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This book -- at once personal and analytical -- explores, in vibrant detail and compelling depth, the capacity of movement to express the way that human beings experience their lives and identities. In recounting her exploration of a town in the American Southwest, Deidre Sklar examines themes common to cultures around the world."—Benjamin S. Orlove, editor of The Allure of the Foreign
Dancing from Past to Present by Theresa Jill Buckland Pdf
This groundbreaking collection combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. The essays find a balance between past and present and examine how dance and bodily practices are core identity and cultural creators. Reaching beyond the typically Eurocentric view of dance, Dancing from Past to Present opens a world of debate over the role dance plays in forming and expressing cultural identities around the world.
Dancing With the Virgins (Cooper and Fry Crime Series, Book 2) by Stephen Booth Pdf
The second in the series set in the Derbyshire Peak District, Dancing with the Virgins is a tense psychological follow-up to Stephen Booth’s acclaimed debut Black Dog.
The danza de matachines is a tradition with roots in the Spanish colonization of Mexico that summons history for Mexican, Chicano, and indigenous communities. The elaborate ritual, regalia, and practices associated with the tradition tell of the repeated appearances of Our Lady of Guadalupe to the Aztec Indian Juan Diego as she provided instructions for the building of a church. Matachines have been dancing in Mexico and portions of the southwestern United States for as long as 300 years, and various troupes in San Antonio date their beginnings to the late 1800s, as immigrants from Mexico brought the tradition to the southern reaches of Texas. In We Dance for the Virgen, Robert R. Botello, who participated in a family-based troupe from 2006 to 2019, reviews the history of the tradition while contrasting the troupe's internal changes in traditions with those originating from the larger social and political context of San Antonio. In Botello's words, this book "is as much about the dance and its history as it is about my transformation as a matachines dancer." Botello ultimately examines issues of cultural appropriation arising from the association of the troupe with the Roman Catholic Archdiocese of San Antonio, revealing the resilience in a tradition that has remained true to its origins across many generations of dancers.
Winner of the Dance Perspectives Foundation de la Torre Bueno Prize Recent approaches to dance composition, seen in the works of Merce Cunningham and the Judson Church performances of the early 1960s, suggest the possibility for a new theory of choreographic meaning. Borrowing from contemporary semiotics and post-structuralist criticism, Reading Dancing outlines four distinct models for representation in dance which are illustrated, first, through an analysis of the works of contemporary choreographers Deborah Hay, George Balanchine, Martha Graham, and Merce Cunningham, and then through reference to historical examples beginning with court ballets of the Renaissance. The comparison of these four approaches to representation affirms the unparalleled diversity of choreographic methods in American dance, and also suggests a critical perspective from which to reflect on dance making and viewing.
The Dancing Goddesses: Folklore, Archaeology, and the Origins of European Dance by Elizabeth Wayland Barber Pdf
A fascinating exploration of an ancient system of beliefs and its links to the evolution of dance. From southern Greece to northern Russia, people have long believed in female spirits, bringers of fertility, who spend their nights and days dancing in the fields and forests. So appealing were these spirit-maidens that they also took up residence in nineteenth-century Romantic literature. Archaeologist and linguist by profession, folk dancer by avocation, Elizabeth Wayland Barber has sleuthed through ethnographic lore and archaeological reports of east and southeast Europe, translating enchanting folktales about these “dancing goddesses” as well as eyewitness accounts of traditional rituals—texts that offer new perspectives on dance in agrarian society. She then traces these goddesses and their dances back through the Romans and Greeks to the first farmers of Europe. Along the way, she locates the origins of many customs, including coloring Easter eggs and throwing rice at the bride. The result is a detective story like no other and a joyful reminder of the human need to dance.
Carnival and Other Christian Festivals by Max Harris Pdf
With a riotous mix of saints and devils, street theater and dancing, and music and fireworks, Christian festivals are some of the most lively and colorful spectacles that occur in Spain and its former European and American possessions. That these folk celebrations, with roots reaching back to medieval times, remain vibrant in the high-tech culture of the twenty-first century strongly suggests that they also provide an indispensable vehicle for expressing hopes, fears, and desires that people can articulate in no other way. In this book, Max Harris explores and develops principles for understanding the folk theology underlying patronal saints' day festivals, feasts of Corpus Christi, and Carnivals through a series of vivid, first-hand accounts of these festivities throughout Spain and in Puerto Rico, Mexico, Peru, Trinidad, Bolivia, and Belgium. Paying close attention to the signs encoded in folk performances, he finds in these festivals a folk theology of social justice that—however obscured by official rhetoric, by distracting theories of archaic origin, or by the performers' own need to mask their resistance to authority—is often in articulate and complex dialogue with the power structures that surround it. This discovery sheds important new light on the meanings of religious festivals celebrated from Belgium to Peru and on the sophisticated theatrical performances they embody.
Selected by Ross Gay as winner of the inaugural Jake Adam York Prize, Analicia Sotelo’s debut collection of poems is a vivid portrait of the artist as a young woman. In Virgin, Sotelo walks the line between autobiography and mythmaking, offering up identities like dishes at a feast. These poems devour and complicate tropes of femininity—of naiveté, of careless abandon—before sharply exploring the intelligence and fortitude of women, how “far & wide, / how dark & deep / this frigid female mind can go.” A schoolgirl hopelessly in love. A daughter abandoned by her father. A seeming innocent in a cherry-red cardigan, lurking at the margins of a Texas barbeque. A contemporary Ariadne with her monstrous Theseus. A writer with a penchant for metaphor and a character who thwarts her own best efforts. “A Mexican American fascinator.” At every step, Sotelo’s poems seduce with history, folklore, and sensory detail—grilled meat, golden habañeros, and burnt sugar—before delivering clear-eyed and eviscerating insights into power, deceit, relationships, and ourselves. Here is what it means to love someone without truly understanding them. Here is what it means to be cruel. And here is what it means to become an artist, of words and of the self. Blistering and gorgeous, Virgin is an audacious act of imaginative self-mythology from one of our most promising young poets.
Dancing Into Darkness by Sondra Horton Fraleigh Pdf
Dancing Into Darkness is Sondra Horton Fraleigh's chronological diary of her deepening understanding of and appreciation for this art form, as she moves from a position of aesthetic response as an audience member to that of assimilation as a student. As a student of Zen and butoh, Fraleigh witnesses her own artistic and personal transformation through essays, poems, interviews, and reflections spanning twelve years of study, much of it in Japan. Numerous performance photographs and original calligraphy by Fraleigh's Zen teacher Shodo Akane illuminate her words. The pieces of Dancing Into Darkness cross boundaries, just as butoh anticipates a growing global amalgamation. "Butoh is not an aesthetic movement grafted onto Western dance, " Fraleigh concludes, "and Western dance may be more Eastern than we have been able to see. "
Essays on 20th Century Latin American Art by Francine Birbragher-Rozencwaig Pdf
Essays on 20th Century Latin American Art provides a broad synthesis of the subject through short chapters illustrated with reproductions of iconic works by artists who have made significant contributions to art and society. Designed as a teaching tool for non-art historians, the book's purpose is to introduce these important artists within a new scholarly context and recognize their accomplishments with those of others beyond the Americas and the Caribbean. The publication provides an in-depth analysis of topics such as political issues in Latin American art and art and popular culture, introducing views on artists and art-related issues that have rarely been addressed. Organized both regionally and thematically, it takes a unique approach to the exploration of art in the Americas, beginning with discussions of Modernism and Abstraction, followed by a chapter on art and politics from the 1960s to the 1980s. The author covers Spanish-speaking Central America and the Caribbean, regions not usually addressed in Latin American art history surveys. The chapter on Carnival as an expression of popular culture is a particularly valuable addition. This book will be of interest to students and scholars of Latin American history, culture, art, international relations, gender studies, and sociology, as well as Caribbean studies.
In this biographical novel, Gladys Malvern shares the incredible story of Anna Pavlova, one of the most revered and celebrated ballerinas of all time. Malvern presents Pavlova’s life in enchanting prose, allowing the reader to experience Pavlova’s inspirational first exposure to a performance of Sleeping Beauty, the origination of her defining dance The Dying Swan, her illustrious rise to fame as a prima ballerina, and her extensive world tours. You don’t have to be a fan of the ballet to enjoy this captivating tale, available for the first time in ebook.
It is commonly assumed that the Counter-Reformation touched Spain only lightly, affecting the religious institutions but not the ordinary Spaniards. Henry Kamen now challenges this view by providing an intimate look at what life was like in one small but distinctive rural Spanish community from the mid-sixteenth to mid-seventeenth centuries. By examining the Catalan village of Mediona as a microcosm of Spanish society, Kamen shows that in fact the Counter Reformation led to powerful changes in the daily lives, beliefs, and customs of the common people of Catalonia and Spain. Kamen portrays the popular culture of Mediona, studying the shifting habits revealed by its administrative reforms during the Counter Reformation; the place of religious belief within the community; the attempts to change popular festivities and celebrations; the far-reaching innovations in marriage and sexuality; the role of the Inquisition and of the Jesuits; the problem of witchcraft, and the impact of books from the expanding presses of France, Italy, and the Netherlands on local language and ideas. Kamen concludes that the Counter Reformation was in some instances liberating rather than repressive in Mediona and the broader Mediterranean society of which it was part. By contemplating popular religion and culture as it was practiced by ordinary citizens, he offers new insights into an epoch normally studied only in the light of great political events, and he presents a wholly original vision of culture and society in Spain's Golden Age.
"What is strikingly new about Miss Siegel's achievement is that she goes beyond the usual kind of historical reassessment. . . . She performs on behalf of this most evanescent of the arts an act of significant recovery. By tracking down--often in rare stage revivals, on film or on videotape--as many of the works by major creators of the last half century as survive, and by describing them . . . in a manner that combines accuracy and imagination, she has enriched our knowledge of the past and added immeasurably, to our resent stock of critical resources."--Dale Harris, New York Times Book Review "Siegel has a gut feeling for dance and a razor-sharp intelligence about it. It's an irresistible combination."--Margaret Pierpont, Dance Magazine "After you've seen and felt dance this deeply--even vicariously--your way of looking at dance will never be the same."--William Albright, Houston Post She sees, acutely, with her muscles as well as her eyes. She thinks about dance as much as she experiences it. . . . This is dance choreography reconstituted. Dances leap off the page. . . . The ability to do that is extraordinary."--Jean Bunke, Des Moines Sunday Register "The sections in which she describes the dances themselves make up the bulk of the book and they are profoundly illuminating. . . . These descriptions represent an amazing literary, as well as critical, accomplishment, for they are both accurate and resonant, both objective and enlightening, both formal and personal."--Laura Shapiro, The Real Paper "Siegel draws on her years of experience as a working dance critic, a profession she has helped to shape, and brings to a range of American dance a sense of honesty and a mind that wants to understand the antecedents of what is currently in vogue as the dance explosion."--Iris M. Fanger, The Christian Science Monitor