Dicta And Contradicta Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Dicta And Contradicta book. This book definitely worth reading, it is an incredibly well-written.
"Through the polemical and satirical magazine Die Fackel (the torch), which he founded in 1899, Kraus launched wicked but unrelentingly witty attacks on literary and media corruption, sexual repression, militarism, and the social hypocrisy of fin-de-siecle Vienna. His barbed aphorisms were an essential part of his running commentary on Viennese culture."--BOOK JACKET.
A work of creative nonfiction, VIENNA VOICES: A TRAVELER LISTE01 General/trade TO THE CITY OF DREAMS offers a nuanced portrait of the enigmatic “City of Dreams,” whose intellectual and artistic culture reached its height at the end of the nineteenth century, only to be eclipsed in the twentieth by the collapse of the Habsburg empire and the rise of National Socialism.
Ludwig Wittgenstein’s brief Tractatus Logico-Philosophicus (1922) is one of the most important philosophical works of the twentieth century, yet it offers little orientation for the reader. The first-time reader is left wondering what it could be about, and the scholar is left with little guidance for interpretation. In Tractatus in Context, James C. Klagge presents the vital background necessary for appreciating Wittgenstein’s gnomic masterpiece. Tractatus in Context contains the early reactions to the Tractatus, including the initial reviews written in 1922-1924. And while we can’t talk with Wittgenstein, we can do the next best thing—hear what he had to say about the Tractatus. Klagge thus presents what Wittgenstein thought about germane issues leading up to his writing the book, in discussions and correspondence with others about his ideas, and what he had to say about the Tractatus after it was written—in letters, lectures and conversations. It offers, you might say, Wittgenstein’s own commentary on the book. Key Features: Illuminates what is at stake in the Tractatus, by providing the views of others that engaged Wittgenstein as he was writing it. Includes Wittgenstein’s earlier thoughts on ideas in the book as recorded in his notebooks, letters, and conversations as well as his later, retrospective comments on those ideas. Draws on new or little-known sources, such as Wittgenstein’s coded notebooks, Hermine’s notes, Frege’s letters, Hänsel’s diary, Ramsey’s notes, and Skinner’s dictations. Draws connections between the background context and specific passages in the Tractatus, using a proposition-by-proposition commentary.
This book takes a different approach to the history of philosophy, exploring a neglected theme, the relationship between catastrophe and philosophy. The book analyzes this theme within texts from ancient times to the present, from a global perspective. The book’s focus is timely and relevant today, as the planet is certainly facing a number of impending catastrophes right now, e.g., environmental degradation, overpopulation, the threat of nuclear war, etc.
Slavoj Žižek is the most popular and discussed philosopher in the world today. His prolific writings – across philosophy, psychoanalysis, political and social theory, film, music and religion – always engage and provoke. The power of his ideas, the breadth of his references, his capacity for playfulness and confrontation, his willingness to change his mind and his refusal fundamentally to alter his argument – all have worked to build an extraordinary international readership as well as to elicit much critical reaction. The Žižek Dictionary brings together leading Žižek commentators from across the world to present a companion and guide to Žižekian thought. Each of the 60 short essays examines a key term and, crucially, explores its development across Žižek’s work and how it fits in with other concepts and concerns. The dictionary will prove invaluable both to readers coming to Žižek for the first time and to those already embarked on the Žižekian journey.
The Culture of the Case by Frederic J. Schwartz Pdf
How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed. In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time. As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.
Mathematical Lives by CLAUDIO BARTOCCI,Renato Betti,Angelo Guerraggio,Roberto Lucchetti Pdf
Steps forward in mathematics often reverberate in other scientific disciplines, and give rise to innovative conceptual developments or find surprising technological applications. This volume brings to the forefront some of the proponents of the mathematics of the twentieth century, who have put at our disposal new and powerful instruments for investigating the reality around us. The portraits present people who have impressive charisma and wide-ranging cultural interests, who are passionate about defending the importance of their own research, are sensitive to beauty, and attentive to the social and political problems of their times. What we have sought to document is mathematics’ central position in the culture of our day. Space has been made not only for the great mathematicians but also for literary texts, including contributions by two apparent interlopers, Robert Musil and Raymond Queneau, for whom mathematical concepts represented a valuable tool for resolving the struggle between ‘soul and precision.’
Author : Peter Robinson Publisher : Liverpool University Press Page : 209 pages File Size : 53,6 Mb Release : 2010-01-01 Category : Language Arts & Disciplines ISBN : 9781846312182
`The conviction, pleasures and gratitude of committed reading are evident in his affirmation of the poetic contract between readers and writers.' Andrea Brady, Poetry Review --
Author : Steven Carter Publisher : University Press of America Page : 130 pages File Size : 54,8 Mb Release : 2008 Category : Literary Criticism ISBN : 0761840508
222: Aphorisms & Reflections is an attempt to breathe new life into the art of the aphorism and the brief reflection (or meditation), brought to near-perfection in Western culture over the last five centuries by Pascal, La Rochefoucauld, Lichtenberg, Nietzsche, Kafka, E.M. Cioran, Karl Kraus, Fernando Pessoa, and many others. About four in ten of the entries in 222 consist of "conversations" between Steven Carter and aphorists of the past, including many of the above. In publishing this initial volume of a projected multi-volume work, Carter hopes to join the ranks of current aphorists and anthologists--James Richardson and James Geary, to name two--whose recent works help to further the grand tradition of the aphorism, which began in ancient Greece with Hippocrates, the West's first known aphorist. While 222 is primarily intended for a general college-educated audience, everyone can enjoy a good aphorism-as the Americans Josh Billings, Will Rogers, and especially Mark Twain have shown.
It takes any number of forms. Epigrams. Aphorisms. Fragments. Sayings. Dicta. Sententiae. Facetiae. Pearls of wisdom. Fractions of truth. Maxims. Definitions. Jottings. Miscellaneous musings. Meditations. Ricordi. Pensées. Ephemera. Miniatures. Sketches. Vignettes. Denkbilder. Capriccios. Tiny 'fires without flames' ... In returning to these genres, Matches goes back to the drawing board of modern critique. It sets out to rekindle short-form literary-philosophical reflection, with roots in the Antiquity of Heraclitus and Hippocrates, apogee in the French moralistes (La Rochefoucauld, Pascal, Chamfort ...), and late splendour in German letters (Nietzsche, Kraus, Jünger ...). Moving from art and aesthetics to philosophies past and present, through natural and technological landscapes, beneath the constellations of politics, history and ethics, along the byways of contemporary literary culture--the slow reader with a little spare time will not fail to be struck. Here are pages to peruse and mistrust, texts to think with, a book to put down and ponder, to ponder and put down. A tome to keep handy, handle often, and strike repeatedly against the rough patches of the mind.
Sortition - also known as random selection - puts ordinary people in control of decision-making in government. This may seem novel, but it is how the original Athenian democracy worked. In fact, what is new is our belief that electoral systems are democratic. It was self-evident to thinkers from Aristotle to the Renaissance that elections always resulted in oligarchies, or rule by elites. In this distillation of a lifetime's thinking about the history and principles of democracy, Maurice Pope presents a new model of governance that replaces elected politicians with assemblies selected by lot. The re-introduction of sortition, he believes, offers a way out of gridlock, apathy, alienation and polarisation by giving citizens back their voice. Pope’s work - published posthumously - grew from his unique perspective as a widely travelled English classicist who also experienced the injustice of apartheid rule in South Africa. His great mind was as much at home with the history of philosophy as the mathematics of probability. Governments and even the EU have tried out sortition in recent years; the UK, France and several countries have attempted to tackle climate change through randomly selected citizens’ assemblies. The city of Paris and the German-speaking community of Belgium have set up permanent upper houses chosen by lot. Several hundred such experiments around the world are challenging the assumption that elections are the only or ideal route to credible, effective government. Writing before these mostly advisory bodies took shape, Pope lays out a vision for a government entirely based on random selection and citizen deliberation. In arguing for this more radical goal, he draws on the glories of ancient Athens, centuries of use in Venice, the success of randomly selected juries and the philosophical advantages of randomness. Sortition-based democracy, he believed, is the only plausible way to achieve each element of Abraham Lincoln’s call for a democratic government "of the people, by the people, for the people".
Élisabeth Roudinesco’s bold reinterpretation of Sigmund Freud is a biography for the twenty-first century—a sympathetic yet impartial appraisal of a genius admired but misunderstood in his time and ours. Alert to tensions in his character and thought, she views Freud less as a scientific thinker than as an interpreter of civilization and culture.
Identity, Aesthetics, and Sound in the Fin de Siècle by Dariusz Gafijczuk Pdf
This book is an analytic and historical portrait of the volatile decades at the beginning of the 20th century. Engaging with avant-garde art and thought, and concentrating on two of the most controversial and still culturally relevant personalities of Viennese modernism - Sigmund Freud and Arnold Schoenberg - it tells the story of a cultural experiment of unprecedented proportions, an experiment that attempted to redesign the senses and the concept of individual identity. The book describes the shape of this identity through its mutually overlapping artistic and intellectual dimensions, as it explores the relationship between psychoanalysis and music.