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Ear Training for the Contemporary Guitarist by Jody Fisher Pdf
This companion to the popular book Theory for the Contemporary Guitarist" starts with the basics of pitch discrimination and leads you to making fine distinctions between interval types, chord types, scales and chord progressions. Everything is organized in a handy workbook format with correct answers provided for all exercises. Examples are shown in standard music notation and TAB. A CD demonstrating all the examples played on guitar is included."
Theory for the Contemporary Guitarist by Guy Capuzzo,Tom Dempsey Pdf
"Tom Dempsey, noted guitarist and author, will take you through the sometimes intimidating world of music theory in this friendly and easy-to-understand video. If you've ever found it difficult to learn music theory by reading about it, here is your chance to learn by watching!"--DVD.
Ear Training for the Contemporary Musician by Keith Wyatt,Joe Elliott,Carl Schroeder Pdf
(Musicians Institute Press). This book with online audio access takes you step by step through MI's well-known Ear Training course. Complete lessons and analysis include: basic pitch matching * singing major and minor scales * identifying intervals * transcribing melodies and rhythm * identifying chords and progressions * seventh chords and the blues * modal interchange, chromaticism, modulation * and more! Learn to hear and to visualize on your instrument. Take your playing from good to great! Over 2 hours of practice exercises with complete answers in the back. The price of this book includes access to audio tracks online, for download or streaming, using the unique code inside the book. Now including PLAYBACK+, a multifunctional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right available exclusively from Hal Leonard.
Fretboard Knowledge for the Contemporary Guitarist by Vivian Clement Pdf
Become a master of the entire guitar fretboard by learning simple pattern recognition techniques. Vivian Clement puts hundreds of scales, modes and chords at your fingertips, along with some new tricks for easy transposing.
A self-training manual as well as a classroom text, this book is a complete step-by-step course to develop the musician's ability to hear and notate any style of music. Personal training, thoery and exercises produce techniques which are combined in an integrated craft which may be applied to composition, orchestration, arranging, improvisation and performance. A kind of finishing school for those who wish to pursue a career in composing, orchestrating, arranging or performing. -- The Score, Society of Composers and Lyricists A myriad of practical information. Comprehensive ear training, important because aural skills are among the most overlooked in music education. -- Survey of New Teaching Materials, Jazz Educators journal A synthesis of the author's vast knowledge and his quest to define the question, "How do we hear?" -- ITG Journal A wonderfully systematic approach to ear training . . . neatly designed and structured, it just flows. Direct and easily understood. -- New books, Jazz Educators Journal Bernard Brandt says: "Hearing and Writing Music", by Ron Gorow, is a superb book. It makes a simple and elegant presentation of the internal process by which we hear sounds and music, how we recognize intervals, chords, melody, harmony, counterpoint, and the timbre of instrumentation/ orchestration, how we can develop the skills of listening, auditory memory and imagination, and how to use these skills to hear and to write down music of any sort. The hallmark of an expert is the ability to explain the basics of his field as simply as possible. By that standard, Mr. Gorow has proven his expertise in this book. I note that the other reviews, both for Amazon and in musical journals, tend to limit the importance of "Hearing and Writing Music" to ear training. I believe that Mr. Gorow's book is valuable for much more than ear training. I have studied it, and as a result of that study, I believe that my auditory memory and imagination and my abilities in score reading have improved enormously. Further, I have been able to use the skills in this book to transcribe melodies, harmonies and counterpoint almost effortlessly, both those that I have heard, and those which existed only in my imagination. This book has opened many doors for me. I believe that it can do so for many others.
Sight-Reading for the Contemporary Guitarist by Tom Dempsey Pdf
Using this innovative approach developed by Tom Dempsey will make sight-reading second nature. Start right away with cold-reading exercises that focus on each single string, and soon you'll explore harmonic and rhythmic patterns, multi-position reading, odd time signatures, chord charts, and more. Uniquely organized by key with fingerings for all major scales, this book explores beyond reading basic standard music notation and gives you the power to play whatever you see.
Essential Ear Training for the Contemporary Musician by Steve Prosser Pdf
(Berklee Guide). The Ear Training curriculum of Berklee College of Music is known and respected throughout the world. Now, for the first time, this unique method has been captured in one comprehensive book by the chair of the Ear Training Department. This method teaches musicians to hear the music they are seeing, notate the music they have composed or arranged, develop their music vocabulary, and understand the music they are hearing. The book features a complete course with text and musical examples, and studies in rhythm, sight recognition, sol-fa, and melody.
The "Real Easy" Ear Training Book by Roberta Radley Pdf
All great musicians have one thing in common---to a great extent they know what the harmony of a song is as they hear it. Do you? If not, here is a practical guide to get you up to speed. Written by Berklee professor Roberta Radley, it uses contemporary music to help you see how ear training is invaluable for your own musical needs.
Theory for the Contemporary Guitarist by Guy Capuzzo Pdf
This is the ultimate guide to theory for blues, rock and jazz guitarists. You will start with the basics and move up to advanced concepts with this easy, step-by-step approach. There are 28 different scales and modes plus over 30 chord types with fingerings for all. Easy-to-read musical examples, chord and scale diagrams and 26 worksheets reinforce ideas. Using this book will demystify chord progressions.
Many music books are designed to help better understand written music and theory, but "Primacy of the Ear" focuses on the development of the ear."Primacy" outlines pianist and MacArthur Fellow Ran Blake's approach to growing the ear and explains how musical memory is the key to becoming a more potent musician and shaping a personal musical style.Included are the legendary "ear-robics" exercises, developed by Ran over the course of 30 years as head of the Contemporary Improvisation Department at New England Conservatory of Music.Also covered: The Auteur Theory and how it translates into music making, developing and differentiating between the conscious and subconscious mind, listening and musical memory, how to learn from your musical heroes without being consumed by them, developing and using repertoire, and how to record your music most effectively.Primacy of the Ear is Ran Blake's genius distilled--his teaching and musical philosophy in one volume. Co-written by Jason Rogers.
(Guitar Educational). Thousands of great guitarists have learned to play without the aid of traditional methods and now you can, too! This first-of-its-kind book and CD package provides a real-world approach to playing guitar in the 21st century. Includes: tools for learning your favorite songs * chords and chord progressions * single-note riffs, licks and lead lines * advanced soloing techniques * rhythm development * lessons on song structure and form * tuning methods and alternate tunings * CD with audio examples and exercises * lots of extra music info and practical tips.
If you once played guitar and have always wanted to pick it up again, this is the book for you. Jody Fisher's friendly, step-by-step method will reintroduce you to concepts and techniques you used to know and take you further down the road of guitar proficiency. Part 1 will reacquaint you with the guitar itself and how to take care of it. All the basic chord forms and strumming patterns are covered in Part 2, including barre chords and other moveable chords. Part 3 will remind you how to read standard music notation in an easy, fun-to-use way. Part 4 will remind you of all the ideas and tricks for improvising that you once knew and give you the tools you need to rise to a new level. By the time you finish this book, you'll not only be up to your old guitar tricks, you'll be better than ever!
Jazz Ear Training: Learning to Hear Your Way Through Music, focuses the student on developing the ability to hear and react to harmonic structures common to the modern Jazz idiom, while adhering to specific melodic phrases. the book and recording include a variety of exercises derived from the major, harmonic minor, melodic minor and harmonic major scales and suggestions on how to play by ear. It was designed with the intermediate to advanced Jazz student in mind who needs to enhance the connection between his inner voice and instrument. It will also help the student hear what he may intellectually know. Though intended for guitarists, this book can serve the needs of any aspiring Jazz improviser. A basic understanding of Jazz theory is recommended before using this book. Companion CD included.
Complete Jazz Guitar Method: Beginning Jazz Guitar by Jody Fisher Pdf
Anyone with a knowledge of basic chords and guitar scale fingerings can dig right in and start learning to play jazz right away. Spanning from the major scale and basic triad theory all the way up to extended chords and the modes, this book features a full-length etude or song to go with every new concept introduced. Beginning Jazz Guitar breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. Clearly organized into easily mastered segments, each chapter is divided into separate lessons on harmony or improvisation. All music is shown in standard notation and TAB.
