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Author : Anonim
Publisher : Cambria Press
Page : 378 pages
File Size : 53,6 Mb
Release : 2024-06-29
Category : Electronic
ISBN : 9781621969457
Author : Gerald Lynn Phillips
Publisher : Unknown
Page : 377 pages
File Size : 51,7 Mb
Release : 2014-05-14
Category : MUSIC
ISBN : 1624991505
In this well-written work, the author argues that the present situation regarding the music of the classical tradition is fundamentally untenable. While change is, of course, inevitable, the author posits that teachers of the classical music tradition, nonetheless, have a moral responsibility to do as much as possible to advocate and work toward goals that will hasten and most positively influence the direction of change. The author believes that the present relationship between the music of the Western classical tradition and the culture of the present is an unhealthy one. The music of dead composers comprises the overwhelming preponderance of music heard today, especially in the larger venues such as symphony halls and opera houses. Specifically, the author argues that we must promote and provide for (at least) an equal place in our teaching, recordings, and performances for the music of composers who are living at the time we undertake these activities. He further advocates that this is not simply a matter of currency, it is a matter of cultural vibrancyeven survivaland it is an ethical and aesthetic concern toward which we must direct our most serious attention and effort. As both a singer and a teacher, the author delivers a resounding perspective in this book. He also brings the important insights of others from other fields such as literature, philosophy, and theater. The authors discussions revolve around the situation of classical music, a situation that in many ways exemplifies the gradual transformation of the rationalization of the world, into the radical commodification of the world. This outcome will be shown to be intimately linked to ethical and aesthetic issues, whichwill be developed by means of an extended consideration of the conflict between the rational and the a-rational as it plays itself out in contrasts between music, art, and literature, and science and philosophy. The book delves into the problem of teaching music, particularly the problems commonly dealt with in the teaching studio. Teachers of the Western music tradition have developed tried and true techniques for dealing with these problems as they occur in teaching, generally by helping students toward an understanding of historical, musical, technical and stylistic problems, among a host of others. These common problems of teaching are, however, symptomatic of very deep, complicated, and endemic philosophical issues that have, so far, been insufficiently discussed in a form that might be useful to teachers, performers, and lovers of the music of the Western classical music tradition. The most unique contribution of these discussions is the investigation into what is not discussed to any depth in pedagogy bookswhat lies behind or beneath these commonly experienced problems. This is a critical book for collections in music.
Author : Natasha Loges,Laura Tunbridge
Publisher : Indiana University Press
Page : 303 pages
File Size : 45,7 Mb
Release : 2020-05-05
Category : Music
ISBN : 9780253047038
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.
Author : John Murungi
Publisher : Cambridge Scholars Publishing
Page : 256 pages
File Size : 48,7 Mb
Release : 2014-03-17
Category : Art
ISBN : 9781443857871
In Rendezvous with the Sensuous readers are drawn to, and become situated within, the dynamic place of the aesthetic experience. While there, human sensuousness comes into relief as it combines with the sensuousness that derives from nature. In this complex place where artistic expression coalesces with the natural world, readers are extended an invitation to share in the journey of a richly diverse synesthetic experience and to gain a greater appreciation of the important place of the sensuous in illuminating the role of aesthetics in the world of ideas.
Author : Alon Schab,Senior Lecturer of Music Alon Schab
Publisher : Oxford University Press
Page : 289 pages
File Size : 48,9 Mb
Release : 2022-06-10
Category : Arrangement (Music)
ISBN : 9780197600658
Provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources - manuscripts, prints, and treatises - in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions - determining what constitutes a 'version' of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.
Author : Jacob Neusner
Publisher : University of Chicago Press
Page : 256 pages
File Size : 53,6 Mb
Release : 1995-05
Category : Religion
ISBN : 0226576485
Distinguished historian of Judaism Jacob Neusner here ventures for the first time into constructive theology. Taking the everyday life of contemporary Judaism as his beginning, Neusner asks when in the life of the living faith of the Torah does Israel, the holy community, meet God? Where does the meeting take place? What is the medium of the encounter? In his attempt to answer these questions, Neusner sets forth the character and the form of the Torah as sung theology. Israel, the holy community, meets God in the synagogue, while at prayer, and in the yeshiva, when studying the Torah—at the moment in each setting when the Torah is received. In both circumstances people do not read but sing out its words. With the written part of the Torah sung in the synagogue, and the oral part declaimed in centers of sacred learning, music provides the medium for Judaism's theological voice. Neusner identifies a reciprocal exchange between the holy community Israel and God: Israel sings to God when the Torah is studied, and God sings to Israel when the Torah is declaimed. Through the metaphor of music, Neusner offers an account of how he believes those faithful to the Torah meet God in the Torah, and how they should listen to the melody of God's self-revelation. The result is an original theological reflection that will interest all students of Judaism.
Author : Gary Backhaus
Publisher : Zeta Books
Page : 128 pages
File Size : 47,8 Mb
Release : 2011-01-01
Category : Electronic
ISBN : 9786068266015
Author : Alex Connock
Publisher : Taylor & Francis
Page : 261 pages
File Size : 53,5 Mb
Release : 2024-04-03
Category : Business & Economics
ISBN : 9781040005910
Global and authoritative, this textbook maps modern, live experience media, the categories that thrive on real-time engagement and human connection – even in the age of synthetic content, AI and the Metaverse. Sports and sports betting, festivals, comedy, concerts, tours and theme parks are covered – plus theatre, trade events, conventions, museums and galleries, and immersive media. Live media events included are Burning Man, Glastonbury, the Indian Premier League, the English Premier League, Olympics, NBA and Bundesliga – plus sell-out Taylor Swift tours, the World Cup, Super Bowl, Ryder Cup and Formula One. Business models in this media category start with ticketing and advertising – now amplified with ecommerce, affiliate marketing, subscription and gambling transactions. Deep dives ask: Why is Saudi Arabia investing billions into golf and football? Why is standup comedy big in Nigeria? How are Broadway and the West End evolving? What do immersive technologies like Abba Voyage and the MSG Sphere offer for the future? With class questions, a quiz, summaries and slides for each chapter, this is a guide and course structure for anyone at university level or in industry studying the media, music, entertainment, events, exhibitions, sports, social media or gambling industries.
Author : Anonim
Publisher : Unknown
Page : 396 pages
File Size : 49,7 Mb
Release : 1880
Category : Music
ISBN : NYPL:33433085606030
Author : Rémy Ngamije
Publisher : Simon and Schuster
Page : 400 pages
File Size : 46,8 Mb
Release : 2022-06-14
Category : Fiction
ISBN : 9781982164430
"Reminiscent of Zadie Smith and Michael Chabon, this "gorgeous, wildly funny and, above all, profoundly moving and humane" (Peter Orner, author of Am I Alone Here) coming-of-age tale follows a young man who is forced to flee his homeland of Rwanda during the Civil War and make sense of his reality"--
Author : Stanley Aronowitz
Publisher : Routledge
Page : 326 pages
File Size : 43,7 Mb
Release : 2013-01-11
Category : Art
ISBN : 9781136040702
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Henry Edward Krehbiel
Publisher : Unknown
Page : 256 pages
File Size : 48,6 Mb
Release : 1887
Category : Music
ISBN : HARVARD:32044039638051
Author : Henry Edward Krehbiel
Publisher : Unknown
Page : 252 pages
File Size : 52,7 Mb
Release : 1887
Category : Music
ISBN : UOM:39015052390849
Author : Christopher Small
Publisher : Wesleyan University Press
Page : 241 pages
File Size : 47,6 Mb
Release : 2012-01-01
Category : Music
ISBN : 9780819572240
Extending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. In this new book, Small outlines a theory of what he terms "musicking," a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower. Using Gregory Bateson's philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This engaging and deftly written trip through the concert hall will have readers rethinking every aspect of their musical worlds.
Author : Alex Ross
Publisher : Farrar, Straus and Giroux
Page : 384 pages
File Size : 50,8 Mb
Release : 2010-09-28
Category : Music
ISBN : 1429977612
One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
