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A Gilded Age socialite-turned-sleuth must clear her fiancé of murder in the New York Times–bestselling author’s historical mystery romance series. Called to the home of her fiancé’s former mistress late one night, Francesca Cahill finds her curiosity piqued. But upon arrival, she is shocked to find Daisy Jones’s bloodied body . . . and even more devastated when the evidence points to one suspect: her fiancé, Calder Hart. Francesca refuses to believe that Calder is capable of such an act. Still, she is unable to shake her instinctive sense that Calder is lying about something. The police are far less inclined to believe his innocence, and Calder is arrested for Daisy’s murder. But Francesca’s heart is not easily swayed—until a life-altering secret is exposed that could destroy their future together.
When a blackmailer threatens her future, a society sleuth must turn to the one man she can’t resist in this sexy Gilded Age mystery. New York City, 1902. On the morning of her wedding to Calder Hart, amateur sleuth Francesca Cahill is lured away to a private viewing of a portrait that could destroy her entire family: the nude that Hart has commissioned of her. Her desperate quest to recover the scandalous portrait leads her into a dangerous trap—one that keeps her from meeting Hart at the altar. And when Francesca finally arrives at the church, she finds it vacant. With her engagement over and a blackmailer intent on destroying her reputation, Francesca turns to Rick Bragg, the city’s powerful police commissioner. Together they scour the sordid streets of lower Manhattan, following a deliberately laid trail of clues in a race against the clock. And once it becomes clear that Bragg’s marriage is failing, Francesca must war with her feelings for him, battle Hart’s jealousy and escape a killer—all as she fights to win Hart back. But sometimes, passion just cannot be denied . . .
Irrepressible heiress and intrepid sleuth Francesca Cahill moves from her own glittering world of Fifth Avenue to the teeming underbelly of society, a place of pride, passions…and sometimes deadly perversion. Despite the misgivings of her fiancé, Calder Hart, Francesca cannot turn away from a threat that is terrorizing the tenement neighborhood of Lower Manhattan. A madman has attacked three women, but while the first two victims survived, the third is found dead. All the victims are impoverished but beautiful Irishwomen—andFrancesca fears that her dear friends Maggie Kennedy and Gwen O'Neil could be next. Soon she is working with her former love, police commissioner Rick Bragg—Calder's half brother and worst rival. But even as Calder's jealous passions leave his relationship with Francesca teetering on the brink, Francesca is frantically on the killer's trail, certain the Slasher will strike again, afraid she will be too late.…
Deadly Deeds/Deadly Illusions/Deadly Kisses by Brenda Joyce Pdf
Deadly Illusions Manhattan, 1902 Despite the misgivings of her fiance, Calder Hart, heiress and sleuth Francesca Cahill cannot turn away from a threat that is terrorising Lower Manhattan. A madman is on the loose targeting impoverished, but beautiful Irishwomen and Francesca fears that two of her close friends could be next. Soon she is working with her former lover, Police Commissioner Rick Bragg Calder's half–brother and worst rival. But even as Calder's jealous passions leave his relationship with Francesca teetering on the brink, Francesca is frantically on the killer's trail, certain he will strike again. Deadly Kisses New York, 1902 Called to the home of her fiance Calder Hart's former mistress late one night, amateur sleuth Francesca Cahill's curiosity is piqued. But upon arrival, she is shocked to find Daisy Jones's bloodied body and even more devastated when all the evidence points to one suspect Calder. Francesca cannot believe that he is capable of such an act. Still, she is unable to shake her instinctive sense that he is lying about something. The police are far less inclined to believe his innocence, and Calder is arrested for Daisy's murder. But Francesca's heart is not easily swayed...until a life–altering secret is exposed that could destroy their future together.
Tragedy, Omens, Murder This romance laced suspense novel is a tangle of deceit and destiny. As naïve and grief-stricken Carolyn Wingate runs from the tragedy of her CIA brother's death in a misguided attempt to avoid the pain, she meets Andrew, a handsome billionaire with a gentle nature and poignant words to sooth her soul. It doesn't take long under the gentle swaying Spanish moss in the beguiling city of New Orleans before Andrew charms her even further from her usual careful and steady life. His feverish seduction and ever-growing passion, added to his privileged lifestyle and the exotic locale, serve to smooth the broken shards of Carolyn's heart, where she is surprised to find love budding again. On family trust business, Andrew invites Carolyn to join him for a boat trip through the Jean Lafitte swamp to inspect a long-abandoned plantation before it's donation. Apprehensive that grief has clouded her judgement, she nevertheless allows the deep gaze of Andrew's smoldering blue eyes to convince her to embrace the adventure. The haunting beauty amidst the fragrant Joe-pie weed and wild orchids of the bayou quickly becomes a nightmare when a boat crash in the murky depths of the secluded bayou begins a string of perilous situations Carolyn could never have imagined.
Two separate worlds . . . One passion that binds them Wild and passionate by nature, Lyra Black is not just any werewolf. She's the future leader of the powerful pack of the Thorn-if she can stay alive long enough to inherit the title. One of the Cait Sith bloodline of vampire cat-shifters, Jaden Harrison has no interest in the wars plaguing the world of night. But when he rescues Lyra from a violent attack, they're both captured by an insatiable desire that threatens to overwhelm them and bind them together for eternity . . . just as ancient enemies prepare to strike. And when they do, the Thorn and the Cait Sith-and Lyra and Jaden's love-may never recover from the deadly blow . . .
Ballads, Lyrics, and Poems of Old France by Andrew Lang Pdf
I have a tree, a graft of Love, That in my heart has taken root; Sad are the buds and blooms thereof, And bitter sorrow is its fruit; Yet, since it was a tender shoot, So greatly hath its shadow spread, That underneath all joy is dead, And all my pleasant days are flown, Nor can I slay it, nor instead Plant any tree, save this alone. Ah, yet, for long and long enough My tears were rain about its root, And though the fruit be harsh thereof, I scarcely looked for better fruit Than this, that carefully I put In garner, for the bitter bread Whereon my weary life is fed: Ah, better were the soil unsown That bears such growths; but Love instead Will plant no tree, but this alone. Ah, would that this new spring, whereof The leaves and flowers flush into shoot, I might have succour and aid of Love, To prune these branches at the root, That long have borne such bitter fruit, And graft a new bough, comforted With happy blossoms white and red; So pleasure should for pain atone, Nor Love slay this tree, nor instead Plant any tree, but this alone.
The Selected Works of Andrew Lang by Andrew Lang Pdf
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Complete Poems of Andrew Lang by Peter-Eric Philipp,Andrew Lang Pdf
Andrew Lang was a noted Scottish scholar and writer of the nineteenth century. He wrote prodigiously. Part of Lang's vast output included five books of poetry, two novels, and a twelve-volume collection of fairy tales. He is best remembered as a classical scholar, Scottish historian, anthropologist, biographer, editor, and journalist. Lang was the son of the Sheriff-Clerk of Selkirkshire, and was born in Selkirk on March 31, 1844. He was educated at Edinburgh Academy and the Universities of St Andrews and Glasgow, and won a Snell Exhibition to Balliol College, Oxford. He graduated in 1868 and became a Fellow of Merton College, researching in anthropology there until 1874. At Oxford he was associated with the Rondelier group of poets. He went to London in 1875 and lived there for most of his life, spending his winters in St Andrews in later years. He married Leonore Blanche Alleyne on April 17, 1875. He spent much of his writing life in London,. However, his considerable knowledge of Scotland and deep understanding of the Scottish character remained pervasive in his work. Lang died July 20, 1912. Although Lang’s work may not be as well known as that of his contemporaries, he was a significant literary figure. He became one of the best-known journalists of his day, writing leaders for the Daily News and a column called "At the Sign of the Ship" for Longman's Magazine. His column did much to form literary opinion in the late nineteenth century. His contemporaries included Robert Louis Stevenson, whom he often encouraged and almost collaborated with, and George Douglas Brown whom he brought to public notice. Lang's interests were diverse and his expertise considerable. He quickly became famous for his critical articles in The Daily News and other papers. He displayed talent as a poet in Ballads and Lyrics of Old France, a translation (1872), four subsequent poetry collections, and as a novelist with The Mark of Cain (1886) and The Disentanglers (1902). He earned special praise for his 12-volume collection of fairy tales, the first volume of which was The Blue Fairy Book (1889) and the last The Lilac Fairy Book (1910). His own fairy tales, The Gold of Fairnilee (1888), Prince Prigio (1889), and Prince Ricardo of Pantouflia (1893) became children's classics. Lang created pioneering anthropological work in such volumes as Custom and Myth (1884) and Myth, Ritual and Religion (1887). Later, Lang turned to history and historical mysteries, notably Pickle the Spy (1897), A History of Scotland from the Roman Occupation, 4 vol. (1900-07), Historical Mysteries (1904), and The Maid of France (1908). Lang was also an eminent classical scholar. He had a lifelong devotion to Homer. His prose translations of the ancient Greek epic poems, The Odyssey, in 1879, with S. H. Butcher and The Iliad, in 1882, with E. J. Myers and Walter Leaf, are among the best ever made and are still read today. Lang’s intellect and his wit can perhaps be best appreciated in his poetry. Of his poems “Waitin' for the Glasgow Train” and “The Fairy Minister” are the best known. Lang chose to liken his poetry to the grass of Parnassus- wild flowers at the foot of the mountain. His poetical work is at times wild and natural yet also elegant and timeless. May you delight in discovering the poetry of Andrew Lang.
Enter the world of the Dark Dynasties . . . For centuries, shapeshifting vampire Tynan MacGillivray has prowled the night as an outcast, valued only for his ferocious hunting skills. When a feud among the immortals escalates into all-out war, he is ordered by his ruthless queen to locate a Seer-a human woman with a special gift-who can secure victory for their clan. Ty's search leads him to a quiet New England town, but once he has the Seer in his grasp, her touch awakens within him a hunger like he's never known . . . Lily Quinn has always been different. Since childhood, she's had vivid nightmares and an eerie sixth sense. When a sexy, silver-eyed stranger demands her help, Lily plunges into a new world of danger and sensuality. With Ty, she discovers sizzling passions she cannot deny and powers she cannot control. Soon, it is clear that Lily is much more than a Seer-she holds the key to ancient secrets and unthinkable destruction. But will a vampire's vow of eternal protection stop these evil forces . . . or unleash her dark destiny?
Dark Seduction Box Set by Kendra Leigh Castle,Larissa Ione,Katie MacAlister,Mimi Jean Pamfiloff Pdf
A box set of five paranormal romance novels that will slay you! Dark Awakening, by Kendra Leigh Castle When a feud among the immortals escalates into all-out war, Tynan MacGillivray is ordered by his ruthless queen to locate a Seer who can secure victory for their clan. Ty's search leads him to a quiet New England town, but once he has the Seer in his grasp, her touch awakens within him a hunger like he's never known . . . Pleasure Unbound, by Larissa Ione Tayla Mancuso is a demon-slayer who lands in a hospital run by demons in disguise. The head doctor, Eidolon, makes her body burn with unslakable desire, but she knows she must betray the surgeon who saved her life. Eidolon cannot resist this fiery, dangerous woman, yet she could very well be the hunter who has been preying upon his people. With his need to find the perfect mate before a horrific transformation claims him forever, will Eidolon dare the unthinkable-and let Tayla possess him, body and soul? Dragon Fall, by Katie MacAlister Aoife Dakar sees extraordinary things . . . too bad no one else believes that she witnessed a supernatural murder. Returning to the scene for proof, Aoife encounters a gloriously naked man who can shift into a dragon. Kostya has no time for a human woman, no matter how gorgeous she is. But to survive the coming battle for the fate of his race, he needs a mate of true heart and soul . . . Accidentally in Love with a...God?, by Mimi Jean Pamfiloff Emma Keane is your average city girl. There's just one thing setting her apart: the disembodied male voice speaking to her through her mind. Sounds kind of crazy? But crazy turns downright deadly when the voice persuades her to travel to the wilds of the Mayan jungle. There she will free his body-his incredibly hot, muscled, naked body.
A vampire princess. A human. One drop of blood changed their lives forever. Vampires had taken everything from Quinn Hogan during the war. She had spent her entire life hiding from them. The last thing Quinn wanted in life was to be matched to one. Each human was required by law to enter the draft. Her name was randomly picked for submitting her blood sample. Chances of being chosen? A million to one. Luck had never been on her side. Quinn matched with a vampire. Now she was being shipped off to some random vampire who would probably bleed her dry.Velika Riskel didn't want a mate. As the warden of Northwest America, there was no time for her to take a mate. When the human arrived, she had planned to release her, but one look into Quinn's hazel eyes and all of that changed. Velika and Quinn's relationship was doomed from the start. Velika was a seasoned warrior who wasn't afraid of challenges. The vampire princess was determined to win Quinn's heart, defend her against a rival, and then claim her.
