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All About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897–1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career. Never before has the account of Hollywood's most influential designer been so thoroughly revealed—because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.
Edith Head's Hollywood by Edith Head,Paddy Calistro Pdf
Winner of eight Oscars for costume design, the author describes some of the hundreds of productions she worked on and gives her personal impressions of the actors and actresses for whom she created costumes.
Edith Head's Hollywood by Edith Head,Paddy Calistro Pdf
Celebrating a quarter of a century since its initial release, this vintage fashion must-have is now re-issued with an expanded photo section featuring the best work of the world's most famous costume designer. Through six decades of Hollywood fashion, Edith Head dressed the screen's best stars, including Grace Kelly and Elvis Presley. With a foreword be the legendary Bette Davis.
Edith Head is widely considered the most important figure in the history of Hollywood costume design. The glamour and style of her creations continue to inspire generations of designers. Her career spanned nearly half a century and included such classic films as Rear Window and Sunset Boulevard. Her private life and professional achievements, however, have been the subject of speculation since she rose to the top of her field in the late 1940s. Ruthlessly competitive and intensely secretive, Head had few close friends and many detractors. In his unprecedented biography, David Chierichetti offers a privileged glimpse into the personality and emotions behind the famously impenetrable "scboolmarm" façade, as well as a comprehensive account of her creative process. As Head's longtime friend and confidant, Chierichetti enjoyed rare access to her home life and reflections on Hollywood. The author's intimate view of Head's life and work, combined with his extensive research and design expertise, result in a clear-eyed portrait of a career often shrouded in misinformation. To find the truth in the notoriously fictionalized accounts of Edith Head, the author turned to her friends, co-workers, and competitors. The result of Chierichetti's meticulous, original research is a fresh and vital portrait of the designer, as well as of the studio era she epitomizes. Edith Head is richly illustrated with more than 150 images, including family snapshots, sketches, and studio portraits of the stars and roles she helped to create. With a full-color photo insert, this informative, thorough, and important biography is also engaging and entertaining, and will appeal to designers, scholars, and film buffs alike.
Edith Head was perhaps the most famous Hollywood costume designer of all time. Long before Rachel Zoe, Andrea Leibermann, Estee Stanley, and Nicole Chavez were styling Hollywood celebrities, eight-time Oscar Award-winning Edith Head was the sartorial sensation behind the silver screen’s most high-profile stars and starlets. The Dress Doctor, adapted from her 1959 autobiography and enhanced with lavish illustrations of her most famous dresses by artist Bill Donovan, revisits the Golden Age of Hollywood with entertaining anecdotes about dressing some of the town’s biggest legends—Audrey Hepburn, Grace Kelly, Cary Grant, and Marlene Dietrich, to name a few. In her lifetime, Head was also a sought-after authority by everyday women for her invaluable tips on dressing well: The Dress Doctor includes her witty observations and dispenses the no-nonsense timeless advice for which she was legendary.
The first in a series of riveting behind-the-scenes mysteries, Renee Patrick's Design for Dying is a delightful romp through Hollywood's Golden Age. Los Angeles, 1937. Lillian Frost has traded dreams of stardom for security as a department store salesgirl . . . until she discovers she's a suspect in the murder of her former roommate, Ruby Carroll. Party girl Ruby died wearing a gown she stole from the wardrobe department at Paramount Pictures, domain of Edith Head. Edith has yet to win the first of her eight Academy Awards; right now she's barely hanging on to her job, and a scandal is the last thing she needs. To clear Lillian's name and save Edith's career, the two women join forces. Unraveling the mystery pits them against a Hungarian princess on the lam, a hotshot director on the make, and a private investigator who's not on the level. All they have going for them are dogged determination, assists from the likes of Bob Hope and Barbara Stanwyck, and a killer sense of style. In show business, that just might be enough. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Creating the Illusion (Turner Classic Movies) by Jay Jorgensen,Donald Scoggins Pdf
Marilyn Monroe made history by standing over a subway grating in a white pleated halter dress designed by William Travilla. Hubert de Givenchy immortalized the Little Black Dress with a single opening scene in Breakfast at Tiffany’s. A red nylon jacket signaled to audiences that James Dean was a Rebel Without a Cause. For more than a century, costume designers have left indelible impressions on moviegoers’ minds. Yet until now, so little has been known about the designers themselves and their work to complement and enrich stories through fashion. Creating the Illusion presents the history of fashion on film, showcasing not only classic moments from film favorites, but a host of untold stories about the creative talent working behind the scenes to dress the stars from the silent era to the present day. Among the book’s sixty-five designer profiles are Clare West, Howard Greer, Adrian, Walter Plunkett, Travis Banton, Irene, Edith Head, Cecil Beaton, Bob Mackie, and Colleen Atwood. The designers’ stories are set against the backdrop of Hollywood: how they collaborated with great movie stars and filmmakers; how they maneuvered within the studio system; and how they came to design clothing that remains iconic decades after its first appearance. The array of films discussed and showcased through photos spans more than one hundred years, from draping Rudolph Valentino in exotic “sheik” dress to the legendary costuming of Gone with the Wind, Alfred Hitchcock thrillers, Bonnie and Clyde, Reservoir Dogs, and beyond. This gloriously illustrated volume includes candid photos of the designers at work, portraits and wardrobe tests of stars in costume, and designer sketches. Drawing from archival material and dozens of new interviews with award-winning designers, authors Jay Jorgensen and Donald L. Scoggins offer a highly informative, lavish, and entertaining history of Hollywood costume design.
From the lavish productions of Hollywood's Golden Age through the high-tech blockbusters of today, the most memorable movies all have one thing in common: they rely on the magical transformations rendered by the costume designer. Whether spectacular or subtle, elaborate or barely there, a movie costume must be more than merely a perfect fit. Each costume speaks a language all its own, communicating mood, personality, and setting, and propelling the action of the movie as much as a scripted line or synthetic clap of thunder. More than a few acting careers have been launched on the basis of an unforgettable costume, and many an era defined by the intuition of a costume designer—think curvy Mae West in I'm No Angel (Travis Banton, costume designer), Judy Garland in A Star is Born (Jean Louis and Irene Sharaff, costume designers), Diane Keaton in Annie Hall (Ruth Morley, costume designer), or Harrison Ford as Indiana Jones in Raiders of the Lost Ark (Deborah Nadoolman Landis, costume designer). In Dressed: A Century of Hollywood Costume Design, Academy Award-nominated costume designer Deborah Nadoolman Landis showcases one hundred years of Hollywood's most tantalizing costumes and the characters they helped bring to life. Drawing on years of extraordinary research, Landis has uncovered both a treasure trove of costume sketches and photographs—many of them previously unpublished—and a dazzling array of first-person anecdotes that inform and enhance the images. Along the way she also provides and eye-opening, behind-the-scenes look at the evolution of the costume designer's art, from its emergence as a key element of cinematic collaboration to its limitless future in the era of CGI. A lavish tribute that mingles words and images of equal luster, Dressed is one book no film and fashion lover should be without.
Award-Winning Fashions of Edith Head Paper Dolls by Tom Tierney,Paper Dolls,Paper Dolls for Grownups Pdf
From the 1920s through the 1980s, Edith Head designed costumes for Hollywood's biggest stars. Two dolls model 29 of her creations for Sunset Boulevard, All About Eve, Rear Window, The Sting, and many other films.
The Art of Bob Mackie by Frank Vlastnik,Laura Ross Pdf
The first-ever, comprehensive and authorized showcase of legendary fashion designer Bob Mackie’s fabulous life and work, featuring hundreds of photos and dozens of never-before-seen sketches from his personal collection. Cher, Carol Burnett, Bette Midler, P!nk, Tina Turner, Elton John, Liza Minnelli, Angela Lansbury, Diana Ross, Beyoncé, RuPaul, and Madonna...what do they all have in common? All have been dressed by Bob Mackie. For nearly six decades, the iconic and incomparable Bob Mackie has been designing stunning, unforgettable clothing. His unique, glamorous—sometimes hilarious—creations have appeared on Broadway stages, TV screens, runways, and red carpets worldwide. For his pioneering genius and continual reinvention, he is a Tony Award and nine-time Emmy Award winner, a three-time Oscar nominee, and recipient of the Geoffrey Beene Lifetime Achievement Award from the Council of Fashion Designers of America. For the first time, he has granted full access to his archives and personal memories to the authors of this lavish celebration of his achievements. The Art of Bob Mackie is the first-ever comprehensive and fully authorized book showcasing Mackie’s work, from his early days as a sketch artist for the legendary Edith Head at Paramount to his current, cutting-edge costumes for pop stars and line of accessible, wearable clothing for QVC. In addition to hundreds of glorious photos and dozens of dishy recollections from Mackie and his many muses, this gorgeous volume features never-before-seen sketches from throughout his prolific career, from Marilyn Monroe’s iconic “Happy Birthday, Mr. President” gown to Carol Burnett’s “Went with the Wind” curtain-rod dress, to Cher’s show-stopping 1986 Oscar look. As other designers have burst onto the scene and faded out of fashion, Mackie has soared from success to success, always remaining relevant because he has always been spectacularly fashion-forward. With a foreword by Carol Burnett and an afterword by Cher, The Art of Bob Mackie is a stunning must-have for lovers of sequins, beads, and feathers; Broadway shows and classic television; pop music and pop culture; and fashion with incomparable flair.
Great Costumes from Classic Movies Paper Dolls by Tom Tierney Pdf
This handsome collection pays tribute to seven great Hollywood designers; the three mentioned in the subtitle plus Travis Banton, Jean Louis, Irene, and Orry-Kelly. Two female figures (with separate attachable heads for each star) model exquisite gowns created for Vivien Leigh (Gone with the Wind), Lana Turner (Ziegfield Girl), Marlene Dietrich (Shanghai Express), Bette Davis (Jezebel and All About Eve), Rita Hayworth (Gilda), and Gloria Swanson (Sunset Boulevard), among others. Dover Original. 2 dolls and 30 full-color costumes on 16 plates.
Hollywood Sketchbook by Deborah Nadoolman Landis Pdf
In Hollywood Sketchbook, Academy Award-nominated costume designer Deborah Nadoolman Landis, president of the Hollywood Costume Designers Guild, showcases more than 1,000 illustrations of costumes from classic motion pictures, many of the designs never before seen by the general public. In this stunning follow-up to her acclaimed Dressed: A Century of Hollywood Costume Design, Landis tell the story of costume design from the birth of the movies to the present day—presenting the work of one hundred of the most provocative and pioneering costume design artists of the last century, including Pauline Annon, Cecil Beaton, Bonnie Cashin, Joe De Yong, and Charles LeMaire.
Classic Hollywood Style explores iconic looks from the golden era of Hollywood, covering 35 films from the 1920s to the end of the 1960s. Caroline Young looks at the history and social context of the costumes through stories from the production, photos, interviews and original costume design sketches, and tips on how to 'get the look' today. While we celebrate the glacial elegance of Grace Kelly and the skin-tight sexiness of Marilyn Monroe, behind every look on screen was the costume designer who shaped the image. In the golden age of Hollywood, designers like Edith Head, Adrian and Travis Banton became stars in their own right. Women queued up to see the latest Joan Crawford and Greta Garbo release to lust after the glamorous costumes the stars would wear on screen. Department stores shamelessly mass-produced copies of gowns, film magazines would preview the new looks and women ran up their own versions on their sewing machines. In the 1960s women lowered their hems and sported berets to look just like Faye Dunaway in Bonnie and Clyde. Even today, an article on the little black dress will inevitably make mention of Audrey Hepburn. Every one of these films has perfectly captured a moment of fashion zeitgeist or has become an indelible image of cinema, whether it is Garbo in a trenchcoat in A Woman of Affairs, Joan Crawford's shoulder pads in Mildred Pierce, Rita Hayworth's strapless dress in Gilda, James Dean's red windbreaker in Rebel Without a Cause or Steve McQueen's ivy league style in The Thomas Crown Affair. Through archived records, studio press releases, behind the scenes memos, costume designer sketches and notes, censorship records and articles from magazines of the time, this is a behind-the-scenes look at the classic costumes of the silver screen.