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Development, Modernism and Modernity in Africa by Augustine Agwuele Pdf
This anthology examines the "unfinished project of modernity" with respect to the unrealized potential for economic, social, and political development in Africa. It also shows how, facing the consequences of modernism, Africans in and out of the continent are responding to these unfinished projects drawing on (a) the customary, (b) the novelty of modernity, and (c) positive aspects of modernism, for the organization of their societies and the enrichment of their lives even as they contend with the negative aspects of modernity and modernism.
Development as Modernity, Modernity as Development by Siyabonga Lushaba Pdf
This book analyses the impact of the Western idea of 'modernity' on development and underdevelopment in Africa. It traces the genealogy of the Western idea of modernity from European Enlightenment concepts of the universal nature of human history and development, and shows how this idea was used to justify the Western exploitation and oppression of Africa. It argues that contemporary development, theory and practice is a continuation of the Enlightenment project and that Africa can only achieve real development by rejecting Western modernity and inventing its own forms of modernity. The book is divided into four sections. The first section provides an outline of the theory of modernity in the Enlightenment project. In the second section, an attempt is made to trace the genealogy of the idea of development as modernity and how the African development process gets entangled with it. Here, its evolution is mapped through three periods: early modernity, capitalist modernity and late modernity. Zeroing in on the current era of late or hypermodernity, the book contests the idea that there is something new in globalisation and its neo-liberal development paradigm. The third section turns to the complex but pertinent question of how, at the beginning of the twenty-first century, Africa can transcend the impasse of modernity. The fourth and final section sums up the argument and points the way forward.
Author : Philip G. Altbach,Salah M. Hassan Publisher : Africa Research and Publications Page : 254 pages File Size : 54,7 Mb Release : 1996 Category : Business & Economics ISBN : UOM:39015041090773
The Muse of Modernity by Philip G. Altbach,Salah M. Hassan Pdf
Culture plays a central role in the well-being of any society. This is especially true in postcolonial Africa, where rich traditional cultures collide with complex modern realities. Cultural development and the integration of culture into contemporary society is of primary importance not only for African prosperity, but also for the strengthening of civil society and of societal integration. This book focuses on the role of culture in the process of development as well as on strategies for ensuring the growth of indigenous African culture and the strengthening of cultural industries in the African context. The prospects for filmmaking, the performing arts, publishing, radio, museums, art, and traditional storytelling in Africa are creatively examined and explored by some of Africa's most creative cultural figures. This book combines thoughtful analysis of problems and a "state of the art" assessment of key cultural industries with practical suggestions for improvement and progress.
An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history. The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art. In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression inAfrican cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, andEnwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity. First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art. Sylvester Ogbechie is Associate Professor of Art History at the University of California, Santa Barbara.
Modernization as Spectacle in Africa by Peter J. Bloom,Stephan F. Miescher,Takyiwaa Manuh Pdf
For postcolonial Africa, modernization was seen as a necessary outcome of the struggle for independence and as crucial to the success of its newly established states. Since then, the rhetoric of modernization has pervaded policy, culture, and development, lending a kind of political theatricality to nationalist framings of modernization and Africans’ perceptions of their place in the global economy. These 15 essays address governance, production, and social life; the role of media; and the discourse surrounding large-scale development projects, revealing modernization's deep effects on the expressive culture of Africa.
African Modernism by Manuel Herz,Ingrid Schröder,Hans Focketyn,Julia Jamrozik Pdf
A new edition of the most comprehensive survey of modern architecture in Africa to date. When the first edition of African Modernism was published in 2015, it was received with international praise and has been sought after constantly ever since it went out of print in 2018. Marking Park Books' 10th anniversary, this landmark book becomes available again in a new edition. In the 1950s and 1960s, most African countries gained independence from their respective colonial power. Architecture became one of the principal means by which the newly formed countries expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Côte d'Ivoire, Kenya, and Zambia. It features one hundred buildings with brief descriptive texts, images, site plans, and selected floor plans and sections. The vast majority of images were newly taken by Iwan Baan and Alexia Webster for the book's first edition. Their photographs document the buildings in their present state. Each country is portrayed in an introductory text and a timeline of historic events. Further essays on postcolonial Africa and specific aspects and topics, also illustrated with images and documents, round out this outstanding volume.
Development In Modern Africa by Martin S. Shanguhyia,Toyin Falola Pdf
Development in Modern Africa: Past and Present Perspectives contributes to our understanding of Africa’s experiences with the development process. It does so by adopting a historical and contemporary analysis of this experience. The book is set within the context of critiques on development in Africa that have yielded two general categories of analysis: skepticism and pessimism. While not overlooking the shortcomings of development, the themes in the book express an optimistic view of Africa’s development experiences, highlighting elements that can be tapped into to enhance the condition of African populations and their states. By using case studies from precolonial, colonial, and postcolonial Africa, contributors to the volume demonstrate that human instincts to improve material, social and spiritual words are universal. They are not limited to the Western world, which the term and process of development are typically associated with. Before and after contact with the West, Africans have actively created institutions and values that they have actively employed to improve individual and community lives. This innovative spirit has motivated Africans to integrate or experiment with new values and structures, challenges, and solutions to human welfare that resulted from contact with colonialism and the postcolonial global community. The book will be of interest to academics in the fields of history, African studies, and regional studies.
A Companion to Modern African Art by Gitti Salami,Monica Blackmun Visona Pdf
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Readings in Modernity in Africa by Peter Geschiere,Birgit Meyer,Peter Pels Pdf
Questions surrounding modernity and its meanings weigh heavily on students and scholars who study Africa. Becoming modern carries a lot of different meanings and puts concepts of culture, tradition, and nation into uneasy use. Readings in Modernity in Africa brings together classic essays, old and new, to help assess the issues and problems of modernity in an African context. Questions include: How can we discuss modernity without lapsing into a Western-dominated view of history? How do we avoid losing sight of the diversity of local forms? How is it that modernity has such a powerful impact on African lives? This wide-ranging volume provides new perspectives and suggests alternatives for how a better future might be implemented in Africa and beyond.
Modern Architecture in Africa by Antoni Folkers Pdf
Summary: "Modern architecture in Africa" is one of the few Western studies of modern African architecture. The architect Antoni Folkers calls into question the moralistic, simplified Western Modernism that has become stranded in the African savannah. The critique of the one-sidedness of Western architecture is not only theoretical, but also assumes a practical form in the pluriform and multi-coloured architecture of Africa. After studying at the TU Delft, Antoni Folkers went to Africa in 1984 to become acquainted with the critique of the practice of Western Modernism. His "Modern architecture in Africa" shows both the clash and the blending of 'original' African architecture with Modernism. On the basis of his experiences, he sets the potential and limitations of Modernism in a cultural context and links them with the history and development of Africa.
Africa After Modernism: Transitions in Literature Media and Philosophy by Michael Janis Pdf
Africa after Modernism traces shifts in perspectives on African culture, arts, and philosophy from the conflict with European modernist interventions in the climate of colonialist aggression to present identitarian positions in the climate of globalism, multiculturalism, and mass media. By focusing on what may be called deconstructive moments in twentieth-century Africanist thought – on intellectual landmarks, revolutionary ideas, crises of consciousness, literary and philosophical debates – this study looks at African modernity and modernism from critical postcolonial perspectives. An effort to sketch contemporary frameworks of global intersubjective relations reflecting African cultures and concerns must resist taking modernism as a term of African periodization, or master-narrative, but as a constellation of discursive and subjective forms that obtains upon the present moment in African literature, philosophy, and cultural history. Africa after Modernism argues for a philosophical consciousness and pan-African multiculturalist ethos that operate, after the deconstruction of Eurocentrism, beyond self/other paradigms of exoticism or West/Africa political ideologies, in dialogue with postcolonial approaches to cultural reciprocity.
The Origins of Modern African Thought by Robert W. July Pdf
For the better part of two centuries, racial domination has been the central concern of African social thought. Other questions, among them national identity, the role of chieftaincy, representation, justice, and constitutional design, have often been defined in relation to a preoccupation with racial and colonial forms of domination. This book, by examining the history of African thought, will prove an invaluable tool to those new thinkers who have begun to revisit the intellectual history of Africa at the outset of the twenty-first century.
One of the extraordinary events of the twentieth-century has been the emergence of Black modernities across the oceanic divide. These modernities took on particular historical forms as well as singular cultural configurations. Invariably, in their formation, realization, and actualization's, whether in Africa or in the African Diaspora, they have constituted themselves as historical discourse, usually across the Atlantic, about cultural identities, historical survivals, invention of traditions, and the formulation of new nationalities. At the center of these reciprocal exchanges and interactions in the Black world has been the "New Negro" modernity, which orchestrated the deeper strains of the cultural splay of Black historical avant-gardes globally. "New Negro" modernity and modernism found its perfect realization in the Harlem Renaissance (1924-30). Through one of its eminent figures, Langston Hughes, the Harlem Renaissance had a profound impact on Black modernist cultural formations. In contrast to these complex diasporic and African exchanges, the effect of the influence and impact of United States modernity on the making of South African modernity resulted in something very spectacular and very unique: the transformation of a whole national culture, and the re-vitalization and re-invigoration of the national consciousness of Africans in South Africa. This anthology consists of contributions by African American scholars, writers and artists (Ishmael Reed, Joyce F. Kirk, John Higginson, Robert Hill, Gregory A. Pirio, Sonia Sanchez, Robin D.G. Kelley, Molefi Kete Asante, David H. Anthony, Houston A. Baker, Elliott Butler Evans, Sterling Plumpp, Stanley Crouch, Garth Fagan, GregTate, Cedric J. Robinson, Primus St. John, Dolores E. Cross, Gerald Horne and Sidney J. Lemelle); and African scholars, writers and artists (Mazisi Kunene, Ntongela Masilela, Bernard Makhosozwe Magubane, Nomazengele A. Mangaliso, Alosi J.M. Moloi, Keorapetse Kgositsile, Es'kia Mphalele and Cecil Abrahams) jointly examining the historical conjuncture between United States and South African modernity.
In a forthright and uncompromising manner, Olúfémi Táíwò explores Africa’s hostility toward modernity and how that hostility has impeded economic development and social and political transformation. What has to change for Africa to be able to respond to the challenges of modernity and globalization? Táíwò insists that Africa can renew itself only by fully engaging with democracy and capitalism and by mining its untapped intellectual resources. While many may not agree with Táíwò’s positions, they will be unable to ignore what he says. This is a bold exhortation for Africa to come into the 21st century.
The Arts and Indigenous Knowledge Systems in a Modernized Africa by Runette Kruger,Rudi de Lange,Ingrid Stevens Pdf
This collection derives from a conference held in Pretoria, South Africa, and discusses issues of indigenous knowledge systems (IKS) and the arts. It presents ideas about how to promote a deeper understanding of IKS within the arts, the development of IKS-arts research methodologies, and the protection and promotion of IKS in the arts. Knowledge, embedded in song, dance, folklore, design, architecture, theatre, and attire, and the visual arts can promote innovation and entrepreneurship, and it can improve communication. IKS, however, exists in a post-millennium, modernizing Africa. It is then the concept of post-Africanism that would induce one to think along the lines of a globalized, cosmopolitan and essentially modernized Africa. The book captures leading trends and ideas that could help to protect, promote, develop and affirm indigenous knowledge and systems, whilst also making room for ideas that do not necessarily oppose IKS, but encourage the modernization (not Westernization) of Africa.
