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Edgar Huntly; Or, The Sleep Walker by Charles Brockden Brown Pdf
This volume contains a complete edition of American author Charles Brockden Brown's 1799 novel, Edgar Huntly. The novel tells of Edgar Huntly, a young man who lives with his uncle and sisters on a small farm. Edgar is determined to learn who murdered his friend Waldegrave. When walking near the elm tree where Waldegrave was killed, Huntly sees Clithero, a servant from another farm, who is digging in the ground and weeping loudly. Huntly concludes that Clithero may be the murderer of his friend and follows him, soon discovering that he is sleep walking and hiding dark secrets.
Charles Brockden Brown's Edgar Huntly, written in 1799, is the most ambitious work by America's first important novelist. Not only a complex and challenging novel in its own right, it distinctively foreshadows the concern with depth psychology in later American fiction from Poe to Faulkner, as well as the scientific discoveries of Freud himself. Set in rural Pennsylvania, the story recounts the fate of young Edgar Huntly as he goes in search of the murderer of his fiancée's brother. Once he believes he has discovered the killer sleepwalking at the scene of the crime, he pursues the man relentlessly, and then obsessively, until it becomes clear to Brown's readers that Huntly is driven by motives buried deep within his subconscious. Though much of what occurs in Edgar Huntly may have escaped Brown's own understanding and intentions, he was certainly conscious of having presented a particularly American version of the classic gothic novel.
Charles Brockden Brown's Wieland, Ormond, Arthur Mervyn, and Edgar Huntly by Charles Brockden Brown Pdf
On Wieland; or the Transformation: "An impressive edition . . . the most thoroughly satisfying historical and literary contextualization for the novel that I've ever encountered. Shapiro and Barnard offer a rich transatlantic artistic and ideological context that helps pull the whole novel into coherent focus. The footnotes to the novel are incredibly thorough, helpful, and interesting. . . . This Hackett edition of Wieland [is] the freshest and most topical of those now available." --Dana D. Nelson, Vanderbilt University On Ormond; or, the Secret Witness: "Philip Barnard and Stephen Shapiro have produced an awesome edition of Brown's Ormond by providing copious explanatory notes and helpful documentation of the essential historical context of feminist, radical, egalitarian, and abolitionist expression. Oh, ye patriots, read it and learn!" --Peter Linebaugh, University of Toledo On Arthur Mervyn; or, Memoirs of the Year 1793: "This new edition of Arthur Mervyn far exceeds any previous version of this remarkable American novel. Through exhaustive archival research, the editors have produced a reliable text constructed within the intellectual, cultural, political, and religious contexts of a society informing Brown's efforts to capture and preserve the formation of the early republic for generations of readers and cultural historians. This vital text is essential reading for anyone interested in the origins of the United States." --Emory Elliott, University Professor, University of California-Riverside On Edgar Huntly; or, Memoirs of a Sleep-Walker: "This is now the edition of choice for those of us who teach Brown's fascinating Edgar Huntly. Barnard and Shapiro explore the relevant historical, cultural, and literary backgrounds in their illuminating Introduction; they skillfully annotate the text; they provide useful and up-to-date bibliographies; and they append a number of revealing primary texts for further cultural contextualization. This edition will help to stimulate new thinking about race, empire, and sexuality in Brown's prescient novel of the American frontier." --Robert S. Levine, University of Maryland
Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did Charles Brocken Brown, Washington Irving, Samuel Woodworth, Lydia Maria Child, James Fenimore Cooper, William Apess, Nathaniel Hawthorne, and others who followed. During the late 19th and early 20th centuries, Native American ghosts figured prominently in speeches attributed to Chief Seattle, Black Elk, and Kicking Bear. Today, Stephen King and Leslie Marmon Silko plot best-selling novels around ghostly Indians and haunted Indian burial grounds. Rene L. Bergland argues that representing Indians as ghosts internalizes them as ghostly figures within the white imagination. Spectralization allows white Americans to construct a concept of American nationhood haunted by Native Americans, in which Indians become sharers in an idealized national imagination. However, the problems of spectralization are clear, since the discourse questions the very nationalism it constructs. Indians who are transformed into ghosts cannot be buried or evaded, and the specter of their forced disappearance haunts the American imagination. Indian ghosts personify national guilt and horror, as well as national pride and pleasure. Bergland tells the story of a terrifying and triumphant American aesthetic that repeatedly transforms horror into glory, national dishonor into national pride.
Edgar Huntly, or Memoirs of a sleep-walker by Charles Brockden Brown Pdf
The ensuing day was spent, partly in sleep, and partly in languor and disquietude. I incessantly ruminated on the incidents of the last night. The scheme that I had formed was defeated. Was it likely that this unknown person would repeat his midnight visits to the Elm? If he did, and could again be discovered, should I resolve to undertake a new pursuit, which might terminate abortively, or in some signal disaster? But what proof had I that the same rout would be taken, and that he would again inter himself alive in the same spot?
Brokering Culture in Britain's Empire and the Historical Novel by Matthew C. Salyer Pdf
Brokering Culture in Britain's Empire and the Historical Novel examines the relationship between the historical sensibilities of nineteenth-century British and American “romancers” and the conceptual frameworks that eighteenth-century imperial interlocutors used to imagine and critique their own experiences of Britain’s diffused, tenuous, and often accidental authority. Salyer argues that this cultural experience, more than what Lukács had in mind when he wrote of a mass historical consciousness after Napoleon, gave rise to the Romantic historiographical approach of writers such as Walter Scott, James Fenimore Cooper, Charles Brockden Brown and Frederick Marryat. This book traces the conversion of the eighteenth-century imperial speaker into the nineteenth-century “romance” hero through a number of proto-novelistic responses to the problem of Imperial history, including Edmund Burke in the Annual Register and the celebrated court case of James Annesley, among others. The author argues that popular Romantic novels such as Scott’s Waverley and Cooper’s The Pioneers convert the problem of narrating the political geographies of eighteenth-century Empire into a discourse of history, placing the historical realities of negotiating Imperial authority at the heart of a nineteenth-century project that fictionalized the possibilities and limits of political historical agency in the modern nation state.
“A friend in history,” Henry David Thoreau once wrote, “looks like some premature soul.” And in the history of friendship in early America, Caleb Crain sees the soul of the nation’s literature. In a sensitive analysis that weaves together literary criticism and historical narrative, Crain describes the strong friendships between men that supported and inspired some of America’s greatest writing--the Gothic novels of Charles Brockden Brown, the essays of Ralph Waldo Emerson, and the novels of Herman Melville. He traces the genealogy of these friendships through a series of stories. A dapper English spy inspires a Quaker boy to run away from home. Three Philadelphia gentlemen conduct a romance through diaries and letters in the 1780s. Flighty teenager Charles Brockden Brown metamorphoses into a horror novelist by treating his friends as his literary guinea pigs. Emerson exchanges glances with a Harvard classmate but sacrifices his crush on the altar of literature--a decision Margaret Fuller invites him to reconsider two decades later. Throughout this engaging book, Crain demonstrates the many ways in which the struggle to commit feelings to paper informed the shape and texture of American literature.
John Carlos Rowe Professor of English University of California at Irvine
Author : John Carlos Rowe Professor of English University of California at Irvine Publisher : Oxford University Press, USA Page : 398 pages File Size : 43,8 Mb Release : 2000-06-12 Category : Literary Criticism ISBN : 9780195351231
Literary Culture and U.S Imperialism : From the Revolution to World War II by John Carlos Rowe Professor of English University of California at Irvine Pdf
John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.
Edgar Huntly, or, Memoirs of a Sleepwalker (1799) is a novel by American author Charles Brockden Brown. Combining the suspenseful style of Gothic fiction with such thematic interests as consciousness, morality, and truth, Brown’s novel shows the profound influence of European literature on his aesthetic while grounding the narrative in a distinctly American setting. Following the murder of his friend Waldegrave, the young Edgar Huntly devotes himself to uncovering the mystery of his death. While walking at night near the scene of the crime, Huntly sees a servant from a nearby farm named Clithero digging in the ground beneath a willow. Initially horrified at the man’s strange behavior and disheveled appearance, Huntly soon becomes suspicious and decides to question Clithero. After realizing that the man is a sleepwalker, he confronts Clithero, who denies murdering Waldegrave but admits his guilt in murdering a man in his native Ireland. Disappointed but eager as ever to find his friend’s killer, Edgar continues his search. When he wakes up in a dark cave, completely disoriented and on the brink of starvation, Edgar must fend off the merciless local wildlife and escape captivity by the Lenni Lenape tribe in order to survive. Charles Brockden Brown’s Edgar Huntly, or, Memoirs of a Sleepwalker is a harrowing work of mystery, horror, revenge, and survival which not only serves as a fine example of Gothic fiction, but as a detailed psychological portrait of settler colonial life. This early masterpiece of American literature, among Brown’s other works, would inspire the novels of James Fenimore Cooper, Mary Shelley’s Frankenstein, and countless other authors whose works employ elements of mystery, suspense, and horror. Brown’s novel is perfect for readers looking for a terrifying tale with philosophical and psychological depth, as well as for those interested in the early days of American fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Brockden Brown’s Edgar Huntly, or, Memoirs of a Sleepwalker is a classic of American literature reimagined for modern readers.
Charles Brockden Brown's Revolution and the Birth of American Gothic by Peter Kafer Pdf
How could a glorious age of American history also give rise to the darkest of literary traditions, one that would inspire Edgar Allan Poe, Stephen King, and many other best-selling American writers?"
Edgar Huntly is a compelling tale of sleepwalking, murder, and frontier violence set in rural Pennsylvania in the 1780s. His memory and wits shaken by the scenes he has witnessed, ordinary republican citizen Edgar Huntly relates the unpredictable and catastrophic consequences of his chance encounter with Clithero Edny, a mysterious Irish immigrant whose unfortunate but violent history catches up with him in the New World. Huntly’s growing obsession with Clithero plunges both men into physical and mental danger, unsettling the colonial territories of the Delaware basin and the cognitive territory of Huntly’s own mind. Brockden Brown’s artful sensationalism transplants the European form of the gothic romance to the new United States, yielding one of the most exciting, metaphysically sophisticated, and historically self-aware novels in early American literary culture. This Broadview Edition includes a rich selection of historical materials on the gothic and sublime, sleepwalking, captivity narratives, and early American literary nationalism.
The book investigates the problem of how narrative, normally conceived of temporally, encodes its relation to space, especially the territorial space that is the subject of colonial possession and dispossession. The book approaches this problem by, first, providing a theoretical framework derived from the work of Martin Heidegger and Emmanuel Levinas on the ethical and political implications of human dwelling, and, second, by using this framework to examine cultural forms in two historical periods, colonial America and postcolonial South Africa--the primary interest being the works of Charles Brockden Brown and J. M. Coetzee. This book is unique in its elaboration of a spatial-or more exactly, territorial --conception of narrative form.
