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Desert Indian Woman by Frances Sallie Manuel,Deborah Lyn Neff Pdf
Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O'odham culture. Speaking to anthropologist Deborah Neff, who has known her for over twenty years, she tells of O'odham culture and society and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.
Desert Indian Woman by Frances Sallie Manuel,Deborah Lyn Neff Pdf
Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O'odham culture. Speaking to anthropologist Deborah Neff, who has known her for over twenty years, she tells of O'odham culture and society and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.
This Volume Investigates The Tremendous Contemporary Spurt In The Literary Creativity Of 'Women Writers' In Indian English Fiction. Demonstrating That Fictional Creation Is No 'Male Territory' And Women Are No 'Trespassers' In It, The Contributors To This Study, Both Discerning Critics And Major Fictionists, Scrutinize And Evaluate The Diverse, Inter-Related Aspects Of Women'S Fiction. The Volume Meticulously Brings Together The Voices Of These Persistent And Determined Sheherzades, Too Significant To Miss Or Ignore, In A Wide-Ranging Selection Of Perceptive Essays, Written In Jargon-Free And Refreshing Prose.
In the harsh Thar desert of Rajasthan State in Northwest India, the famed photographer Hans Silvester found his paradise. Not far from the birthplace of Mahatma Gandhi, who assumed the ways of the poor out of solidarity, the women of the desert live a hard life, without electricity, without running water, without doctors. With only the simplest means, they keep their homes scrupulously clean and decorate them with wonderful designs. With the barest of resources, they clothe themselves so richly that their costumes have been copied by fashionable women in the West. The women sing while working in the fields or picking over grains, and while spinning thread in their tiny courtyards. Their songs, dating back centuries, invoke ancient gods and goddesses. The intensity of this simple life captured by Hans Sylvester's lens is matched by Catherine Clement's poetic and provocative text, a musing meditation on this region of India and its inhabitants - especially its women, the Eves of the desert
From the bestselling author of Tracks: A travel writer’s memoir of her year with the nomadic Rabari tribe on the border between Pakistan and India. India’s Thar Desert has been the home of the Rabari herders for thousands of years. In 1990, Australian Robyn Davidson, “as natural a travel writer as she is an adventurer,” spent a year with the Rabari, whose livelihood is increasingly endangered by India’s rapid development (The New Yorker). Enduring the daily hardships of life in the desert while immersed in the austere beauty of the arid landscape, Davidson subsisted on a diet of goat milk, roti, and parasite-infested water. She collided with India’s rigid caste system and cultural idiosyncrasies, confronted extreme sleep deprivation, and fought feelings of alienation amid the nation’s isolated rural peoples—finding both intense suffering and a renewed sense of beauty and belonging among the Rabari family. Rich with detail and honest in its depictions of cultural differences, Desert Places is an unforgettable story of fortitude in the face of struggle and an ode to the rapidly disappearing way of life of the herders of northwestern India. “Davidson will both disturb and exhilarate readers with the acuity of her observations, the sting of her wit, and the candor of her emotions” (Booklist).
From the author of the international bestseller Tracks comes a vivid memoir of the grueling migration season she spent with the nomads of northwestern IndiaIndia's Thar Desert is a place of stark contrasts. Forming a natural border between Pakistan and India, the desert has been the home of the Rabari herders for thousands of years. In 1990, Australian travel writer Robyn Davidson spent a year with the Rabari, whose livelihood is increasingly endangered by India's rapid development. Enduring the daily hardships of life in the desert while immersed in the austere beauty of the arid landscape, D.
Author : Women's National Indian Association Publisher : Unknown Page : 818 pages File Size : 45,7 Mb Release : 1883 Category : Indians of North America ISBN : NYPL:33433081751210
The Pool in the Desert by Sara Jeannette Duncan Pdf
In The Pool in the Desert, first published in 1903, Sara Jeannette Duncan explores the impact of isolation on the small British communities of Victorian India. In the four stories collected here—“The Pool in the Desert,” “A Mother in India,” “An Impossible Ideal,” and “The Hesitation of Miss Anderson”—Duncan’s women have certain freedoms living amidst the reaches of Empire, but they also must negotiate their way through a landscape dominated by the constraints of small military societies. The stories that result combine a delicacy of manners and movement that recalls Henry James, with a wit and sharp eye for small town foibles that bring Stephen Leacock to mind.
A memoir of childhood summers spent in a Laurentian village and of an Indian woman who lived according to her ancient code of courage and humanity. A heartwarming story. From the Trade Paperback edition.
Amelia Stone Quinton and the Women's National Indian Association by Valerie Sherer Mathes Pdf
This first full account of Amelia Stone Quinton (1833–1926) and the organization she cofounded, the Women’s National Indian Association (WNIA), offers a nuanced insight into the intersection of gender, race, religion, and politics in our shared history. Author Valerie Sherer Mathes shows how Quinton, like Helen Hunt Jackson, was a true force for reform and progress who was nonetheless constrained by the assimilationist convictions of her time. The WNIA, which Quinton cofounded with Mary Lucinda Bonney in 1879, was organized expressly to press for a “more just, protective, and fostering Indian policy,” but also to promote the assimilation of the Indian through Christianization and “civilization.” Charismatic and indefatigable, Quinton garnered support for the WNIA’s work by creating strong working relationships with leaders of the main reform groups, successive commissioners of Indian affairs, secretaries of the interior, and prominent congressmen. The WNIA’s powerful network of friends formed a hybrid organization: religious in its missionary society origins but also political, using its powers to petition and actively address public opinion. Mathes follows the organization as it evolved from its initial focus on evangelizing Indian women—and promoting Victorian society’s ideals of “true womanhood”—through its return to its missionary roots, establishing over sixty missionary stations, supporting physicians and teachers, and building houses, chapels, schools, and hospitals. With reference to Quinton’s voluminous writings—including her letters, speeches, and newspaper articles—as well as to WNIA literature, Mathes draws a complex picture of an organization that at times ignored traditional Indian practices and denied individual agency, even as it provided dispossessed and impoverished people with health care and adequate housing. And at the center of this picture we find Quinton, a woman and reformer of her time.
The Arts of Indigenous Health and Well-Being by Nancy Van Styvendale,J.D. McDougall,Robert Henry,Robert Alexander Innes Pdf
Drawing attention to the ways in which creative practices are essential to the health, well-being, and healing of Indigenous peoples, The Arts of Indigenous Health and Well-Being addresses the effects of artistic endeavour on the “good life”, or mino-pimatisiwin in Cree, which can be described as the balanced interconnection of physical, emotional, spiritual, and mental well-being. In this interdisciplinary collection, Indigenous knowledges inform an approach to health as a wider set of relations that are central to well-being, wherein artistic expression furthers cultural continuity and resilience, community connection, and kinship to push back against forces of fracture and disruption imposed by colonialism. The need for healing—not only individuals but health systems and practices—is clear, especially as the trauma of colonialism is continually revealed and perpetuated within health systems. The field of Indigenous health has recently begun to recognize the fundamental connection between creative expression and well-being. This book brings together scholarship by humanities scholars, social scientists, artists, and those holding experiential knowledge from across Turtle Island to add urgently needed perspectives to this conversation. Contributors embrace a diverse range of research methods, including community-engaged scholarship with Indigenous youth, artists, Elders, and language keepers. The Arts of Indigenous Health and Well-Being demonstrates the healing possibilities of Indigenous works of art, literature, film, and music from a diversity of Indigenous peoples and arts traditions. This book will resonate with health practitioners, community members, and any who recognize the power of art as a window, an entryway to access a healthy and good life.
