Eanger Irving Couse

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Eanger Irving Couse

Author : Virginia Couse Leavitt
Publisher : University of Oklahoma Press
Page : 401 pages
File Size : 50,7 Mb
Release : 2019-01-24
Category : Art
ISBN : 9780806164434

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Eanger Irving Couse by Virginia Couse Leavitt Pdf

Eanger Irving Couse (1866–1936) showed remarkable promise as a young art student. His lifelong interest in Native American cultures also started at an early age, inspired by encounters with Chippewa Indians living near his hometown, Saginaw, Michigan. After studying in Europe, Couse began spending summers in New Mexico, where in 1915 he helped found the famous Taos Society of Artists, serving as its first president and playing a major role in its success. This richly illustrated volume, featuring full-color reproductions of his artwork, is the first scholarly exploration of Couse’s noteworthy life and artistic achievements. Drawing on extensive research, Virginia Couse Leavitt gives an intimate account of Couse’s experiences, including his early struggles as an art student in the United States and abroad, his study of Native Americans, his winter home and studio in New York City, and his life in New Mexico after he relocated to Taos. In examining Couse’s role as one of the original six founders of the Taos Society of Artists, the author provides new information about the art colony’s early meetings, original members, and first exhibitions. As a scholar of art history, Leavitt has spent decades researching her subject, who also happens to be her grandfather. Her unique access to the Couse family archives has allowed her to mine correspondence, photographs, sketchbooks, and memorabilia, all of which add fresh insight into the American art scene in the early 1900s. Of particular interest is the correspondence of Couse’s wife, Virginia Walker, an art student in Paris when the couple first met. Her letters home to her family in Washington State offer a vivid picture of her husband’s student life in Paris, where Couse studied under the famous painter William Bouguereau at the Académie Julian. Whereas many artists of the early twentieth century pursued a radically modern style, Couse held true to his formal academic training throughout his career. He gained renown for his paintings of southwestern landscapes and his respectful portraits of Native peoples. Through his depictions of the domestic and spiritual lives of Pueblo Indians, Couse helped mitigate the prejudices toward Native Americans that persisted during this era.

Eanger Irving Couse

Author : Eanger Irving Couse
Publisher : Unknown
Page : 264 pages
File Size : 48,5 Mb
Release : 1991
Category : Indians of North America
ISBN : UCSD:31822037359502

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Eanger Irving Couse by Eanger Irving Couse Pdf

Eanger Irving Couse on the Columbia River

Author : Steven L. Grafe,Eanger Irving Couse
Publisher : Unknown
Page : 20 pages
File Size : 46,7 Mb
Release : 2013-06-21
Category : Artists, American
ISBN : 0961718021

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Eanger Irving Couse on the Columbia River by Steven L. Grafe,Eanger Irving Couse Pdf

Eanger Irving Couse enrolled in Paris' Académie Julian in 1886. The following year, he met Virginia Jane Walker, a student at the nearby Académie Colarossi. Virginia had previously studied art in Philadelphia and New York, but her home was in Klickitat County, Washington, where her parents had owned a ranch since 1867. Irving Couse and Virginia Walker were married in 1889, and they soon began making plans to visit the Walker Ranch.The couple arrived in the Pacific Northwest in 1891 and eventually moved into a stone studio that they built on to existing ranch buildings. There, Couse began painting uniquely American subjects—American Indians. The Couses returned to France in the fall of 1892 and remained there until 1896, when they began a two-year-long residence at the Walker Ranch. They then divided their time between New York City and Europe, then New York and Taos, New Mexico, returning to Washington State in the summers of 1901 and 1904. They ultimately became permanent residents of Taos and Couse was elected the first president of the Taos Society of Artists in 1915, an association with which he is now well known. Although his reputation was made in New Mexico, he began his career painting images of Indians in the dry hills above the Columbia River.

The Taos Society of Artists

Author : Robert Rankin White
Publisher : Unknown
Page : 168 pages
File Size : 48,6 Mb
Release : 1998
Category : Art
ISBN : UOM:39015046493519

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The Taos Society of Artists by Robert Rankin White Pdf

This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.

E. Irving Couse, N.A.

Author : Eanger Irving Couse
Publisher : Unknown
Page : 20 pages
File Size : 47,8 Mb
Release : 1974
Category : Indians of North America
ISBN : STANFORD:36105020409756

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E. Irving Couse, N.A. by Eanger Irving Couse Pdf

The Couse Collection of Native Beadwork

Author : E. Jane Burns,Chelsea M. Herr
Publisher : Unknown
Page : 128 pages
File Size : 52,6 Mb
Release : 2019-11
Category : Electronic
ISBN : 0578511657

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The Couse Collection of Native Beadwork by E. Jane Burns,Chelsea M. Herr Pdf

Study of the Native American beadwork collection owned by the painter E.I. Couse

Ernest L. Blumenschein

Author : Robert W. Larson,Carole B. Larson
Publisher : University of Oklahoma Press
Page : 383 pages
File Size : 49,6 Mb
Release : 2013-05-07
Category : Biography & Autobiography
ISBN : 9780806189017

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Ernest L. Blumenschein by Robert W. Larson,Carole B. Larson Pdf

Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.

The Taos Society of Artists

Author : Anonim
Publisher : Unknown
Page : 125 pages
File Size : 49,9 Mb
Release : 1998
Category : Painters
ISBN : 0935037780

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The Taos Society of Artists by Anonim Pdf

The Cos Cob Art Colony

Author : Susan G. Larkin
Publisher : Yale University Press
Page : 246 pages
File Size : 54,9 Mb
Release : 2001
Category : Art
ISBN : 9780300088526

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The Cos Cob Art Colony by Susan G. Larkin Pdf

What Argenteuil in the 1870s was to French Impressionists, Cos Cob between 1890 and 1920 was to American Impressionists Childe Hassam, Theodore Robinson, John Twachtman, J. Alden Weir, and their followers. These artists and writers came together to work in the modest Cos Cob section of Greenwich, Connecticut, testing new styles and new themes in the stimulating company of colleagues. This beautiful book is the first to examine the art colony at Cos Cob and the role it played in the development of American Impressionist art. During the art-colony period, says Susan Larkin, Greenwich was changing from a farming and fishing community to a prosperous suburb of New York. The artists who gathered in Cos Cob produced work that reflects the resulting tensions between tradition and modernity, nature and technology, and country and city. The artists' preferred subjects -- colonial architecture, quiet landscapes, contemplative women -- held a complex significance for them, which Larkin explores. Drawing on maritime history, garden design, women's studies, and more, she places the art colony in its cultural and historical context and reveals unexpected depth in paintings of enormous popular appeal.

George Carlson

Author : George Carlson
Publisher : Rizzoli Publications
Page : 354 pages
File Size : 41,6 Mb
Release : 2021-11-16
Category : Art
ISBN : 9781599621630

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George Carlson by George Carlson Pdf

The only two-time winner of the prestigious Prix de West grand prize—the highest honor in the storied movement of art of the American West—George Carlson creates works in the tradition of American masters Frederic Remington, Charles M. Russell, Thomas Moran, Albert Bierstadt, and the Taos School artists. No comprehensive book of George Carlson’s work has ever before been published, making this magnificent volume an incomparable addition to the libraries of collectors and students of Western art and American landscape painting. Likened to the French and American Impressionists, who turned to nature’s beauty for relief from the industrialized world, Carlson is regarded as one of the most important American artists of his generation. His Prix de West triumphs have come in two different mediums: sculpture and, more recently, landscape painting. Recognized as one of America’s greatest bronze sculptors, Carlson is also a master at using pastels and oils. Carlson’s tactile, textured landscape paintings are viewed as bold touchstones for a new movement taking hold in Western art—and it is inspiring new generations of Realists and Impressionists. With nature as his muse, Carlson is an American treasure, and this book demonstrates how and why he is making his own impactful contribution to the canon of art history.

Taos Moderns

Author : David L. Witt
Publisher : Unknown
Page : 120 pages
File Size : 40,9 Mb
Release : 1992
Category : Art
ISBN : 1878610163

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Taos Moderns by David L. Witt Pdf

"This study focuses on those artists who created a substantial body of work in Taos between the mid-1940s and the early 1960s. Sixty or more artists who identified themselves as modernists, or as being influenced by modernism in art, lived in Taos during this period. A representative group of them are featured in this book"--Page 3.

Desert Survey

Author : Logan Hagege
Publisher : Unknown
Page : 128 pages
File Size : 51,5 Mb
Release : 2018-12
Category : Electronic
ISBN : 1732815909

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Desert Survey by Logan Hagege Pdf

Art book by Logan Maxwell Hagege

Shipwreck!

Author : Kathleen A. Foster,Philadelphia Museum of Art
Publisher : Yale University Press
Page : 0 pages
File Size : 45,7 Mb
Release : 2012
Category : Disasters in art
ISBN : 0300185472

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Shipwreck! by Kathleen A. Foster,Philadelphia Museum of Art Pdf

Published on the occasion of the exhibition Shipwreck! Winslow Homer and 'The Life Line,' Philadelphia Museum of Art, September 22, 2012-December 16, 201

Eva Mirabal

Author : Lois P. Rudnick,Jonathan Warm Day Coming
Publisher : Unknown
Page : 160 pages
File Size : 50,7 Mb
Release : 2021-02-15
Category : Electronic
ISBN : 0890136629

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Eva Mirabal by Lois P. Rudnick,Jonathan Warm Day Coming Pdf

Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program's founder and served as an assistant to Dunn's successor, Geronima Montoya (P'Otsunu, 1915-2015, Ohkay Owingeh Pueblo). By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country. Mirabal's first exposure to art was through her father Pedro Mirabal who was a popular model, along with Eva's father-in-law Geronimo Gomez, for members of the Taos Art Society and for modern artists who came to Taos as part of Mabel Dodge Luhan's circle. Pedro sat for a bronze bust created by Maurice Sterne and for a portrait by Nicolai Fechin, Pietro, now in the collections of the Eiteljorg Museum of American Indians and Western Art. Gomez, one of the leaders of the Peyote religion at Taos Pueblo, is the non-traditional figure depicted in Ernest Blumenschein's controversial painting Star Road and White Sun. During World War II, Eva enlisted in the Woman's Army Corp (WACs) in 1943, the only WAC assigned as a full-time artist. She was very likely the first Native American woman to publish a comic strip, the feisty G. I. Gertie. During the same period, she worked on two significant mural commissions. After the war, Eva was a visiting professor of art at Southern Illinois Normal University. Following her return to Taos Pueblo, she studied at the Taos Valley Art School on the GI Bill. Throughout her lifetime, her paintings and murals received national acclaim. After her death in 1968, Eva's teenage sons discovered a treasure trove of her life story. In a huge pine box that she had nailed shut, she placed scores of her drawings; family photographs; diary entries; newspaper clippings; and hundreds of letters related to her life and work that she received from curators, gallery owners, friends, and teachers over the years. Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva's brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming.

Once Upon a Time . . . The Western

Author : Thomas Brent Smith,Mary-Dailey Desmarais
Publisher : 5Continents
Page : 0 pages
File Size : 55,7 Mb
Release : 2017-06-20
Category : Performing Arts
ISBN : 8874397658

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Once Upon a Time . . . The Western by Thomas Brent Smith,Mary-Dailey Desmarais Pdf

The Western is the quintessential American epic--a mythic story of nation building, triumphs, failures, and fantasies. This book accompanies the first major exhibition to examine the Western genre and its evolution from the mid-1800s in fine art, film, and popular culture, exploring gender roles, race relations, and gun violence--a story that is about more than cowboys and American Indians, pursuits and duels, or bandits and barroom brawls. From 19th-century landscape paintings by Albert Bierstadt and Frederic Remington to works by Andy Warhol, Ed Ruscha, and Kent Monkman; from the legends of "Buffalo Bill" Cody and Billy the Kid to John Ford's classic films and Sergio Leone's spaghetti Westerns and recent productions by Quentin Tarantino, Ang Lee, and Joel and Ethan Coen, The Western observes how the mythology of the West spread throughout the world and endures today.