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Text on the latest research. While his central focus is on the work of Donatello, he also illuminates the beginnings of Renaissance sculpture in Florence, its further development in Tuscany and the rest of Italy, the new artistic goals and their theoretical formulation, and the relationships between patron and artist, convention and artistic freedom. The invaluable documentary section includes all the work of Donatello, as well as that of Ghiberti. Other important.
Optical Corrections in the Sculpture of Donatello by Robert Munman Pdf
There is considerable evidence for Donatello's use of optical corrections that scholars have largely ignored. It may come in some degree from an unwillingness to accept the idea that such visual effects, developed only in the 16th century & not common until the Baroque, were even possible in the early Renaissance. This study, by its arguments & its photographic evidence, may reopen the discussion of optical corrections in the work of Donatello &, perhaps, in that of some of his contemporaries & followers as well. Contents: Introduction; Donatello's Sculpture in the Round; The Reliefs; Bibliography of Frequently Cited Sources; & 64 black & white photos of Donatello's sculptures.
Author : Patricia Lee Rubin Publisher : Metropolitan Museum of Art Page : 434 pages File Size : 44,9 Mb Release : 2011 Category : Art, Italian ISBN : 9781588394255
The Renaissance Portrait by Patricia Lee Rubin Pdf
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Donatello and the Dawn of Renaissance Art by A. Victor Coonin Pdf
The Italian sculptor known as Donatello helped to forge a new kind of art—one that came to define the Renaissance. His work was progressive, challenging, and even controversial. Using a variety of novel sculptural techniques and innovative interpretations, Donatello uniquely depicted themes involving human sexuality, violence, spirituality, and beauty. But to really understand Donatello, one needs to understand his changing world, marked by the transition from Medieval to Renaissance style and to an art that was more personal and representative of the modern self. Donatello was not just a man of his times, he helped shape the spirit of the times he lived in and profoundly influenced those that came after. In this beautifully illustrated book—the first thorough biography of Donatello in twenty-five years—A. Victor Coonin describes the full extent of Donatello’s revolutionary contributions, revealing how his work heralded the emergence of modern art.
Donatello, Michelangelo, Cellini by Oliver Tostmann Pdf
"Accompanies the exhibition Donatello, Michelangelo, Cellini: Sculptors Drawings From Renaissance Italy curated by Oliver Tostmann and Michael W. Cole at the Isabella Stewart Gardner Museum, Boston, 23 October 2014-23 January 2015"--from title page verso.
Delphi Complete Works of Donatello (Illustrated) by Donatello,Peter Russell Pdf
The greatest sculptor of the Italian Renaissance, Donatello produced both marble and bronze masterpieces. His revolutionary statues were lauded for their incredible realism, while he also developed his very own form of shallow bas-relief, known as ‘schiacciato’. Donatello possessed an extensive knowledge of ancient sculpture, which he developed into his own innovative, modern style, having a lasting impression on the history of Western art. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Donatello’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete sculptures and reliefs of Donatello — over 100 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Donatello’s celebrated sculptures in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the artworks * Easily locate the sculptures and reliefs you wish to view * Features three bonus biographies, including Vasari’s legendary account of the sculptor – immerse yourself in Donatello’s medieval world Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights David, 1409 Saint John the Evangelist Saint George Habakkuk Saint Louis of Toulouse The Feast of Herod Reliquary Bust of Saint Rossore The Pazzi Madonna Bust of Niccolò da Uzzano David, 1440 Atys Madonna and Child (Louvre) Equestrian Statue of Gattamelata Crucifix, Padua Penitent Magdalene The Chellini Madonna Judith and Holofernes The Passion Pulpit The Artworks The Complete Sculptures and Reliefs Alphabetical List of Sculptures and Reliefs The Biographies Life of Donato by Giorgio Vasari Donatello by David Lindsay Donatello by Paul George Konody Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Donatello, by Lord Balcarres by David Lindsay Earl of Crawford Pdf
DigiCat Publishing presents to you this special edition of "Donatello, by Lord Balcarres" by David Lindsay Earl of Crawford. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A 530-year-old Florentine manuscript and drawn sketches resurface in the Baltic Seaport of Lubeck. Fine arts lecturer Elizabeth Harrington is asked by a former student to assist his family in the task of authenticating these renaissance writings and drawings currently in their possession. Harrington enlists the help of her mentor and work colleague, the Professor. As the manuscript is translated from its original Latin and light is cast on the mystery of the ancient text and drawings, Harrington and her mentor realise the importance of this discovery. They discover that the manuscript and drawings are a renaissance puzzle in the finest tradition of renaissance intrigue, power, and art. Elizabeth Harrington explores the renaissance world—a world that still exercises considerable influence over our modern lives. As the puzzle unravels, the identity of Donatello’s Golden Boy becomes clearer. Yet there are those who would reach from their ancient graves to suppress this secret . . .
Donatello (Classic Reprint) by Donatello Donatello Pdf
Excerpt from Donatello Soon after his return to Florence we find him busily engaged in the exe cution of works commissioned by the authorities of the Church of Or San Michele and by the Cathedral Board of Works. Statues of heroic size of 'st. Peter' and 'st. Mark' were executed by him for niches on the outside of Or San Michele, where later his famous 'st. George' was also to find a place. For the cathedral he carved a statue of 'joshua, ' and a great seated figure of 'st. John the Evangelist.' For the bell-tower of Florence - Giotto's Campanile - he executed statues of 'jeremiah, ' 'habakkuk, ' 'abraham and Isaac, ' and the one erroneously called 'king David, ' but better known as 'il Zuccone' (the bald-head-literally, the which he is said to have regarded as one of his most satisfactory achievements. The model chosen for this statue was an old man, ungainly in form and of singularly unprepossessing features, but so faithfully did Donatello portray him that the statue seemed to its creator well-nigh alive. Speak then! Plague take thee, why wilt thou not speak? He would frequently exclaim while at work upon it; and, By the faith that I place in my 'zuccone' became his customary expression when wishing to give special force to a statement. In these statues for the Campanile Donatello first showed his striking originality and vital force. Working from living models, he departed from the conventional ecclesiastical types, and imbued the figures of his prophets with life, making them intensely realistic, even repellent, in their fidelity to nature. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
While creating his famous bronze of David and Goliath, Donatello’s passion for his beautiful model and part time rent boy, Agnolo, ignites a dangerous jealousy that ultimately leads to murder. Luca, the complex and conflicted assistant, will sacrifice all to save Donatello, even his master’s friend--the great patron of art, Cosimo de’ Medici.
The Sculpture of Donatello by Horst Woldemar Janson Pdf
The first edition of this book (2 vols.) won the Charles Rufus Morey Award for 1959. The Times Literary Supplement wrote of it, "The sculpture of Donatello (which Lanyi's vision and Professor Janson's clear-headedness and assiduity have done so much to codify and to explain in this admirable and immensely learned book) is not merely the first body of work in which the crative thought processes are recognizably related to our own but the first great self-portrait in the history of art." This second edition makes the book avilable at amuch lower price and in one volume by reducing the number of plates. The text is complete and the bibliography on the sculptures has been brought up to date. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
