Early Cinema

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A Companion to Early Cinema

Author : André Gaudreault,Nicolas Dulac,Santiago Hidalgo
Publisher : John Wiley & Sons
Page : 660 pages
File Size : 46,6 Mb
Release : 2012-07-02
Category : Performing Arts
ISBN : 9781444332315

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A Companion to Early Cinema by André Gaudreault,Nicolas Dulac,Santiago Hidalgo Pdf

An authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field First collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the field Features over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and André Gaudreault Caters to renewed interest in film studies’ historical methods, with strict analysis of multiple and competing sources, providing a critical re-contextualization of films, printed material and technologies Covers a range of topics in early cinema, such as exhibition, promotion, industry, pre-cinema, and film criticism Broaches the latest research on the subject of archival practices, important particularly in the current digital context

Encyclopedia of Early Cinema

Author : Richard Abel
Publisher : Taylor & Francis
Page : 824 pages
File Size : 52,6 Mb
Release : 2005
Category : Performing Arts
ISBN : 9780415234405

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Encyclopedia of Early Cinema by Richard Abel Pdf

One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

Provenance and Early Cinema

Author : Joanne Bernardi,Paolo Cherchi Usai,Tami Williams,Joshua Yumibe
Publisher : Indiana University Press
Page : 561 pages
File Size : 43,6 Mb
Release : 2021-02-01
Category : Performing Arts
ISBN : 9780253053022

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Provenance and Early Cinema by Joanne Bernardi,Paolo Cherchi Usai,Tami Williams,Joshua Yumibe Pdf

Remnants of early films often have a story to tell. As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.

The Sounds of Early Cinema

Author : Richard Abel,Rick R. Altman
Publisher : Indiana University Press
Page : 350 pages
File Size : 51,8 Mb
Release : 2001-10-03
Category : Performing Arts
ISBN : 0253108705

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The Sounds of Early Cinema by Richard Abel,Rick R. Altman Pdf

The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

Early Cinema and the "National"

Author : Richard Abel,Giorgio Bertellini,Rob King
Publisher : Indiana University Press
Page : 362 pages
File Size : 48,8 Mb
Release : 2008-12-17
Category : Performing Arts
ISBN : 9780861969159

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Early Cinema and the "National" by Richard Abel,Giorgio Bertellini,Rob King Pdf

Essays on “how motion pictures in the first two decades of the 20th century constructed ‘communities of nationality’ . . . recommended.” —Choice While many studies have been written on national cinemas, Early Cinema and the “National” is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries. The essays in this richly illustrated landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 contributors show that concepts of a national identity played a role in establishing the parameters of cinema’s early development, from technological change to discourses of stardom, from emerging genres to intertitling practices. Yet, as others attest, national meanings could often become knotty in other contexts, when concepts of nationhood were contested in relation to colonial/imperial histories and regional configurations. Early Cinema and the “National” takes stock of a formative moment in cinema history, tracing the beginnings of the process whereby nations learned to imagine themselves through moving images.

Early Cinema in Russia and Its Cultural Reception

Author : Yuri Tsivian
Publisher : Routledge
Page : 239 pages
File Size : 52,8 Mb
Release : 2005-08-12
Category : Education
ISBN : 9781134910397

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Early Cinema in Russia and Its Cultural Reception by Yuri Tsivian Pdf

In Early Cinema in Russia and its Cultural Reception Yuri Tsivian examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. Tsivian traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films, from actors, novelists, poets, writers, and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. Early Cinema in Russia and its Cultural Reception presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. Tsivian's study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

Early American Cinema in Transition

Author : Charlie Keil
Publisher : University of Wisconsin Pres
Page : 321 pages
File Size : 54,5 Mb
Release : 2001-12-10
Category : Performing Arts
ISBN : 9780299173630

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Early American Cinema in Transition by Charlie Keil Pdf

The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

The West in Early Cinema

Author : Nanna Verhoeff
Publisher : Amsterdam University Press
Page : 463 pages
File Size : 45,5 Mb
Release : 2006-01-01
Category : Performing Arts
ISBN : 9789053568316

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The West in Early Cinema by Nanna Verhoeff Pdf

Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture. In The West in Early Cinema gaat Nanna Verhoeff op zoek naar de nog onbekende beginjaren van het westerngenre tijdens de eerste twee decennia van het medium film 1895-1915). Aan de hand van onbekende en vergeten films uit internationale filmarchieven traceert zij de relaties tussen films over het Westen, omringende filmgenres uit deze periode, en andere populaire media als fotografie, schilderkunst, (pulp)literatuur, Wild West Shows en populaire etnografie. Deze sporen van het genre tonen een grote actualiteit en variatie, die laat zien op welke manier de film als nieuw medium een vorm vond binnen de toenmalige visuele cultuur.

Early Cinema Modernity Visual Culture Hb

Author : GRGIC
Publisher : Unknown
Page : 128 pages
File Size : 42,7 Mb
Release : 2021-12-07
Category : Electronic
ISBN : 9463728309

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Early Cinema Modernity Visual Culture Hb by GRGIC Pdf

- It is based on original archival research conducted in film archives and institutions in the Balkans and Europe and employs previously undiscovered archival materials and film footage. - It constitutes a transnational and multi-faceted examination of visual culture and early cinema development in the Balkan region and its relevance to world cinema at the time. - It comprises a first cultural study in the English language on early cinema history of the various countries in the Balkan region, which can serve as a departing point for further studies in early cinema, archives, film spectatorship and a point of reference which provides a useful context for studying later historical periods in Balkan cinemas.

Early Cinema in Asia

Author : Nick Deocampo
Publisher : Indiana University Press
Page : 342 pages
File Size : 43,9 Mb
Release : 2017-09-19
Category : Performing Arts
ISBN : 9780253034441

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Early Cinema in Asia by Nick Deocampo Pdf

Early Cinema in Asia explores how cinema became a popular medium in the world’s largest and most diverse continent. Beginning with the end of Asia’s colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film’s arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region’s ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.

The Sounds of Early Cinema

Author : Richard Abel,Rick Altman
Publisher : Indiana University Press
Page : 350 pages
File Size : 42,9 Mb
Release : 2001-10-03
Category : Music
ISBN : 0253214793

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The Sounds of Early Cinema by Richard Abel,Rick Altman Pdf

The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

Corporeality in Early Cinema

Author : Marina Dahlquist,Doron Galili,Jan Olsson,Valentine Robert
Publisher : Indiana University Press
Page : 371 pages
File Size : 48,6 Mb
Release : 2018-11-01
Category : Performing Arts
ISBN : 9780253033666

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Corporeality in Early Cinema by Marina Dahlquist,Doron Galili,Jan Olsson,Valentine Robert Pdf

Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.

Fantasia of Color in Early Cinema

Author : Tom Gunning,Joshua Yumibe,Giovanna Fossati,Jonathon Rosen
Publisher : Amsterdam University Press
Page : 0 pages
File Size : 48,8 Mb
Release : 2015
Category : Color cinematography
ISBN : 9089646574

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Fantasia of Color in Early Cinema by Tom Gunning,Joshua Yumibe,Giovanna Fossati,Jonathon Rosen Pdf

Presents and discusses a treasure trove of early color film images from the archives of EYE Film Institute Netherlands, bringing to life their rich hues and forgotten splendor.

Fiction and Imagination in Early Cinema

Author : Mario Slugan
Publisher : Bloomsbury Publishing
Page : 358 pages
File Size : 54,6 Mb
Release : 2019-11-28
Category : History
ISBN : 9781350115699

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Fiction and Imagination in Early Cinema by Mario Slugan Pdf

Shortlisted for the BAFTSS 'Best Monograph' Award 2021 When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.

Networks of Entertainment

Author : Frank Kessler,Nanna Verhoeff
Publisher : Indiana University Press
Page : 353 pages
File Size : 46,5 Mb
Release : 2008-02-05
Category : Performing Arts
ISBN : 9780861969371

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Networks of Entertainment by Frank Kessler,Nanna Verhoeff Pdf

Essays by prominent scholars examining film distribution in the early years of cinema. This collection of essays explores the complex issue of film distribution from the invention of cinema into the 1910s. From regional distribution networks to international marketing strategies, from the analysis of distribution catalogs to case studies on individual distributors, these essays written by well-known specialists in the field discuss the intriguing question of how films came to meet their audiences. Contributors include Richard Abel, Marta Braun, Joseph Garncarz, André Gaudreault, François Jost, Charlie Keil, Martin Loiperdinger, Viva Paci, Wanda Strauven, Gregory Waller, and many more.