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USA Today bestselling author MaryJanice Davidson has enchanted readers everywhere with her delicious blend of wicked humor, sizzling sex and a totally unique vision of vampires and werewolves. Now, in this collection of four sensual novellas, worlds collide when she brings her beloved Wyndham werewolves together with the vampires ruled by Undead Queen Betsy Taylor. In three of her most popular novellas, a Wyndham werewolf finds their perfect—sometimes reluctant!—mate, whether mortal or immortal. The collection culminates with the highly anticipated original story of feral vampire George the Fiend, as he meets the only female who can tame the beast within—a lovely werewolf. Filled with equal parts of spicy heat and laugh-out-loud moments, this collection will drive you wild with blood-pounding delight.
USA Today bestselling author MaryJanice Davidson has enchanted readers everywhere with her delicious blend of wicked humor, sizzling sex and a totally unique vision of vampires and werewolves. Now, in this collection of four sensual novellas, worlds collide when she brings her beloved Wyndham werewolves together with the vampires ruled by Undead Queen Betsy Taylor. In three of her most popular novellas, a Wyndham werewolf finds their perfect—sometimes reluctant!—mate, whether mortal or immortal. The collection culminates with the highly anticipated original story of feral vampire George the Fiend, as he meets the only female who can tame the beast within—a lovely werewolf. Filled with equal parts of spicy heat and laugh-out-loud moments, this collection will drive you wild with blood-pounding delight.
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
The never before told story behind the legend of Count Dracula! The story of the Count’s greatest love, Mina Harker, and the bloodthirsty vampire hunters whose cruel pursuit drove the master of the night to actions ever more ruthless. The Count Dracula sets the record straight … The first in the Saberhagen Dracula series.
From cinema's earliest days, being scared out of your wits has always been one of the best reasons for going to the movies. From B-movie bogeymen and outer space oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampage across the Silver Screen. Landis also surveys the historical origins of archetypal monsters, such as vampires, zombies and werewolves, and takes you behind the scenes to discover the secrets of the special-effects wizards who created such legendary frighteners as King Kong, Dracula, the Alien, and Freddy Krueger. Monsters in the Movies by John Landis is filled with the author's own fascinating and entertaining insights into the world of movie-making, and includes memorable contributions from leading directors, actors and monster-makers. The book is also stunningly illustrated with 1000 movie stills and posters drawn from the unrivaled archives of the Kobal Collection. Contents Introduction by John Landis... Explore a timeless world of fears and nightmares as John Landis investigates what makes a legendary movie monster • Monsters, chapter by chapter... Feast your eyes upon a petrifying parade of voracious Vampires, flesh-eating Zombies, slavering Werewolves, gigantic Apes and Supernatural Terrors • Spectacular double-page features... Thrill to the strangest, scariest, weirdest, and craziest movie monsters ever seen • The ingenious tricks of movie-making... Marvel as the special-effects wizards reveal how they create movie magic • A monster-movie timeline... Discover John Landis's personal selection of landmark horror films
The celebrated New York Times Bestseller A Best Book of the Year pick at the New York Times, NPR, The New Yorker, TIME, Washington Post, Oprahmag.com, Thrillist, Shelf Awareness, Good Housekeeping and more. What does it take to come back to life? For Jessa-Lynn Morton, the question is not an abstract one. In the wake of her father’s suicide, Jessa has stepped up to manage his failing taxidermy business while the rest of the Morton family crumbles. Her mother starts sneaking into the taxidermy shop to make provocative animal art, while her brother, Milo, withdraws. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. It’s not until the Mortons reach a tipping point that a string of unexpected incidents begins to open up surprising possibilities and second chances. But will they be enough to salvage this family, to help them find their way back to one another? Kristen Arnett’s breakout bestseller is a darkly funny family portrait; a peculiar, bighearted look at love and loss and the ways we live through them together.
Death, The Dead and Popular Culture by Ruth Penfold-Mounce Pdf
Portrayals of death and the dead are everywhere within popular culture revealing much about contemporary society’s engagement with mortality. Drawing upon celebrity posthumous careers, organ transplantation mythology and the fictional dead, this book considers how representations of the dead in popular culture exert powerful agency.
Mel Brooks in the Cultural Industries by Alex Symons Pdf
Alex Symons takes a unique, artist-focused approach in order to systematically identify the range of Brooks's adaptation strategies across the Hollywood film, Broadway theatre and American television industries.
Vampirism in Gothic film parody: From Tod Browning’s ‘Dracula’ to Mel Brooks’ ‘Dracula: Dead and Loving It’ by Eugen Gusser Pdf
This thesis analyses motifs of vampirism in gothic film parodies on the basis of Mel Brooks “Dracula: Dead and Loving it”, which parodies its original “Dracula” by Tod Browning. The contrasting juxtaposition of the two films serves to provide the parodic constructions of vampirism. By using the six methods of parody by Dan Harris – reiteration, inversion, misdirection, literalizitation, extraneous inclusion and exaggeration – the parodic constructions will be examined. This works aims to find answers to the question what is left of the old-fashioned motifs of vampirism.
Famous for being deathly serious, the vampire genre has a consistent yet often critically overlooked subgenre--the comedic spoof and satire. This is the first book dedicated entirely to documenting and analyzing the vampire comedy on film and television. Various types of comedy are discussed, outlining the important differences between spoofing, serious-spoofing, parody and satire. Seminal films such as Abbott and Costello Meet Frankenstein, Love at First Bite, Vampire in Brooklyn, Dracula: Dead and Loving It and What We Do In the Shadows are featured. More importantly, this book demonstrates how comedy is central to both the common perception of the vampire and the genre's ever-evolving character, making it an essential read for those interested in the laughing undead and creatures that guffaw in the night.
American Jewish Filmmakers by David Desser,Lester D. Friedman Pdf
Woody Allen, Mel Brooks, Sidney Lumet, and Paul Mazursky, all sons of East European Jews, remain among the most prominent contemporary American film directors. In this revised, updated second edition of American Jewish Filmmakers, David Desser and Lester D. Friedman demonstrate how the Jewish experience gives rise to an intimately linked series of issues in the films of these and other significant Jewish directors. The effects of the Holocaust linger, both in gripping dramatic form (Mazursky's Enemies, a Love Story) and in black comedy (Brooks's The Producers). In his trilogy consisting of Serpico, Prince of the City, and Q&A, Lumet focuses on the failure of society's institutions to deliver social justice. Woody Allen portrays urban life and family relationships (Manhattan and Hannah and Her Sisters), sometimes with a nostalgic twist (Radio Days). This edition concludes with a newly written discussion of the careers of other prominent Jewish filmmakers such as Steven Spielberg, Barry Levinson, Brian Singer, and Darren Aronofsky.
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!
Author : Dara Horn Publisher : W. W. Norton & Company Page : 272 pages File Size : 55,7 Mb Release : 2021-09-07 Category : Social Science ISBN : 9780393531572
People Love Dead Jews: Reports from a Haunted Present by Dara Horn Pdf
Winner of the 2021 National Jewish Book Award for Contemporary Jewish Life and Practice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.
Count Dracula Goes to the Movies by Lyndon W. Joslin Pdf
First published in 1897, Bram Stoker's Dracula has never been out of print. Yet most people are familiar with the title character from the movies. Count Dracula is one of the most-filmed literary characters in history--but has he (or Stoker's novel) ever been filmed accurately? In its third edition, this study focuses on 18 adaptations of Dracula from 1922 to 2012, comparing them to the novel and to each other. Fidelity to the novel does not always guarantee a good movie, while some of the better films are among the more freely adapted. The Universal and Hammer sequels are searched for traces of Stoker, along with several other films that borrow from the novel. The author concludes with a brief look at four latter-day projects that are best dismissed or viewed for ironic laughs.