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English As We Speak It in Ireland by P. W. Joyce Pdf
DigiCat Publishing presents to you this special edition of "English As We Speak It in Ireland" by P. W. Joyce. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
English as We Speak It in Ireland (Classic Reprint) by Patrick Weston Joyce Pdf
Excerpt from English as We Speak It in Ireland This book deals with the Dialect of the English Language that is spoken in Ireland. As the Life of a people - according to our motto - is pictured in their speech, our picture ought to be a good one, for two languages were concerned in it - Irish and English. The part played by each will be found specially set forth in Chapters IV and VII; and in farther detail throughout the Whole book. The articles and pamphlets that have already appeared on this interesting subject - which are described below - are all short. Some are full of keen observation; but very many are mere lists of dialectical words with their meanings. Here for the first time - in this little volume of mine our anglo-irish Dialect is subjected to detailed analysis and systematic classification. I have been collecting materials for this book for more than twenty years; not indeed by way of constant work, but off and on as detailed below. The sources from which these materials were directly derived are mainly the following. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
English as We Speak It in Ireland by P W 1827-1914 Joyce Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Theatre and Films of Martin McDonagh by Patrick Lonergan Pdf
Martin McDonagh is one of the world's most popular dramatists. This is a highly readable and illuminating analysis of his career to date that will appeal to the legions of fans of his stage plays and the films Six Shooter and In Bruges. As a resource for students and practitioners it is unrivalled, providing an authoritative and enquiring approach to his work that moves beyond the tired discussions of national identity to offer a comprehensive critical exploration. Patrick Lonergan provides a detailed analysis of each of his plays and films, their original staging, critical reception, and the connections within and between the Leenane Trilogy, the Aran Islands plays and more recent work. It includes an interview with Garry Hynes, artistic director of Druid Theatre Company, and offers four critical essays on key features of McDonagh's work by leading international scholars: Joan Dean, Eamonn Jordan, Jose Lanters and Karen O'Brien. A series of further resources including a chronology, glossary, notes on McDonagh's use of language and a list of further reading makes this the perfect companion to one of the most exciting dramatists writing today.
On Some Antiquities in the Neighbourhood of Dunecht House Aberdeenshire (Classic Reprint) by George Forrest Browne Pdf
Excerpt from On Some Antiquities in the Neighbourhood of Dunecht House Aberdeenshire It was known to the archaeologist that there were ogam inscriptions in the district, two Of them being among the most important in Caledonia; and that within an easy motor drive there was a minuscule inscription of six lines Of which no satisfactory explanation had been given. This inscription they had visited in a previous year. Further, the quick eye Of the hostess of Dunecht had caught sight of some curious sculptures on a stone by the road-side on the way to the minus cule inscription; and other like stones in the neighbourhood had been shewn in Stuart's two volumes of Sculptural Stones of Scotland. The suggestion was then made that for the sake of visitors at Dunecht a sort Of guide book should be prepared, giving some simple description of the several Objects and their meaning and uses. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Origin of the English Nation (Classic Reprint) by Edward Augustus Freeman Pdf
Excerpt from The Origin of the English Nation 1587 - 1588. By Alhed II. 1110. By Anne Isabella Thackeray B11de of Landeck. Dr G. L'. R. James. L101'jacoh. - '1'l1e Lifted Veil. By Geo. 1111111 hadow on the Tlneehold. By Mmy Cecil. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book Excerpt: Coiner,' 'Tales of a Jury-room,' &c.) than any other writer; and very near him come Charles Kickham (in 'Knocknagow'), Crofton Croker (in 'Fairy Legends') and Edward Walsh. These four writers almost exhaust the dialect of the South of Ireland. On the other hand Carleton gives us the Northern dialect very fully, especially that of Tyrone and eastern Ulster; but he has very little idiom, the peculiarities he has preserved being chiefly in vocabulary and pronunciation. Mr. Seumas MacManus has in his books faithfully pictured the dialect of Donegal (of which he is a native) and of all north-west Ulster. In the importation of Irish idiom into English, Irish writers of the present day are also making their influence felt, for I often come across a startling Irish expression (in English words of course) in some English magazine article, obviously written by one of my fellow-countrymen. Here I ought to remark that they do this with discretion and common sense, for they always make sure that Read More
Modern Irish Grammar (Classic Reprint) by James Patrick Craig Pdf
Excerpt from Modern Irish Grammar IF we wish to preserve our mother tongue, we must write it as it is spoken in the glen and on the hill-side. NO doubt the past of our beautiful language, may be purer andflgreater than the present, but that does not concern us; that is a matter for philologists. We have no time just now for studying its past greatness. We love what remains of it, corrupted, if you like, though it may be. We love it because we lisped it in childhood; we venerate it because it falls from the lips of the old people like a soothing balm, and, as iong as it lasts, we will cling to' it. Anything else is but artificial, and can never have real life as a medium of speech. The revival of the language of our ancestors, in any shape or form, would be 'a noble work; but this must be a secondary consideration. We are at present concerned with the Sweet tongue with which. We ourselves are familiar. We. Must begin here. When we shall have mastered so much, n consider the past of our language. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Fueled by the Enlightenment's model of revolutionary cultural change, the hopeful Irish rose against British rule in the famous rebellion of 1798. The British responded quickly and violently to suppress it, and for generations after, Irish school children knew intimately the stories of patriotism, terror, and betrayal that came out of the '98 Rising. The enactment of these stories, through a series of extremely popular political melodramas, reinforced that learning and was fundamental to the evolving sense of Irish nationhood. For the Land They Loved makes available in print for the first time the complete texts of four of the most ideologically complex and theatrically effective of the many "lost" Irish melodramas produced at the popular Queen's Theatre in Dublin during the late nineteenth and earl twentieth centuries. This edition, complete with period illustrations of playbills, pictorial ads, and portraits, includes a detailed critical and historical essay that weaves the separate narratives of the plays into a sustained story of Irish sociopolitical life in the revolutionary 1790s. All four plays focus on the '98 Rising. J. W. Whitbread's Lord Edward, Or '98 (1894) and Wolfe Tone (1898) dramatize the consequences of heroism from the aristocratic and United Irish point of view, while P. J. Bourke's When Wexford Rose (1910) and For the Land She Loved (1915) engage resistance from working-class and feminist-nationalist perspectives. Such plays, shown constantly in Irish cities and small towns as well as overseas, were to become part of the social dialogue that produced another rising in 1916 and beyond. For scholars and students of Irish history and culture, and for anyone interested in understanding the consciousness behind modern Irish resistance, For the Land They Loved will prove to be essential reading.
In this absorbing analysis of modern Irish writing, an acknowledged expert considers the hybrid character of modern Irish writing to show how language, culture, and history have been affected by the colonial encounter between Ireland and Britain. Examining the great themes of loss and struggle, David Pierce traces the impact on Irish writing of the Great Famine and cultural nationalism and considers the way the work of Ireland’s two leading writers, W. B.Yeats and James Joyce, complicate and elucidate our view of "the harp and the crown.” The book draws a contrast between the West of Ireland in the 1930s, when the new Irish State enjoyed its first full independent decade, and the North of Ireland in the 1980s, when the spectre of British imperialism threatened the stability of Ireland. Pierce then surveys contemporary Irish writing and reflects on the legacy of the colonial encounter and on the passage to a postmodern or postnationalist Ireland in the work of such crucial living writers as John Banville, Derek Mahon, and John McGahern.
