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While investigating a doctor accused of drug-facilitated sexual assaults, Manhattan Assistant DA Alex Cooper learns of the grisly death of a world-class ballerina at Lincoln Center. Fairstein's latest "New York Times" bestseller is available in a Premium Edition.
The Dance of Death in the Middle Ages by Elina Gertsman Pdf
Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.
"The Dance of Death: Exhibited in Elegant Engravings on Wood with a Dissertation on the Several Representations of that Subject but More Particularly on Those Ascribed to Macaber and Hans Holbein" by Francis Douce Death has often been a source of fascination for civilizations around the world. In this book, readers are educated about the personification of this inevitable phenomenon and its evolution through time. Hans Holbein the Younger was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists. He also was fascinated with death in some of his work, which are studied in detail in this text.
The Dances of Death, Through the Various Stages of Human Life. Wherein the Capriciousness of that Tyrant is Exhibited in Forty-six Copperplates [by David Deuchar], Done from the Original Designs, which Were Cut in Wood, and Afterwards Painted by John Holbein, in the Townhouse at Basil. To which is Prefixed, Descriptions of Each Plate in French and English, with the Scripture Text from which the Designs Were Taken. [Edited by James Bonar.] by Anonim Pdf
The Dance of Death Danse Macabre Hans Holbein With an introductory note by Austin Dobson Dance of Death, also called Danse Macabre, is an artistic genre of late-medieval allegory on the universality of death: no matter one's station in life, the Dance of Death unites all. The Danse Macabre consists of the dead or personified Death summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. They were produced as mementos mori, to remind people of the fragility of their lives and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural in the Saints Innocents Cemetery in Paris dating from 1424 to 1425.
Hans Holbein's Celebrated Dance of Death ; Illustrated by a Series of Photo-lithographic Facsimiles ... Accompanied by Explanatory Descriptions and a Concise History of the Origin and Subsequent Development of the Subject by H. Noel Humphreys by Hans Holbein (le Jeune) Pdf
For their heroism and success against the enemy, two of the women's regiments were honored by designation as "Guard" regiments. At least thirty women were decorated with the gold star of Hero of the Soviet Union, their nation's highest award.
Dance of Death by Douglas Preston,Lincoln Child Pdf
Hot on the trail of a killer in Manhattan, FBI Special Agent Pendergast must face his most brilliant and dangerous enemy: his own brother. Two brothers. One a top FBI agent. The other a brilliant, twisted criminal. An undying hatred between them. Now, a perfect crime. And the ultimate challenge: Stop me if you can...
Watching Weimar Dance asks what audiences saw on stages from cabaret and revue to concert dance and experimental theatre in the turbulent moment of the Weimar Republic. Spectator reports that performers died or became half-machine archive not only the physicality of past performance, but also the ways audiences used the temporary world of the theatre to negotiate pressing social issues, from female visibility within commodity culture to human functioning in an era of increasing technologization. Archives of watching a range of performance artists, including Oskar Schlemmer, Valeska Gert, Kurt Jooss, Mary Wigman, Bertolt Brecht, Anita Berber, and the Tiller Girl troupes also revise and complicate our understanding of Ausdruckstanz as the representative dance of this moment in Germany. They further reveal how such practices came to be imbued with different significance in the postwar era as well as in transnational context. By bringing insights from theatre, dance, and performance studies to German cultural studies, and vice versa, Watching Weimar Dance develops a culturally-situated model of spectatorship that not only offers a new narrative but also demonstrates new methods for dance scholarship to shape cultural history.
A masked ball, a dead body, a missing diamond necklace and a suspicious silver candlestick? Sounds like a case for Lady Eleanor Swift! England, 1920. Lady Eleanor Swift, adventurer extraordinaire and reluctant amateur detective, is taking a break from sleuthing. She's got much bigger problems: Eleanor has two left feet, nothing to wear and she's expected at the masked ball at the local manor. Her new beau Lance Langham is the host, so she needs to dazzle. Surrounded by partygoers with painted faces, pirates, priests and enough feathers to drown an ostrich, Eleanor searches for a familiar face. As she follows a familiar pair of long legs up a grand staircase, she's sure she's on Lance's trail. But she opens the door on a dreadful scene: Lance standing over a dead Colonel Puddifoot, brandishing a silver candlestick, the family safe wide open and empty. Moments later, the police burst in and arrest Lance for murder, diamond theft and a spate of similar burglaries. But Eleanor is convinced her love didn't do it, and with him locked up in prison, she knows she needs to clear his name. Something Lance lets slip about his pals convinces Eleanor the answer lies close to home. Accompanied by her faithful sidekick Gladstone the bulldog, she begins with Lance's friends - a set of fast driving, even faster drinking, high-society types with a taste for mischief. But after they start getting picked off in circumstances that look a lot like murder, Eleanor is in a race against time to clear Lance's name and avoid another brush with death... Fans of Agatha Christie, T E Kinsey and Downton Abbey will adore this tremendously fun cozy whodunnit, full of mystery, murder and intrigue! Readers love Verity Bright! 'What a great cozy mystery! I am hooked! This is the best book, bar none, that I have read this year... An extremely witty, fast-paced mystery... I love the heroine, intrepid adventuress... I want to live at Henley Hall, I love Gladstone, the very funny bulldog, too cute! A most enjoyable read!' Reviews by Carol in Tallahassee ⭐️⭐️⭐️⭐️⭐️ 'So engaging. I loved reading this book it was so easy to read and absolutely captivating. I cannot wait to read of the further adventures of Lady Eleanor and her beloved bulldog Gladstone. Highly recommended.' Goodreads Reviewer ⭐️⭐️⭐️⭐️⭐️ 'I liked Eleanor a lot, she's feisty and sweet... The ending had me a little teary, because she's finally come home... The best part of the book was that it made me feel cozy and warm. Looking forward to the next book! Highly recommended.' Goodreads Reviewer ⭐️⭐️⭐️⭐️⭐️
