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Author : John J. Collins,Michael Fishbane Publisher : State University of New York Press Page : 442 pages File Size : 42,6 Mb Release : 1995-03-09 Category : Religion ISBN : 9780791499542
Death, Ecstasy, and Other Worldly Journeys by John J. Collins,Michael Fishbane Pdf
Belief in a spirit world, and a blissful or agonizing afterlife, is one of the most pervasive and deeply-rooted characteristics of religion. This volume offers a wide-ranging exploration of this basic religious theme. Most of the case studies are drawn from Jewish and Christian tradition, providing in-depth coverage of Judaism and Christianity from late Antiquity through the Medieval period. There are also examples from Islamic, Japanese, and Chinese traditions for a comparative perspective with Western traditions. Several chapters deal with the formative period of Jewish and Christian apocalypticism, which is concerned not only with the end of the physical world but also with the eternal heavenly world. These chapters are also important for illustrating the development of mysticism in Western traditions. The most distinctive aspect of this book is that it does not deal with antiquity alone, but juxtaposes the historical essays with a survey of modern day, near-death experiences. It raises issues of fundamental importance for the psychology of religion as well as for its history The most distinctive aspect of this book is that it does not deal with antiquity alone, but juxtaposes the historical essays with a survey of modern day, near-death experiences. It raises issues of fundamental importance for the psychology of religion as well as for its history.
The Last Ecstasy of Life by Phyllida Anam-Áire Pdf
• Emphasizes how shadow work, integrating past wounds, and healing our ancestry allows us to facilitate the ecstatic transition into the next life • Offers exercises and visualizations to help us integrate emotions like anger and grief, which impact the soul’s readiness to leave the body when the time comes • Discusses what happens to our cells when we die with regard to the human energy field and explores the soul’s journey through the aítes or bardos In the Celtic tradition dying is considered an act of birthing, of our consciousness passing from this life to the next. Informed by an early near-death experience, spiritual midwife and former nun Phyllida Anam-Áire offers an intimate overview of the sacred stages of the dying process seen through the lens of her Celtic heritage. Compassionately describing the final dissolution of the elements, she emphasizes how important it is to resolve and integrate our psycho-spiritual shadows and wounds in this lifetime. What truly heals is our capacity for authentic compassionate love--in life, in death, and after. Healing our ancestry before leaving the body eases not only our transition but sets future generations free from old stories held in our family systems. Sharing her insights into God consciousness, our earth/ego mind, and the soul’s journey through the Aíte or bardos, Phyllida’s poetic words guide us toward the final ecstasy as the soul leaves its material form and enters the vast Universal Heart of cosmic energy. Providing a deep spiritual understanding of the mysteries of death and the afterlife, this courageous book combines Celtic and Christian wisdom to dispel the fear of dying and invites us to live consciously and with love to our very last breath.
Death, Dying, and Mysticism by T. Cattoi,C. Moreman,G. C. Harcourt Pdf
This volume offers a sample of reflections from scholars and practitioners on the theme of death and dying from scholars and practitioners, ranging from the Christian tradition to Hinduism, Lacanian psychoanalysis, while also touching on the themes of the afterlife and near-death experiences.
At 15 Anna Wood went to a party and took an ecstasy tablet. Three days later she was dead. A life destroyed. A family devastated. She was just fifteen. She was leaving school to start the job of her dreams. She was beautiful, she had a loving family and countless friends. Yet on 21 October 1995, Anna Wood took an ecstasy tablet at a dance party and died three days later. A life destroyed, a family devastated, a community in shock. Bronwyn Donaghy interviewed friends, family members and numerous professionals in order to write the story of the circumstances surrounding Annaᱠdeath and of her family's decision to try and turn tragedy into a positive force for good. It is a story of our times, a story with powerful resonances for Anna's generation and their parents, for counsellors, doctors and teachers, for anyone who values the sanctity of life. 'As a teenager I have taken all kinds of drugs, not really knowing what they were and why I did it. then I found this book. I vowed never to take drugs again but itᱠjust a shame it took the life of a beautiful, talented girl to make me realise how dangerous it was.' BC, aged 17, New South Wales 'I have never tried illicit drugs and although I was curious to do so ... the information provided in this book has scared me away from that forever.' LO, aged 16, Western Australia 'I've had Mum and Dad give me lectures about not taking drugs and stuff but it didn't really affect me until I read Anna's Story and realised what they do to ordinary people just like me.' AE, aged 15, Queensland
A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times
Drugs, Sex, and Unbridled Ambition: These were the main ingredients in the lethal cocktail that killed gay porn's brightest star, Joey Stefano. As pornography's marketable gay face and body, he was filmed having sex in more than 35 hard-core videos, danced an unforgettable striptease in clubs across America and Europe, and hustled his way through thousands of dollars paid to him by clients around the globe. But none of this filled the void inside Nicholas Iacona, a.k.a. Joey Stefano. From his childhood in the country's heartland to his tragic rise and fall in Los Angeles's dark and dangerous world of gay porn, Wonder Bread and Ecstasy paints a grim portrait of American life gone berserk.
At an English pub, a dart becomes a deadly weapon: “Any Ngaio Marsh story is certain to be Grade A.” —The New York Times A game of darts does involve some danger, but it’s rarely lethal. There are exceptions, however, like the famous barrister who was enjoying a pint at the Plume of Feathers pub, and is now residing at the morgue. But Inspector Roderick Alleyn has a growing hunch that this peculiar “accident” can be traced to an old legal case . . . “A peerless practitioner of the slightly surreal, English-village comedy-mystery.” —Kirkus Reviews
Trends in Contemporary Assamese Theatre by Namrata Pathak Pdf
It is the very nature of representation to be theatrical and self-referential. This book undercuts the fact that all representational knowledge is autonomous and sovereign. At times, theatrical representations can misguide and mislead. Representation can also ineluctably project ones own preferences and preoccupations. Thus, representation and subjective interpretation divulge into myriad domains. This book is concerned with the effects and consequences of representation and its politics. This book examines not only how language as well as representation produce meaning, but also how discursive knowledge connected to power regulates, conducts, and constructs identities and defines the way certain things are thought about practices and are studied. The book takes note of the fact that within the framework of performance, a performative subject does not wear a coherent identity as it is fragmented, decentered, simulated and is unstable, while being both virtual as well as actual. In the field of semiotics, theatre is historically and reciprocally affected by practice, especially within contingent conditions of time. In theatre semiotics, the new image of knowledge is that of turbulence. Here, knowledge is not so much a system as it is a confluence. Carrying this stance further we can say that contemporary Assamese theatre is characterised by shifting counter-voices and sub-textual underpinnings. This act forces reading into two directions: dialogic openness and variability of meaning that question the theatre directors as the only ones who know.
This critical text considers Jack Kerouac as writer-shaman, exploring the content and ecstatic technique of the novels and two experimental volumes that represent critical phases of his development. Thomas Bierowski also examines the reception of Kerouac's work, arguing that his rise and fall reflect not only the usual changes in literary taste but the precarious position of the shamanic figure in modern America.
From the author of Illuminations, a novel of the imminent composer Alma Mahler, what she sacrificed for love, and how she brought men to their knees. Coming of age in the midst of a creative and cultural whirlwind in Vienna, young, beautiful Alma Schindler yearns to make her mark as a composer. A new era of possibility for women is dawning, and she is determined to make the most of it. But Alma loses her heart to the great composer Gustav Mahler, nearly twenty years her senior. He demands that she give up her music as a condition of their marriage. Torn by her love and in awe of his genius, how will she remain true to herself and her artistic passion? Part cautionary tale, part triumph of the feminist spirit, Ecstasy reveals the true Alma Mahler: composer, author, daughter, sister, mother, wife, lover, and muse. Mary Sharratt has finally given center stage to one of the most controversial and complex women of her time. A New York Post Must-Read Boook “Sharratt has made an impressive career fleshing out the lives of women rendered one-dimensional in the pages of history...With this fine work, [Sharratt] has us wanting more.”—Minneapolis Star Tribune “Alma Mahler is certainly worthy of joining the remarkable women about whom Sharratt has previously written.”—St. Paul Pioneer Press “This winning historical novel offers an enjoyable portrait of an ambitious woman whose struggles are as relevant today as they were a century ago.”—Publishers Weekly “[Sharratt] has in-depth knowledge of classical music and turn-of-the-20th-century Vienna…Recommended for readers who like the peaks and valleys of nonstop drama.”—Library Journal
Written by the world's leading experts on MDMA, "Ecstasy: The Complete Guide" takes the first unbiased look at the risks and the benefits of this unique drug, including the science of how it works; its promise as a treatment for depression, post-traumatic stress disorders, and other mental illnesses; and how to minimize the risks of use.
Sacred Surrealism, Dissidence and International Avant-Garde Prose by Vivienne Brough-Evans Pdf
Vivienne Brough-Evans proposes a compelling new way of reevaluating aspects of international surrealism by means of the category of divin fou, and consequently deploys theories of sacred ecstasy as developed by the Collège de Sociologie (1937–39) as a critical tool in shedding new light on the literary oeuvre of non-French writers who worked both within and against a surrealist framework. The minor surrealist genre of prose literature is considered herein, rather than surrealism's mainstay, poetry, with the intention of fracturing preconceptions regarding the medium of surrealist expression. The aim is to explore whether International surrealism can begin to be more fully explained by an occluded strain of 'dissident' surrealist thought that searches outside the self through the affects of ekstasis. Bretonian surrealism is widely discussed in the field of surrealist studies, and there is a need to consider what is left out of surrealist practice when analysed through this Bretonian lens. The Collège de Sociologie and Georges Bataille's theories provide a model of such elements of 'dissident' surrealism, which is used to analyse surrealist or surrealist influenced prose by Alejo Carpentier, Leonora Carrington and Gellu Naum respectively representing postcolonial, feminist and Balkan locutions. The Collège and Bataille's 'dissident' surrealism diverges significantly from the concerns and approach towards the subject explored by surrealism. Using the concept of ekstasis to organise Bataille's theoretical ideas of excess and 'inner experience' and the Collège's thoughts on the sacred it is possible to propose a new way of reading types of International surrealist literature, many of which do not come to the forefront of the surrealist literary oeuvre.
For three days, Gia lay dead in her dorm room. The official cause of death was listed as "suicide by asphyxia." Hidden was the suicide note that revealed Gia's desperation to end the demonic voices that began to overtake her five years before. Tragically, one ill-fated decision caused this vibrant young woman on academic scholarship to begin falling helplessly into a schizophrenic world plagued by spiritual darkness and psychological despair. After her death, the face once deemed exceptionally radiant could not be restored - it had simply melted away. Candidly written by her mother, The Voices of Ecstasy reveals Gia's heart-wrenching fall from a life graced with enormous promise to her untimely demise. This powerful memoir will cause young people everywhere to seriously consider the potential consequences of making careless choices.