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Beaumont was born when the thickly wooded banks of the Neches River were settled in the 1820s. Businessmen and adventurers stayed in the area once they saw the advantages of the river and the region's abundance of timber and other agricultural resources. By 1880, Beaumont was a lumber, ranching, farming, and shipping center. The railroad spurred population growth from 2,500 to 5,000, then Providence intervened: the Lucas Gusher at Spindletop blew in on January 10, 1901, and suddenly more oil than had ever been seen ushered in a new world. The Rockefeller Standard Oil monopoly may have ended in the courts, but Spindletop's oil dwarfed the known world supply, creating companies like Humble Oil (now ExxonMobil), Gulf, and Texaco. Beaumont continued to grow, and with a second boom in 1925, flowing oil brought more people and the building of a gracious city.
Delphi Complete Works of Beaumont and Fletcher (Illustrated) by Francis Beaumont,John Webster Pdf
Regarded by some as second only to Shakespeare, the Jacobean dramatists Francis Beaumont and John Fletcher collaborated to produce some of the finest plays of the seventeenth century. For the first time in publishing history, this comprehensive eBook presents Beaumont and Fletcher’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Beaumont and Fletcher’s lives and works * Concise introductions to the plays * ALL 58 plays, with individual contents tables * Features all the plays written with other collaborators, many appearing for the first time digital publishing * Images of how the plays were first published, giving your eReader a taste of the Jacobean texts * Excellent formatting of the plays * Also includes the poetry of Beaumont and Fletcher * Easily locate the poems or scenes you want to read * Includes rare and disputed plays * Special criticism section, with essays evaluating Beaumont and Fletcher’s contribution to literature * Features two biographies – explore Beaumont and Fletcher’s Jacobean world * Scholarly ordering of texts into chronological order and literary genres * UPDATED with improved texts CONTENTS: Beaumont’s Solo Plays The Knight of the Burning Pestle The Masque of the Inner Temple and Gray’s Inn Fletcher’s Solo Plays The Faithful Shepherdess Valentinian Monsieur Thomas The Woman’s Prize; or the Tamer Tamed Bonduca The Chances Wit Without Money The Mad Lover The Loyal Subject The Humorous Lieutenant Women Pleased The Island Princess, The Wild Goose Chase The Pilgrim A Wife for a Month Rule a Wife and Have a Wife Beaumont and Fletcher’s Plays The Woman Hater Cupid’s Revenge Philaster; or Love Lies A-Bleeding The Maid’s Tragedy A King and No King The Captain The Scornful Lady Love’s Pilgrimage The Noble Gentleman Beaumont and Fletcher’s Plays Revised by Massinger Thierry and Theodoret The Coxcomb Beggars’ Bush Love’s Cure Fletcher and Massinger’s Plays Sir John Van Olden Barnavelt The Little French Lawyer A Very Woman; Or, the Prince of Tarent The Custom of the Country The Double Marriage The False One The Prophetess The Sea Voyage The Spanish Curate The Lovers’ Progress or the Wandering Lovers The Elder Brother Fletcher, Massinger and Field’s Plays The Honest Man’s Fortune The Queen of Corinth The Knight of Malta Fletcher and Shakespeare’s Plays Henry VIII The Two Noble Kinsmen Cardenio (Lost) Fletcher, Middleton and Rowley’s Collaboration Wit at Several Weapons Fletcher and Rowley’s Play The Maid in the Mill Fletcher and Field’s Play Four Plays; or Moral Representations, in One, Morality Fletcher, Massinger, Jonson and Chapman’s Play Rollo Duke of Normandy; or the Bloody Brother Fletcher and Shirley’s Play The Night Walker; or the Little Thief Contested Fletcher Plays The Nice Valour; or the Passionate Madman The Laws of Candy The Fair Maid of the Inn The Faithful Friends The Coronation The Poetry Beaumont’s Poetry Fletcher’s Poetry First Folio Commendatory Verses List of Poems in Alphabetical Order The Criticism Notes on Beaumont and Fletcher by Samuel Taylor Coleridge The Three Masterpieces by Walter W. Greg The Later Elizabethans by Ashley H. Thorndike The Biographies Francis Beaumont: Dramatist by Charles Mills Gayley Beaumont and Fletcher by Algernon Charles Swinburne and Margaret Bryant
“Any story by Jance is a joy.” —Chattanooga Times Now fans of the enormously popular Sheriff Joanna Brady suspense series by J.A. Jance can discover another side to the acclaimed New York Times bestselling author. Until Proven Guilty—a riveting tale of the very worst kind of murder—marks the debut of Seattle Homicide Detective J.P. Beaumont. This Premium Plus edition of Until Proven Guilty—the classic novel that put the incomparable Jance on the crime fiction map—indisputably proves that she truly belongs “in the elite company of Sue Grafton and Patricia Cornwell” (Flint Journal).
Typographies of Performance in Early Modern England by Claire M. L. Bourne Pdf
Typographies of Performance in Early Modern England is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fifteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for 'plays' to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, 'If a play is a book, it is not a play.' Typographies of Performance in Early Modern England shows that 'play' and 'book' were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.
Early Modern Universities by Anja-Silvia Goeing,Glyn Parry,Mordechai Feingold Pdf
Early Modern Universities: Networks of Higher Education contains twenty essays by experts on early modern academic networks. Using a variety of approaches to universities, schools, and academies throughout Europe and in Central America, the book suggests pathways for future research.
Francis Beaumont: Dramatist With Some Account of His Circle, Elizabethan and Jacobean and of His Association With John Fletcher by Charles Mills Gayley Pdf
Early Modern Playhouse Manuscripts and the Editing of Shakespeare by Paul Werstine Pdf
Early Modern Playhouse Manuscripts and the Editing of Shakespeare argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions. Drawing on the work of the influential scholars A. W. Pollard and W. W. Greg, Werstine tackles the difficult issues surrounding 'foul papers' and 'promptbooks' to redefine these fundamental categories of current Shakespeare editing. In an extensive and detailed analysis, this book offers insight into the methods of theatrical personnel and a reconstruction of backstage practices in playhouses of Shakespeare's time. The book also includes a detailed analysis of nineteen manuscripts and three quartos marked up for performance - documents that together provide precious insight into how plays were put into production. Using these surviving manuscripts as a framework, Werstine goes on to explore editorial choices about what to give today's readers as 'Shakespeare'.
Anglo-Papal Relations in the Early Fourteenth Century by Barbara Bombi Pdf
This volume is concerned with diplomacy between England and the papal curia during the first phase of the Anglo-French conflict known as the Hundred Years' War (1305-1360). On the one hand, Barbara Bombi compares how the practice of diplomacy, conducted through both official and unofficial diplomatic communications, developed in England and at the papal curia alongside the formation of bureaucratic systems. On the other hand, she questions how the Anglo-French conflict and political change during the reigns of Edward II and Edward III impacted on the growth of diplomatic services both in England and the papal curia. Through the careful examination of archival and manuscript sources preserved in English, French, and Italian archives, this book argues that the practice of diplomacy in fourteenth-century Europe nurtured the formation of a "shared language of diplomacy". The latter emerged from the need to "translate" different traditions thanks to the adaptation of house-styles, formularies, and ceremonial practices as well as through the contribution of intermediaries and diplomatic agents acquainted with different diplomatic and legal traditions. This argument is mostly demonstrated in the second part of the book, where the author examines four relevant case studies: the papacy's move to France after the election of Pope Clement V (1305) and the succession of Edward II to the English throne (1307); Anglo-papal relations between the war of St Sardos (1324) and the deposition of Edward II in 1327; the outbreak of the Hundred Years' Wars in 1337; and lastly the conclusion of the first phase of the war, which was marked in 1360 by the agreement between England and France known as the Treaty of Brétigny-Calais.
