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Domestic Landscapes explores the many facets of relationships: the happiness, the pain, the loneliness and the eroticism. In verbal snapshots, it immortalizes, as pictures often fail to, the fleeting moments and momentary emotions that couples are subject to.
Domestic Landscapes by Bert Teunissen,Saskia Asser Pdf
Over the past decade, Dutch photographer Bert Teunissen has documented hundreds of old European homes. Made in numerous countries, including the Netherlands, Germany, Belgium, Italy, France, Great Britain, Spain, and Portugal, his poignant photographs capture and record architectureand a way of lifethat is quickly disappearing.
Author : James A. Delle,Elizabeth C. Clay Publisher : University Press of Florida Page : 267 pages File Size : 52,6 Mb Release : 2022-08-02 Category : Social Science ISBN : 9781683403173
Archaeology of Domestic Landscapes of the Enslaved in the Caribbean by James A. Delle,Elizabeth C. Clay Pdf
While previous research on household archaeology in the colonial Caribbean has drawn heavily on artifact analysis, this volume provides the first in-depth examination of the architecture of slave housing during this period. It examines the considerations that went into constructing and inhabiting living spaces for the enslaved and reveals the diversity of people and practices in these settings. Contributors present case studies using written descriptions, period illustrations, and standing architecture, in addition to archaeological evidence to illustrate the wide variety of built environments for enslaved populations in places including Jamaica, the Bahamas, and the islands of the Lesser Antilles. They investigate how the enslaved defined their social positions and identities through house, yard, and garden space; they explore what daily life was like for slaves on military compounds; they compare the spatial arrangements of slave villages on plantations based on type of labor; and they show how the style of traditional laborer houses became a form of vernacular architecture still in use today. This volume expands our understanding of the wide range of enslaved experiences across British, French, Dutch, and Danish colonies. Contributors: Elizabeth C. Clay | James A. Delle | Todd M. Ahlman | Marco Meniketti | Kenneth Kelly | Hayden Bassett | James A. Delle | Kristen R. Fellows | Allan D. Meyers | Elizabeth C. Clay | Alicia Odewale | Meredith D. Hardy | Zachary J. M. Beier | Mark W. Hauser A volume in the Florida Museum of Natural History: Ripley P. Bullen Series Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author : Alice P. Wright,Edward R. Henry Publisher : University Press of Florida Page : 363 pages File Size : 55,5 Mb Release : 2019-10-01 Category : Social Science ISBN : 9780813065281
Early and Middle Woodland Landscapes of the Southeast by Alice P. Wright,Edward R. Henry Pdf
Fourteen in-depth case studies incorporate empirical data with theoretical concepts such as ritual, aggregation, and place-making, highlighting the variability and common themes in the relationships between people, landscapes, and the built environment that characterize this period of North American native life in the Southeast.
Reprint of another classic Neolithic Studies Group volume. 'It is a sign of the intellectual health of a specialist study group that its deliberations can generate collections of papers of general interest. The topical issue of landscape is addressed, although with the added complication of attempting to focus on the domestic as opposed to ceremonial aspects of Neolithic life.
Author : Museum of Modern Art (New York, N.Y.) Publisher : New York Graphic Society Books Page : 444 pages File Size : 55,7 Mb Release : 1972 Category : Design ISBN : UOM:39015006795200
Italy: the New Domestic Landscape by Museum of Modern Art (New York, N.Y.) Pdf
"During the last decade, the emergence of Italy as the dominant force in design has had a profound influence in Europe and the Americas. The phenomenon is important not only because of the high quality and diversity of the forms produced, but also because it has generated a lively debate on the sociocultural implications of product design, raising questions of vital concern to designers throughout the world. For many designers, the aesthetic quality of individual objects intended for private consumption have become irrelevant in the face of such pressing problems as poverty, urban decay, and the pollution of the environment now encountered in all industrialized countries. Consequently, they are increasingly shifting he focus of their attention from the well-designed object to man's total environment, seeing the designer's function as one that can mold patterns of behavior by creating new settings for freer, more adaptable lifestyles. Some, however, despairing of effecting social change through design, regard their task as essentially a political one. They therefore abstain from the physical designing of either objects or environments and channel their energies into the staging of events and the issuing of polemical statements. Their approach thus parallels that of many artists in other mediums who view their art in primarily conceptual terms. This publication, issued in conjunction with a major exhibition at The Museum of Modern Art, is the first to deal comprehensively with these challenging developments. Over 150 objects of Italian design of the past ten years have been selected for the show and are all reproduced in color and black-and-white, as are the dozen environments by well-known Italian designers specially commissioned for the occasion, and the two awarded prizes in a concurrent competition for young designers under thirty-five sponsored by the Museum. Each environment is accompanied by a statement in which the individual or group responsible for the project clarifies his position regarding the present and future role of design. In addition to essays by Emilio Ambasz, Curator of Design at the Museum of Modern Art and director of the exhibition, the book contains contributions by a number of outstanding Italian critics and art historians. Together, these comprise the first historical survey of contemporary Italian design and a critical analysis of its intellectual and formal positions within the context of international design today." -- Publisher's description
The Flamingo in the Garden by Colleen J. Sheehy Pdf
First published in 1996 Documents a wide range of American yard art and distills from it insights into attitudes and values about places, homes, neighborhoods, communities, mediating relationships between culture and nature, negotiate consumer culture, and reusing and individualizing mass- produced things.
Epic Landscapes is the first study devoted to architect Benjamin Henry Latrobe’s substantial artistic oeuvre from 1795, when he set sail from Britain to Virginia, to late 1798, when he relocated to Pennsylvania. Thus, this book offers the only extended consideration of Latrobe’s Virginian watercolors, including a series of complex trompe l’oeil studies and three significant illustrated manuscripts. Though Latrobe’s architecture is well known, his watercolors have received little critical attention. Epic Landscapes rediscovers Latrobe’s watercolors as an ambitious body of work and reconsiders the close relationship between the visual and spatial sensibility of these images and his architectural designs. It also offers a fresh analysis of Latrobe within the context of creative practice in the Atlantic world at the end of the eighteenth century as he explored contemporary ideas concerning the form of art for Republican society and the social impacts of revolution. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Continuing his exploration of popular American culture, Schroeder investigates how the front yard came to be, with its clipped lawns, shaped bushes, conventional flowers, noble shade trees, sidewalk frames, and other elements denoting respectability. He notes that it came into being between 1870 and 1890, and has persisted against the criticism, indeed the ridicule, of landscape designers, architects, urban planners, and other professionals and aesthetes. No index. Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR
These twelve essays by leading architectural critics, sociologists, and designers are devoted to the unusual story of the transformation of residential living space in a country rich with architectural meaning. Home design and construction in Italy shifted after World War II from a base of craftsman builders to medium-size industrial production-a fundamental social change that was directed both by an active base of architectural theory and the culture of domestic life. Italy's design technologies extended the theory and practice of domestic architecture from its artisan characteristics to technologic visions-without breaking the social bond that architecture provides in Italy. Italy, unlike other countries, successfully redefined its "culture of living." The largest part of the anthology addresses issues of design, production, and building, including Beppe Finezzi's "Living Between Art and Architecture" and Frida Doveil's "New Materials and New User Values For the Home." Other essays include "The Landscape of Daily Life" (Francesca Picchi), "A Homeless Country (Andrea Branzi), "Italian Design" (Paola Antonelli). Provocative pieces like "Living in Italy, A Question of Taste" by Franco La Cecla center on the perception of rituals of living in Italy as they are affected by the accelerating design tastes of the last fifty years.
California Mission Landscapes by Elizabeth Kryder-Reid Pdf
“Nothing defines California and our nation’s heritage as significantly or emotionally,” says the California Mission Foundation, “as do the twenty-one missions that were founded along the coast from San Diego to Sonoma.” Indeed, the missions collectively represent the state’s most iconic tourist destinations and are touchstones for interpreting its history. Elementary school students today still make model missions evoking the romanticized versions of the 1930s. Does it occur to them or to the tourists that the missions have a dark history? California Mission Landscapes is an unprecedented and fascinating history of California mission landscapes from colonial outposts to their reinvention as heritage sites through the late nineteenth and twentieth centuries. Illuminating the deeply political nature of this transformation, Elizabeth Kryder-Reid argues that the designed landscapes have long recast the missions from sites of colonial oppression to aestheticized and nostalgia-drenched monasteries. She investigates how such landscapes have been appropriated in social and political power struggles, particularly in the perpetuation of social inequalities across boundaries of gender, race, class, ethnicity, and religion. California Mission Landscapes demonstrates how the gardens planted in mission courtyards over the past 150 years are not merely anachronistic but have become potent ideological spaces. The transformation of these sites of conquest into physical and metaphoric gardens has reinforced the marginalization of indigenous agency and diminished the contemporary consequences of colonialism. And yet, importantly, this book also points to the potential to create very different visitor experiences than these landscapes currently do. Despite the wealth of scholarship on California history, until now no book has explored the mission landscapes as an avenue into understanding the politics of the past, tracing the continuum between the Spanish colonial period, emerging American nationalism, and the contemporary heritage industry.
Author : Joy Parr Publisher : University of Toronto Press Page : 378 pages File Size : 44,6 Mb Release : 1999-12-15 Category : History ISBN : 9781487598112
Visions of life in the 1950s often spring from the United States: supermarkets, freeways, huge gleaming cars, bright new appliances, automated households. Historian Joy Parr looks beyond the generalizations about the indulgence of this era to find a specifically Canadian consumer culture. Focusing on the records left by consumer groups and manufacturers, and relying on interviews and letters from many Canadian women who had set up household in the decade after the war, she reveals exactly how and why Canadian homemakers distinguished themselves from the consumer frenzy of their southern neighbours. Domestic Goods focuses primarily on the design, production, promotion, and consumption of furniture and appliances. For Parr, such a focus demands an analysis of the intertwining of the political, economic, and aesthetic. Parr examines how the shortage of appliances in the early postwar years was a direct result of government reconstruction policy, and how the international style of 'high modernism' reflected the postwar dream of free trade. But while manufacturers devised new plans for the consumer, depression-era frugality and a conscious setting of priorities within the family led potential customers to evade and rework what was offered them, eventually influencing the kinds of goods created. This book addresses questions such as, who designed furniture and appliances, and how were these designs arrived at? What was the role of consumer groups in influencing manufacturers and government policy? Why did women prefer their old wringer washers for over a decade after the automatic washer was brought in? In finding the answers the author celebrates and ultimately suggests reclaiming a particularly Canadian way of consuming.
Despite their peaceful, bucolic appearance, the tree-lined streets of South African suburbia were no refuge from the racial tensions and indignities of apartheid’s most repressive years. In At Home with Apartheid, Rebecca Ginsburg provides an intimate examination of the cultural landscapes of Johannesburg’s middle- and upper-middle-class neighborhoods during the height of apartheid (c. 1960–1975) and incorporates recent scholarship on gender, the home, and family. More subtly but no less significantly than factory floors, squatter camps, prisons, and courtrooms, the homes of white South Africans were sites of important contests between white privilege and black aspiration. Subtle negotiations within the domestic sphere between white, mostly female, householders and their black domestic workers, also primarily women, played out over and around this space. These seemingly mundane, private conflicts were part of larger contemporary struggles between whites and blacks over territory and power. Ginsburg gives special attention to the distinct social and racial geographies produced by the workers’ detached living quarters, designed by builders and architects as landscape complements to the main houses. Ranch houses, Italianate villas, modernist cubes, and Victorian bungalows filled Johannesburg’s suburbs. What distinguished these neighborhoods from their precedents in the United States or the United Kingdom was the presence of the ubiquitous back rooms and of the African women who inhabited them in these otherwise exclusively white areas. The author conducted more than seventy-five personal interviews for this book, an approach that sets it apart from other architectural histories. In addition to these oral accounts, Ginsburg draws from plans, drawings, and onsite analysis of the physical properties themselves. While the issues addressed span the disciplines of South African and architectural history, feminist studies, material culture studies, and psychology, the book’s strong narrative, powerful oral histories, and compelling subject matter bring the neighborhoods and residents it examines vividly to life.
Michel Desvigne is the most renowned French landscape architect in the world. Based in Paris, he has held guest professorships at such distinguished institutions as the Architectural Association in London and Harvard University. Desvigne’s projects have a strong strategic and conceptual component. Urban infrastructure projects play a major role, and emphasize the urban planning and design expertise evident in his landscape architecture. The book documents ten of Devigne’s major projects from France, the US, Spain and Qatar, in which he is responsible not only for the landscape architecture, but for coordination of the entire project. How can such highly complex projects be realized? What does the intellectual thought process look like? What specific problems arise in their realization?
