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Danzig Trilogy of Gunter Grass by John Reddick Pdf
A critical examination of Grass's work offers overwhelming evidence that Cat and Mouse and Dog Years are part of a unified structure begun by The Tin Drum and that they continue to explore the same key figures, themes, and symbols. A Helen and Kurt Wolff Book.
The 'Danzig Trilogy' of Günter Grass by John Reddick Pdf
A critical examination of Grass's work offers overwhelming evidence that Cat and Mouse and Dog Years are part of a unified structure begun by The Tin Drum and that they continue to explore the same key figures, themes, and symbols. A Helen and Kurt Wolff Book.
The greatest German novel since the end of World War II, The Tin Drum is the autobiography of Oskar Matzerath, thirty years old, detained in a mental hospital, convicted of a murder he did not commit. On the day of his third birthday, Oskar had "declared, resolved, and determined [to] stop right there, remain as I was, stay the same size, cling to the same attire" (striped pullover and patent-leather shoes). That same day Oskar receives his first tin drum, and from then on it is the means of his expression, allowing him to draw forth memories from the past as well as judgments about the horrors, injustices, and eccentricities he observes through the long nightmare of the Nazi era. As that era ebbs bloodily away, as drum succeeds drum, Oskar participates in the German postwar economic miracle -- working variously in the black market, as an artist's model, in a troupe of traveling musicians. With the onset of affluence and fame, Oskar decides to grow a few inches, only to develop a humpback. But despite his newfound status (and stature), Oskar remains haunted by the deaths of his parents, afflicted by his responsibility for past sins -- and so assumes guilt for a murder he did not commit as an act of atonement and an opportunity to find consolation.The rhythms of Oskar's drums are intricate and insistent, and they lead us, often by way of shocking fantasies, through the dark forest of German history. Through Oskar's piercing, outspoken voice and deformed little figure, through the imaginative distortion and exaggeration of historical experience, a pathetically hilarious yet startlingly true portrayal of the human situation comes into view.
Günter Grass's "Danzig-Quintet" by Katharina Hall Pdf
This study extends the long-established notion of Grass's 'Danzig Trilogy' to that of the 'Danzig Quintet' - a literary project of epic proportions, which explores the evolution of Germany's relationship to its Nazi past over a period of forty years. The interlocking stories of Die Blechtrommel (1959), Katz und Maus (1961), Hundejahre (1963), örtlich betäubt (1969) and Im Krebsgang (2002) are mediated by the memory and language of seven first-person narrators. Using the dual conceptualisation of memory developed by Freud and Lacan - 'reliving' versus 'recollecting' the past - the author shows how these narrators' accounts assert the reality of the Holocaust (as well as German wartime suffering), while highlighting the reluctance of ordinary Germans to admit their involvement in the Nazi regime. This delineation of the complex relationship of three generations to their history is deepened by the intertextual nature of the quintet. Using the theory of Peter Brooks, Umberto Eco, Shoshana Felman and Hayden White, the study explores how Grass's textual strategies encourage the reader to view all five works as one overarching narrative, while simultaneously avoiding any literary or historical closure. In the process, the study places each book in the context of its moment of production, and also considers the implications of Grass's belated admission, in August 2006, that he served with the Waffen-SS during the final months of World War Two.
In an explosive fusion of myth and reality, magic and romance, Dog Years charts forty years of German history, starting with 1917, to expose the madness of a society that bred and nurtured the horrors of the Third Reich before anaesthetising itself with the chaos of disintegration.
In this extraordinary memoir, Nobel Prize-winning author Günter Grass remembers his early life, from his boyhood in a cramped two-room apartment in Danzig through the late 1950s, when The Tin Drum was published. During the Second World War, Grass volunteered for the submarine corps at the age of fifteen but was rejected; two years later, in 1944, he was instead drafted into the Waffen-SS. Taken prisoner by American forces as he was recovering from shrapnel wounds, he spent the final weeks of the war in an American POW camp. After the war, Grass resolved to become an artist and moved with his first wife to Paris, where he began to write the novel that would make him famous. Full of the bravado of youth, the rubble of postwar Germany, the thrill of wild love affairs, and the exhilaration of Paris in the early fifties, Peeling the Onion--which caused great controversy when it was published in Germany--reveals Grass at his most intimate.
“A final book like no other” from the Nobel Prize–winning author of The Tin Drum: poetry and meditations on writing, aging, and living until the end (The Irish Times). In spite of the trials of old age, and with the end in sight, Günter Grass weaves his life’s reflections together into a witty and elegiac swansong: love letters, soliloquies, jealous musings, social satire, and moments of happiness long to be shared. As the inimitable German fabulist lives his remaining days, his passion for writing spurs in him new life. His final work is a creation filled with wisdom and defiance. In a striking interplay of poetry, lyric prose, and drawings, this diverse assemblage is a moving farewell gift—a sensual, melancholy summation of a life fully lived. “Elegant musings on dying and, most poignantly, living.” —Kirkus Reviews “A glorious gift, a final salute true to the singular creativity of the most human, and humane, of artists.” —The Irish Times “A thoughtful, uncompromising meditation on death and aging . . . He describes loss, change, and memory with a combination of melancholy and wit.” —Publishers Weekly
A novel set in three parts, beginning in the 1920s and ending in the 1950s, that follows the lives of two friends from the prewar years in Germany through an apocalyptic period and its startling aftermath. Translated by Ralph Manheim. A Helen and Kurt Wolff Book
The winner of the Nobel Prize for Literature tells the story of two old men in Berlin -- one a former East German cultural functionary, the other a former mid-level spy -- observing life in the former German Democratic Republic after the fall of the Wall in 1989. Grass weaves a deeply human story laced with pain and humor in equal measure.
Migration and Literature offers a thought-provoking analysis of the thematic and formal role of migration in four contemporary and canonized novelists.
