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After a car accident crushes his legs, international ballet star Alex Korolev shuts himself away on his private island in Greece. His solitude is interrupted when his brother Nick arrives with an elfin dancer, Gina Ricci. Her empathy and encouragement ignite a new hope in Alex. Her velvet eyes ignite other feelings, too—feelings a man should never have for his brother’s woman. Falling in love is not on Gina's agenda. Nick is just a harmless fling--her ballet career comes first. But when she meets Alex, her heart insists otherwise. As she wrestles with her emotions, she discovers Nick is not as harmless as he seems--and he's willing to murder to keep Alex from having her.
Dancing with Danger in Las Vegas by A. Winters Pdf
A Cupcakes-And-Crime CaperWhen Tiffany Black investigates the mysterious death of a young lawyer, she finds herself up against a web of deception and lies.Meanwhile, Nanna and Ian enter a dance competition for which they're both clearly unsuited.Tiffany's parents finally meet her boyfriend, but not before her mother introduces her to a "charming" young man...
Temple Barr and Matt Devine make a cozy engaged couple, and the feisty redhead is all for her handsome radio host fiance staring in a week-long televised Las Vegas charity event, "Dancing with the Celebs." But while ex-priest Matt struggles to master the sexy moves of the tango, a killer stalks the dance floor. Not only is Matt in danger, but so is the lovely tween Mariah, daughter of homicide cop C. R. Molina, who is dancing in the Junior Division of the show. And so Temple gets dragooned into resurrecting her kicky teen persona, Zoe Chloe Ozone, now an Internet hottie, to ensure Matt and Mariah don't foxtrot into a fatal misstep. Where is Louie in all this? Well, he's out and about, proving that he's still the cat's meow. But he's got his paws full as he tries to keep all the various players in his little troupe from dancing right into death's arms....in Cat in a Topaz Tango, the twenty-first installment in Carole Nelson Douglas's beloved Midnight Louie Mysteries. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In 1952, John Cage shocked audiences with 4'33," his composition showcasing the power of silence. From Cage's minimalism to Chris Burden's radical performance art two decades later, the post-war avant-garde sought to liberate the art world by shattering the divide between high and low art.Feast of Excess presents an engaging and accessible portrait of the cultural extremism that emerged in the United States after World War II. This "New Sensibility," as termed by Susan Sontag, was predicated upon excess, pushing and often crossing boundaries whether in the direction of minimalism ormaximalism. Through brief vignette profiles of prominent figures in literature, music, visual art, poetry, theater and journalism, George Cotkin leads readers on a focused journey through the interconnected stories of prominent figures such as Andy Warhol, Anne Sexton, John Cage, John Coltrane, BobDylan, Erica Jong, and Chris Burden, among many others, who broke barriers between artist and audience with their bold, shocking, and headline-grabbing performances.This inventive narrative captures the sentiment of liberation from high and low culture in artistic endeavors spanning from the 1950s to the 1970s and reveals the establishment of excess in American culture as the norm. A detailed emersion in the history of cultural extremism, Feast of Excess leavesreaders to consider the provocative revelation that the essence of excess remains in our culture today, for good and ill.
VideoHound's Golden Movie Retriever 1999 by Martin Connors,Jim Craddock Pdf
This comprehensive guide contains the most extensive listing of movies available on video--with 1,000 new movies, added categories, and more--plus a multitude of cross-referencing within its 13 primary indexes.
The Dance of Illusion story covers the topics of courage, change and the power of choice in a way that has never been done before. Imagine the possibility we are all impaired at birth with the blessing of forgetfulness to the universal truth that separation is The Dance of Illusion and where there is love, Divine Love, there is no separation. This story calls humanity forward to awaken from an unidentified silent epidemic of an addiction to suffering caused by an underlying, unrecognized belief system rooted in separation. What is required as the entrance ticket to new beginnings in life? It is for the reader to answer an invitation to love, Divine Love that stands the test of time, with a resounding YES. Ultimately, The Dance of Illusion proposes a new way of living in the 21st century and beyond; to learn and live in joy, with suffering a distant memory of the past. This is a story laced empowerment, hope and new beginnings. This is one woman’s true story about awakening to something more in life and how to navigate through many sunrise and sunsets to find true love, Divine love that is found on a journey within. The basic universal truth offered for consideration throughout the story is that we are human beings having a spiritual experience. What is important along the way is to discover the building blocks of truth both personal and universal to rise out of tragedy to experience triumph. What is triumph you might ask? From the author’s point of view, it is the joy of living in freedom without suffering with great passion while consciously creating life with Divine Love as the foundation of faith upon which we stand. Every element of the story showcases an innovative, breakthrough process on how to thrive through difficult times of chaos and change, and how to quiet the passions of the mind in ways that are previously unimaginable and unavailable to millions of people today. The reader is encouraged to ask and seek the answer to a tough question, “How do we create peace in the world when so many millions of us are at war, an invisible war, an attack unrecognized within our own being, perhaps even sleepwalking through life?” The described paradigm creates the set up for denying the time to question the true meaning of life on earth beyond the obvious. In midlife, the author asked herself the question, “Who am I at the core of my being?” The answers sought were beyond the field of right and wrongdoing, beyond make a living and beyond material possessions. While this sounds serious and it is, there are many stories shared that will leave the reader laughing and asking for more. Time may just be the new currency of wealth in the 21st century. It is the author’s perspective; it is what we consciously choose to do with time, that is up for investigation throughout this story. In midlife, the author found herself in emotional and financial crisis which, unexpectedly led to a spiritual emergency. After experiencing great loss, she found herself experiencing deep depression, anxiety and nagging, never ending suicidal thoughts. Having been raised Catholic, she found herself feeling separate from God, family and everyone she loved. This is a story that has never been told before about suicide from a spiritual perspective. This is a must read for those who suffer from depression, anxiety and suicidal tendencies, those who love them and professionals who help them.
First Officer John Drake is Derek Hart's latest hero, yet perhaps it's the ship that takes center stage in this latest adventure. The Princess Carla is the setting for a tale of love and intrigue, romance and excitement, with some international criminals thrown in for good measure. Indeed Drake is handsome, dashing, and certainly entertaining, but it's Interpol Agent Raylene Capri who creates all the mystery and torrid romance. Danger Cruise takes place during a one-week roundtrip cruise from San Juan, Puerto Rico with several scenic stops in between. While the characters and certain events are fictional, not only is the cruise timeframe based on fact, but also all the details about life aboard the Carla during those days are true, right down to the movies shown, the live shows, and the food served. Derek Hart effectively blends real life on a cruise ship with intrigue and romance, propelling the capable John Drake straight into the arms of the equally gifted Raylene Capri. As an independent fashion designer and manager of Musical Fantasy, a Las Vegas Review dance show, she's not only beautiful but concealing something too. However, complications arise when this man and woman fall in love, so everything becomes far more interesting and dangerous.
DK Eyewitness Travel Guide: Las Vegas by David Stratton Pdf
The DK Eyewitness Las Vegas travel guide will lead you straight to the best attractions this bustling, vibrant city has to offer. Fully illustrated, it covers all the major areas - South Strip, North Strip and Downtown - plus there's a section on exploring further afield. You'll find all the insider tips every visitor needs, whether you're shopping at the Via Bellagio, taking a gondola ride at the Venetian or watching the light shows on Freemont Street. And it's packed with comprehensive listings of the best hotels, restaurants, shops and nightlife throughout the city. DK Eyewitness Las Vegas features 3D cutaways and floorplans of all the must-see sites including the strips and all the major resorts; with street maps and reliable information about getting around this spectacular city. It also explores Las Vegas' history, and its transformation into the gambling capital of the world. With all the sights and attractions listed place by place, DK Eyewitness Las Vegas is your essential travel companion. DK Eyewitness Las Vegas - showing you what others only tell you.
Tony and Olivier Award–winning Bob Avian’s dazzling life story, Dancing Man: A Broadway Choreographer’s Journey, is a memoir in three acts. Act I reveals the origins of one of Broadway’s legendary choreographers who appeared onstage with stars like Barbra Streisand and Mary Martin all before he was thirty. Act II includes teaching Katharine Hepburn how to sing and dance in Coco and working with Stephen Sondheim and Michael Bennett while helping to choreograph the original productions of Company and Follies. During this time, Avian won a Tony Award as the cochoreographer of A Chorus Line and produced the spectacular Tony Award–winning Dreamgirls. For a triumphant third act, Avian choreographed Julie Andrews’s return to the New York stage, devised all of the musical staging for Miss Saigon and Sunset Boulevard, and directed A Chorus Line on Broadway. He worked with the biggest names on Broadway, including Andrew Lloyd Webber, Carol Burnett, Jennifer Holliday, Patti LuPone, Elaine Stritch, and Glenn Close. Candid, witty, sometimes shocking, and always entertaining, here at last is the ultimate up-close and personal insider’s view from a front row seat at the creation of the biggest, brightest, and best Broadway musicals of the past fifty years.
In power for forty-four years and counting, Fidel Castro has done everything possible to define Cuba to the world and to itself -- yet not even he has been able to control the thoughts and dreams of his people. Those thoughts and dreams are the basis for what may become a post-Castro Cuba. To more fully understand the future of America's near neighbor, veteran reporter Eugene Robinson knew exactly where to look -- or rather, to listen. In this provocative work, Robinson takes us on a sweaty, pulsating, and lyrical tour of a country on the verge of revolution, using its musicians as a window into its present and future. Music is the mother's milk of Cuban culture. Cubans express their fondest hopes, their frustrations, even their political dissent, through music. Most Americans think only of salsa and the Buena Vista Social Club when they think of the music of Cuba, yet those styles are but a piece of a broad musical spectrum. Just as the West learned more about China after the Cultural Revolution by watching From Mao to Mozart, so will readers discover the real Cuba -- the living, breathing, dying, yet striving Cuba. Cuban music is both wildly exuberant and achingly melancholy. A thick stew of African and European elements, it is astoundingly rich and influential to have come from such a tiny island. From rap stars who defy the government in their lyrics to violinists and pianists who attend the world's last Soviet-style conservatory to international pop stars who could make millions abroad yet choose to stay and work for peanuts, Robinson introduces us to unforgettable characters who happily bring him into their homes and backstage discussions. Despite Castro's attempts to shut down nightclubs, obstruct artists, and subsidize only what he wants, the musicians and dancers of Cuba cannot stop, much less behave. Cubans move through their complicated lives the way they move on the dance floor, dashing and darting and spinning on a dime, seducing joy and fulfillment and next week's supply of food out of a broken system. Then at night they take to the real dance floors and invent fantastic new steps. Last Dance in Havana is heartwrenching, yet ultimately as joyous and hopeful as a rocking club late on a Saturday night.
If there's one thing Bureau of Indian Affairs Investigator Emmet Quanah Parker knows, it's that the dead don't always stay dead. With him he carries the ghosts of a partner killed in action, three failed marriages, and a long affair with the bottle. And now he's about to face the most dangerous case of his career--one that begins with a body that doesn't stay buried. Brutally murdered and bizarrely mutilated, a woman's corpse is discovered on Havasupai Nation land. Parker is paired with FBI Special Agent Anna Turnipseed in a hastily assembled task force of two. The two share a mixed Native American ancestry...and little else. As they are pulled deeper into a complex case, Parker suspects they are being led--like Custer into Little Bighorn--into a killer's trap, with Anna the bait and Parker himself the quarry. At the heart of it are the dead, with history the most lethal weapon of all....
Armed with an eighth-grade education, an inexhaustible imagination, and an innate talent for dancing, Hermes Pan (1909-1990) was a boy from Tennessee who became the most prolific, popular, and memorable choreographer of the glory days of the Hollywood musical. While he may be most well-known for the Fred Astaire-Ginger Rogers musicals which he choreographed at RKO film studios, he also created dances at Twentieth Century-Fox, M-G-M, Paramount, and later for television, winning both the Oscar and the Emmy for best choreography. In Hermes Pan: The Man Who Danced with Fred Astaire, Pan emerges as a man in full, an artist inseparable from his works. He was a choreographer deeply interested in his dancers' personalities, and his dances became his way of embracing and understanding the outside world. Though his time in a Trappist monastery proved to him that he was more suited to choreography than to life as a monk, Pan remained a deeply devout Roman Catholic throughout his creative life, a person firmly convinced of the powers of prayer. While he was rarely to be seen without several beautiful women at his side, it was no secret that Pan was homosexual and even had a life partner. As Pan worked at the nexus of the cinema industry's creative circles during the golden age of the film musical, this book traces not only Pan's personal life but also the history of the Hollywood musical itself. It is a study of Pan, who emerges here as a benevolent perfectionist, and equally of the stars, composers, and directors with whom he worked, from Astaire and Rogers to Betty Grable, Rita Hayworth, Elizabeth Taylor, Sammy Davis Jr., Frank Sinatra, Bob Fosse, George Gershwin, Samuel Goldwyn, and countless other luminaries of American popular entertainment. Author John Franceschina bases his telling of Pan's life on extensive first-hand research into Pan's unpublished correspondence and his own interviews. Pan enjoyed one of the most illustrious careers of any Hollywood dance director, and because his work also spanned across Broadway and television, this book will appeal to readers interested in musical theater history, dance history, and film.
You’ve heard Doc Holliday’s history, but do you know his story? Dance with the Devil is the story of a how a gentleman becomes an outlaw, how an outlaw becomes a lawman, and how a Southern son named John Henry becomes a legend called Doc Holliday. The year is 1873, and the West is wild. Jesse James and his gang are robbing trains, the Sioux Indians are on the warpath, and Dr. John Henry Holliday arrives in Texas as a young man with a troubled past hoping to regain his place as a Southern gentleman and win back the love of the girl he left behind. But his life in the West doesn’t turn out the way he’s planned, and soon he’s in trouble with the law and facing a terrifying truth as desperation drives him toward the frontier and leads to deadly action. And as the story races from the gambling halls of Dallas to the saloons of Dodge City and the dangers of the Santa Fe Trail, John Henry finds a new love affair and a new hero to follow—and an old enemy eager for a reckoning. Dance with the Devil is the second book in the award-winning Saga of Doc Holliday, an epic American tale of heroes and villains, dreams lost and found, families broken and reconciled, of sin and recompense and the redeeming power of love.
What do you do when your husband, an ex-NFL running back, is trying to have you murdered? You get kidnapped, run, dance in questionable strip clubs, and stay under the radar while trying to survive. That is exactly the path that I took, only in the end, it lead me to a motorcycle club in the Dakotas and to a family I never knew I had. I don't know if they can keep me safe or sane, especially after meeting their VP - Rage. I do know it's time to stop running, and to start living again. *Meant for adult readers, strong language, violence, and sexual situations. Over 70K word, full length, stand alone novel with an HEA.
