Enfoldment And Infinity

Enfoldment And Infinity Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Enfoldment And Infinity book. This book definitely worth reading, it is an incredibly well-written.

Enfoldment and Infinity

Laura U. Marks
Enfoldment and Infinity Book PDF

Author : Laura U. Marks
Publisher : MIT Press
Page : 423 pages
File Size : 51,5 Mb
Release : 2010-08-13
Category : Art
ISBN : 9780262537360

Get Book

Enfoldment and Infinity by Laura U. Marks Pdf

Tracing the connections—both visual and philosophical—between new media art and classical Islamic art. In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the “Islamic” quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, “nonorganic life” in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.

Hanan al-Cinema

Laura U. Marks
Hanan al Cinema Book PDF

Author : Laura U. Marks
Publisher : MIT Press
Page : 413 pages
File Size : 48,9 Mb
Release : 2015-09-18
Category : Art
ISBN : 9780262029308

Get Book

Hanan al-Cinema by Laura U. Marks Pdf

An examination of experimental cinema and media art from the Arabic-speaking world that explores filmmakers' creative and philosophical inventiveness in trying times. In this book, Laura Marks examines one of the world's most impressive, and affecting, bodies of independent and experimental cinema from the last twenty-five years: film and video works from the Arabic-speaking world. Some of these works' creative strategies are shared by filmmakers around the world; others arise from the particular economic, social, political, and historical circumstances of Arab countries, whose urgency, Marks argues, seems to demand experiment and invention. Grounded in a study of infrastructures for independent and experimental media art in the Arab world and a broad knowledge of hundreds of films and videos, Hanan al-Cinema approaches these works thematically. Topics include the nomadism of the highway, nostalgia for '70s radicalism, a romance with the archive, algorithmic and glitch media, haptic and networked space, and cinema of the body. Marks develops an aesthetic of enfolding and unfolding to elucidate the different ways that cinema can make events perceptible, seek connections among them, and unfold in the bodies and thoughts of audiences. The phrase Hanan al-cinema expresses the way movies sympathize with the world and the way audiences feel affection for, and are affected by, them. Marks's clear and expressive writing conveys these affections in works by such internationally recognized artists and filmmakers as Akram Zaatari, Elia Suleiman, Hassan Khan, Mounir Fatmi, and Joana Hadjithomas and Khalil Joreige, and others who should be better known.

Mystical Theology and Platonism in the Time of Cusanus

Jason Aleksander,Sean Hannan,Joshua Hollmann,Michael Moore
Mystical Theology and Platonism in the Time of Cusanus Book PDF

Author : Jason Aleksander,Sean Hannan,Joshua Hollmann,Michael Moore
Publisher : BRILL
Page : 416 pages
File Size : 54,7 Mb
Release : 2023-10-20
Category : History
ISBN : 9789004536906

Get Book

Mystical Theology and Platonism in the Time of Cusanus by Jason Aleksander,Sean Hannan,Joshua Hollmann,Michael Moore Pdf

Mystical Theology and Platonism in the Time of Cusanus engages with the history of mystical theology and Neoplatonic philosophy through the lens of the 15th century philosopher and theologian, Nicholas of Cusa. The volume comprises nineteen essays that break down the barriers between medieval and Renaissance studies, reinterpreting Cusanus’ place in the history of thought by exploring the archive that informed his thinking, while also interrogating his works by exploring them from the standpoint of their later reception by modern philosophers and theologians. The volume also offers tribute to the career of Donald F. Duclow, a leading scholar in the field of Cusanus studies in particular and of the history of mystical theology and Neoplatonic philosophy more generally.

Made for the Eye of One Who Sees

Marcus Milwright,Evanthia Baboula
Made for the Eye of One Who Sees Book PDF

Author : Marcus Milwright,Evanthia Baboula
Publisher : McGill-Queen's Press - MQUP
Page : 445 pages
File Size : 41,7 Mb
Release : 2022-09-10
Category : Art
ISBN : 9780228013259

Get Book

Made for the Eye of One Who Sees by Marcus Milwright,Evanthia Baboula Pdf

Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum. Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design and decoration, the role of Qur’anic inscriptions, the representation of symbolic animals in sculpture, and the interpretation of Persian manuscript painting. The book also juxtaposes modern and contemporary worlds, providing insightful reflections on the early history of the Islamic collections at the Royal Ontario Museum, Matisse’s creative encounter with Byzantine and Islamic visual culture, and the ongoing dialogue between new media and the traditional concepts underpinning Islamic art. Bringing together recent scholarship on Islamic art, architecture, and archaeology, Made for the Eye of One Who Sees provides an overview of the important contributions Canada is making to this rich and evolving field of study.

Idolatry and Infinity

David R. Topper
Idolatry and Infinity Book PDF

Author : David R. Topper
Publisher : Universal-Publishers
Page : 134 pages
File Size : 51,6 Mb
Release : 2014-07-24
Category : Philosophy
ISBN : 9781627345064

Get Book

Idolatry and Infinity by David R. Topper Pdf

Some unwritten stories only exist in fragments. In this book, for the first time, the histories of the injunction against idolatry and the dread of infinity are uniquely woven into one. The spectre of idolatry has haunted the three Western religions since the biblical prohibition. The story of iconoclasm runs from ancient times, where Jews largely ignored the ban on images, through the iconoclastic episodes in Islam and Christianity, and into modern times during the French Revolution. A perhaps surprising thesis of this book is that a conceptual and secular form of iconoclasm continued as the revulsion of illusionism in Modern Art. More recently it flared-up in the dynamiting of two large statues of the Buddha by the Taliban in Afghanistan in 2001. The phobia of infinity arose from Pythagoras's discovery of irrational numbers and it runs through Zeno's paradoxes and Aristotle's philosophy, with only rare cases of defiance, such as Archimedes searching for pi. The angst over infinity continued through the Middle Ages with the theological encounter of an infinite God, as in the writings of Thomas Aquinas, only to be confronted in the Renaissance philosophy of Cusa. At the same time, infinity arose unexpectedly in visual art with the discovery of linear perspective where God was identified with the vanishing point. In the 17th and 18th centuries infinity further emerged not only in the very, very large (the cosmos itself), but in the very, very small (within calculus). This paved the way in the 19th and 20th centuries for the idea of different orders of infinity codified by Georg Cantor, where the concept mingled again with theology. Math and science buffs familiar with some aspects of infinity may first learn of its link with art, as well as a long association with theology - right up to the present. With lucid visual aids for the uninitiated, this book may likewise grant the Art lover access into a previously uncharted territory - a math venture to stretch the mind.

The Fold

Laura U. Marks
The Fold Book PDF

Author : Laura U. Marks
Publisher : Duke University Press
Page : 220 pages
File Size : 48,5 Mb
Release : 2024-02-02
Category : Philosophy
ISBN : 9781478059127

Get Book

The Fold by Laura U. Marks Pdf

In The Fold, Laura U. Marks offers a practical philosophy and aesthetic theory for living in an infinitely connected cosmos. Drawing on the theories of Leibniz, Glissant, Deleuze, and theoretical physicist David Bohm—who each conceive of the universe as being folded in on itself in myriad ways—Marks contends that the folds of the cosmos are entirely constituted of living beings. From humans to sandwiches to software to stars, every entity is alive and occupies its own private enclosure inside the cosmos. Through analyses of fiction, documentary, and experimental movies, interactive media, and everyday situations, Marks outlines embodied methods for detecting and augmenting the connections between each living entity and the cosmos. She shows that by affectively mediating with the ever-shifting folded relations within the cosmos, it is possible to build “soul-assemblages” that challenge information capitalism, colonialism, and other power structures and develop new connections with the infinite. With this guide for living within the enfolded and unfolding cosmos, Marks teaches readers to richly apprehend the world and to trace the processes of becoming that are immanent within the fold.

The Cinema of Sensations

Ágnes Pethő
The Cinema of Sensations Book PDF

Author : Ágnes Pethő
Publisher : Cambridge Scholars Publishing
Page : 395 pages
File Size : 49,7 Mb
Release : 2015-01-12
Category : Performing Arts
ISBN : 9781443873956

Get Book

The Cinema of Sensations by Ágnes Pethő Pdf

Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, “multisensory milieu,” another conference was organised, focusing this time directly on the “multisensory” nature of moving images. Pairing the keywords “cinema” and “sensation”, an invitation was extended for presentations offering a closer examination of the sensual aspects of moving images in order to identify and map out at least some of the possible new directions perceived as taking shape as “sensuous” film studies. The questions contributors addressed included: What kind of paradigms, authors, and styles can be identified in the practice of a cinema exploring the palpable presence of bodies in film history? How can sensory, audiovisual perception and cognitive knowledge be connected when watching moving images? What does the experience of so-called haptic images entail in film and video art? How does an emphasis on sensations and the body relate to representations of social issues and cultural difference? How are representations of other arts in films, or the filmic image appearing as a painterly tableau perceived? How can new images incorporate a sensation of “old” images? What is the difference between haptic images and “hyper” cinema in the form of 3D movies? How can the new naturalistic trends in contemporary cinema be interpreted? What kind of sensual forms are devised for what is unrepresentable or impalpable? The conference took place between the 25th and 27th of May 2012, with the title The Cinema of Sensations, and attracted researchers from all over the world for what turned out to be three days of presentations on extremely varied subjects and lively discussions conducted in a memorably cheerful atmosphere. The present volume is the palpable outcome of these debates, and publishes a selection of articles that have been written for, or after, this conference.

Arab Modernism as World Cinema

Peter Limbrick
Arab Modernism as World Cinema Book PDF

Author : Peter Limbrick
Publisher : University of California Press
Page : 301 pages
File Size : 53,6 Mb
Release : 2020-03-10
Category : Performing Arts
ISBN : 9780520330566

Get Book

Arab Modernism as World Cinema by Peter Limbrick Pdf

Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.

Art and Material Culture in the Byzantine and Islamic Worlds

Evanthia Baboula,Lesley Jessop
Art and Material Culture in the Byzantine and Islamic Worlds Book PDF

Author : Evanthia Baboula,Lesley Jessop
Publisher : BRILL
Page : 317 pages
File Size : 40,9 Mb
Release : 2021-04-19
Category : Art
ISBN : 9789004457140

Get Book

Art and Material Culture in the Byzantine and Islamic Worlds by Evanthia Baboula,Lesley Jessop Pdf

Honouring Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds analyzes aspects of the constructed narratives and reconstructed realities of the visual-material record of diverse Mediterranean faith communities from medieval into contemporary times.

Deleuze and the Map-Image

Jakub Zdebik
Deleuze and the Map Image Book PDF

Author : Jakub Zdebik
Publisher : Bloomsbury Publishing USA
Page : 270 pages
File Size : 47,6 Mb
Release : 2019-05-30
Category : Art
ISBN : 9781501346798

Get Book

Deleuze and the Map-Image by Jakub Zdebik Pdf

The map, as it appears in Gilles Deleuze's writings, is a concept guiding the exploration of new territories, no matter how abstract. With the advent of new media and digital technologies, contemporary artists have imagined a panoply of new spaces that put Deleuze's concept to the test. Deleuze's concept of the map bridges the gap between the analog and the digital, information and representation, virtual and actual, canvas and screen and is therefore best suited for the contemporary artistic landscape. Deleuze and the Map-Image explores cartography from philosophical and aesthetic perspectives and argues that the concept of the map is a critical touchstone for contemporary multidisciplinary art. This book is an overview of Deleuze's cartographic thought read through the theories of Sloterdijk, Heidegger, and Virilio and the art criticism of Laura U. Marks, Carolyn L. Kane, and Alexander Galloway, shaping it into a critical tool through which to view the works of cutting edge artists such as Janice Kerbel and Hajra Waheed, who work with digital and analog art. After all, Deleuze did write that a map can be conceived as a work of art, and so herein art is critiqued through cartographic strategies.

Sensuous Cinema

Kaya Davies Hayon
Sensuous Cinema Book PDF

Author : Kaya Davies Hayon
Publisher : Bloomsbury Publishing USA
Page : 192 pages
File Size : 42,6 Mb
Release : 2018-08-09
Category : Performing Arts
ISBN : 9781501336003

Get Book

Sensuous Cinema by Kaya Davies Hayon Pdf

Sensuous Cinema: The Body in Contemporary Maghrebi Film examines a cluster of recent films that feature Maghrebi(-French) people and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. These films are set in and between the countries of the Maghreb, France and, to a lesser degree, Switzerland, and often adopt a sensual aesthetic that prioritizes embodied knowledge, the interrelation of the senses and the material realities of emotional experience. However, despite the importance of the body in these films, no study to date has taken corporeality as its primary point of concern. This new addition to the Thinking Cinema series interweaves corporeal phenomenology with theological and feminist scholarship on the body from the Maghreb and the Middle East to examine how Maghrebi(-French) people of different genders, ethnicities, sexualities, ages and classes have been represented corporeally in contemporary Maghrebi and French cinemas. Via detailed textual and phenomenological analyses of films such as Red Satin (Amari 2002), Exiles (Gatlif 2004), Couscous (Kechiche 2007) and Salvation Army (Taïa 2014), Kaya Hayon Davies conveys the pivotal role that corporeality plays in articulating identity and the emotions in these films.

Manifestos for World Thought

Lucian Stone,Jason Bahbak Mohaghegh
Manifestos for World Thought Book PDF

Author : Lucian Stone,Jason Bahbak Mohaghegh
Publisher : Rowman & Littlefield
Page : 266 pages
File Size : 45,6 Mb
Release : 2017-12-18
Category : Philosophy
ISBN : 9781783489527

Get Book

Manifestos for World Thought by Lucian Stone,Jason Bahbak Mohaghegh Pdf

These manifestos for the future of world thought offer a uniquely global outlook by incorporating forceful examples from both western and non-western regions and placing important movements of western and non-western societies into a theoretical dialogue.

Islam and the Politics of Culture in Europe

Frank Peter,Sarah Dornhof,Elena Arigita
Islam and the Politics of Culture in Europe Book PDF

Author : Frank Peter,Sarah Dornhof,Elena Arigita
Publisher : transcript Verlag
Page : 269 pages
File Size : 45,6 Mb
Release : 2014-03-31
Category : Social Science
ISBN : 9783839421765

Get Book

Islam and the Politics of Culture in Europe by Frank Peter,Sarah Dornhof,Elena Arigita Pdf

Culture is a constant reference in debates surrounding Islam in Europe. Yet the notion of culture is commonly restricted to conceptual frames of multiculturalism where it relates to group identities, collective ways of life and recognition. This volume extends such analysis of culture by approaching it as semiotic practice which conjoins the making of subjects with the configuration of the social. Examining fields such as memory, literature, film, and Islamic art, the studies in this volume explore culture as another element in the assemblage of rationalities governing European Islam. From this perspective, the transformations of European identities can be understood as a matter of cultural practice and politics, which extend the analytical frames of political philosophy, historical legacies, normative orders and social dynamics.

The Grace of Destruction

Elena del Río
The Grace of Destruction Book PDF

Author : Elena del Río
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 42,9 Mb
Release : 2016-05-05
Category : Performing Arts
ISBN : 9781501303050

Get Book

The Grace of Destruction by Elena del Río Pdf

For Elena del Río, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence. Drawing inspiration from Deleuze's ethics of immanence, Spinoza's ethology of passions and Nietzsche's typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema from the affirmative perspective of vital forces and situations-extremities such as moral/religious oppression, biopolitical violence, the pain involved in gender relations, the event of death and planetary extinction. Her analysis diverges from the current literature on extreme cinema through its selection of films, which include key international examples, and through its foregrounding of relational, affective politics over representations of sexuality and graphic violence. Detailed formal and philosophical analyses of films like The White Ribbon, Dogville, Code Unknown, Battle in Heaven, Sonatine, Fireworks, Dolls, Takeshis', Inland Empire and Melancholia are meant to move us away from the moral appraisal of violence and destruction, and to compose an ethological philosophy of cinema based on Deleuze's idea that, “when truth and judgment crumble, there remain bodies, which are... nothing but forces.”

The Neuro-Image

Patricia Pisters
The Neuro Image Book PDF

Author : Patricia Pisters
Publisher : Stanford University Press
Page : 388 pages
File Size : 48,9 Mb
Release : 2012-07-11
Category : Performing Arts
ISBN : 9780804782845

Get Book

The Neuro-Image by Patricia Pisters Pdf

Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains—Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theory, mental illness, and cognitive neuroscience. Part Two explores neuro-images from a philosophical perspective, paying close attention to their ontological, epistemological, and aesthetic dimensions. Political and ethical aspects of the neuro-image are discussed in Part Three. Topics covered along the way include the omnipresence of surveillance, the blurring of the false and the real and the affective powers of the neo-baroque, and the use of neuro-images in politics, historical memory, and war.