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In this provocative study of dancing, Sam Gill examines the interpretive styles of a variety of cultural dance traditions in discourse with the philosophic traditions of Schiller, Merleau-Ponty, Barbaras, Derrida, Leroi-Gourhan, and Baudrillard. As a scholar of religion, Gill provides special consideration to the importance of this emerging appreciation of dancing as a perspective inclusive of body and experience. Each chapter delves into the many factions of dancing: moving, gesturing, self-othering, playing, seducing, and masking. Gill also draws on the analysis of contemporary dance films and musicals, his experience as a dancer and dance teacher, his extensive research on dance traditions, and his interest in neurobiology and phenomenology to develop the core of this rich exploration of "dancing," the structurality of all dances.
A History of Theory and Method in the Study of Religion and Dance by Kimerer L. LaMothe Pdf
LaMothe paves the way for new theories and methods in the study of religion and dance by critiquing and displacing a conceptual dichotomy between “religion” and “dance” forged in the colonial era that justified western Christian hostility towards dance traditions across six continents over six centuries.
Dance As Religious Studies by Douglas G. Adams,Diane Apostolos-Cappadona Pdf
"Dance as religious studies" reveals resources for the "art of liturgical dance" in terms of both performance and scholarly interpretation. This collection of methodological essays has been arranged to suggest the wide spectrum and the underlying unity of these diverse and varied approaches to understanding dance as religious studies. Part I concentrates on the relationship between liturgical dance and the scriptural traditions of Judaism and Christianity. Part II indicates the feminist possibilities for liturgical and modern dance. Part III presents a spectrum of the contemporary theory and practice of liturgical dance. The book concludes with a bibliographic survey of sources and resources available to both liturgical dancers and students of dance as religious studies.
Nation Dance Religion, Identity, and Cultural Difference in the Caribbean Edited by Patrick Taylor Addresses the interplay of diverse spiritual, religious, and cultural traditions across the Caribbean. Dealing with the ongoing interaction of rich and diverse cultural traditions from Cuba and Jamaica to Guyana and Surinam, Nation Dance addresses some of the major contemporary issues in the study of Caribbean religion and identity. The book's three sections move from a focus on spirituality and healing, to theology in social and political context, and on to questions of identity and diaspora. The book begins with the voices of female practitioners and then offers a broad, interdisciplinary examination of Caribbean religion and culture. Afro-Caribbean religions, Hinduism, Judaism, Islam, and Christianity are all addressed, with specific reflections on SanterÃa, Palo Monte, Vodou, Winti, Obeah, Kali Mai, Orisha work, Spiritual Baptist faith, Spiritualism, Rastafari, Confucianism, Congregationalism, Pentecostalism, Catholicism, and liberation theology. Some essays are based on fieldwork, archival research, and textual or linguistic analysis, while others are concerned with methodological or theoretical issues. Contributors include practitioners and scholars, some very established in the field, others with fresh, new approaches; all of them come from the region or have done extensive fieldwork or research there. In these essays the poetic vitality of the practitioner's voice meets the attentive commitment of the postcolonial scholar in a dance of "nations" across the waters. Patrick Taylor, Associate Professor in the Division of Humanities and in the Graduate Programme in Social and Political Thought at York University, Toronto, is past Deputy Director of the Centre for Research on Latin America and the Caribbean and Editor-in-Chief of the Caribbean Religions Project. He is author of The Narrative of Liberation: Perspectives on Afro-Caribbean Literature, Popular Culture and Politics and co-editor of Forging Identities and Patterns of Development in Latin America and the Caribbean. His articles have appeared in Callaloo, Studies in Religion, and other scholarly journals and books. May 2001 224 pages, 1 b&w photo, 1 map, 6 1/8 x 9 1/4, bibl., index cloth 0-253-33835-2 $39.95 L / £30.50 paper 0-253-21431-9 $18.95 s / £14.50 books. Contents Acknowledgments Dancing the Nation: An Introduction,Patrick Taylor I. Spirituality, Healing and the Divine Across the Waters: Practitioners Speak, Eva Fernandez, Yvonne B. Drakes, and Deloris Seiveright How Shall We Sing the Lord's Song in a Strange Land? Constructing the Divine in Caribbean Contexts, Althea Prince Communicating with our Gods: The Language of Winti, Petronella Breinburg The Intersemiotics of Obeah and Kali Mai in Guyana, Frederick Ivor Case Religions of African Origin in Cuba: A Gender Perspective, MarÃa Margarita Castro Flores II. Theology, Society and Politics Sheba's Song: The Bible, the Kebra Nagast and the Rastafari, Patrick Taylor Themes from West Indian Church History in Colonial and Post-Colonial Times, Arthur C. Dayfoot Congregationalism and Afro-Guyanese Autonomy, Juanita de Barros Eden after Eve: Christian Fundamentalism and Women in Barbados, Judith Soares Current Evolution of Relations between Religion and Politics in Haiti, Laënnec Hurbon III. Religion, Identity, and Diaspora Jamaican Diasporic Identity: The Metaphor of Yaad, Barry Chevannes Identity, Personhood and Religion in Caribbean Context, Abrahim H. Khan SanfancÃ3n: Orientalism, Self-Orientalization, and "Chinese Religion" in Cuba, Frank F. Scherer The Diasporic Mo(ve)ment: Indentureship and Indo-Caribbean Identity, Sean Lokaisingh-Meighoo Caribbean Religions: A Selected Bibliography
Excerpt from The Sacred Dance: A Study in Comparative Folklore The subject is more complicated than would appear at first sight; for while the fact of its universal prevalence among all races at one time or another of their cultural development shows how essential a rite it was, its origin is obviously veiled in obscurity seeing that it developed in pre-historic times. So that in seeking to throw light on the question of its origin one has to try to get at the back of the mind of the savage, and envisage things from his point of view; but that mind represents a complex of such crass and illogical elements that one may easily be led astray. The purpose of the Sacred Dance, again, presents us with another set of problems; for while in some cases this is clear enough, in others there are alternatives which suggest themselves; and, further, it is probable that a variety of motives not infrequently prompted its performance. To disentangle these is not always easy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
For Native Americans, religious freedom has been an elusive goal. From nineteenth-century bans on indigenous ceremonial practices to twenty-first-century legal battles over sacred lands, peyote use, and hunting practices, the U.S. government has often act
Aspects of Roman Dance Culture by Karin Schlapbach Pdf
The fourteen chapters of this book examine Roman dance by looking at its role in Roman religion, by following it into the theatre and the banquet hall, and by tracing its (metaphorical) presence in a variety of literary contexts, including rhetorical treatises, biography, and lyric poetry. These different approaches, which draw on literary texts, inscriptions, documentary papyri, the visual record, and modern reperformances, converge in illustrating a rich and vibrant dance culture which prided itself on indigenous dances no less than on its capacity to absorb, transform, or revive the dance traditions of their Etruscan or Greek neighbours. Dance was a cultural practice which was able to affirm Romanness, for instance in the case of the Salian priests, but also to raise the question of what was Roman in the first place, for instance when the originally Greek pantomime was embraced by Augustus and came to be known as "Italian style of dancing". Together the fourteen case studies offer fresh perspectives on an underexplored topic, shedding light on the manifold contexts, functions, practitioners, and appreciations of Roman dance.
The collection provides insights on developments in post-traditional religiosity (especially 'New Age' and 'Neo-Paganism') through studies of rave's Gnostic narratives of ascensionism and re-enchantment, explorations of the embodied spirituality and millennialist predispositions of dance culture, and investigations of transnational digital-art countercultures manifesting at geographic locations as diverse as Goa, India, and Nevada's Burning Man festival. Contributors examine raving as a new religious or revitalization movement; a powerful locus of sacrifice and transgression; a lived bodily experience; a practice comparable with world entheogenic rituals; and as evidencing a new Orientalism. Rave Culture and Religion will be essential reading for advanced students and academics in the fields of sociology, cultural studies and religious studies.
Vast numbers of western youth have attached primary significance to raving and post-rave experiences. This collection of essays explores the socio-cultural and religious dimensions of the rave, 'raving' and rave-derived phenomena.
Religion and American Cultures [4 volumes] by Gary Laderman,Luis León Pdf
This four-volume work provides a detailed, multicultural survey of established as well as "new" American religions and investigates the fascinating interactions between religion and ethnicity, gender, politics, regionalism, ethics, and popular culture. This revised and expanded edition of Religion and American Cultures: Tradition, Diversity, and Popular Expression presents more than 140 essays that address contemporary spiritual practice and culture with a historical perspective. The entries cover virtually every religion in modern-day America as well as the role of religion in various aspects of U.S. culture. Readers will discover that Americans aren't largely Protestant, Catholic, or Jewish anymore, and that the number of popular religious identities is far greater than many would imagine. And although most Americans believe in a higher power, the fastest growing identity in the United States is the "nones"—those Americans who elect "none" when asked about their religious identity—thereby demonstrating how many individuals see their spirituality as something not easily defined or categorized. The first volume explores America's multicultural communities and their religious practices, covering the range of different religions among Anglo-Americans and Euro-Americans as well as spirituality among Latino, African American, Native American, and Asian American communities. The second volume focuses on cultural aspects of religions, addressing topics such as film, Generation X, public sacred spaces, sexuality, and new religious expressions. The new third volume expands the range of topics covered with in-depth essays on additional topics such as interfaith families, religion in prisons, belief in the paranormal, and religion after September 11, 2001. The fourth volume is devoted to complementary primary source documents.
Dancing Cultures by Hélène Neveu Kringelbach,Jonathan Skinner Pdf
Dance is more than an aesthetic of life – dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and post-colonialism? Through innovative and wide-ranging case studies, the contributors explore the central role dance plays in culture as leisure commodity, cultural heritage, cultural aesthetic or cathartic social movement.
The Dancing Goddesses: Folklore, Archaeology, and the Origins of European Dance by Elizabeth Wayland Barber Pdf
A fascinating exploration of an ancient system of beliefs and its links to the evolution of dance. From southern Greece to northern Russia, people have long believed in female spirits, bringers of fertility, who spend their nights and days dancing in the fields and forests. So appealing were these spirit-maidens that they also took up residence in nineteenth-century Romantic literature. Archaeologist and linguist by profession, folk dancer by avocation, Elizabeth Wayland Barber has sleuthed through ethnographic lore and archaeological reports of east and southeast Europe, translating enchanting folktales about these “dancing goddesses” as well as eyewitness accounts of traditional rituals—texts that offer new perspectives on dance in agrarian society. She then traces these goddesses and their dances back through the Romans and Greeks to the first farmers of Europe. Along the way, she locates the origins of many customs, including coloring Easter eggs and throwing rice at the bride. The result is a detective story like no other and a joyful reminder of the human need to dance.
Native North American Religious Traditions by Jordan Paper Pdf
Representative Native American religions and rituals are introduced to readers in a way that respects the individual traditions as more than local curiosities or exotic rituals, capturing the flavor of the living, modern traditions, even as commonalities between and among traditions are explored and explained. This general introduction offers wide-ranging coverage of the major factors—geography, history, religious behavior, and religious ideology (theology)—analyzing select traditions that can be dealt with, to varying degrees, on a contemporary basis. As current interest surrounding Native American studies continues to grow, attention has often been given to the various religious beliefs, rituals, and customs of the diverse traditions across the country. But most treatments of the subject are cursory and encyclopedic and do not provide readers with the flavor of the living, modern traditions. Here, representative Native American religions and rituals are introduced to readers in a way that respects the individual traditions as more than local curiosities or exotic rituals, even as commonalities between and among traditions are explored and explained. This general introduction offers wide-ranging coverage of the major factors—geography, history, religious behavior, and religious ideology (theology)—analyzing select traditions that can be dealt with, to varying degrees, on a contemporary basis. Covering such diverse ceremonies as the Muskogee (Creek) Busk, the Northwest Coast Potlatch, the Navajo and Apache menarche rituals, and the Anishnabe (Great Lakes area) Midewiwin seasonal gatherings, Paper takes a comparative approach, based on the study of human religion in general, and the special place of Native American religions within it. His book is informed by perspective gained through nearly fifty years of formal study and several decades of personal involvement, treating readers to a glimpse of the living religious traditions of Native American communities across the country.
Between Dancing and Writing by Kimerer L. LaMothe Pdf
This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of religion, on the one hand, and theology, on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religio
Devotional Hindu Dance by Sabrina D. MisirHiralall Pdf
This book sheds light on the purpose of Hindu dance as devotional. Dr. Sabrina D. MisirHiralall explains the history of Hindu dance and how colonization caused the dance form to move from sacred to a Westernized system that emphasizes culture. Postcolonialism is a main theme throughout this text, as religion and culture do not remain static. MisirHiralall points to a postcolonial return to Hindu dance as a religious and sacred dance form while positioning Hindu dance in the Western culture in which she lives.