Don Quixote Around The Globe Perceptions And Interpretations
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Don Quixote Around the Globe: Perceptions and Interpretations by Slav N. Gratchev,Howard Mancing Pdf
This is a collection of twelve essays dealing with the perception and interpretation of Don Quixote around the world by an international group of outstanding scholars. Introduction by Howard Mancing and Slav N. Gratchev. Afterword by Edward H. Friedman.
A Companion to the Spanish Picaresque Novel by Edward H. Friedman Pdf
Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired.
Female Friendship by Slav N. Gratchev,Ida Day,Larry Sheret Pdf
This volume focuses on the literary and artistic exploration of female friendship in various geographical contexts, spanning the centuries from the medieval period until the present. The essays address the intense female bonding in world literature as a universal human need for intimacy, sense of belonging, and purpose. The main focus is on the reevaluation of friendships between women, which have been traditionally less epitomized than those between men. The authors of this volume demonstrate how the emotional unions of women offer compelling insights to various historical and contemporary societies, helping us understand gender relations, traditions, family life, and community values.
The Art of Translation in Light of Bakhtin's Re-accentuation by Slav Gratchev,Margarita Marinova Pdf
Although Mikhail Bakhtin's study of the novel does not focus in any systematic way on the role that translation plays in the processes of novelistic creation and dissemination, when he does broach the topic he grants translation'a disproportionately significant role in the emergence and constitution of literature. The contributors to this volume, from the US, Hong Kong, Finland, Japan, Spain, Italy, Bangladesh, and Belgium, bring their own polyphonic experiences with the theory and practice of translation to the discussion of Bakhtin's ideas about this topic, in order to illuminate their relevance to translation studies today. Broadly stated, the essays examine the art of translation as an exercise in a cultural re-accentuation (a transferal of the original text and its characters to the novel soil of a different language and culture, which inevitably leads to the proliferation of multivalent meanings), and to explore the various re-accentuation devices employed over the span of the last 100 years in translating modern texts from one language to another. Through its contributors, The Art of Translation in Light of Bakhtin's Re-accentuation brings together different cultural contexts and disciplines (such as literature, literary theory, the visual arts, pedagogy, translation studies, and philosophy) to demonstrate the continued international relevance of Bakhtin's ideas to the study of creative practices, broadly understood.
Don Quixote by Slav N. Gratchev,Howard Mancing Pdf
This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world’s greatest literary hero takes place in film, theater, and literature. To accomplish this task, eighteen scholars from the USA, Canada, Spain, and Great Britain have come together, and each of them has brought his/her unique perspective to the subject.
The Polyphonic World of Cervantes and Dostoevsky by Slav N. Gratchev Pdf
This book shows that Cervantes deliberately employed polyphonic structure in Don Quixote, a mode with more sophisticated expressive possibilities that monophonic narration could not offer. It suggests that Don Quixote can be treated as a semi-polyphonic hybrid novel that successfully amalgamates two narrative modes, monophonic and polyphonic.
The Interrelation of Phenomenology, Social Sciences and the Arts by Michael Barber,Jochen Dreher Pdf
This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor—artist or interpreter—and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts.
Obsessed with tales of gallant knights, Don Quixote, a middle-aged man from La Mancha, decides to take his own adventure. Donning rusty armor and riding upon an old horse, he sets off to change the world and save his invented damsel in distress in the name of chivalry. Unfortunately, Don Quixote and his squire Sancho Panza are met with a host of ill-intentioned characters, and the pair often find themselves the butt of a joke rather than chivalrous saviors. This renowned tragic comedy, written by Miguel de Cervantes Saavedra, was first published in Spain in two parts in 1605 and 1615. This is an unabridged version of John Ormsby's English translation from 1885.
How did the tall, lanky Don Quixote and the short, stout Sancho Panza become staple figures of Western iconography, so well known that their silhouettes are easily recognizable in Picasso's famous work? How did the novel Don Quixote, a parody of the romances of knight errantry, become a paean to the long-suffering, impotent nobility of its deluded protagonist? According to Rachel Schmidt, the answers to both questions are to be found in the way in which the novel's characters and episodes were depicted in early illustrated editions. In Critical Images Schmidt argues that these visual images presented critical interpretations that both formed and represented the novel's historical reception. Schmidt analyses both Spanish and English illustrations, including those by William Hogarth, John Vanderbank, Francis Hayman, José del Castillo, and Francisco de Goya y Lucientes, and explores several of the iconographic traditions present in the illustrations: the burlesque, which focuses on the work's slapstick humour; the satirical, which emphasizes Cervantes's supposed didactic, Enlightenment message; and the sentimental, which highlights Don Quixote's purity of heart and purpose. Schmidt demonstrates that the illustrations offset the neoclassical criticism contained in the same volumes and reveals an intriguing variety of historical readings, highlighting the debates, controversies, and conflicts of interests surrounding interpretations of Don Quixote. Dealing with such topical issues as canon formation, visual semiotics, and the impact of visual media on public opinion, Critical Images will be of great value not only to literary scholars and literary historians but also to art historians and those engaged in cultural and media studies.
Animation: A World History by Giannalberto Bendazzi Pdf
A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas and introducing over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation: A World History encompasses the history of animation production on every continent over the span of three centuries. Volume II delves into the decades following the Golden Age, an uncertain time when television series were overshadowing feature films, art was heavily influenced by the Cold War, and new technologies began to emerge that threatened the traditional methods of animation. Take part in the turmoil of the 1950s through 90s as American animation began to lose its momentum and the advent of television created a global interest in the art form. With a wealth of new research, hundreds of photographs and film stills, and an easy-to-navigate organization, this book is essential reading for all serious students of animation history. Key Features Over 200 high quality head shots and film stills to add visual reference to your research Detailed information on hundreds of never-before researched animators and films Coverage of animation from more than 90 countries and every major region of the world Chronological and geographical organization for quick access to the information you’re looking for
This study provides an overview of philosophical questions relating to sight and vision. It discusses the intertwinement of seeing and ways of seeing against the background of an entirely different theoretical framework. Seeing is both a proven means of acquiring information and a personality-specific way of disclosing the apparent, perceptible world, conditioned by individual and cultural variations. In a peculiar way, the eye holds a middle position between inside and outside of the self and its relations towards itself and others. This book provides a way out of false alternatives by offering a third way with reference to concrete cases of aesthetical and ethical experiences. It will be of particular interest to scholars of the phenomenology and philosophy of perception and it will be valuable to students of philosophy, cultural studies and art.
Don Quixote by Miguel de Cervantes (Book Analysis) by Bright Summaries Pdf
Unlock the more straightforward side of Don Quixote with this concise and insightful summary and analysis! This engaging summary presents an analysis of Don Quixote by Miguel de Cervantès, a novel in which an old hidalgo loses his mind from reading too many chivalric romances. Believing himself to be a knight of old, and transforming everything he sees according to his fancy, he embarks on hilarious adventures with a simple-minded peasant called Sancho Panza. Don Quixote is considered a founding work of modern Western literature, often earning it a place on lists of the greatest works of fiction in history. De Cervantes is also often called the greatest Spanish writer, thanks to his creative and highly intellectual usage of the language. Find out everything you need to know about Don Quixote in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
Miguel de Cervantes's Don Quixote by Harold Bloom Pdf
Arguably the most influential work to emerge from Spain's Golden Age, Don Quixote laid the groundwork for the Western literary canon and remains one of its major achievements.
Don Quixote's Impossible Dream by David P. Grzan Pdf
The adventures of Don Quixote, the famous knight errant, and his lady-love, Dulcinea del Toboso that Miguel de Cervantes portrays in his epic novel, "The Ingenious Hidalgo Don Quixote of La Mancha"; and made more famous by countless adaptations featured in movies and theatrical musical productions of that singular masterpiece reflective of the human condition has captured the imagination of generations throughout the world. "Don Quixote's Impossible Dream: To Everyman His Dulcinea", by David P. Grzan, has elevated the notion of chivalric love, in the fairest terms, which Don Quixote advanced to the honor and esteem of Dulcinea, his true love, the quest of his impossible dream. Love, the most powerful force in the universe, has been the primary inspiration that has propelled all the Don Quixote's, known and unknown that have ever lived, in their attempt to accomplish great deeds in the name of their particular Dulcinea. This epic poem immortalizes the triumphs, tragedies, obstacles, struggles and courage that can accompany and at other times can thwart the greatest of all prizes, love, in the context of the infinite profoundness and complexity of the human dynamic, which is sublimely represented and exemplified by the relationship between Don Quixote and Dulcinea.