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Dead on the Dance Floor by Heather Graham,Debra Webb Pdf
Get swept up in this fun and fast-paced classic romantic suspense from New York Times bestselling author Heather Graham. Accomplished dancer Lara Trudeau drops dead of a heart attack brought on by a lethal combination of booze and pills. To former private investigator Quinn O’Casey, it’s a simple case of death by misadventure. But when his brother Doug, a Miami-Dade patrolman, asks for help, he can’t refuse. Especially when he learns that Lara and Doug—a student at the Moonlight Sonata dance studio where Lara occasionally taught—were having an affair. And despite Quinn’s lack of interest in the case and even less in dancing, experience has taught him not to count on the obvious when it comes to murder. Going undercover as a dance student, Quinn meets studio manager Shannon Mackay, a beautiful, graceful woman who has left world-class competition to teach. He also uncovers some disturbing facts. Everyone there had a reason to hate Lara Trudeau, a woman as ruthless as she was... Originally published in 2004
Lara Trudeau is queen of the dance floor, until she drops dead from a lethal combination of drink and drugs. To former Miami private investigator Quinn O'Casey, it's a simple case of death by misadventure. Until his brother, Lara's lover, seeks his help.
Author : Tim Lawrence Publisher : Duke University Press Page : 600 pages File Size : 45,6 Mb Release : 2016-09-09 Category : Music ISBN : 9780822373926
Life and Death on the New York Dance Floor, 1980–1983 by Tim Lawrence Pdf
As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
Edward Leithen is one of John Buchan's most famous heroes. Here Leithen finds himself in Greece with an old friend and must save the life a stubborn but beautiful young women.
Author : Tim Lawrence Publisher : Duke University Press Page : 522 pages File Size : 52,5 Mb Release : 2004-01-12 Category : Performing Arts ISBN : 0822385112
Opening with David Mancuso’s seminal “Love Saves the Day” Valentine’s party, Tim Lawrence tells the definitive story of American dance music culture in the 1970s—from its subterranean roots in NoHo and Hell’s Kitchen to its gaudy blossoming in midtown Manhattan to its wildfire transmission through America’s suburbs and urban hotspots such as Chicago, Boston, San Francisco, Los Angeles, Newark, and Miami. Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era’s most powerful djs, the venues in which they played, and the records they loved to spin—as well as the labels, musicians, vocalists, producers, remixers, party promoters, journalists, and dance crowds that fueled dance music’s tireless engine. Love Saves the Day includes material from over three hundred original interviews with the scene's most influential players, including David Mancuso, Nicky Siano, Tom Moulton, Loleatta Holloway, Giorgio Moroder, Francis Grasso, Frankie Knuckles, and Earl Young. It incorporates more than twenty special dj discographies—listing the favorite records of the most important spinners of the disco decade—and a more general discography cataloging some six hundred releases. Love Saves the Day also contains a unique collection of more than seventy rare photos.
Journalist Karen Kissane follows the accused into the courtroom, telling the inside story of one of Australia’s most controversial trials and the marriage at its centre. A compelling combination of great writing, true crime and courtroom drama. Julie and Jamie Ramage were the perfect middle-class Australian couple with everything: children at private schools, he a company director and she a financial controller for a fashion house. But Julie walked out of their seemingly perfect marriage. And then, one day, he killed her. Beneath the veneer of perfection there had lain a relationship marred by affairs, obsession and a history of violence. Jamie confessed to the killing - but declared that he had been provoked and therefore not guilty of murder as his wife had driven him over the edge. Jamie's defence of provocation was successful and he is now serving a prison sentence for the lesser crime of manslaughter. The woman he strangled the life from and buried in a shallow grave had no voice in court and no way of telling her story. Silent Death tells Julie's story - but also takes us into the disturbing wider situation - how a killing took place in the comfort and security of a moneyed life; how friends and family either didn't see or think they should be involved. And it is the story of how a court case is about tactics and procedure first - and justice second.
A masked ball, a dead body, a missing diamond necklace and a suspicious silver candlestick? Sounds like a case for Lady Eleanor Swift! England, 1920. Lady Eleanor Swift, adventurer extraordinaire and reluctant amateur detective, is taking a break from sleuthing. She's got much bigger problems: Eleanor has two left feet, nothing to wear and she's expected at the masked ball at the local manor. Her new beau Lance Langham is the host, so she needs to dazzle. Surrounded by partygoers with painted faces, pirates, priests and enough feathers to drown an ostrich, Eleanor searches for a familiar face. As she follows a familiar pair of long legs up a grand staircase, she's sure she's on Lance's trail. But she opens the door on a dreadful scene: Lance standing over a dead Colonel Puddifoot, brandishing a silver candlestick, the family safe wide open and empty. Moments later, the police burst in and arrest Lance for murder, diamond theft and a spate of similar burglaries. But Eleanor is convinced her love didn't do it, and with him locked up in prison, she knows she needs to clear his name. Something Lance lets slip about his pals convinces Eleanor the answer lies close to home. Accompanied by her faithful sidekick Gladstone the bulldog, she begins with Lance's friends - a set of fast driving, even faster drinking, high-society types with a taste for mischief. But after they start getting picked off in circumstances that look a lot like murder, Eleanor is in a race against time to clear Lance's name and avoid another brush with death... Fans of Agatha Christie, T E Kinsey and Downton Abbey will adore this tremendously fun cozy whodunnit, full of mystery, murder and intrigue! Readers love Verity Bright! 'What a great cozy mystery! I am hooked! This is the best book, bar none, that I have read this year... An extremely witty, fast-paced mystery... I love the heroine, intrepid adventuress... I want to live at Henley Hall, I love Gladstone, the very funny bulldog, too cute! A most enjoyable read!' Reviews by Carol in Tallahassee ⭐️⭐️⭐️⭐️⭐️ 'So engaging. I loved reading this book it was so easy to read and absolutely captivating. I cannot wait to read of the further adventures of Lady Eleanor and her beloved bulldog Gladstone. Highly recommended.' Goodreads Reviewer ⭐️⭐️⭐️⭐️⭐️ 'I liked Eleanor a lot, she's feisty and sweet... The ending had me a little teary, because she's finally come home... The best part of the book was that it made me feel cozy and warm. Looking forward to the next book! Highly recommended.' Goodreads Reviewer ⭐️⭐️⭐️⭐️⭐️
Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in America’s long and ineffectual War on Drugs. If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs. Even as the focus of drug anxiety has shifted over the years from cocaine to crack and from methamphetamines to opioids, and even as significant strides have been made in representational politics in many areas of pop culture, Latinx people remain an unshakeable fixture in stories narrating the production, distribution, and sale of narcotics. Narcomedia argues that such representations of Latinx people, regardless of the intentions of their creators, are best understood as a cultural front in the War on Drugs. Latinos and Latin Americans are not actually America’s drug problem, yet many Americans think otherwise—and that is in no small part because popular culture has largely refused to imagine the drug trade any other way.
“Compelling . . . Nobody writes a chase better than [Thomas] Perry.”—The Washington Post Book World Jane Whitefield is the patron saint of the pursued, a Native American “guide” who specializes in making victims vanish. Calling on the ancient wisdom of the Seneca tribe and her own razor-sharp cunning, she conjures up new identities for people with nowhere left to run. She's as quick and quiet as freshly fallen show, and she covers a trail just as completely. But when a calculating killer stalks an innocent eight-year-old boy, Jane faces dangerous obstacles that will put her powers—and her life—to a terrifying test. . . . Praise for Dance for the Dead “Spellbinding . . . Terrific . . . Jane Whitefield may be the most arresting protagonist in the 90s thriller arena. . . . Thrillers need good villains, and this one has a formidable SOB who is cold-blooded enough to satisfy anybody's taste.”—Entertainment Weekly “A terse thriller . . . Perry starts the story with a bang.”—San Francisco Chronicle “One of the most engaging heroines in contemporary suspense.”—The Flint Journal
Spring has sprung in Cleveland and home stager (and lousy spiritual medium) Bailey Burke is facing all kinds of major life changes. Both her grandmother and her boyfriend Jake Marner have moved in with her, she is contemplating a career change, and Marner’s mother needs her help planning a thirtieth birthday party for him. Party plans include dance lessons for Bailey and Jake. Which would be fun, except their instructor appears to have tangoed with the wrong partner. She’s found dead on the dance floor, a butchered ballroom teacher with multiple stab wounds. It’s a classic case of overkill, but there are no suspects and no ghosts hanging around to offer any insight. It’s time to call on Bailey’s old friend, Ryan, who happens to be a dead detective with a rude sense of humor. Can Bailey and her two favorite guys solve the case of the killer Cha Cha?
For those who dedicate their lives to finding that perfect connection on the dance floor, tango is a drug that proves fatal. But tango instructor Antonia Blakely doesn't want the police to solve the crime.
Satan in the Dance Hall explores the overwhelming popularity of social dancing and its close relationship to America's rapidly changing society in the 1920s. The book focuses on the fiercely contested debate over the morality of social dancing in New York City, led by moral reformers and religious leaders like Rev. John Roach Straton. Fed by the firm belief that dancing was the leading cause of immorality in New York, Straton and his followers succeeded in enacting municipal regulations on social dancing and moral conduct within the more than 750 public dance halls in New York City. Ralph G. Giordano conveys an easy to read and full picture of life in the Jazz Age, incorporating important events and personalities such as the Flu Epidemic, the Scopes Monkey Trial, Prohibition, Flappers, Gangsters, Texas Guinan, and Charles Lindbergh, while simultaneously describing how social dancing was a hugely prominent cultural phenomenon, one closely intertwined with nearly every aspect of American society fromthe Great War to the Great Depression. With a bibliography, an index, and over 35 photos, Satan in the Dance Hall presents an interdisciplinary study of social dancing in New York City throughout the decade.
Bad form… When Corinne Blakely, a grande dame of international ballroom dancing, is poisoned, the dance community—including champion dancer Stacy Graysin—is left in an uproar. Corinne was penning a tell-all memoir, but now her secrets might well remain hidden, just as the killer perhaps intended. The victim’s dance card was full of people who might have wanted her silenced, if not dead. But when Maurice, a ballroom instructor at Stacy’s dance studio Graysin Motion, becomes the prime suspect, she has no choice but to waltz in and take the lead in another murder investigation. Clearing Maurice’s name by finding the real killer is going to be harder than a running spin turn. But there’s one thing Stacy knows for sure—she’s not about to let the murderer dance away scot-free.
James Ivory in Conversation by James Ivory,Robert Emmet Long Pdf
A series of interviews in which James Ivory reflects on his career as an independent filmmaker. Ivory has three times received Academy Award nominations for best director & counts 'Remains of the Day, 'A Room With A View' & 'Howard's End' among his credits.
