Deleuze And Cinema

Author : David Deamer
Publisher : Edinburgh University Press
Page : 400 pages
File Size : 47,6 Mb
Release : 2016-09-08
Category : Performing Arts
ISBN : 9781474407700

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Deleuze's Cinema Books by David Deamer Pdf

Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.

Author : David Martin-Jones
Publisher : Edinburgh University Press
Page : 249 pages
File Size : 51,8 Mb
Release : 2012-04-04
Category : Performing Arts
ISBN : 9780748650910

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Deleuze and Film by David Martin-Jones Pdf

Engages Deleuze's philosophy with a range of popular films and explores the degree to which a film's popularity impacts upon its ability to 'think' (in the manner that Deleuze described in relation to examples of the art of film in his Cinema books), and

Author : Ronald Bogue
Publisher : Psychology Press
Page : 231 pages
File Size : 51,9 Mb
Release : 2003
Category : Performing Arts
ISBN : 0415966035

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Deleuze on Cinema by Ronald Bogue Pdf

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Author : Felicity Colman
Publisher : Berg
Page : 288 pages
File Size : 53,7 Mb
Release : 2011-06-01
Category : Performing Arts
ISBN : 9781847887702

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Deleuze and Cinema by Felicity Colman Pdf

Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.

Author : Barbara Kennedy
Publisher : Edinburgh University Press
Page : 240 pages
File Size : 55,8 Mb
Release : 2000-12-15
Category : Motion pictures
ISBN : 9780748665914

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Deleuze and Cinema by Barbara Kennedy Pdf

Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies.

Author : Gilles Deleuze
Publisher : U of Minnesota Press
Page : 366 pages
File Size : 52,9 Mb
Release : 1986
Category : Performing Arts
ISBN : 0816616779

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Cinema: The time-image by Gilles Deleuze Pdf

Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories

Author : Gregory Flaxman
Publisher : U of Minnesota Press
Page : 410 pages
File Size : 46,9 Mb
Release : 2000
Category : Performing Arts
ISBN : 0816634475

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The Brain is the Screen by Gregory Flaxman Pdf

The first broad-ranging collection on Deleuze’s essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze’s books about cinema have proven as daunting as they are enticing—a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher’s immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze’s cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze’s cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.

Author : Gilles Deleuze
Publisher : A&C Black
Page : 268 pages
File Size : 51,9 Mb
Release : 2001-11-01
Category : Performing Arts
ISBN : 0826459412

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Cinema 1 by Gilles Deleuze Pdf

Author : Ronald Bogue
Publisher : Routledge
Page : 246 pages
File Size : 44,6 Mb
Release : 2014-02-04
Category : Philosophy
ISBN : 9781317827689

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Deleuze on Music, Painting, and the Arts by Ronald Bogue Pdf

Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. Deleuze on Music, Painting and the Arts breaks new ground in the scholarship on Deleuze's aesthetics, while providing a clear and accessible guide to his often overlooked writings in the fields of music and painting.

Author : Richard Rushton
Publisher : A&C Black
Page : 186 pages
File Size : 40,7 Mb
Release : 2012-03-29
Category : Performing Arts
ISBN : 9780826438928

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Cinema After Deleuze by Richard Rushton Pdf

A clear and concise overview of and introduction to Deleuze's theories of cinema.

Author : Paola Marrati,Professor Paola Marrati
Publisher : JHU Press
Page : 161 pages
File Size : 42,8 Mb
Release : 2008-05-07
Category : Literary Criticism
ISBN : 9780801888021

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Gilles Deleuze by Paola Marrati,Professor Paola Marrati Pdf

2008 Outstanding Academic Title, Choice Magazine In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and André Bazin's film theory? What does it tell us about perceiving a world in images—indeed about our relation to the world? These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life.

Author : Patricia Pisters
Publisher : Stanford University Press
Page : 317 pages
File Size : 55,9 Mb
Release : 2003
Category : Performing Arts
ISBN : 9780804740289

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The Matrix of Visual Culture by Patricia Pisters Pdf

This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.

Author : Gilles Deleuze
Publisher : A&C Black
Page : 358 pages
File Size : 47,5 Mb
Release : 2005-03-01
Category : Philosophy
ISBN : 0826477062

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Cinema II by Gilles Deleuze Pdf

Offers a fascinating analysis of the representation of time in film and the cinematic treatment of memory, thought and speech, and looks at the work of Godard, Hitchcock and Welles.

Author : David Norman Rodowick
Publisher : Duke University Press
Page : 284 pages
File Size : 44,9 Mb
Release : 1997
Category : Literary Criticism
ISBN : 0822319705

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Gilles Deleuze's Time Machine by David Norman Rodowick Pdf

An introduction to Deleuze's theory of cinema, from a leading American film theorist.

Author : Daniela Angelucci
Publisher : Deleuze Studies Special Issues
Page : 0 pages
File Size : 47,5 Mb
Release : 2014
Category : Performing Arts
ISBN : 074869773X

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Deleuze and the Concepts of Cinema by Daniela Angelucci Pdf

'Deleuze and the Concepts of Cinema' takes up Deleuze's idea that the true objects of the theory of cinema are the concepts that cinema generates when understood as a practice of images. In this sense, philosophy alone is able, as Deleuze argued, to 'constitute the concepts of cinema itself'.