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An enthralling Victorian sensation novel where secrets, infidelity, and mistaken identities collide in a tale of passion. Set in the sprawling English countryside, East Lynne follows the misfortunes of Lady Isabel Vane. Left penniless and homeless when her father dies, Isabel is left with no choice but to marry a lawyer, Archibald Carlyle, who buys her former home East Lynne. He’s a caring man, but when his sister moves in she seems set on making Isabel’s life miserable. A tangled web of misunderstandings and betrayal ensues as the novel explores the consequences of choices made in the pursuit of happiness. This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. First published in 1861, East Lynne was a Victorian bestseller and is known for its hilariously dramatic and tragic plot. A must-read for fans of gothic horror, Ellen Wood’s masterful work has had multiple stage and screen adaptations.
East Lynne is an English sensation novel of 1861 by Ellen Wood. A Victorian bestseller, it is remembered chiefly for its elaborate and implausible plot, evolving around infidelity and double identities. There have been numerous stage and film adaptations. Lady Isabel Carlyle, a beautiful and refined young woman, leaves her hard-working lawyer-husband and her infant children to elope with an aristocratic suitor. After he deserts her, and she bears their illegitimate child, Lady Isabel disguises herself and takes the position of governess in the household of her former husband and his new wife. The much-"quoted" line: "Gone! And never called me mother!" does not appear in the book but comes from later stage adaptations.
East Lynne (1861). By: Ellen Wood by Ellen Wood Pdf
East Lynne is an English sensation novel of 1861 by Ellen Wood. A Victorian bestseller, it is remembered chiefly for its elaborate and implausible plot, centring on infidelity and double identities. There have been numerous stage and film adaptations. The much-"quoted" line "Gone! And never called me mother!" (variant: "Dead! Dead! And never called me mother!") does not appear in the book; both variants come from later stage adaptations. The book was originally serialised in The New Monthly Magazine between January 1860 and September 1861, being issued as a three-volume novel on 19 September 1861. Plot summary: Lady Isabel Carlyle, a beautiful and refined young woman, leaves her hard-working lawyer-husband, Carlyle, and her infant children to elope with an aristocratic suitor, Francis Levison, after wrongfully suspecting and becoming jealous of her husband's friendship with Barbara Hare. However once abroad with Levison she realises he has no intention of marrying her, despite her having borne their illegitimate child. He deserts her, Lady Isabel is disfigured in a train accident and the child is killed. Following this Isabel is able to take the position of governess in the household of her former husband and his new wife allowing her to be close to her children but which also becomes a source of great misery. The pressure of keeping up a facade and being constantly reminded that her husband has moved on eventually physically weakens her. On her deathbed she tells all to Carlyle who forgives her. Ellen Wood (nee Price; 17 January 1814 - 10 February 1887), was an English novelist, better known in that respect as Mrs. Henry Wood. She is remembered most for her 1861 novel East Lynne, but many of her books became international bestsellers and widely known in the United States. She surpassed the fame of Charles Dickens in Australia. Life: Ellen Price was born in Worcester in 1814. In 1836 she married Henry Wood, who worked in the banking and shipping trade in Dauphine in the South of France, where they lived for 20 years. On the failure of Wood's business, the family (including four children) returned to England and settled in Upper Norwood near London, where Ellen Wood turned to writing. This supported the family (Henry Wood died in 1866). She wrote over 30 novels, many of which (especially East Lynne) enjoyed remarkable popularity. Among the best known are Danesbury House, Oswald Cray, Mrs. Halliburton's Troubles, The Channings, Lord Oakburn's Daughters and The Shadow of Ashlydyat. Her writing tone would be described as "conservative and Christian,"occasionally expressing religious rhetoric. In 1867, Wood purchased the English magazine Argosy, which had been founded by Alexander Strahan in 1865. She wrote much of the magazine herself, but other contributors included Hesba Stretton, Julia Kavanagh, Christina Rossetti, Sarah Doudney and Rosa Nouchette Carey. Wood continued as its editor until her death in 1887, when her son Charles Wood took over. Wood's works were translated into many languages, including French and Russian.Leo Tolstoy, in a 9 March 1872 letter to his older brother Sergei, noted that he was "reading Mrs. Wood's wonderful novel In the Maze." Wood wrote several works of supernatural fiction, including "The Ghost" (1862) and the often anthologized "Reality or Delusion?" (1868). At her death (caused by bronchitis), her estate was valued at over 36,000, which was then a very considerable sum. She was buried in Highgate Cemetery, London. A monument to her was unveiled in Worcester Cathedral in 1916.
East Lynne Ellen Wood - East Lynne is an English sensation novel of 1861 by Ellen Wood, writing as Mrs Henry Wood. A Victorian best-seller, it is remembered chiefly for its elaborate and implausible plot, centring on infidelity and double identities. There have been numerous stage and film adaptations. The much-quoted line "Gone!
East Lynne was first written as a serial, and appeared in the New Monthly Magazine from January 1860 through September 1861. Its combination of suspense, doomed love, scandal and tragic remorse made it immensely successful, and it has remained the most famous and widely read of Mrs. Henry Wood's novels. Although no more melodramatic than others of her books, at the center of East Lynne is a development that strains credulity more severely than her other works; but the situation that transpires when Isabel Vane returns to East Lynne was one that readers found unforgettable. . . .
DigiCat Publishing presents to you this special edition of "East Lynne" by Henry Mrs. Wood. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Capitalism makes possible a new form of domination by purely economic means, argues Ellen Meiksins Wood. So, surely, even the most seasoned White House hawk would prefer to exercise global hegemony in this way, without costly colonial entanglements. Yet, as Wood powerfully demonstrates, the economic empire of capital has also created a new unlimited militarism. By contrasting the new imperialism to historical forms such as the Roman and Spanish empire, and by tracing the development of capitalist imperialism back to the English domination of Ireland and on the British Empire in America and India, Wood shows how today's capitalist empire, a global economy administered by local states, has come tom spawn a new military doctrine of war without end, in purpose or time.
Lady Isabel Carlyle, a beautiful and refined young woman, leaves her hard-working but neglectful lawyer-husband and her infant children to elope with an aristocratic suitor. After he deserts her, and she bears their illegitimate child, Lady Isabel disguises herself and takes the position of governess in the household of her husband and his new wife
Situating these representations within the context of Victorian visual culture and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference constructed the middle-class self and how late-Victorian narratives of feeling paved the way for the sympathetic affinities of contemporary identity politics."--BOOK JACKET.
