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Early Greek Mythography: Texts by Robert Louis Fowler Pdf
'An extremely useful collection of the early evidence for writers of 'myth as history' -D. Felton, Bryn Mawr Classical ReviewThis is the first volume in a set of two. Volume 1 introduces and collects together the scattered quotations of the Greek writers of the sixth to the fourth centuries BC who first recorded in prose the tales of Greek mythology (the 'mythographers'), whilst Volume 2 will be a scholarly commentary.
Volume 2 is a detailed commentary on the texts of Early Greek Mythography: Volume 1, a critical edition of the twenty-nine authors of this genre from the late 6th to early 4th centuries BC. Volume 2 provides a mythological commentary of the original works, as well as a philological commentary on separate authors.
Light and Darkness in Ancient Greek Myth and Religion by Menelaos Christopoulos,Efimia Karakantza,Olga Levaniouk Pdf
Light and Darkness in Ancient Greek Myth and Religion is a ground-breaking volume dedicated to a thorough examination of the well known empirical categories of light and darkness as it relates to modes of thought, beliefs and social behavior in Greek culture. With a systematic and multi-disciplinary approach, the book elucidates the light/darkness dichotomy in color semantics, appearance and concealment of divinities and creatures of darkness, the eye sight and the insight vision, and the role of the mystic or cultic.
"'Early Greek Myth' is a much-needed handbook for scholars and others interested in the literary and artistic sources of archaic Greek myths--and the only one of its kind available in English. Timothy Gantz traces the development of each myth in narrative form and summarizes the written and visual evidence in which the specific details of the story appear."--Publisher description.
Greek Mythology is the body of myths and teachings that belong to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. It was a part of the religion in ancient Greece. The Greeks were polytheistic in their religious beliefs. Polytheistic means they believed in and worshiped many different gods. Modern scholars refer to and study the myths in an attempt to shed light on the religious and political institutions of Ancient Greece and its civilization, and to gain understanding of the nature of myth-making itself. In Greek Mythology, the gods often represented different forms of nature. Their religion/mythology had no formal structure with the exception of various festivals held in honor of the gods. There was no sacred book or code of conduct to live by. The most powerful Greek gods were known as the Olympians. The Greeks believed the Olympians lived on the highest mountain in Greece, Mount Olympus. The Olympian gods included: Zeus, Hera, Apollo, Aphrodite, Ares, Artemis, Athena, Demeter, Hades, Hermes, Hephaestus, Poseidon and Hestia or later she was replaced in some lists by Dionysus. Greek Mythology is explicitly embodied in a large collection of narratives, and implicitly in Greek representational arts, such as vase-paintings and votive gifts. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a wide variety of gods, goddesses, heroes, heroines and mythological creatures. These accounts initially were disseminated in an oral-poetic tradition; today the Greek myths are known primarily from Greek literature. The oldest known Greek literary sources, Homer's epic poems Iliad and Odyssey, focus on the Trojan War and its aftermath. Scroll to the top of the page and click Add To Cart to read more about this extraordinary chapter of history.
The Heroes and Mortals of Greek Mythology by Don Nardo Pdf
Describes the origins, personalities, and special powers of the Greek mythical heroes, including such figures as Heracles, Theseus, Perseus, and Oedipus.
Allegorists in ancient Greece attempted to find philosophical and physical truths in myth. Plato, who resolutely excluded myths from the sphere of truth, thought that they could express ideas in a realm he could not reach with dialectical reasoning. Freud built a science around the myth of Oedipus, saying that myths were "distorted wish dreams of entire nations, the dreams of early mankind." No body of myth has served more purposes - or been subject to more analysis - than Greek mythology. This is a revised translation of Fritz Graf's highly acclaimed introduction to Greek mythology, Griechische Mythologie: Eine Einfuhrung, originally published in 1985 by Artemis Verlag. Graf offers a chronological account of the principal Greek myths that appear in the surviving literary and artistic sources, and concurrently documents the history of interpretation of Greek mythology from the seventeenth century to the present. First surveying the various definitions of myth that have been advanced, Graf proceeds to look at the relationship between Greek myths and epic poetry; the absence of an "origin of man" myth in Creek mythology; and connection between particular myths and shrines or holy festivals; the harmony in Greek literature between myth and history; the use of myth in Greek song and tragedy; and the uses and interpretations of myth by philosophers and allegorists.
This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.
Structure and History in Greek Mythology and Ritual by Walter Burkert Pdf
"Tantalizingly rich . . . this is a splendid book."--Greece and Rome "Burken relegates his learned documentation to the notes and writes in a lively and fluent style. The book is recommended as a major contribution to the interpretation of ancient Greek myth and ritual. The breadth alone of Burkert's learning renders his book indispensable."--Classical Outlook "Impressive. . . founded on a striking knowledge of the complex evidence (literary, epigraphical, archaeological, comparative) for this extensive subject. Burkert offers a rare combination of exact scholarship with imagination and even humor. A brilliant book, in which . . .the reader can see at every point what is going on in the author's mind--and that is never uninteresting, and rarely unimportant."--Times Literary Supplement "Burkert's work is of such magnitude and depth that it may even contribute to that most difficult of tasks, defining myth, ritual, and religion. . [He] locates his work in the context of culture and the historv of ideas, and he is not hesitant to draw on sociology and biology. Consequently his work is of significance for philosophers, historians, and even theologians, as well as for classicists and historians of Greek culture. His hypotheses are courageous and his conclusions are bold; both establish standards for methodology as well as results. "--Religious Studies Review
This book offers a groundbreaking revision of the popular image of Aphrodite and Eros that lives on in Roman poetry (Venus and Cupid) and has inspired artists for centuries. An interdisciplinary analysis of the Archaic period - using literary, iconographical, and cultic evidence - shows the distinct concept behind the two deities of love. Aphrodite's character, sphere of influence, and function feature in her traditional myths and are well reflected in cult. Eros, however, was not yet a similarly personified mythical figure at that stage, nor did he have an individual cult. Breitenberger follows the different stages of the development of Eros's personality. Originally a cosmic entity and an unpersonified aspect of Aphrodite, he was given his mythical identity by successive archaic lyric poets who were particularly keen to mythologize a male counterpart to the established love-goddess Aphrodite. This male love-god turns out to be the divinized homoerotic ideal of the male aristocracy 'worshipped' at their symposia. The development of the male love-god is taken as an example to demonstrate that poets' artistic innovation as well as their social and historical background played an important role in creating Greek mythology.
Art and Myth in Ancient Greece by T. H. Carpenter Pdf
The Greek myths are so much part of our culture that we tend to forget how they entered it in the first place. Visual sources vase paintings, engraved gems and sculpture in bronze and stone often pre-date references to the myths in literature, or offer alternative, unfamiliar tellings. In some cases visual art provides our only evidence, as there is no surviving account in ancient Greek literature of such important stories as the Fall of Troy, or Theseus and the Minotaur. T. H. Carpenters book is the first comprehensive, scholarly yet succinct survey of myth as it appears in Greek art. Copiously illustrated, it is an essential reference work for everybody interested in the art, drama, poetry or religion of ancient Greece. With this handbook as a guide, readers will be able to identify scenes from myth across the full breadth of archaic and classical Greek art.
The Myth of Return in Early Greek Epic by Anonim Pdf
"The main argument of this book is that the connection suggested by Homer between the 'wiles' and the 'wanderings' of Odysseus in fact rested upon an earlier tradition both significant and deep. The origin of this tradition has to do with the etymology of the Greek word nóos, 'mind', which I propose to connect with the Greek verb néomai, 'return home'. Such an effort requires that nóos be reconstructed as nos-os, a derivative from the verbal root nes- The significance of this proposal for the tradition underlying the Odyssey is clear. It implies that the connection still felt by Homer between the 'wiliness' and the 'wandering' of Odysseus goes back to a fundamental connection between 'mind' and 'returning home', and that the relation between what Odysseus 'is' and what he 'does' has a solid basis in the history of the Greek language."--Introduction.
The Complete World of Greek Mythology (The Complete Series) by Richard Buxton Pdf
A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created. Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed—their themes, their relevance to Greek religion and society, and their relationship to the landscape. "Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater. "Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities. "The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities. "Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes. "Family sagas" explores the dramas and catastrophes that befall heroes and heroines. "A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld. "Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century. Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.
