Early Race Filmmaking In America

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Early Race Filmmaking in America

Author : Barbara Tepa Lupack
Publisher : Unknown
Page : 250 pages
File Size : 45,8 Mb
Release : 2016
Category : Performing Arts
ISBN : 1315692759

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Early Race Filmmaking in America by Barbara Tepa Lupack Pdf

The early years of the twentieth century were a formative time in the long history of struggle for black representation. More than any other medium, movies reflected the tremendous changes occurring in American society. Unfortunately, since they drew heavily on the nineteenth-century theatrical conventions of blackface minstrelsy and the "Uncle Tom Show" traditions, early pictures persisted in casting blacks in demeaning and outrageous caricatures that marginalized and burlesqued them and emphasized their comic or servile behavior. By contrast, race films--that is, movies that were black-cast, black-oriented, and viewed primarily by black audiences in segregated theaters--attempted to counter the crude stereotyping and regressive representations by presenting more authentic racial portrayals. This volume examines race filmmaking from numerous perspectives. By reanimating a critical but neglected period of early cinema--the years between the turn-of-the-century and 1930, the end of the silent film era--it provides a fascinating look at the efforts of early race film pioneers and offers a vibrant portrait of race and racial representation in American film and culture.

Early Race Filmmaking in America

Author : Barbara Lupack
Publisher : Routledge
Page : 250 pages
File Size : 50,6 Mb
Release : 2016-05-26
Category : Social Science
ISBN : 9781317434252

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Early Race Filmmaking in America by Barbara Lupack Pdf

The early years of the twentieth century were a formative time in the long history of struggle for black representation. More than any other medium, movies reflected the tremendous changes occurring in American society. Unfortunately, since they drew heavily on the nineteenth-century theatrical conventions of blackface minstrelsy and the "Uncle Tom Show" traditions, early pictures persisted in casting blacks in demeaning and outrageous caricatures that marginalized and burlesqued them and emphasized their comic or servile behavior. By contrast, race films—that is, movies that were black-cast, black-oriented, and viewed primarily by black audiences in segregated theaters—attempted to counter the crude stereotyping and regressive representations by presenting more authentic racial portrayals. This volume examines race filmmaking from numerous perspectives. By reanimating a critical but neglected period of early cinema—the years between the turn-of-the-century and 1930, the end of the silent film era—it provides a fascinating look at the efforts of early race film pioneers and offers a vibrant portrait of race and racial representation in American film and culture.

Richard E. Norman and Race Filmmaking

Author : Barbara Tepa Lupack
Publisher : Indiana University Press
Page : 400 pages
File Size : 48,6 Mb
Release : 2013-11-08
Category : Performing Arts
ISBN : 9780253010728

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Richard E. Norman and Race Filmmaking by Barbara Tepa Lupack Pdf

A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera

Race Films: 50 Years of African American Cinema

Author : Jeremy Geltzer
Publisher : Unknown
Page : 138 pages
File Size : 54,9 Mb
Release : 2015-03-10
Category : Electronic
ISBN : 0692405348

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Race Films: 50 Years of African American Cinema by Jeremy Geltzer Pdf

Race Films: 50 Years of African American Cinema introduces readers to the fascinating and often overlooked talents that created movies that were independent of Hollywood and tailored to the tastes of African American audiences. From the earliest days to the Golden Age of silent film, the journey of black filmmakers is chronicled with recognizable figures as well as great performers that have been obscured by the sands of time. Rediscover the forgotten world of Race Films.

Oscar Micheaux and His Circle

Author : Charles Musser,Jane Marie Gaines,Pearl Bowser
Publisher : Indiana University Press
Page : 384 pages
File Size : 43,8 Mb
Release : 2016-03-28
Category : Performing Arts
ISBN : 9780253021557

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Oscar Micheaux and His Circle by Charles Musser,Jane Marie Gaines,Pearl Bowser Pdf

Oscar Micheaux—the most prolific African American filmmaker to date and a filmmaking giant of the silent period—has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux’s surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.

Screening American Independent Film

Author : Justin Wyatt,W.D. Phillips
Publisher : Taylor & Francis
Page : 564 pages
File Size : 50,7 Mb
Release : 2023-05-31
Category : Performing Arts
ISBN : 9781000872743

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Screening American Independent Film by Justin Wyatt,W.D. Phillips Pdf

This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

Migrating to the Movies

Author : Jacqueline Najuma Stewart
Publisher : Univ of California Press
Page : 506 pages
File Size : 45,6 Mb
Release : 2005-03-28
Category : Performing Arts
ISBN : 052093640X

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Migrating to the Movies by Jacqueline Najuma Stewart Pdf

The rise of cinema as the predominant American entertainment around the turn of the last century coincided with the migration of hundreds of thousands of African Americans from the South to the urban "land of hope" in the North. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. It investigates African American migrations onto the screen, into the audience, and behind the camera, showing that African American urban populations and cinema shaped each other in powerful ways. Focusing on Black film culture in Chicago during the silent era, Migrating to the Movies begins with the earliest cinematic representations of African Americans and concludes with the silent films of Oscar Micheaux and other early "race films" made for Black audiences, discussing some of the extraordinary ways in which African Americans staked their claim in cinema's development as an art and a cultural institution.

Literary Adaptations in Black American Cinema

Author : Barbara Tepa Lupack
Publisher : University Rochester Press
Page : 596 pages
File Size : 43,9 Mb
Release : 2002
Category : Biography & Autobiography
ISBN : 1580461034

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Literary Adaptations in Black American Cinema by Barbara Tepa Lupack Pdf

By contrast, in the works of black writers from Oscar Micheaux to Toni Morrison, the black experience has been more fully, more accurately, and usually more sympathetically realized; and from the early days of film, select filmmakers have looked to that literature as the basis for their productions.".

The Oxford Handbook of Silent Cinema

Author : Charlie Keil,Rob King
Publisher : Oxford University Press
Page : 825 pages
File Size : 41,9 Mb
Release : 2024
Category : Art
ISBN : 9780190496692

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The Oxford Handbook of Silent Cinema by Charlie Keil,Rob King Pdf

The Oxford Handbook of Silent Cinema is a collection of new scholarship that investigates the first decades of motion-picture history from diverse perspectives and methodologies. Featuring over thirty essays by leading scholars in the field, the Handbook offers a comprehensive overview of cinema's earliest years while also illuminating how cinema derived strength from competing cultural forms, becoming in the process the most influential mass medium of the early twentieth century.

Historical Dictionary of American Cinema

Author : M. Keith Booker
Publisher : Rowman & Littlefield
Page : 655 pages
File Size : 54,7 Mb
Release : 2021-06
Category : Performing Arts
ISBN : 9781538130124

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Historical Dictionary of American Cinema by M. Keith Booker Pdf

One of the most powerful forces in world culture, American cinema has a long and complex history that stretches through more than a century. This history not only includes a legacy of hundreds of important films but also the evolution of the film industry itself, which is in many ways a microcosm of the history of American society. Historical Dictionary of American Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries covering people, films, companies, techniques, themes, and subgenres that have made American cinema such a vital part of world culture.

Screening Race in American Nontheatrical Film

Author : Allyson Nadia Field,Marsha Gordon
Publisher : Duke University Press
Page : 320 pages
File Size : 40,8 Mb
Release : 2019-11-15
Category : Performing Arts
ISBN : 9781478005605

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Screening Race in American Nontheatrical Film by Allyson Nadia Field,Marsha Gordon Pdf

Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it. Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson

The World of Jim Crow America [2 volumes]

Author : Steven A. Reich
Publisher : Bloomsbury Publishing USA
Page : 627 pages
File Size : 55,5 Mb
Release : 2019-06-24
Category : History
ISBN : 9798216168478

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The World of Jim Crow America [2 volumes] by Steven A. Reich Pdf

This two-volume set is a thematically-arranged encyclopedia covering the social, political, and material culture of America during the Jim Crow Era. What was daily life really like for ordinary African American people in Jim Crow America, the hundred-year period of enforced legal segregation that began immediately after the Civil War and continued until the passage of the Civil Rights Act of 1964 and Voting Rights Act of 1965? What did they eat, wear, believe, and think? How did they raise their children? How did they interact with government? What did they value? What did they do for fun? This Daily Life encyclopedia explores the lives of average people through the examination of social, cultural, and material history. Supported by the most current research, the multivolume set examines social history topics—including family, political, religious, and economic life—as it illuminates elements of a society's emotional life, interactions, opinions, views, beliefs, intimate relationships, and connections between individuals and the greater world. It is broken up into topical sections, each dealing with a different aspect of cultural life. Each section opens with an introductory essay, followed by A–Z entries on various aspects of that topic.

America on Film

Author : Harry M. Benshoff,Sean Griffin
Publisher : John Wiley & Sons
Page : 472 pages
File Size : 41,5 Mb
Release : 2011-08-26
Category : Performing Arts
ISBN : 9781444357592

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America on Film by Harry M. Benshoff,Sean Griffin Pdf

America on Film: Representing Race, Class, Gender, and Sexuality in the Movies, 2nd Edition is a lively introduction to issues of diversity as represented within the American cinema. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality Includes over 100 illustrations, glossary of key terms, questions for discussion, and lists for further reading/viewing Includes new case studies of a number of films, including Crash, Brokeback Mountain, and Quinceañera

The Blackface Minstrel Show in Mass Media

Author : Tim Brooks
Publisher : McFarland
Page : 291 pages
File Size : 55,7 Mb
Release : 2019-11-22
Category : Social Science
ISBN : 9781476637303

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The Blackface Minstrel Show in Mass Media by Tim Brooks Pdf

 The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.

The Birth of Whiteness

Author : Daniel Bernardi
Publisher : Rutgers University Press
Page : 396 pages
File Size : 45,7 Mb
Release : 1996
Category : History
ISBN : 0813522765

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The Birth of Whiteness by Daniel Bernardi Pdf

As indelible components of the history of the United States, race and racism have permeated nearly all aspects of life: cultural, economic, political, and social. In this first anthology on race in early cinema, fourteen scholars examine the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. Any discussion of racial themes and practices in any arena inevitably begins with the definition of race. Is race an innate and biologically determined "essence" or is it a culturally constructed category? Is the question irrelevant? Perhaps race exists as an ever-changing historical and social formation that, regardless of any standard definition, involves exploitation, degradation, and struggle. In his introduction, Daniel Bernardi writes that "early cinema has been a clear partner in the hegemonic struggle over the meaning of race" and that it was steadfastly aligned with a Eurocentric world view at the expense of those who didn't count as white. The contributors to this work tackle these problems and address such subjects as biological determinism, miscegenation, Manifest Destiny, assimilation, and nativism and their impact on early cinema. Analyses of The Birth of a Nation, Romona, Nanook of the North and Madame Butterfly and the directorial styles of D. W. Griffith, Oscar Micheaux, and Edwin Porter are included in the volume.