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Dragon Medallions by Vicki Shankwitz with Megan Pitts Pdf
Skye, Jailynn, and Phrena, 17-year-old girls, attend high school at Hirkami Castle. One of the girl’s pastimes was to explore the unoccupied parts of the castle. During one of these searches, the girls happened upon a room full of treasures. There, Skye found a golden medallion with a dragon’s head engraved on one side. As she held the coin, it flashed blue and made her tingle from head to toe as if electrified. Suddenly, a dragon mark, like a tattoo, appeared on her right wrist. It was not like the dragon coin’s face, but that of a dragon in a circle as if to eat its own tail. Later, the three girls unwittingly traveled through a magic portal to the land of Corux. Corux is a parallel world of ancient ways. It is a land of magic, mages, and royalty. And a dragon awakens...
A vampire ancestor, a five-clawed golden dragon, a Flaming Mirror of Emperor, a Sorrowful God Sword, and a young man in white clothes floating over from Hua Xia, stepping into the underworld with a sword. In this great dark yellow world, laughing at the buddhas of the world, wanting to break the will of heaven to die, to live to the end of time, until the mountains and rivers are reborn, until the universe is cleared, the gods are silent, the sky is clear, the end of cultivation, we cultivators will bear the burden of our hearts!
Who steals a dragon? That’s a question with a lot of potential answers. And a lot of potential dragons. And in this collection, bestselling author Kat Simons answers that question in multiple genres, in completely different ways, to suit a reader’s different moods. Looking for a space adventure? There’s a story for that. Want a little high fantasy? There’s a story for that. In the mood for something more romantic? There’s a story for that. Enter here to pick your genre. Where thieves, adventurers, trackers, and mercenaries mingle with all different kinds of dragons. Each story a standalone adventure. Each tale a unique answer to the question… Really…who steals a dragon?! keywords: Paranormal Romance; Shapeshifter Romance; Dragons and Mythical Creatures; Fantasy; Science Fiction; Space Opera; Heist fiction; Crime fiction; Mystery fiction; Contemporary Romance; Romantic Suspense; Dragon Shifter Romance; Epic Fantasy; Science Fiction Adventure
Flowers, Dragons & Pine Trees by Mary M. Dusenbury Pdf
This beautifully illustrated volume introduces a little-known but outstanding collection of Asian textiles in the Spencer Museum of Art at teh University of Kansas.
Persian Pottery in the First Global Age by Lisa Golombek,Robert B. Mason,Patricia Proctor,Eileen Reilly Pdf
Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries studies the ceramic industry of Iran in the Safavid period (1501–1732) and the impact which the influx of Chinese blue-and-white porcelain, heightened by the activities of the English and Dutch East Indies Companies after c. 1700, had on local production. The multidisciplinary approach of the authors (Lisa Golombek, Robert B. Mason, Patricia Proctor, Eileen Reilly) leads to a reconstruction of the narrative about Safavid pottery and revises commonly accepted notions. The book includes easily accessible reference charts to assist in dating and provenancing Safavid pottery on the basis of diagnostic motifs, potters’ marks, petrofabrics, shapes, and Chinese models.
Author : Xifan Li Publisher : Walter de Gruyter GmbH & Co KG Page : 664 pages File Size : 43,9 Mb Release : 2022-10-03 Category : Art ISBN : 9783110790948
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
China's Dragon Robes by Schuyler Van Rensselaer Cammann Pdf
This is a long-awaited reprint of the major work first published in 1952. China's Dragon Robes is a scholarly survey of the dragon-patterned robes worn by nobles and officials in China during the later dynasties. Intended as a source book on a major phase of Chinese costume, it is based on translations from many Chinese sources and on the author's personal studies of exisiting examples of dragon robes in the USA and in China.The thoroughly decoumented and annotated text, supplemented by carefully chosen illustrations, offers museum curators, historians, and students of Oriental Art a basic discussion of an important, but hitherto neglected chapter in China's cultural history.
WATER dripped from the next cell over, and faint screams echoed off the walls of the dungeon corridor. Rats squeaked and scurried outside the cell door but were too plump to fit through the gap between the cold, stone floor and iron band holding together the rotten, wooden planks of the door. Weak torch light from the hall filtered into the room from the iron grate at the top of the door, but it failed to illuminate the straw littering the chipped and pitted stone floor. Being musty and dank, it did little to alleviate the cold for the one who huddled upon it. Sitting in the corner on the thickest pile of worn-out straw, Salina shivered, arms wrapped around her drawn-up knees. Unable to see the sun in this underground pit of terror, agony, and unimaginable misery, she wasn't sure how long she'd been here. Nine months? Ten? Had a year passed already since being knocked-out and bound, then dragged here? . . . Everyone else who'd arrived at the same time had long since been released from their pain and misery, for Death had come for them. But not her. Because of her cursed healing ability, Death never even looked her way. . . . . . If this kept up, if no one came for her and Death continued avoiding her, she could only imagine what her future held. . . Lifting her head to glance at the faint light seeping into the cell, she murmured, "Death, be a dark knight and save me. Please." In a land rife with strife and overrun with evil, the Fates are hard-pressed to find someone with enough strength, courage, and mental fortitude to champion their cause. Someone who possessed not only a will of iron to stand up for what is right, no matter who might oppose him, but also the compassion and mercy needed to make a difference in the lives of the common people. So when a half-breed dragon mage appears with the ability to sense evil, they know they've found their man. But in a land torn apart by war and attacked by vicious creatures of the Underdark, can Callidor Blackfury, with his inhuman looks, tainted blood, and hellsteed mount, convince anyone to let him help? And if so, can one man alone, even with the magic powers bestowed by his mixed-heritage and dual nature, be enough to combat the forces of evil? Not only on the battlefield, but on the home front as well? It won't be easy. He is going to need help. A select few, an elite group that has the strength, skill, and resolve to do whatever it takes to wipe out darkness in all its vile forms, to protect those who cannot protect themselves, and to save those who sit in hopeless darkness, with pain and misery their only companions. Yes, with the right men and plenty of resources, the forces of evil just met their match.
Catalogue of the Collection of Pottery, Porcelain, and Faïence by Garrett Chatfield Pier Pdf
Relaying a chronological account of the Metropolitan Museum's collection of pottery, porcelain and faïence, this book reveals the economic, cultural, and social history of diverse cultures through their ceramic and plastic arts. The catalogue has a global reach, covering the Far East, the Near East, and Europe while tracking the medium from its origins in Dynastic China to the elaborate works in the Rococo style. In his account, Pier also points to areas of the museum's ceramics and plastics collection that will continue to develop into a strong collection. At the time of writing, he identified the Museum's European and Near East collections as particularly promising.
John Philip O'Neill,Musée du Louvre,Metropolitan Museum of Art (New York, N.Y.)
Author : John Philip O'Neill,Musée du Louvre,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 480 pages File Size : 50,6 Mb Release : 1996 Category : Art metal-work ISBN : 9780870997587
Enamels of Limoges by John Philip O'Neill,Musée du Louvre,Metropolitan Museum of Art (New York, N.Y.) Pdf
Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.
Part adventure story, part maritime archaeological expedition, part historical look into ninth-century Chinese economy, culture, and trade, Shipwrecked is a fascinating journey back in time. Twelve centuries ago, a merchant ship—an Arab dhow—foundered on a reef just off the coast of Belitung, a small island in the Java Sea. The cargo was a remarkable assemblage of lead ingots, bronze mirrors, spice-filled jars, intricately worked vessels of silver and gold, and more than 60,000 glazed bowls, ewers, and other ceramics. The ship remained buried at sea for more than a millennium, its contents protected from erosion by their packing and the conditions of the silty sea floor. Shipwrecked explores this precious cargo and the story of the men who sailed it, with more than 250 gorgeous photographs and essays by international experts in Arab ship-building methods, pan-Asian maritime trade, ceramics, precious metalwork, and more.
“The best mingling of history with historical magic that I have ever seen.”—Gene Wolfe In a snowbound inn high in the Alps, four people meet who will alter fate. A noble Byzantine mercenary . . . A female Florentine physician . . . An ageless Welsh wizard . . . And Sforza, the uncanny duke. Together they will wage an intrigue-filled campaign against the might of Byzantium to secure the English throne for Richard, Duke of Gloucester—and make him Richard III. Available for the first time in nearly two decades, with a new introduction by New York Times-bestselling author Scott Lynch, The Dragon Waiting is a masterpiece of blood and magic. “Had [John M. Ford] taken The Dragon Waiting and written a sequence of five books based in that world, with that power, he would’ve been George R.R. Martin.” —Neil Gaiman At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book explains and illustrates as many varieties of Ming ceramics as possible. The text is based primarily on information obtained from Chinese sources and the occasional notes made by Europeans who visited China in Ming times. To these, Mr. Hobson has added his own penetrating deductions, made after careful study of well-authenticated specimens and of observation by earlier scholars. His presentation is not only clear and precise but also incontestably authoritative and at the same time highly readable. The first twelve chapters of the book deal almost exclusively with the porcelain produced at Ching-te Chen; the next four, with the porcelain and pottery made at other centers. The bulk of the 129 pieces illustrated (12 in color) are drawn from private collections, but references is also made to important examples in museums. Of particular interest are Mr. Hobson's comments on collecting and on the identification of genuine Ming wares. A special chapter on marks, inscriptions, and Chinese characters is included, together with a selected bibliography.