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Dwight Hamilton Diller is a musician from West Virginia devoted to traditional Appalachian fiddle and banjo music, and a seminary-trained minister steeped in local Christian traditions. For the past 40 years, he has worked to preserve archaic fiddle and banjo tunes, teaching his percussive, primitively rhythmic style to small groups in marathon banjo workshops. This book tells of Diller's life and music, his personal challenges and his decades of teaching an elusive musical form.
From his birth in Owensboro, Kentucky, in 1947, to his 2020 album featuring the music of Lee Hammons, Wayne Howard has lived an exceptionally creative life. He seemed to be eternally present at fiddle festivals, involved in the creative forces working to preserve Southern Mountain music. In 1969, he relocated to West Virginia and was introduced to the Hammons family by Dwight Diller. Howard then recorded Lee, Sherman, Burl, and Maggie Hammons playing music and telling stories. Howard then became a professional computer programmer, a vintage book collector, and a woodworker, before turning to writing about the Hammons family, and producing CDs of their stories and music. This biography follows the threads of music and folklore through Howard's life, celebrating his profound knowledge that does much to sustain the interest of those who seek out Appalachian tunes, songs, and stories.
This book presents clawhammer banjo tablatures from the recording Dick Kimmel - Fishin' Creek Blues (Copper Creek Records). the tablatures have been transcribed by Dick Kimmel directly from his playing on the recording. the book is intended for someone with experience playing clawhammer banjo from tablatures and will be most useful when used in conjunction with the recording. the arrangements represent a spectrum of approaches to clawhammer banjo, from solo clawhammer banjo to clawhammer banjo within an old-time string band context and clawhammer banjo as it would be played within a more modern band setting where all instruments are featured for solos.
Dwight Hamilton Diller is a musician from West Virginia devoted to traditional Appalachian fiddle and banjo music, and a seminary-trained minister steeped in local Christian traditions. For the past 40 years, he has worked to preserve archaic fiddle and banjo tunes, teaching his percussive, primitively rhythmic style to small groups in marathon banjo workshops. This book tells of Diller's life and music, his personal challenges and his decades of teaching an elusive musical form.
American Folktales: From the Collections of the Library of Congress by Carl Lindahl Pdf
This two-volume collection of folktales represents some of the finest examples of American oral tradition. Drawn from the largest archive of American folk culture, the American Folklife Center at the Library of Congress, this set comprises magic tales, legends, jokes, tall tales and personal narratives, many of which have never been transcribed before, much less published, in a sweeping survey. Eminent folklorist and award-winning author Carl Lindahl selected and transcribed over 200 recording sessions - many from the 1920s and 1930s - that span the 20th century, including recent material drawn from the September 11 Project. Included in this varied collection are over 200 tales organized in chapters by storyteller, tale type or region, and representing diverse American cultures, from Appalachia and the Midwest to Native American and Latino traditions. Each chapter begins by discussing the storytellers and their oral traditions before presenting and introducing each tale, making this collection accessible to high school students, general readers or scholars.
The persecution of Old World German Protestants and Anabaptists in the seventeenth century--following debilitating wars, the Reformation, and the Inquisition-- brought about significant immigration to America. Many of the immigrants, and their progeny, settled in the Appalachian frontier. Here they established a particularly old set of religious beliefs and traditions based on a strong sense of folk spirituality. They practiced astrology, numerology, and other aspects of esoteric thinking and left a legacy that may still be found in Appalachian folklore today. Based in part on the author's extensive collection of oral histories from the remote highlands of West Virginia, Signs, Cures, and Witchery; German Appalachian Folklore describes these various occult practices, symbols, and beliefs; how they evolved within New World religious contexts; how they arrived on the Appalachian frontier; and the prospects of those beliefs continuing in the contemporary world. By concentrating on these inheritances, Gerald C. Milnes draws a larger picture of the German influence on Appalachia. Much has been written about the Anglo-Celtic, Scots-Irish, and English folkways of the Appalachian people, but few studies have addressed their German cultural attributes and sensibilities. Signs, Cures, and Witchery sheds startling light on folk influences from Germany, making it a volume of tremendous value to Appalachian scholars, folklorists, and readers with an interest in Appalachian folklife and German American studies.
Adopted as a child from the Masonic Home for Children at Oxford, Tommy Malboeuf grew up in Troutman, North Carolina before enlisting in the Navy in the early 1950s. After his military service, Tommy found occasional work surveying and operating heavy equipment, and he also found a personal passion in bluegrass fiddling. He performed and recorded with A.L. Wood and the Smokey Ridge Boys, Roy McMillan's High Country Boys, the Border Mountain Boys, L.W. Lambert and the Blue River Boys, C.E. Ward and his band, Garland Shuping, and Wild Country, among others. In the late 1990s, Tommy began teaching fiddle, maintaining a steady stream of students until at least the early 2000s. He continued to perform as a fiddler, filling in for a variety of local bands and recording cuts on records for bands such as Big Country Bluegrass. This text documents Tommy's life, from his humble beginnings to his lengthy fiddle career. Contextualizing Tommy's work within the Statesville-Troutman bluegrass "scene," chapters also explore the local bluegrass culture of the time. Tommy's extensive repertoire is also listed, including his spectacular fiddle contest wins, band recordings, local jam field recordings, and songs recorded for students, all of which highlight his talent and expertise as a fiddler.
Tommy Thompson arrived in Chapel Hill, North Carolina, in 1963, smitten by folk and traditional Appalachian music. In 1972, he teamed with Bill Hicks and Jim Watson to form the nontraditional string band the Red Clay Ramblers. Mike Craver joined in 1973, and Jack Herrick in 1976. Over time, musicians including Clay Buckner, Bland Simpson and Chris Frank joined Tommy, who played with the band until 1994. Drawing on interviews and correspondence, and the personal papers of Thompson, the author depicts a life that revolved around music and creativity. Appendices cover Thompson's banjos, his discography and notes on his collaborative lyric writing.
Traditional Anglo-American Folk Music by Norm Cohen Pdf
Originally published in 1994. Filling a gap in the sound recordings of traditional Anglo-American folk music this volume covers both vocal and instrumental material from the 1920s to the 1990s. The listings have also been limited to performers native to the tradition rather than "revival" performers. The album selection is grouped into field recordings and commercial (pre-1942) recordings, with subdivisions into individual recordings or anthologies. The discography not only reflects its author’s in-depth knowledge of Anglo-American folk music’s historical development but charts a valuable step forward in the evaluation, as well as select lissting, of available sound recordings.
West Virginia University. Library. West Virginia Collection
Author : West Virginia University. Library. West Virginia Collection Publisher : Unknown Page : 210 pages File Size : 45,8 Mb Release : 1982 Category : Music ISBN : UOM:39015018099757