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"Alma Maria Mahler Gropius Werfel (born Alma Maria Schindler; 31 August 1879? 11 December 1964) was a Viennese-born socialite well known in her youth for her beauty and vivacity. She became the wife, successively, of composer Gustav Mahler, architect Walter Gropius, and novelist Franz Werfel, as well as the consort of several other prominent men. Musically active from her teens, she was the composer of at least seventeen songs for voice and piano. In later years her salon became an important feature of the artistic scene, first in Vienna, then in Los Angeles."--Wikipedia.
Diaries 1898-1902 by Alma Mahler-Werfel,Antony Beaumont Pdf
Born in 1879 in Vienna, Alma Mahler-Werfel was the daughter of the popular landscape painter, Emil J. Schindler. Her stepfather, Carl Moll, was instrumental in forming the Secession movement and she became the pupil, friend and lover of many famous men, including Alexander Zemlinsky, Gustav Klimt and Max Burckhard. In 1902 she married Gustav Mahler. After his death she married Walter Gropius, had a liaison with Oskar Kokoschka, and later married Franz Werfel. As a young girl she began writing a diary. This selection from four years of that diary gives a breathtaking (and breathless) account of cultural life in Vienna at the turn of the twentieth century. With their mixture of beady-eyed observation and impassioned confession, the pages of Alma Mahler-Werfel's diary make for gripping reading.
Diaries, 1898-1902 by Alma Mahler,Antony Beaumont,Susanne Rode-Breymann Pdf
The original manuscript of these diaries, which present an eye-witness record of historical events in the worlds of art and music at the turn of the century, lay unread in the library of an American university until Antony Beaumont read it in search of the truth about Mahler-Werfel and Zemlinsky. But he found more: an account, in intimate detail, of the four years during which Mahler-Werfel grew from adolescence into womanhood.
Muskox Land provides a meticulously researched and richly illustrated treatment of Canada's High Arctic as it interweaves insights from historiography, Native studies, ecology, anthropology, and polar exploration.
Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Following Mahler’s every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. Why Mahler? is a book that shows how music can change our lives.
Alma Mahler and Her Contemporaries by Susan M. Filler Pdf
This selective annotated bibliography places Alma Mahler with three other female composers of her time, covering the first generation of active female composers in the twentieth century. It uncovers the wealth of resources available on the lives and music of Mahler, Florence Price, Yuliya Lazarevna Veysberg, and Maria Teresa Prieto and supports emerging scholarship and inquiry on four women who experienced both entrenched sexual discrimination and political upheaval, which affected their lives and influenced composers of subsequent generations.
Gustav and Alma Mahler by Susan Melanie Filler Pdf
This revised edition of Garland's 1989 publication updates the core bibliography on Gustave Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship.
This revised edition of Garland's 1989 publication updates the core bibliography on Gustave Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship.
Seeing Mahler: Music and the Language of Antisemitism in Fin-de-Siècle Vienna by K.M. Knittel Pdf
No-one doubts that Gustav Mahler's tenure at the Vienna Court Opera from 1897-1907 was made extremely unpleasant by the antisemitic press. The great biographer, Henry-Louis de La Grange, acknowledges that 'it must be said that antisemitism was a permanent feature of Viennese life'. Unfortunately, the focus on blatant references to Jewishness has obscured the extent to which 'ordinary' attitudes about Jewish difference were prevalent and pervasive, yet subtle and covert. The context has been lost wherein such coded references to Jewishness would have been immediately recognized and understood. By painstakingly reconstructing 'the language of antisemitism', Knittel recreates what Mahler's audiences expected, saw, and heard, given the biases and beliefs of turn-of-the-century Vienna. Using newspaper reviews, cartoons and memoirs, Knittel eschews focusing on hostile discussions and overt attacks in themselves, rather revealing how and to what extent authors call attention to Mahler's Jewishness with more subtle language. She specifically examines the reviews of Mahler's Viennese symphonic premieres for their resonance with that language as codified by Richard Wagner, though not invented by him. An entire chapter is also devoted to the Viennese premieres of Richard Strauss's tone poems, as a proof text against which the reviews of Mahler can also be read and understood. Accepting how deeply embedded this way of thinking was, not just for critics but for the general population, certainly does not imply that one can find antisemitism under every stone. What Knittel suggests, ultimately, is that much of early criticism was unease rather than 'objective' reactions to Mahler's music - a new perspective that allows for a re-evaluation of what makes his music unique, thought-provoking and valuable.
As Leo Tolstoy’s wife, Sophia Tolstoy experienced both glory and condemnation during their forty-eight-year marriage. She was admired as the muse and literary assistant to one of the world’s most celebrated novelists. But when in later years Tolstoy became a towering public figure and founded a new brand of religion, she was scorned for her disagreements with him. And it is this version of Sophia—malicious, shrill, perennially at war with Tolstoy—that has gone down in the historical record. Drawing on newly available archival material, including Sophia’s unpublished memoir, Alexandra Popoff presents a dramatically different and accurate portrait of the woman and the marriage. This lively, well-researched biography demonstrates that, contrary to popular belief, Sophia was remarkably supportive of Tolstoy and was, in fact, key to his fame. Gifted and versatile, Sophia assisted Tolstoy during the writing of War and Peace and Anna Karenina. Having modeled his most memorable female characters on her, Tolstoy admired his wife’s boundless energy, which he called “the force of life.” Sophia’s letters, never before translated, illuminate the couple’s true relationship and provide insights into Tolstoy’s creative laboratory. Although long portrayed as an elitist and hysterical countess, Sophia was in reality a practical, independent-minded, generous, and talented woman who shared Tolstoy’s important values and his capacity for work. Mother of thirteen, she participated in Tolstoy’s causes and managed all business a airs. Popoff describes in haunting detail the intrusion into their marriage by Tolstoy’s religious disciple Vladimir Chertkov, who controlled Tolstoy at the end of his life and led a smear campaign against Sophia, branding her evil and mad. She is still judged by Chertkov’s false accounts, which dismissed her valuable achievements and contributions. During his later religious phase, Tolstoy renounced his property and copyright, and Sophia had to become the breadwinner. She published Tolstoy’s collected works and supported their large family. Despite the pressures of her demanding life, she realized her own talents as a writer, photographer, translator, and aspiring artist. This vigorous, engrossing biography presents in fascinating depth and detail the many ways in which Sophia Tolstoy enriched the life and work of one of the world’s most revered authors.
This book challenges prevalent understandings of elite artistic culture in fin-de-siècle Vienna by examining creative manifestations of utopian imaginings that ran counter and parallel to the cultural pessimism widely diagnosed in that society. It argues that the music and writings of Richard Wagner played a key role in inspiring such imagining, which either embraced and extended Wagner's own visions or countered them with visions that were wholly new.
"In Embodied Histories, historian Katya Motyl explores the everyday acts of defiance that formed the basis for new, unconventional forms of womanhood in turn-of-the-century Vienna. The figures Motyl brings back to life dressed however they pleased, defied gender conformity, behaved brashly, and expressed themselves freely, overturning assumptions about what it meant to exist as a woman. Motyl delves into the ways in which these women inhabited and reshaped the urban landscape of Vienna, an increasingly modern, cosmopolitan city. Specifically, she focuses on how easily overlooked quotidian practices such as loitering outside cafés, striking up conversations with strangers, and taking dogs for walks helped create novel conceptions of gender. Exploring the emergence of a new womanhood, Embodied Histories presents a new account of how the gender, the body, and the city merge with and transform each other, showing how our modes of being are radically intertwined with the spaces we inhabit"--
A chronicle of Vienna's Golden Age and the influence of Sigmund Freud on the modern world by a clinical psychologist whose mystery novels form the basis of PBS's Vienna Blood series. Some cities are like stars. When the conditions are right, they ignite, and burn with such fierce intensity that they outshine every other city on the planet. Vienna was one such city and, at the beginning of the twentieth century, was the birthplace of the modern mind and the way we live today. Long coffee menus and celebrity interviews are Viennese inventions. ‘Modern’ buildings were appearing in Vienna long before they started appearing in New York and the idea of practical modern home design originated in the work of Viennese architect Adolf Loos. The place, however, where one finds the most indelible and profound impression of Viennese influence is inside your head. How we think about ourselves has been largely determined by Vienna’s most celebrated resident, Sigmund Freud. In Mortal Secrets, Frank Tallis brilliantly illuminates Sigmund Freud and his times, taking readers into the mind of one of the most influential thinkers of the twentieth century, chronicling the evolution of psychoanalysis and opening up Freud’s life to embrace the Vienna he lived in and the lives of the people he mingled with from Gustav Klimt to Arnold Schönberg, Egon Schiele to Gustav Mahler. Mortal Secrets is a thrilling book about a heady time in one of the world’s most beautiful cities and its long shadow that extends through the twentieth century up until the present day.
Schubert in the European Imagination by Scott Messing Pdf
The concept of Schubert as a feminine type began in 1838. This work examines the historical reception of Franz Schubert as conveyed through the gendered imagery and language of 19th and early 20th century European culture. The figures discussed include Musset, Sand, Nerval, Maupassant, George Eliot, and others.
Jews in Suits by Jonathan C. Kaplan-Wajselbaum Pdf
Surviving photographs of Jewish Viennese men during the fin-de-siècle and interwar periods both the renowned cultural luminaries and their many anonymous coreligionists all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched. Jews in Suits uses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.
