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Author : Theodore L. Kassier
Publisher : Tamesis
Page : 176 pages
File Size : 45,5 Mb
Release : 1976
Category : Literary Criticism
ISBN : 0729300064
Author : Baltasar Gracián y Morales
Publisher : Unknown
Page : 378 pages
File Size : 43,6 Mb
Release : 1971
Category : Electronic
ISBN : UVA:X030556181
Author : Marcia L. Welles
Publisher : Unknown
Page : 224 pages
File Size : 46,7 Mb
Release : 1976
Category : Foreign Language Study
ISBN : UOM:39015066281075
Author : Patricia Manning
Publisher : BRILL
Page : 339 pages
File Size : 48,9 Mb
Release : 2009-09-29
Category : History
ISBN : 9789047440864
This book combines archival and rare book research with a case study of the fiction of Baltasar Gracián to investigate the degree to which the Spanish elite circumvented Inquisitorial and state publication controls in early modern Spain.
Author : Baltasar Gracián y Morales
Publisher : Unknown
Page : 0 pages
File Size : 53,7 Mb
Release : 1913
Category : Electronic
ISBN : OCLC:976857259
Author : Baltasar Gracián y Morales
Publisher : Unknown
Page : 424 pages
File Size : 53,5 Mb
Release : 1938
Category : Spanish language
ISBN : UVA:X000528463
Author : Frédéric Conrod
Publisher : Peter Lang
Page : 270 pages
File Size : 48,7 Mb
Release : 2008
Category : Literary Collections
ISBN : 1433104970
The Baroque imagination has its roots in Ignatius of Loyola's Spiritual Exercises (1547), which defined for the Counter-Reformation era the parameters in which Catholic believers must confront the Enemy and the temporal corruption he embodies in order to enter a state of grace and obtain salvation. Through complex interactions of different imaginative functions, Loyola's text is able to superpose a variety of simultaneous narrative levels. In order to reformulate the «greater narrative» (the Magisterium) of the Roman faith beyond what is revealed in Scripture, the Spiritual Exercises require their exercitant to become an active participant in this narrative through constant visual contact with «orders of corruption», that is, spaces in which virtue can be confronted with physical decay and sin. Through these spaces Counter-Reformation Rome (La Roma Ignaziana) would redefine the economy of salvation and diffuse the visual dynamics of the Spiritual Exercises throughout the Catholic world. In their writings, Spanish Golden Age authors Miguel de Cervantes and Baltasar Gracián use the rising modernity of the novel to transform Loyola's notion of «orders of corruption» by adapting it to the secular world. Their encoded criticism of Loyolan imagination contributed to the epistemological crisis that marks the Baroque age, but also prepared the way for the crucial debates that would take place during the Enlightenment (such as the deconstruction of the Catholic «greater narrative» reflected in Loyola). This book concludes with a discussion of the eventual negation of Loyolan imagination in the novels of the Marquis de Sade, which undermine the Roman faith by parodying the Baroque forms of spiritual visual experience and negate the Loyolan projection into «orders of corruption».
Author : Jeremy Robbins
Publisher : Routledge
Page : 333 pages
File Size : 46,8 Mb
Release : 2013-05-13
Category : Drama
ISBN : 9781134708611
Arts of Perception offers a new account of a key period in Spanish history and culture and a fundamental reassessment of its major writers and intellectuals, including Gracián, Quevedo, Calderón, Saavedra Fajardo, López de Vega, and Sor Juana. Reading these figures in the context of European thought and the new science, and philosophy, the study considers how they developed various ‘arts of perception’ - complex perceptual strategies designed to overcome and exploit epistemic problems to enable an individual to act effectively in the moral, political, social or religious sphere. The study takes as its subject the distinctive epistemological mentality behind such ‘arts of perception’. This mentality was fostered by the creative interaction of scepticism and Stoicism, and found expression in the key concepts ser/parecer and engaño/desengaño. The work traces the emergence, development, and impact of these concepts on Spanish thought and culture. As well as offering new interpretations of specific major figures, Arts of Perception offers an interpretation of the mentality of an entire culture as it made the fraught transition to intellectual modernity. As such it ranges over numerous discourses and formative contexts and provides a wealth of new material which will be of use to all those seeking to understand and interpret the literature, culture and thought of Golden Age Spain. This book was previously published as a special issue of The Bulletin of Spanish Studies.
Author : Richard Rabone
Publisher : Oxford University Press
Page : 321 pages
File Size : 43,5 Mb
Release : 2023-05-19
Category : Literary Criticism
ISBN : 9780192677235
This book presents the first sustained analysis of the reception of the Aristotelian golden mean and related ideas of moderation in the literature and thought of early modern Spain (1500-1700). It explores the Golden-Age understanding of Aristotle's doctrine as a prolegomenon to literary study, and its allegorical reformulation in the myths of Icarus and Phaethon, before arguing that scrutiny of how the mean and the related concept of ethical moderation are treated by early modern authors represents a vital but underexploited tool for literary analysis. Particular attention is paid to detailed case studies of works by three canonical authors—Garcilaso, Calderón, Gracián—demonstrating the value of the mean as a locus of critical attention, as analysis of its presentation allows several long-standing disputes in the scholarship on these authors to be newly resolved.
Author : Peter William Evans
Publisher : Manchester University Press
Page : 230 pages
File Size : 46,6 Mb
Release : 1990
Category : Spanish literature
ISBN : 0719031923
Author : Felipe E. Ruan
Publisher : Bucknell University Press
Page : 182 pages
File Size : 50,6 Mb
Release : 2011-11-16
Category : Literary Criticism
ISBN : 9781611480511
In this book on the relationship between pícaro and cortesano, Felipe E. Ruan argues that these two cultural figures are linked by a shared form of deportment centered on prudent self-accommodation. This behavior is generated and governed by a courtly ethos or habitus that emerges as the result of the growth and influence of the court in Madrid. Ruan posits that both pícaro and cortesano, and their respective books, conduct manual and picaresque narrative, tacitly engage questions of identity and individualism by highlighting the valued resources or forms of capital that come to fashion and sustain self-identity. He places the books of the pícaro and cortesano within the larger polemic of early modern identity and individualism, and offers an account of the individual as agent whose actions are grounded on objective social relations, without those actions being simply the result of mechanistic adherence to the social order.
Author : Shifra Armon
Publisher : Routledge
Page : 186 pages
File Size : 45,9 Mb
Release : 2016-03-03
Category : Literary Criticism
ISBN : 9781317100027
Masculine Virtue in Early Modern Spain extricates the history of masculinity in early modern Spain from the narrative of Spain’s fall from imperial power after 1640. This book culls genres as diverse as emblem books, poetry, drama, courtesy treatises and prose fiction, to restore the inception of courtiership at the Spanish Hapsburg court to the history of masculinity. Refuting the current conception that Spain’s political decline precipitated a ’crisis of masculinity’, Masculine Virtue maps changes in figurations of normative masculine conduct from 1500 to 1700. As Spain assumed the role of Europe’s first modern centralized empire, codes of masculine conduct changed to meet the demands of global rule. Viewed chronologically, Shifra Armon shows Spanish conduct literature to reveal three axes of transformation. The ideal subject (gendered male in both practice and law) became progressively more adaptable to changing circumstances, more intensely involved in currying his own public image, and more desirous of achieving renown. By bringing recent advances in gender theory to bear on normative rather than non-normative masculinities of early modern Spain, Armon is able to foreground the emergence of energizing new models of masculine virtue that continue to resonate today.
Author : Jeremy Robbins
Publisher : Rowman & Littlefield
Page : 168 pages
File Size : 50,9 Mb
Release : 1998
Category : Literary Criticism
ISBN : 0847693287
This original and lucidly written book introduces the reader to the Baroque, the richest period of Spanish literature and culture. Jeremy Robbins shows how its creativity responded directly to the unprecedented sense of uncertainty fostered by developments across Europe. He argues that it was above all this scepticism which led Spaniards to employ literature and art to question the boundaries of reality and illusion. The result was the creation of some of the most inventive, entertaining, challenging and powerful works of imagination in Europe. Currently there exists no other concise introduction to Spanish Baroque literature and culture. The book considers in detail works by the major novelists, dramatists, poets and painters. Part of its novel approach is the attention the author gives to key issues such as honour and identity, the influence of social and literary institutions like the court and the church, and the place of women as both creators and consumers of culture. It also considers neglected literary forms, such as the aphorism and the emblem, as well as the immensely popular and influential political and moral writings of the day. A comprehensive glossary to major and minor figures is included.
Author : Elías José Palti
Publisher : Columbia University Press
Page : 175 pages
File Size : 54,7 Mb
Release : 2017-03-14
Category : Philosophy
ISBN : 9780231542470
In the past few decades, much political-philosophical reflection has been dedicated to the realm of "the political." Many of the key figures in contemporary political theory—Jacques Rancière, Alain Badiou, Reinhart Koselleck, Giorgio Agamben, Ernesto Laclau, and Slavoj i ek, among others—have dedicated themselves to explaining power relations, but in many cases they take the concept of the political for granted, as if it were a given, an eternal essence. In An Archaeology of the Political, Elías José Palti argues that the dimension of reality known as the political is not a natural, transhistorical entity. Instead, he claims that the horizon of the political arose in the context of a series of changes that affirmed the power of absolute monarchies in seventeenth-century Europe and was successively reconfigured from this period up to the present. Palti traces this series of redefinitions accompanying alterations in regimes of power, thus describing a genealogy of the concept of the political. Perhaps most important, An Archaeology of the Political brings to theoretical discussions a sound historical perspective, illuminating the complex influences of both theology and secularization on our understanding of the political in the contemporary world.
Author : Daniel Scott Mayfield
Publisher : Walter de Gruyter GmbH & Co KG
Page : 491 pages
File Size : 42,6 Mb
Release : 2015-09-14
Category : Literary Criticism
ISBN : 9783110431834
When a term is overused, it tends to fall out of fashion. Cynicism seems to be an exception. Its polytropic versatility apparently prevents any discontinuation of its application. Everyone knows that cynicism denotes that which is deemed deleterious at a given time; and every time will specify its toxicities – the apparent result being the term’s non-specificity. This study describes the cynical stance and statement so as to render the term’s use scholarly expedient. Close readings of textual sources commonly deemed cynical provide a legible starting point. A rhetorical analysis of aphorisms ascribed to the arch-Cynic Diogenes facilitates describing the design of cynical statements, as well as the characteristic features of the cynical stance. These patterns are identifiable in later texts generally labeled cynical – above all in Machiavelli’s Principe. With recourse to the Diogenical archetype, cynicism is likewise rendered describable in Gracián’s Oráculo manual, Diderot’s Le neveu de Rameau, and Nietzsche’s Posthumous Fragments. This study’s description of cynicism provides a phenomenon otherwise considered amorphous with distinct contours, renders transparent its workings, and tenders a dependable basis for further analyses.
