Embodying Mexico

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Embodying Mexico

Author : Ruth Hellier-Tinoco
Publisher : Oxford University Press
Page : 355 pages
File Size : 45,9 Mb
Release : 2011-06-07
Category : Music
ISBN : 9780195340365

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Embodying Mexico by Ruth Hellier-Tinoco Pdf

Embodying Mexico examines two performative icons of Mexicanness--the Dance of the Old Men and Night of the Dead of Lake Patzcuaro--in numerous manifestations, including film, theater, tourist guides, advertisements, and souvenirs. Covering a ninety-year period from the postrevolutionary era to the present day, Hellier-Tinoco's analysis is thoroughly grounded in Mexican politics and history, and simultaneously incorporates choreographic, musicological, and dramaturgical analysis.Exploring multiple contexts in Mexico, the USA, and Europe, Embodying Mexico expands and enriches our understanding of complex processes of creating national icons, performance repertoires, and tourist attractions, drawing on wide-ranging ethnographic, archival, and participatory experience. An extensive companion website illustrates the author's arguments through audio and video.

Embodying Mexico

Author : Ruth Hellier-Tinoco
Publisher : Oxford University Press
Page : 354 pages
File Size : 40,5 Mb
Release : 2011
Category : Business & Economics
ISBN : 9780199790814

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Embodying Mexico by Ruth Hellier-Tinoco Pdf

Exploring the role of performance in tourist and nationalist contexts, Embodying Mexico analyzes the making of icons in 20th century Mexico, as local dance, music, and ritual practices are transformed into national and global spectacles.

Choreographing Mexico

Author : Manuel R. Cuellar
Publisher : University of Texas Press
Page : 462 pages
File Size : 41,9 Mb
Release : 2022-09-20
Category : History
ISBN : 9781477325186

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Choreographing Mexico by Manuel R. Cuellar Pdf

2023 de la Torre Bueno® First Book Award, Dance Studies Association The impact of folkloric dance and performance on Mexican cultural politics and national identity. The years between 1910 and 1940 were formative for Mexico, with the ouster of Porfirio Díaz, the subsequent revolution, and the creation of the new state. Amid the upheaval, Mexican dance emerged as a key arena of contestation regarding what it meant to be Mexican. Through an analysis of written, photographic, choreographic, and cinematographic renderings of a festive Mexico, Choreographing Mexico examines how bodies in motion both performed and critiqued the nation. Manuel Cuellar details the integration of Indigenous and regional dance styles into centennial celebrations, civic festivals, and popular films. Much of the time, this was a top-down affair, with cultural elites seeking to legitimate a hegemonic national character by incorporating traces of indigeneity. Yet dancers also used their moving bodies to challenge the official image of a Mexico full of manly vigor and free from racial and ethnic divisions. At home and abroad, dancers made nuanced articulations of female, Indigenous, Black, and even queer renditions of the nation. Cuellar reminds us of the ongoing political significance of movement and embodied experience, as folklórico maintains an important and still-contested place in Mexican and Mexican American identity today.

The Oxford Handbook of Dance and Competition

Author : Dr. Sherril Dodds
Publisher : Oxford University Press
Page : 656 pages
File Size : 52,8 Mb
Release : 2018-11-01
Category : Music
ISBN : 9780190639105

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The Oxford Handbook of Dance and Competition by Dr. Sherril Dodds Pdf

In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Consequently, ideas of winning and losing, success and failure, judgment and worth, influence the dance that we see and do. Across stage, studio, street, and screen, economies of competition impact bodily aesthetics, choreographic strategies, and danced meanings. In formalized competitions, dancers are judged according to industry standards to accumulate social capital and financial gain. Within the capitalist economy, dancing bodies compete to win positions in prestigious companies, while choreographers hustle to secure funding and attract audiences. On the social dance floor, dancers participate in dance-offs that often include unspoken, but nevertheless complex, rules of bodily engagement. And the media attraction to the drama and spectacle of competition regularly plays out in reality television shows, film documentaries, and Hollywood cinema. Drawing upon a diverse collection of dances across history and geography, The Oxford Handbook of Dance and Competition asks how competition affects the presentation and experience of dance and, in response, how dancing bodies negotiate, critique, and resist the aesthetic and social structures of the competition paradigm.

Mexico Today [2 volumes]

Author : Ana Paula Ambrosi,Silvia D. Zárate,Alex M. Saragoza
Publisher : Bloomsbury Publishing USA
Page : 779 pages
File Size : 44,7 Mb
Release : 2012-03-09
Category : Social Science
ISBN : 9780313349492

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Mexico Today [2 volumes] by Ana Paula Ambrosi,Silvia D. Zárate,Alex M. Saragoza Pdf

Providing over 200 entries on politics, government, economics, society, culture, and much more, this two-volume work brings modern Mexico to life. Viva Mexico! Border sharer. Major trade partner. Exporter of culture and citizens. Tourist destination. Mexico has always been of the utmost significance to the United States, with the shared 2,000-mile border, historical ties in mutual territory, and history of Mexican labor coming north and American tourists heading south. Fresh, current information on Mexico, the North American hotspot and gateway to Latin America, is always in demand by students and general readers and travelers. This is the best ready-reference on the crucial topics that define Mexico today. More than 200 essay entries provide quick, authoritative insight into the Mexican politics and government, society, institutions, events, culture, economy, people, issues, environment, and states and places. Written mostly by Mexicans and Mexican Americans, this set gives an accurate and wide view of the United States's dynamic southern neighbor. Each entry has further reading suggestions; a chronology, selected bibliography, and photographs complement the text.

Dance and the Arts in Mexico, 1920-1950

Author : Ellie Guerrero
Publisher : Springer
Page : 210 pages
File Size : 51,6 Mb
Release : 2018-07-18
Category : Social Science
ISBN : 9783319924748

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Dance and the Arts in Mexico, 1920-1950 by Ellie Guerrero Pdf

Dance and the Arts in Mexico, 1920–1950 tells the story of the arts explosion that launched at the end of the Mexican revolution, when composers, choreographers, and muralists had produced state-sponsored works in wide public spaces. The book assesses how the “cosmic generation” in Mexico connected the nation-body and the dancer’s body in artistic movements between 1920 and 1950. It first discusses the role of dance in particular, the convergences of composers and visual artists in dance productions, and the allegorical relationship between the dancer's body and the nation-body in state-sponsored performances. The arts were of critical import in times of political and social transition, and the dynamic between the dancer’s body and the national body shifted as the government stance had also shifted. Second, this book examines more deeply the involvement of US artists and patrons in this Mexican arts movement during the period. Given the power imbalance between north and south, these exchanges were vexed. Still, the results for both parties were invaluable. Ultimately, this book argues in favor of the benefits that artists on both sides of the border received from these exchanges.

México Profundo

Author : Guillermo Bonfil Batalla,Philip A. Dennis
Publisher : University of Texas Press
Page : 228 pages
File Size : 49,9 Mb
Release : 1996
Category : Social Science
ISBN : 0292708432

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México Profundo by Guillermo Bonfil Batalla,Philip A. Dennis Pdf

This translation of a major work in Mexican anthropology argues that Mesoamerican civilization is an ongoing and undeniable force in contemporary Mexican life. For Guillermo Bonfil Batalla, the remaining Indian communities, the "de-Indianized" rural mestizo communities, and vast sectors of the poor urban population constitute the México profundo. Their lives and ways of understanding the world continue to be rooted in Mesoamerican civilization. An ancient agricultural complex provides their food supply, and work is understood as a way of maintaining a harmonious relationship with the natural world. Health is related to human conduct, and community service is often part of each individual's life obligation. Time is circular, and humans fulfill their own cycle in relation to other cycles of the universe. Since the Conquest, Bonfil argues, the peoples of the México profundo have been dominated by an "imaginary México" imposed by the West. It is imaginary not because it does not exist, but because it denies the cultural reality lived daily by most Mexicans. Within the México profundo there exists an enormous body of accumulated knowledge, as well as successful patterns for living together and adapting to the natural world. To face the future successfully, argues Bonfil, Mexico must build on these strengths of Mesoamerican civilization, "one of the few original civilizations that humanity has created throughout all its history."

The White Indians of Mexican Cinema

Author : Mónica García Blizzard
Publisher : State University of New York Press
Page : 209 pages
File Size : 53,8 Mb
Release : 2022-04-01
Category : Performing Arts
ISBN : 9781438488059

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The White Indians of Mexican Cinema by Mónica García Blizzard Pdf

The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—the representation of Whiteness as Indigeneity—during the Golden Age of Mexican cinema, from the 1930s to the 1950s. Adopting a broad decolonial perspective while remaining grounded in the history of local racial categories, Mónica García Blizzard argues that this trope works to reconcile two divergent discourses about race in postrevolutionary Mexico: the government-sponsored celebration of Indigeneity and mestizaje (or the process of interracial and intercultural mixing), on the one hand, and the idealization of Whiteness, on the other. Close readings of twenty films and primary source material illustrate how Mexican cinema has mediated race, especially in relation to gender, in ways that project national specificity, but also reproduce racist tendencies with respect to beauty, desire, and protagonism that survive to this day. This sweeping survey illuminates how Golden Age films produced diverse, even contradictory messages about the place of Indigeneity in the national culture. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7153

Meet Me at the Fair: A World's Fair Reader

Author : Celia Pearce,Bobby Schweizer,Laura Hollengreen,Rebecca Rouse
Publisher : Lulu.com
Page : 560 pages
File Size : 51,8 Mb
Release : 2014
Category : Education
ISBN : 9781312115873

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Meet Me at the Fair: A World's Fair Reader by Celia Pearce,Bobby Schweizer,Laura Hollengreen,Rebecca Rouse Pdf

Together with the Olympics, world's fairs are one of the few regular international events of sufficient scale to showcase a spectrum of sights, wonders, learning opportunities, technological advances, and new (or renewed) urban districts, and to present them all to a mass audience. Meet Me at the Fair: A World's Fair Reader breaks new ground in scholarship on world's fairs by incorporating a number of short new texts that investigate world's fairs in their multiple aspects: political, urban/architectural, anthropological/ sociological, technological, commercial, popular, and representational. Contributors come from eight different countries and represent affiliations in academia, museums and libraries, professional and architectural firms, non-profit organizations, and government regulatory agencies. In taking the measure of both the material artifacts and the larger cultural production of world's fairs, the volume presents its own phantasmagoria of disciplinary perspectives, historical periods, geographical locales, media, and messages, mirroring the microcosmic form of the world's fair itself.

Dancing Mestizo Modernisms

Author : Jose Luis Reynoso
Publisher : Oxford University Press
Page : 297 pages
File Size : 52,6 Mb
Release : 2023-11-21
Category : History
ISBN : 9780197622551

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Dancing Mestizo Modernisms by Jose Luis Reynoso Pdf

This book analyzes how national and international dancers contributed to developing Mexico's cultural politics and notions of the nation at different historical moments. It emphasizes how dancers and other moving bodies resisted and reproduced racial and social hierarchies stemming from colonial Mexico (1521-1821). Relying on extensive archival research, choreography as an analytical methodology, and theories of race, dance, and performance studies, author Jose Reynoso examines how dance and other forms of embodiment participated in Mexico's formation after the Mexican War of Independence (1821-1876), the Porfirian dictatorship (1876-1911), and postrevolutionary Mexico (1919-1940). In so doing, the book analyzes how underlying colonial logics continued to influence relationships amongst dancers, other artists, government officials, critics, and audiences of different backgrounds as they refashioned their racial, social, cultural, and national identities. The book proposes and develops two main concepts that explore these mutually formative interactions among such diverse people: embodied mestizo modernisms and transnational nationalisms. 'Embodied mestizo modernisms' refers to combinations of indigenous, folkloric, ballet, and modern dance practices in works choreographed by national and international dancers with different racial and social backgrounds. The book contends that these mestizo modernist dance practices challenged assumptions about racial neutrality with which whiteness historically established its ostensible supremacy in constructing Mexico's 'transnational nationalisms'. This argument holds that notions of the nation-state and national identities are not produced exclusively by a nation's natives but also by historical transnational forces and (dancing) bodies whose influences shape local politics, economic interests, and artistic practices.

Economic Life of Mexican Beach Vendors

Author : Tamar Diana Wilson
Publisher : Lexington Books
Page : 220 pages
File Size : 44,5 Mb
Release : 2012-11-03
Category : Social Science
ISBN : 9780739177655

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Economic Life of Mexican Beach Vendors by Tamar Diana Wilson Pdf

Economic Life of Mexican Beach Vendors: Acapulco, Puerto Vallarta, and Cabo San Lucas is based on interviews with 82 men and 84 women who vend their wares on beaches in three Mexican tourist centers. Assuming that some people may actively choose self-employment in the informal or semi-informal economy, the employment and educational aspirations of the vendors and their levels of satisfaction with their work are explored. Most of the vendors had other family members who were also vendors, and 75 (45.2 percent) had 5 or more family members who vended, most usually on Mexican beaches. The vendors are aware of the forces of globalization (though they do not express these forces in those words), as revealed by their responses to questions as to how the current world economic recession has affected them. The beach vendors live in essentially segregated neighborhoods that can be considered apartheid-like, far from the tourist zones. Most of the vendors or their parents are rural-to-urban migrants and cross ethnic, linguistic, and economic borders as they migrate to and work in what have been called transnational social spaces. Of the vendors interviewed, 82 (49.4 percent) speak an indigenous language, and of these, 60 (73.2 percent) speak Nahuatl. The majority are from the state of Guerrero, but there were also Zapotec-speakers from Oaxaca. Both indigenous and non-indigenous women take part in beach vending. They are often wives, daughters, or sisters of male beach vendors, and they may be single, married, living in free union, or widowed. Their income is often of central importance to the household economy. This monograph aims to bring their stories to tourists and to scholars and students of tourism development and /or the informal or semi-informal economy in Mexican tourist centers.

The Oxford Handbook of Dance and Ethnicity

Author : Anthony Shay,Barbara Sellers-Young
Publisher : Oxford University Press
Page : 128 pages
File Size : 40,9 Mb
Release : 2016-04-20
Category : Performing Arts
ISBN : 9780190493936

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The Oxford Handbook of Dance and Ethnicity by Anthony Shay,Barbara Sellers-Young Pdf

Dance intersects with ethnicity in a powerful variety of ways and at a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, as when African Americans were - and sometimes still are - told that their bodies are 'not right' for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when 19th century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance rituals. More recently, dance performances became a locus of ethnic disunity in the former Yugoslavia as the Serbs of Bosnia attended dance concerts but only applauded for the Serbian dances, presaging the violent disintegration of that failed state. The Oxford Handbook of Dance and Ethnicity brings together scholars from across the globe in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented by dance as an ethnicity. Newly-commissioned for the volume, the chapters of the book place a reflective lens on dance and its context to examine the role of dance as performed embodiment of the historical moments and associated lived identities. In bringing modern dance and ballet into the conversation alongside forms more often considered ethnic, the chapters ask the reader to contemplate previous categories of folk, ethnic, classical, and modern. From this standpoint, the book considers how dance maintains, challenges, resists or in some cases evolves new forms of identity based on prior categories. Ultimately, the goal of the book is to acknowledge the depth of research that has been undertaken and to promote continued research and conceptualization of dance and its role in the creation of ethnicity. Dance and ethnicity is an increasingly active area of scholarly inquiry in dance studies and ethnomusicology alike and the need is great for serious scholarship to shape the contours of these debates. The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.

Art and Dance in Dialogue

Author : Sarah Whatley,Imogen Racz,Katerina Paramana,Marie-Louise Crawley
Publisher : Springer Nature
Page : 269 pages
File Size : 42,5 Mb
Release : 2020-11-07
Category : Performing Arts
ISBN : 9783030440855

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Art and Dance in Dialogue by Sarah Whatley,Imogen Racz,Katerina Paramana,Marie-Louise Crawley Pdf

This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.

Race and Cultural Practice in Popular Culture

Author : Domino Renee Perez,Rachel González-Martin
Publisher : Rutgers University Press
Page : 309 pages
File Size : 45,8 Mb
Release : 2019
Category : Performing Arts
ISBN : 9781978801301

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Race and Cultural Practice in Popular Culture by Domino Renee Perez,Rachel González-Martin Pdf

This book is an innovative work that takes a fresh approach to the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation.

Choreographies of 21st Century Wars

Author : Gay Morris,Jens Richard Giersdorf
Publisher : Oxford University Press
Page : 385 pages
File Size : 44,9 Mb
Release : 2016
Category : Performing Arts
ISBN : 9780190201678

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Choreographies of 21st Century Wars by Gay Morris,Jens Richard Giersdorf Pdf

'Choreographies of 21st Century Wars' addresses the interface between choreography and war in this century. The book challenges concepts of choreography as solely a structuring mechanism and an aesthetics of politics that is exclusively resistant. Instead, in the context of 21st-century war, it calls for a rethinking of choreography that incorporates the disorder and dispersion of power away from nation-states, which is central to this century. The collection is composed of an introduction and sixteen essays by individual authors who work across a number of disciplines through field notes, case studies, participant observations, and photographs, as well as essays reflecting on war issues and their relationship to choreographic practices.