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Emblems and the Natural World by Karl A.E. Enenkel,Paul J. Smith Pdf
This interdisciplinary volume aims to address the multiple connections between emblematics and the natural world in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious.
The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510–1610 by Karl A.E. Enenkel Pdf
This study draws a new picture of the invention of the emblem book, and discusses the textual and pictorial means that were developed in order to transmit knowledge, from Alciato to Vaenius, with special emphasis on the emblem commentary and natural history.
Mara R. Wade,Christopher D. Fletcher,Andrew C. Schwenk
Author : Mara R. Wade,Christopher D. Fletcher,Andrew C. Schwenk Publisher : BRILL Page : 348 pages File Size : 53,9 Mb Release : 2024-03-04 Category : Art ISBN : 9789004691605
Emblems in the Free Imperial City by Mara R. Wade,Christopher D. Fletcher,Andrew C. Schwenk Pdf
Civic virtues were central to early modern Nürnberg’s visual culture. These essays explore Nürnberg as a location from which to study the intersection of art and power. The imperial city was awash in emblems, and they informed most aspects of everyday life. The intent of this volume is to focus new attention on the town hall emblems, while simultaneously expanding the purview of emblem studies, moving from strict iconological approaches to collaborations across methodologies and disciplines.
With wonder and a sense of humor, Nature Obscura author Kelly Brenner aims to help us rediscover our connection to the natural world that is just outside our front door--we just need to know where to look. Through explorations of a rich and varied urban landscape, Brenner reveals the complex micro-habitats and surprising nature found in the middle of a city. In her hometown of Seattle, which has plowed down hills, cut through the land to connect fresh- and saltwater, and paved over much of the rest, she exposes a diverse range of strange and unknown creatures. From shore to wetland, forest to neighborhood park, and graveyard to backyard, Brenner uncovers how our land alterations have impacted nature, for good and bad, through the wildlife and plants that live alongside us, often unseen. These stories meld together, in the same way our ecosystems, species, and human history are interconnected across the urban environment.
Virginia Woolf and the Natural World by Kristin Czarnecki,Carrie Rohman Pdf
Edited collection from acclaimed contemporary Woolf scholars, exploring Virginia Woolf’s complex engagement with the natural world, an engagement that was as political as it was aesthetic.
Author : Peter Maurice Daly Publisher : University of Toronto Press Page : 304 pages File Size : 40,8 Mb Release : 1998-01-01 Category : Literary Criticism ISBN : 0802078915
Literature in the Light of the Emblem by Peter Maurice Daly Pdf
The literature of the 16th and 17th centuries was informed by the symbolic thought embodied in the mixed art form of emblems. This study explores the relationship between the emblem and the literature of England and Germany during the period.
Ecocriticism, Ecology, and the Cultures of Antiquity by Christopher Schliephake Pdf
Although current environmental debates lay the focus on the Industrial Revolution as a sociopolitical development that has led to the current environmental crisis, many ecocritical projects have avoided historicizing their concepts or have been characterized by approaches that were either pre-historic or post-historic: while the environmental movement has harbored the dream of restoring nature to a state untouched by human hands, there is also the pessimistic vision of a post-apocalyptic world, exhausted by humanity’s consumption of natural resources. Against this background, the decline of nature has become a narrative template quite common among the public environmental discourse and environmental scientists alike. The volume revisits Antiquity as an epoch which witnessed similar environmental problems and came up with its own interpretations and solutions in dealing with them. This decidedly historical perspective is not only supposed to fill in a blank in ecocritical discourse, but also to question, problematize, and inform our contemporary debates with a completely different take on “nature” and humanity’s place in the world. Thereby, a productive dialogue between contemporary ecocritical theories and the classical tradition is established that highlights similarities as well as differences. This volume is the first book to bring ecocriticism and the classical tradition into a comprehensive dialogue. It assembles recognized experts in the field and advanced scholars as well as young and aspiring ecocritics. In order to ensure a dialogic exchange between the contributions, the volume includes four response essays by established ecocritics which embed the sections within a larger theoretical and practical ecocritical framework and discuss the potential of including the pre-modern world into our environmental debates.
This book examines the ways in which spaces and places of solitude were conceived of, imagined, and represented in the late medieval and early modern periods. It explores the spatial, material, and affective dimensions of solitude, which have so far received only scant scholarly attention.
Author : John MacDonald MacKenzie,John M. MacKenzie Publisher : Manchester University Press Page : 234 pages File Size : 45,8 Mb Release : 1990 Category : History ISBN : 0719029007
Imperialism and the Natural World by John MacDonald MacKenzie,John M. MacKenzie Pdf
Many experts recognize that juvenile literature acts as an excellent reflector of the dominant ideas of an age; the values and fantasies of adult authors are often dressed up in fictional garb for youthful consumption. This collection examines a portion of the mass-produced juvenile literature, from the mid-19th century until the 1950s, focusing on the cluster of ideas connected with Britain's role in the maintenance of order and the spread of civilization. Western science, medicine, geographical ideas, and environmental assumptions were all vital to the creation of the imperial world system. The contributors to this volume illustrate new approaches to the study of conservation, botany, geology, economic geography, state scientific endeavor, and entomological and medical research in relation to the imperial rule of both Britain and France. Distributed in the US and Canada by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
The literary emblem can trace its roots back to sixteenth-century English collections, which sought to reconcile classical philosophy with Christian doctrine. Consisting of images and verses, emblems challenged readers to use their wit and knowledge to deduce the connection between the visual and the textual. In The Emblems of James Reaney, former Reaney student and professor Thomas Gerry draws on his own considerable wit and knowledge to help readers understand the myth, mystery and meaning behind ten literary emblems, published in 1972 as ?Two Chapters from an Emblem Book? by poet, playwright and painter James Reaney. Gerry conducts an exhaustive investigation of the ?magnetic arrangement? that links each emblem with some of Reaney?s best-known fiction, poetry, drama and painting. His detailed analysis of the visual and verbal aspects of each emblem draws on alchemy, biblical mythology and Haitian voodoo. By referring to the influence and inspiration that Reaney drew from William Blake, Edmund Spenser, Northrop Frye and Carl Jung, Gerry reveals the overall cycle of meaning behind the emblems and shows how Reaney marries the opposing concepts of art and experience into a unified artistic vision. The Emblems of James Reaney presents a fascinating organizational scheme within which to study some of Reaney?s most beloved works, encouraging readers to frolic in the playbox of Reaney?s imagination and to revisit his work – and Canadian literature – with new eyes.
How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.
Cultures of Natural History by Nicholas Jardine,J. A. Secord,E. C. Spary Pdf
This copiously illustrated volume is the first systematic general work to do justice to the fruits of recent scholarship in the history of natural history. Public interest in this lively field has been stimulated by environmental concerns and through links with the histories of art, collecting and gardening. The centrality of the development of natural history for other branches of history - medical, colonial, gender, economic, ecological - is increasingly recognized. Twenty-four specially commissioned essays cover the period from the sixteenth century, when the first institutions of natural history were created, to its late nineteenth-century transformation by practitioners of the new biological sciences. An introduction discusses novel approaches that have made this a major focus for research in cultural history. The essays, which include suggestions for further reading, offer a coherent and accessible overview of a fascinating subject. An epilogue highlights the relevance of this wide-ranging survey for current debates on museum practice, the display of ecological diversity and concerns about the environment.