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The name De Stijl, title of a magazine founded in the Netherlands in 1917, is now used to identify the abstract art and functional architecture of its major contributors: Mondrian, Van Doesburg, Van der Leck, Oud, Wils and Rietveld. De Stijl achieved international acclaim by the end of the 1920s and its paintings, buildings and furniture made fundamental contributions to the modern movement. This book is the first to emphasize the local context of De Stijl and explore its relationship to the distinctive character of Dutch modernism. It examines how the debates concerning abstraction in painting and spatiality in architecture were intimately connected to contemporary developments in the fields of urban planning, advertising, interior design and exhibition design. The book describes the interaction between the world of mass culture and the fine arts.
Modernism by Astradur Eysteinsson,Vivian Liska Pdf
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.
Protestant Theology and Modernity in the Nineteenth-Century Netherlands by Arie L. Molendijk Pdf
Protestant Theology and Modernity in the Nineteenth Century Netherlands examines how Dutch Protestant thinkers and theologicans met the challenges of the rapidly modernizing world around them. It shows that the nineteenth-century saw theology fundamentally transformed and reinvented in a variety of ways. Enlightenment values were fiercely attacked by orthodox Pietists but embraced by 'modern' theologians. Positions were not fixed and theologians had to work hard to maintain their intellectual integrity. Jewish Isaac da Costa converted to Christianity and fulminated against the Zeitgeist. Allard Pierson, who in his youth had been under the spell of Da Costa, resigned from his ministry and adopted an 'agnostic' stance. Abraham Kuyper modernized theology and politics, by laying the foundations of 'pillarization' (the segmented social structures based on differences in religion and worldview) of Dutch society. Abraham Kuenen revolutionized the study of the Old Testament, and Protestant theologians made ground-breaking contributions to the emerging science of religion. This book used in-depth studies of a small number of significant and influential Protestant thinkers to analyse how they addressed specific modern transformation processes such as political modernization, the pluralization of world views, and the emergence of critical historical scholarship. It also considers the significant Dutch contribution to the historical-critical study of the Bible, and the emergence of the modern comparative study of religion.
A critical guide to the English-language literature, Dutch Modernism demonstrates the importance of the Dutch contribution to 20th-century architecture. Holland's valuable role in the creation of modernism (1900-1940) was all but ignored until 30 years ago; it is significant that more than a third of the English-language literature has appeared since 1975. This guide is comprehensive; it summarizes, describes, and evaluates 1,250 references in the light of contemporary theory and practice. This work is of interest to scholars, students, and practitioners. The introduction outlines Holland's unique place in the development of international Modernism, 1900-1940, and explores the phenomenon of its eventual recognition in Britain and the United States. Although not an exhaustive study, this work presents all the areas of study and helpfully evaluates most entries, saving the user time and energy. A number of Dutch publications have been included, some because they are seminal theoretical works and others because they are rich in images. As a guide to English-language sources, Dutch Modernism reaches a wider audience than earlier Dutch and Italian bibliographies.
Modernism Today by Sjef Houppermans,Pete Liebregts,Jan Baetens,Otto Boele Pdf
This book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the pre- and posterior history of Modernism. Second, the field has witnessed a spatial expansion, in that increasingly so researchers have also come to scrutinize the Modernisms of regions at the fringes of Europe, and beyond. Thirdly, a vertical expansion too has marked Modernist studies in recent decades, not only by further expanding the canon of women writers and exploring the continuum between high- and lowbrow, but also by looking at the artistic and mediatized hierarchies and cross-fertilizations operative in the period. A fourth conceptual expansion of the field shows that whereas concepts such as “middlebrow”, “arrière-garde”, and to some extent even “avant-garde”, were once exotic notions of at best marginal importance in European Modernist studies, they now form part and parcel of the field, complicating and expanding it conceptually.
The Eclipse of Liberal Protestantism in the Netherlands by Tom-Eric Krijger Pdf
In The Eclipse of Liberal Protestantism in the Netherlands, Tom-Eric Krijger offers a new interpretation of the development of the Protestant modernist movement in Dutch religious, social, cultural, and political life between 1870 and 1940.
Author : Mikael Hård,Thomas J. Misa Publisher : MIT Press Page : 361 pages File Size : 50,6 Mb Release : 2008 Category : City and town life ISBN : 9780262083690
Urban Machinery investigates the technological dimension of modern European cities, vividly describing the most dramatic changes in the urban environment over the last century and a half. Written by leading scholars from the history of technology, urban history, sociology and science, technology, and society, the book views the European city as a complex construct entangled with technology. The chapters examine the increasing similarity of modern cities and their technical infrastructures (including communication, energy, industrial, and transportation systems) and the resulting tension between homogenization and cultural differentiation. The contributors emphasize the concept of circulation--the process by which architectural ideas, urban planning principles, engineering concepts, and societal models spread across Europe as well as from the United States to Europe. They also examine the parallel process of appropriation--how these systems and practices have been adapted to prevailing institutional structures and cultural preferences. Urban Machinery, with contributions by scholars from eight countries, and more than thirty illustrations (many of them rare photographs never published before), includes studies from northern and southern and from eastern and western Europe, and also discusses how European cities were viewed from the periphery (modernizing Turkey) and from the United States.ContributorsHans Buiter, Paolo Capuzzo, Noyan Din�kal, Cornelis Disco, P�l Germuska, Mikael H�rd, Martina He�ler, Dagmara Jajesniak-Quast, Andrew Jamison, Per Lundin, Thomas J. Misa, Dieter Schott, Marcus StippakMikael H�rd is Professor of History at Darmstadt University of Technology. His books include The Intellectual Appropriation of Technology: Discourses on Modernity, 1900-1939 (coedited with Andrew Jamison; MIT Press, 1998). Thomas J. Misa is ERA-Land Grant Professor of the History of Technology at the University of Minnesota, where he directs the Charles Babbage Institute. His books include Modernity and Technology (coedited with Philip Brey and Andrew Feenberg; MIT Press, 2003).
Nijhoff, Van Ostaijen, "De Stijl" by F. Bulhof Pdf
FRANCIS BULHOF "What was Modernism?" That is the title of an address delivered in June of 1960 by the eminent comparatist Harry Levin at Queen's University in King ston, Ontario.1 Apparently, more than a decade ago, in the eyes of this per ceptive analyst of literature and the arts, the modernist movement had become a thing of the past. Having acquired full citizenship in the republic of letters, modernism had outlived itself. The title of Harry Levin's lecture bears an obvious resemblance to that of Fritz Martini's book-length essay Was war Expressionismus?,2 which dealt exclusively with the German variant of the expressionist movement. In the case of German expressionism there is much dispute concerning the precise moment of its decline and fall, but the political conditions provide at least a crucial dividing line in the year 1933. The end of modernism, however, a far more comprehensive movement which was not just limited to one country, is not so easy to determine. And there is also still much discussion about its roots.
Edinburgh Dictionary of Modernism by Vassiliki Kolocotroni Pdf
This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind.
Modernism and the Spirit of the City by Iain Boyd Whyte Pdf
Modernism and the Spirit of the City offers a new reading of the architectural modernism that emerged and flourished in Europe in the first half of the twentieth century. Rejecting the fashionable postmodernist arguments of the 1980s and '90s which damned modernist architecture as banal and monotonous, this collection of essays by eminent scholars investigates the complex cultural, social, and religious imperatives that lay below the smooth, white surfaces of new architecture.
Literary History, Modernism, and Postmodernism by Douwe W. Fokkema Pdf
In these lectures, delivered at Harvard University in March 1983, the differences between Modernism and Postmodernism are discussed in semiotic terms, based on a contrastive analysis of semantic and syntactical (compositional) features. They present the major results of research into the literary conventions of Modernism (Gide, Larbaud, V. Woolf, du Perron, Th. Mann) and the innovations of Postmodernism (Borges, Fuentes, Barthelme, Calvino, Hermans). The investigation of innovation in literary history is based on a concept of literary evolution, launched by the Russian Formalists and elaborated by reception theory and semioticians such as Lotman and Eco. The author argues for further corroboration by means of empirical – textual as well as psychological – research.
Propelled by the popular success of Rem Koolhaas, Dutch architecture is basking in critical and commercial success across the globe. This phone-book sized collection features all of the key players in Dutch architecture, presenting their work through detailed drawings and stunning photography. Super Dutch is graphic proof why this small handful of practitoners is shaping the future direction of architecture.
Dutch and Flemish Literature as World Literature by Theo D'haen Pdf
The recent return of 'world literature' to the centre of literary studies has entailed an increased attention to non-European literatures, but in turn has also further marginalized Europe's smaller literatures. Dutch and Flemish Literature as World Literature shows how Dutch-language literature, from its very beginnings in the Middle Ages to the present, has not only always taken its cue from the 'major' literary traditions of Europe and beyond, but has also actively contributed to and influenced these traditions. The contributors to this book focus on key works and authors, providing a concise, yet highly readable, history of Dutch-language literature and demonstrating how this literature is anchored in world literature.
Acrobatic Modernism from the Avant-Garde to Prehistory by Jed Rasula Pdf
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
Avant-Gardes and Partisans Reviewed by Fred Orton,Griselda Pollock Pdf
By addressing key issues in visual culture and the politics of representation, this book provides a reference and an analysis of the work of Orton and Pollock, internationally acknowledged as the leading exponents of the social history of art.