text also will prompt students to visualize and plan their dance lives beyond campus so they can set clear goals for studying and succeeding as young professionals. Studying Dance: A Guide for Campus and Beyond contains many student-friendly features: • 15 easy-to-digest chapters provide the rules of the road that lead to a successful freshman year and future career • 49 interviews with current dance students, recent graduates, and dance professionals encourage students to reflect on and take charge of their learning • Web resource with learning activities, glossary lists, web links, and other tools personalize each student’s journey through the content With this text, teachers can help students expand their thinking about dance in ways that will lead to success on campus and beyond.
Indigenous Visions by Ned Blackhawk,Isaiah Lorado Wilner Pdf
A compelling study that charts the influence of Indigenous thinkers on Franz Boas, the founder of modern anthropology In 1911, the publication of Franz Boas’s The Mind of Primitive Man challenged widely held claims about race and intelligence that justified violence and inequality. Now, a group of leading scholars examines how this groundbreaking work hinged on relationships with a global circle of Indigenous thinkers who used Boasian anthropology as a medium for their ideas. Contributors also examine how Boasian thought intersected with the work of major modernist figures, demonstrating how ideas of diversity and identity sprang from colonization and empire.
Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.
You went to your first Contact Improvisation (C.I.) class, or a friend invited you to the weekly jam, and you’re captivated. Or perhaps, you’ve been dancing and investigating for years. What’s next? What discoveries await you in your dance? In 1972, Steve Paxton convened a group of athletes and dancers to research the principles of Contact Improvisation. Since then the form has matured into a worldwide, collaborative experiment with no central control. Everyone who enters adds their findings and permutations to this inherently unfinished dance form. Dancing Deeper Still is a sourcebook of essays on Contact Improvisation, a philosophical treatise, and a handbook. This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing. It includes chapters on: Contact Improvisation in performance Boundaries and sexuality Political activism Dancing while aging Expanded teaching research notes Advanced skills Whether you are the improviser who savors the slow rivers of sensation...or who delights in spontaneous acrobatics...or any of the bountiful realms in between, this book was written for you. Your discoveries enrich the community-held body of knowledge in our ever-evolving form. I invite you to dance deeper still. Martin Keogh dances, teaches, and researches Contact Improvisation. His love for the dance has taken him to 31 countries across six continents. Keogh was named a Fulbright Senior Specialist for his contribution to the development of the form. Martin spent time in monasteries in Japan and Korea and was the director of the Empty Gate Zen Center in Berkeley, CA before he discovered the world of dance. He is the author of: As Much Time as it Takes and the anthology: Hope Beneath Our Feet: Restoring Our Place in the Natural World. He lives with his family by the Salish Sea in British Columbia. martinkeogh.com
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Rethinking Dance History by Alexandra Carter,Larraine Nicholas,Geraldine Morris Pdf
By taking a fresh approach to the study of history in general, Alexandra Carter's Rethinking Dance History offers new perspectives on important periods in dance history and seeks to address some of the gaps and silences left within that history. Encompassing ballet, South Asian, modern dance forms and much more, this book provides exciting new research on topics as diverse as: *the Victorian music hall *film musicals and popular music videos *the impact of Neoclassical fashion on ballet *women's influence on early modern dance *methods of dance reconstruction. Featuring work by some of the major voices in dance writing and discourse, this unique anthology will prove invaluable for both scholars and practitioners, and a source of interest for anyone who is fascinated by dance's rich and multi-layered history.
Rethinking Dance History by Larraine Nicholas,Geraldine Morris Pdf
By taking a fresh approach to the study of history in general, Alexandra Carter's Rethinking Dance History offers new perspectives on important periods in dance history and seeks to address some of the gaps and silences left within that history. Encompassing ballet, South Asian, modern dance forms and much more, this book provides exciting new research on topics as diverse as: *the Victorian music hall *film musicals and popular music videos *the impact of Neoclassical fashion on ballet *women's influence on early modern dance *methods of dance reconstruction. Featuring work by some of the major voices in dance writing and discourse, this unique anthology will prove invaluable for both scholars and practitioners, and a source of interest for anyone who is fascinated by dance's rich and multi-layered history.
The Dance of Flames by Barrett Williams,ChatGPT Pdf
Embark on an enthralling journey through the captivating world of glassblowing with "The Dance of Flames," a comprehensive eBook that delves deep into the fiery heart of this ancient yet ever-evolving art form. This treasure trove of knowledge is meticulously crafted for both aspiring glass artists and seasoned professionals seeking to refine their craft and ignite their creative spirit. The eBook begins by illuminating "The Essence of Glassblowing," offering readers a fascinating glimpse into the history, modern significance, and magical interplay of sand and fire that forges glass art. Explore the alchemic process that transforms humble materials into stunning, expressive creations. Discover "The Breath of Life Introduction to Blowing Techniques," where the secrets of breath control merge with movement to breathe form into molten silica, inspiring a sense of awe at the skillful dance between human and element. Venture further into the elemental saga in "The Chemistry of Color in Glass," where the entwined narratives of heat and hue unfold, revealing how artists harness science and skill to paint with light itself. "Mastering Temperature The Heart of the Craft" navigates the delicate balance of heat distribution, an essential theme that can only be truly harnessed through the insightful guidance provided within. As you immerse yourself in the eBook, witness the camaraderie and precision of "The Rhythmic Dance of Team Glassblowing," highlighting the intricate ballet of timing, communication, and collaboration that propels intricate projects to fruition. This collaborative spirit is mirrored in the chapter "The Intersection of Glassblowing and Technology," where traditional techniques meet cutting-edge tools, foreshadowing an exciting fusion of past and future. Uncover professional pathways from "Studio to Gallery Sharing Your Work," offering pragmatic advice on presenting, marketing, and carving out a unique artistic presence in the competitive glassblowing landscape. For those who seek not just skill, but understanding, "Ethics and Sustainability in Glass Art" and "Restorative Practices in Glassblowing" explore the deeper connections between artisan craft, well-being, and environmental stewardship. "The Dance of Flames" doesn't merely guide—it inspires, educates, and nurtures every aspect of the glassblowing journey. Whether it's troubleshooting common challenges, exploring the psychological benefits of the craft, or looking forward to the visions yet to be realized in "Future of Glass Art," this eBook stands as an essential flame in the kiln of knowledge for anyone enthralled by the dance of creativity, passion, and the mesmerizing allure of glass art. Join the dance, and let the flames guide your art to new heights of expression and mastery.
Jean-Baptiste Lully and the Music of the French Baroque by James R. Anthony Pdf
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
Dancing Bodies of Devotion by Katherine C. Zubko Pdf
Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam examines how Bharata Natyam, a traditionally Hindu storytelling dance form, moves across religious boundaries through both incorporating choreography on Buddhist, Christian, Muslim, and Jain themes and the pluralistic identities of participants. Dancers traverse religious boundaries by reformulating an aesthetic foundation based on performative rather than solely textual understandings of rasa, conventionally defined as a formula for how to physically craft emotion on stage. Through the ethnographic case studies of this volume, dancers of Bharata Natyam innovatively demonstrate how the rasa of devotion (bhakti rasa), surprisingly absent from classic dance-related texts, serves as the pivotal framework for expanding on their own interreligious thematic and interpretive possibilities. In contemporary Bharata Natyam, bhakti rasa is not just about enhancing religious experience; instead, these dancers choreographically adapt various religious identities and ideas in order to emphasize pluralistic cultural and ethical dimensions in their work. Through the dancing body, multiple religious and secular interpretations fluidly co-exist.
The Ancient Dancer in the Modern World by Fiona Macintosh Pdf
The first systematic study of the impact of ideas about ancient Greek and Roman dance on modern theatrical and choreographic practices. With contributions from experts in a range of fields, the volume presents a wide conspectus on an under-explored but central aspect of classical reception, dance and theatre history, and the history of ideas.