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Author : José Merino
Publisher : Unknown
Page : 111 pages
File Size : 48,7 Mb
Release : 1987
Category : English language
ISBN : 8486623081
Author : Anonim
Publisher : IICA Biblioteca Venezuela
Page : 194 pages
File Size : 47,9 Mb
Release : 2024-06-04
Category : Electronic
ISBN : 8210379456XXX
Author : Anonim
Publisher : IICA Biblioteca Venezuela
Page : 194 pages
File Size : 40,9 Mb
Release : 2024-06-04
Category : Electronic
ISBN : 8210379456XXX
Author : Anonim
Publisher : Bib. Orton IICA / CATIE
Page : 194 pages
File Size : 54,8 Mb
Release : 2024-06-04
Category : Electronic
ISBN : 8210379456XXX
Author : Anonim
Publisher : Unknown
Page : 262 pages
File Size : 55,6 Mb
Release : 1875
Category : Electronic
ISBN : BSB:BSB11317860
Author : Francisco Javier Vingut
Publisher : Unknown
Page : 188 pages
File Size : 48,9 Mb
Release : 1848
Category : English language
ISBN : NYPL:33433069248163
Author : Anonim
Publisher : Unknown
Page : 2422 pages
File Size : 44,8 Mb
Release : 2013
Category : Electronic
ISBN : UIUC:30112087465891
Author : Miguel Ángel Esparza Torres,Hans-Josef Niederehe
Publisher : John Benjamins Publishing Company
Page : 957 pages
File Size : 55,6 Mb
Release : 2015-10-15
Category : Language Arts & Disciplines
ISBN : 9789027267795
Since the publication of the still very valuable Biblioteca histórica de la filología by Cipriano Muñoz y Manzano, conde de la Viñaza (Madrid, 1893), our knowledge of the history of the study of the Spanish language has grown considerably, and most manuscript and secondary sources had never been tapped before Hans-Josef Niederehe of the University of Trier courageously undertook the task to bring together any available bibliographical information together with much more recent research findings, scattered in libraries, journals and other places. The resulting Bibliografía cronológica de la lingüística, la gramática y la lexicografía del español: Desde los principios hasta el año 1600 (BICRES) began appearing in 1994. BICRES I covered the period from the early beginnings to 1600), followed by BICRES II (1601–1700), BICRES III (1701–1800), and together with Miguel Ángel Esparza Torres of Madrid there followed BICRES IV (1801 to 1860). Now, the fifth volume, has become available, covering the years from 1861 to 1899. Access to the bibliographical information of altogether 5,272 titles is facilitated by several detailed indexes, such as a short title index, a listing of printers, publishers and places of production, and an author index. More than twenty years of research in the major libraries of Spain and other European countries have gone into this unique work — relative sources of the Americas have also been covered — making it exhaustive source for any serious scholar of any possible aspect of the Spanish language.
Author : Anonim
Publisher : R. R. Bowker
Page : 608 pages
File Size : 49,7 Mb
Release : 1983
Category : Reference
ISBN : STANFORD:36105216811211
Author : Leonard Bloomfield
Publisher : BoD – Books on Demand
Page : 406 pages
File Size : 44,5 Mb
Release : 2020-04-15
Category : Language Arts & Disciplines
ISBN : 9783846049211
Reprint of the original.
Author : Anonim
Publisher : Unknown
Page : 608 pages
File Size : 50,5 Mb
Release : 1983
Category : Encyclopedias and dictionaries
ISBN : UOM:39015031750311
Author : Anonim
Publisher : Unknown
Page : 2074 pages
File Size : 45,7 Mb
Release : 1973
Category : American literature
ISBN : STANFORD:36105124489126
Author : Francis Benjamin Gardera
Publisher : Unknown
Page : 284 pages
File Size : 51,5 Mb
Release : 1829
Category : French language
ISBN : CHI:085074157
Author : Emilio María Martínez Amador
Publisher : Unknown
Page : 1082 pages
File Size : 51,8 Mb
Release : 1958
Category : English language
ISBN : UOM:39015066301527
Author : Kay Pritchett
Publisher : Bucknell University Press
Page : 215 pages
File Size : 49,9 Mb
Release : 2015-10-22
Category : Literary Criticism
ISBN : 9781611486735
This book examines strategies of transformation (becomings, image-making, and the phantasmagoric) that figure in four stories and a novel by Gothic fiction writer Pilar Pedraza (Spain, 1951). While critics have long associated the Bildungsroman with Gothic fiction, this study takes a close look at the developmental process itself: the means by which a protagonist, young or old, might transcend a deprived status to achieve a complete sense of self. Pedraza's works imply that, regardless of the path followed, a character's ability to think differently is crucial to progress. The fixed image, representative of an inflexible, socially determined mindset, arises as an obstacle to maturation. In "Días de perros," for example, a triangular arrangement of coins in a cigar box elucidates the connection between individual lives and the social order or assemblage. Literary texts, such as this one, serve as collective assemblages of enunciation, capable of exposing fixed images as powerful instruments of control. "Tristes Ayes del Águila Mejicana" discovers fixed images among the icons of Colonial Spain's exequias reales, used in this case to territorialize the evolving identity of indigenous peoples. The territory thatPedraza's fictionbest illuminates is, in reality, the image. When images remain fixed or territorialized, they uncannily infect the assemblages over which they exert influence. Placing emphasis on images that impact women, Pedraza, in "Anfiteatro," for example, deconstructs "cat woman," which, albeit a potentially subversive image in its early manifestations, eventually ceases to empower the feminine, lashing it, rather, to a burdensome stereotype. Territorialized, the feminine must, then, break free from the image in order to discover representations more capable of illuminating present-day challenges. The phrase "dark assemblages," drawn from Deleuze and Guattari's A Thousand Plateaus, gestures toward societal stagnation as a decisive factor in individual evolvement. Gothic fiction represents an uneven landscape, in that it tenders the possibility of a social critique yet, equally well, lends itself to the exclusion of specific identities and practices that society brands as anomalous. Pedraza's Gothic fiction is, indeed, subversive, in that it offers readers original perceptions of modern day people and the assemblages, dark or otherwise, to which they belong.