Don Perry Produced The Music Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Don Perry Produced The Music book. This book definitely worth reading, it is an incredibly well-written.
Don Perry was an “eye-witness” to the birth of Rock and Roll. When Elvis Presley arrived, Rock and Roll exploded and Don knew he wanted to be a part of it. In 1963, he sold his car and armed with enough money to last six months, headed to Hollywood to become a Rock star. Surely that would be enough time. That six months stretched to nearly thirty years and as Rock evolved and changed, so did Don’s career. “Don Perry Produced The Music” traces his journey as a singer/songwriter, recording engineer, record producer, manager, concert promoter and finally, music supervisor for film and TV. It also traces the golden years of Rock and Roll and how they shaped every step of the way.
"Knight Rider Legacy: The Unofficial Guide to the Knight Rider Universe" by Joe Huth IV and Richie F. Levine is the ultimate guide to the creation and production of this cult classic. Contained within are extensive cast and crew interviews, a season-by-season episode guide loaded with trivia, details on each "Knight Rider" spin-off, and rare, never before published photos! Fans will discover: How Glen Larson came up with the idea for "Knight Rider" (it was based on an episode of "B.J. and the Bear"--Larson's previous series). How David Hasselhoff almost blew his chance at becoming the "Knight Rider," Why William Daniels declined on-screen credit. The reason behind Patricia McPherson's firing and rehiring. How the stunt team performed K.I.T.T.'s incredible feats. The making of "Knight Rider 2000," "Knight Rider 2010," and "Team Knight Rider," If you loved the handsome Michael Knight, the intelligent Bonnie Barstow, the dashing Devon Miles, and the jaw-dropping feats performed by K.I.T.T., then "Knight Rider Legacy" is for you!
Horror Films of the 1980s by John Kenneth Muir Pdf
John Kenneth Muir is back! This time, the author of the acclaimed Horror Films of the 1970s turns his attention to 300 films from the 1980s. From horror franchises like Friday the 13th and Hellraiser to obscurities like The Children and The Boogens, Muir is our informative guide. Muir introduces the scope of the decade's horrors, and offers a history that draws parallels between current events and the nightmares unfolding on cinema screens. Each of the 300 films is discussed with detailed credits, a brief synopsis, a critical commentary, and where applicable, notes on the film's legacy beyond the 80s. Also included is the author's ranking of the 15 best horror films of the 80s.
Jazz in New Orleans provides accurate information about, and an insightful interpretation of, jazz in New Orleans from the end of World War II through 1970. Suhor, relying on his experiences as a listener, a working jazz drummer, and writer in New Orleans during this period, has done a great service to lovers of New Orleans music by filling in some gaping holes in postwar jazz history and cutting through many of the myths and misconceptions that have taken hold over the years. Skillfully combining his personal experiences and historical research, the author writes with both authority and immediacy. The text, rich in previously unpublished anecdotes and New Orleans lore, is divided into three sections, each with an overview essay followed by pertinent articles Suhor wrote for national and local journals—including Down Beat and New Orleans Magazine. Section One, "Jazz and the Establishment," focuses on cultural and institutional settings in which jazz was first battered, then nurtured. It deals with the reluctance of power brokers and the custodians of culture in New Orleans to accept jazz as art until the music proved itself elsewhere and was easily recognizable as a marketable commodity. Section Two, "Traditional and Dixieland Jazz," highlights the music and the musicians who were central to early jazz styles in New Orleans between 1947 and 1953. Section Three, "An Invisible Generation," will help dispel the stubborn myth that almost no one was playing be-bop or other modern jazz styles in New Orleans before the current generation of young artists appeared in the 1980s.
George Lewis, one of the great traditional jazz clarinetists, was born in 1900 at about the same time that jazz itself first appeared in New Orleans. And by the time he died, on the last day of 1968, New Orleans jazz had pretty much run its course, too. By then a jazz museum stood on Bourbon Street, and a cultural center was under construction where Globe Hall had Stood. Lewis's life thus paralleled that of New Orleans jazz, and in his later years hew as the best known standard bearer of his city's music. He came to the attention of the jazz world at the time of the so-called "New Orleans Revival" of the 1940's, when veteran trumpeter Bunk Johnson was recorded by a number of jazz enthusiasts, notably William Russell. In this new biography, Tom Bethell challenges a favorite myth of the history of jazz: that the music became moribund in New Orleans after the legal red light district, Storyville, was closed in 1917, resulting in most jazz musicians going "up the river." In fact, Bethell shows, many more jazzmen stayed in the city than left, and the musical style continued to develop and grow. Thus the jazz fans who arrived in the city in the early 1940's did not encounter a "revival" of an old style so much as an ongoing tradition, with clarinetists like Lewis having been influenced by Benny Goodman and the Swing Era in addition to Lorenzo Tio and the Creole School. After Bunk Johnson's death in 1949, at a time when many other social changes were beginning to be felt in the city, the New Orleans jazz tradition began to go into a decline. It became increasingly rigid and repetitive, and was often designed to please what one observer called "Dixieland fans yelling for their favorite members." The book is based on lengthy research in New Orleans, including interviews with George Lewis shortly before his death, and unpublished material from the diaries kept by William Russell on his visits to New Orleans between 1942 and 1949. It also includes a statement by Lewis on jazz and the best way to play it and a complete Lewis discography. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
Musical Gumbo by Grace Lichtenstein,Laura Dankner Pdf
This first comprehensive guide to both the music and the hard-living, free-spirited musicians who made--and make--the music of New Orleans includes fascinating trivia on greats Jelly Roll Morton, the Neville Brothers, Fats Domino, Louis Armstrong, Harry Connick, Jr., and others--plus a guide to nightclubs and the New Orleans Jazz Fest. Discography of essential CDs.