Double Lives Film Composers In The Concert Hall

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Double Lives: Film Composers in the Concert Hall

Author : James Wierzbicki
Publisher : Routledge
Page : 254 pages
File Size : 49,6 Mb
Release : 2019-02-21
Category : Music
ISBN : 9780429671494

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Double Lives: Film Composers in the Concert Hall by James Wierzbicki Pdf

Double Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who, perhaps to the surprise of many fans of film music, nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold, Franz Waxman, Miklós Rózsa, Bernard Herrmann, Nino Rota, Leonard Rosenman, and Ennio Morricone. Progressing in chronological order, the chapters offer accounts of the various composers’ concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer’s music for films with his or her music for the concert hall, and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book, complete filmographies and complete works lists are included as appendices. Double Lives: Film Composers in the Concert Hall is accessible for scholars, researchers, and general readers with an interest in film music and concert music.

Elisabeth Lutyens and Edward Clark

Author : Annika Forkert
Publisher : Cambridge University Press
Page : 261 pages
File Size : 46,8 Mb
Release : 2023-10-19
Category : Music
ISBN : 9781009337335

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Elisabeth Lutyens and Edward Clark by Annika Forkert Pdf

Combining analyses of modernist concert and stage music by Elisabeth Lutyens with those of her audio-visual scores, and contextualising Lutyens and Edward Clark's biographies within international developments in dodecaphonic music and music-making, this book will speak to a wide audience interested in British and European twentieth-century music.

50 Movie Music Moments

Author : Vasco Hexel
Publisher : Taylor & Francis
Page : 305 pages
File Size : 42,5 Mb
Release : 2023-05-02
Category : Music
ISBN : 9781000866384

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50 Movie Music Moments by Vasco Hexel Pdf

50 Movie Music Moments comprises a wide-ranging collection of analyses of some of the most fascinating uses of music in modern Hollywood cinema. Considering narrative strategies, filmmaking techniques, functions of film music, audience engagement and conditioning, cultural implications, and intertextuality, the case studies gathered here introduce music as a crucial element of film. In 50 examples drawn from popular and critically acclaimed Hollywood films from the late 1950s to the present, the collection showcases the many dimensions of film music and its role in cinematic storytelling. Each example includes an analysis addressing the film’s context and providing a close reading of how music, narrative, and visual elements of the scene interact. Case studies exploring the role of music in film include Amadeus, Gladiator, Baby Driver, The Dark Knight, Philadelphia, Schindler’s List, and Black Panther. This invaluable collection offers an ideal resource to support undergraduate and graduate courses in film music history, film scoring, and filmmaking, as well as readers with a general interest in music in film.

Australia’s Jindyworobak Composers

Author : David Symons
Publisher : Routledge
Page : 176 pages
File Size : 41,7 Mb
Release : 2020-11-29
Category : Music
ISBN : 9781000206449

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Australia’s Jindyworobak Composers by David Symons Pdf

Australia’s Jindyworobak Composers examines the music of a historically and artistically significant group of Australian composers active during the later post-colonial period (1930s–c. 1960). These composers sought to establish a uniquely Australian identity through the evocation of the country’s landscape and environment, including notably the use of Aboriginal elements or imagery in their music, texts, dramatic scenarios or ‘programmes’. Nevertheless, it must be observed that this word was originally adopted as a manifesto for an Australian literary movement, and was, for the most part, only retrospectively applied by commentators (rather than the composers themselves) to art music that was seen to share similar aesthetic aims. Chapter One demonstrates to what extent a meaningful relationship may or may not be discernible between the artistic tenets of Jindyworobak writers and apparently likeminded composers. In doing so, it establishes the context for a full exploration of the music of Australian composers to whom ‘Jindyworobak’ has come to be popularly applied. The following chapters explore the music of composers writing within the Jindyworobak period itself and, finally, the later twentieth-century afterlife of Jindyworobakism. This will be of particular interest to scholars and researchers of Ethnomusicology, Australian Music and Music History.

Australian Music and Modernism, 1960-1975

Author : Michael Hooper
Publisher : Bloomsbury Publishing USA
Page : 430 pages
File Size : 52,8 Mb
Release : 2019-10-31
Category : History
ISBN : 9781501348198

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Australian Music and Modernism, 1960-1975 by Michael Hooper Pdf

Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.

The Oxford Handbook of Music and Advertising

Author : James Deaville,Siu-Lan Tan,Ron Rodman
Publisher : Oxford University Press, USA
Page : 954 pages
File Size : 43,5 Mb
Release : 2021
Category : Music
ISBN : 9780190691240

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The Oxford Handbook of Music and Advertising by James Deaville,Siu-Lan Tan,Ron Rodman Pdf

"The Oxford Handbook of Music and Advertising assembles an array of forty-two pathbreaking chapters on the production, texts, and reception of advertising through music. Uniquely interdisciplinary, the collection's tripartite structure leads the reader through these stages in the communication of the advertising message as presented by Chris Wharton (2015). The chapters on production study the factors, activities, and people behind the music for the marketing pitch, both past and present. Prominent throughlines in the section include factors influencing the selection of music (and musicians) for advertising, the role of music in corporate branding strategies, the creative forces behind the soundscape of advertising, and industry practices that undergird all aspects of music in commercial contexts. The section on Text focuses on analytic and historical approaches to ads in various media, and includes commentaries on musical genres in ads ranging from Western European art music to American popular genre. Also covered in this section is ad music as used in different ad genres, such as political ads, public service announcements, and television commercials. The analyses used in this section draws from traditional music theory, semiotics, and hermeneutic analysis. Finally, the last section addressing "Reception"-with contributions by researchers in psychology, marketing, and other fields-involves the formulation of models and theories, and implementation of research methods to examine how the presence of music may influence peoples' attitudes, emotions, thoughts, and behaviors in the context of advertisements and within service environments such as stores, restaurants, and banks. The editors and chapter contributors of this book bring a diversity of perspectives to the topic but share a united aim: to illuminate music's vital contribution to the advertising message"--

Georges Auric

Author : Colin Roust
Publisher : Oxford University Press
Page : 352 pages
File Size : 55,9 Mb
Release : 2020-04-03
Category : Music
ISBN : 9780190607784

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Georges Auric by Colin Roust Pdf

Jean Cocteau, Erik Satie, Moulin Rouge - the names popularly associated with film composer Georges Auric's career conjure visions of a distant and glamorous early twentieth-century Parisian art world. Auric wrote well over 100 film scores, including the soundtrack for Roman Holiday, and was notably affiliated with Les Six, a group of French composers reacting to the musical establishment of the 1920s. But Auric's life and work spanned far beyond this limited sphere. A lifelong involvement in politics - from his leftism during the Popular Front years of the 1930s to his significant role in the French Communist Party's musical resistance of the 1940s - heavily influenced his sound and aesthetic. His advocacy on behalf of his fellow musicians led him into the fight for fair copyright laws, initially in France and then worldwide. And over the course of a seven-decade-long career, Auric took on roles as diverse as music critic, opera director, and arts administrator, revealing a deep involvement in his country's musical life that makes the label of "composer" seem inadequate. The first English-language biography of Auric, Georges Auric: A Life in Music and Politics rethinks the conventional ideas of what it means to be a composer. Drawing from an astonishing three dozen untapped archives, including the private archives of Auric's widow, author Colin Roust presents a picture of Auric that is as multifaceted as the man's career. Using Auric's life as a lens, Roust reveals the transforming role of music - and the composer - in twentieth-century society.

Sound in the Ecstatic-Materialist Perspective on Experimental Music

Author : Riccardo D. Wanke
Publisher : Routledge
Page : 142 pages
File Size : 54,9 Mb
Release : 2021-08-10
Category : Music
ISBN : 9781000430288

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Sound in the Ecstatic-Materialist Perspective on Experimental Music by Riccardo D. Wanke Pdf

What does a one hour contemporary orchestral piece by Georg Friedrich Haas have in common with a series of glitch-noise electronic tracks by Pan Sonic? This book proposes that, despite their differences, they share a particular understanding of sound that is found across several quite distinct genres of contemporary art music: the ecstatic-materialist perspective. Sound in the ecstatic-materialist perspective is considered as a material mass or element, unfolding in time, encountered by a listener, for whom the experience of that sound exceeds the purely sonic without becoming entirely divorced from its materiality. It is "material" by virtue of the focus on the texture, consistency, and density of sound; it is "ecstatic" in the etymological sense, that is to say that the experience of this sound involves an instability; an inclination to depart from material appearance, an ephemeral and transitory impulse in the very perception of sound to something beyond – but still related to – it. By examining musical pieces from spectralism to electroacoustic domains, from minimalism to glitch electronica and dubstep, this book identifies the key intrinsic characteristics of this musical perspective. To fully account for this perspective on sonic experience, listener feedback and interviews with composers and performers are also incorporated. Sound in the ecstatic-materialist perspective is the common territory where composers, sound artists, performers, and listeners converge.

Researching Secular Music and Dance in the Early United States

Author : Laura Lohman
Publisher : Routledge
Page : 170 pages
File Size : 50,5 Mb
Release : 2021-05-17
Category : Music
ISBN : 9781000388954

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Researching Secular Music and Dance in the Early United States by Laura Lohman Pdf

This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society. Supporting growing interest among scholars and performers spanning numerous disciplines, this book contributes quality new scholarship to spur further research on this overshadowed period of American music and dance. Organized in three parts, the chapters offer methodological and interpretative guidance and model varied approaches to contemporary scholarship. The first part introduces important bibliographic tools and models their use in focused examinations of individual objects of material musical culture. The second part illustrates methods of situating dance and its music in early American society as relevant to scholars working in multiple disciplines. The third part examines contemporary performance of early American music and dance from three distinct perspectives ranging from ethnomusicological fieldwork and phenomenology to the theatrical stage. Dedicated to scholar Kate Van Winkle Keller, this volume builds on her legacy of foundational contributions to the study of early American secular music, dance, and society. It provides an essential resource for all those researching and performing music and dance from the revolutionary era through the early nineteenth century.

Music in Religious Cults of the Ancient Near East

Author : John Arthur Smith
Publisher : Routledge
Page : 194 pages
File Size : 55,9 Mb
Release : 2020-11-09
Category : Music
ISBN : 9781000210309

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Music in Religious Cults of the Ancient Near East by John Arthur Smith Pdf

Music in Religious Cults of the Ancient Near East presents the first extended discussion of the relationship between music and cultic worship in ancient western Asia. The book covers ancient Israel and Judah, the Levant, Anatolia, Mesopotamia, Elam, and ancient Egypt, focusing on the period from approximately 3000 BCE to around 586 BCE. This wide-ranging book brings together insights from ancient archaeological, iconographic, written, and musical sources, as well as from modern scholarship. Through careful analysis, comparison, and evaluation of those sources, the author builds a picture of a world where religious culture was predominant and where music was intrinsic to common cultic activity.

From Music to Sound

Author : Makis Solomos
Publisher : Routledge
Page : 224 pages
File Size : 48,6 Mb
Release : 2019-10-28
Category : Music
ISBN : 9780429575013

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From Music to Sound by Makis Solomos Pdf

From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound. Each chapter follows a chronological progression and is illustrated with numerous musical examples. The chapters are composed of six parallel histories: timbre, which became a central category for musical composition; noise and the exploration of its musical potential; listening, the awareness of which opens to the generality of sound; deeper and deeper immersion in sound; the substitution of composing the sound for composing with sounds; and space, which is progressively viewed as composable. The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts. Supporting musical examples can be accessed via the online Routledge Music Research Portal.

John Williams: Changing the Culture of the Classical Guitar

Author : Michael O'Toole
Publisher : Routledge
Page : 351 pages
File Size : 55,9 Mb
Release : 2019-04-08
Category : Music
ISBN : 9780429683992

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John Williams: Changing the Culture of the Classical Guitar by Michael O'Toole Pdf

This book assesses the influence and reception of many different forms of guitar playing upon the classical guitar and more specifically through the prism of John Williams. Beginning with an examination of Andrés Segovia and his influence upon Williams’ life’s work, a further three incisive chapters cover key areas such as performance, perception, education and construction, considering social and cultural contexts of the guitar over the past century. A final chapter on new directions in classical guitar examines the change in reception of the instrument from the mid-1970s to the present day, and Williams’ impact upon what might be termed ‘standard classical guitar repertoire’. With in-depth discussion of the cultural and perceptual impact of Williams’ more daring crossover projects and numerous musical examples, this is an informative reference for all classical guitar practitioners, as well as scholars and researchers of guitar studies, reception studies, cultural musicology and performance studies. An online lecture by the author and a transcript of the author’s interview with John Williams are also available as e-resources.

Opera, Emotion, and the Antipodes Volume I

Author : Jane W. Davidson,Michael Halliwell,Stephanie Rocke
Publisher : Routledge
Page : 253 pages
File Size : 41,7 Mb
Release : 2020-12-29
Category : Music
ISBN : 9781000299861

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Opera, Emotion, and the Antipodes Volume I by Jane W. Davidson,Michael Halliwell,Stephanie Rocke Pdf

There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.

Opera, Emotion, and the Antipodes Volume II

Author : Jane W. Davidson,Michael Halliwell,Stephanie Rocke
Publisher : Routledge
Page : 238 pages
File Size : 55,9 Mb
Release : 2020-12-29
Category : Music
ISBN : 9781000300116

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Opera, Emotion, and the Antipodes Volume II by Jane W. Davidson,Michael Halliwell,Stephanie Rocke Pdf

There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.

Medievalism and Nationalism in German Opera

Author : Michael S. Richardson
Publisher : Routledge
Page : 186 pages
File Size : 49,5 Mb
Release : 2020-11-29
Category : Music
ISBN : 9781351806374

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Medievalism and Nationalism in German Opera by Michael S. Richardson Pdf

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.