Entombed Epigraphy And Commemorative Culture In Early Medieval China
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Entombed Epigraphy and Commemorative Culture in Early Medieval China by Timothy M. Davis Pdf
In Entombed Epigraphy and Commemorative Culture Timothy M. Davis explains the social, cultural, and religious significance of early medieval muzhiming —one of the most versatile and persistent commemorative forms employed in the elite burials of pre-modern China.
Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written. Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things broadens understandings of the links between the literary and the material.
Memory in Medieval China: Text, Ritual, and Community by Anonim Pdf
Memory in Medieval China explores memory as performed in various genres of writing, from poetry to anecdotes, from history to tomb epitaphs, thereby illuminating ways in which the memory of persons, events, dynasties, and literary styles was constructed and revised.
This important study provides the only comprehensive survey of Chinese women during the early medieval period of disunion known as the Six Dynasties, which lasted from the fall of the Eastern Han dynasty in AD 220 to the reunification of China by the Sui dynasty in AD 581.
The Destruction of the Medieval Chinese Aristocracy by Nicolas Tackett Pdf
Historians have long been perplexed by the complete disappearance of the medieval Chinese aristocracy by the tenth century—the “great clans” that had dominated China for centuries. In this book, Nicolas Tackett resolves the enigma of their disappearance, using new, digital methodologies to analyze a dazzling array of sources. Tackett systematically mines thousands of funerary biographies excavated in recent decades—most of them never before examined by scholars—while taking full advantage of the explanatory power of Geographic Information System (GIS) methods and social network analysis. Tackett supplements these analyses with extensive anecdotes culled from epitaphs, prose literature, and poetry, bringing to life women and men who lived a millennium in the past. The Destruction of the Medieval Chinese Aristocracy demonstrates that the great Tang aristocratic families adapted to the social, economic, and institutional transformations of the seventh and eighth centuries far more successfully than previously believed. Their political influence collapsed only after a large number were killed during three decades of extreme violence following Huang Chao’s sack of the capital cities in 880 CE. 2015 James Breasted Prize, American Historical Association
Author : Albert Galvany Publisher : State University of New York Press Page : 291 pages File Size : 52,9 Mb Release : 2023-07-01 Category : History ISBN : 9781438493770
The Craft of Oblivion is an innovative and groundbreaking volume that aims to study, for the first time, the intersections between forgetting and remembering in classical Chinese civilization. Oblivion has tended to be relegated to a marginal position, often conceived as the mere destructive or undesirable opposite of memory, even though it performs an essential function in our lives. Forgetting and memory, far from being autonomous and mutually exclusive spheres, should be seen as interdependent phenomena. Drawing on perspectives from history, philosophy, literature, and religion, and examining both transmitted texts and excavated materials, the contributors to this volume analyze various ways of understanding oblivion and its complex and fertile relations with memory in ancient China.
Letters and Epistolary Culture in Early Medieval China by Antje Richter Pdf
Honorable Mention for the 2016 Kayden Book Award This first book-length study in Chinese or any Western language of personal letters and letter-writing in premodern China focuses on the earliest period (ca. 3rd-6th cent. CE) with a sizeable body of surviving correspondence. Along with the translation and analysis of many representative letters, Antje Richter explores the material culture of letter writing (writing supports and utensils, envelopes and seals, the transportation of finished letters) and letter-writing conventions (vocabulary, textual patterns, topicality, creativity). She considers the status of letters as a literary genre, ideal qualities of letters, and guides to letter-writing, providing a wealth of examples to illustrate each component of the standard personal letter. References to letter-writing in other cultures enliven the narrative throughout. Letters and Epistolary Culture in Early Medieval China makes the social practice and the existing textual specimens of personal Chinese letter-writing fully visible for the first time, both for the various branches of Chinese studies and for epistolary research in other ancient and modern cultures, and encourages a more confident and consistent use of letters as historical and literary sources.
Author : Albrecht Classen Publisher : Walter de Gruyter GmbH & Co KG Page : 628 pages File Size : 48,5 Mb Release : 2023-09-05 Category : History ISBN : 9783111190600
Globalism in the Middle Ages and the Early Modern Age by Albrecht Classen Pdf
Although it is fashionable among modernists to claim that globalism emerged only since ca. 1800, the opposite can well be documented through careful comparative and transdisciplinary studies, as this volume demonstrates, offering a wide range of innovative perspectives on often neglected literary, philosophical, historical, or medical documents. Texts, images, ideas, knowledge, and objects migrated throughout the world already in the pre-modern world, even if the quantitative level compared to the modern world might have been different. In fact, by means of translations and trade, for instance, global connections were established and maintained over the centuries. Archetypal motifs developed in many literatures indicate how much pre-modern people actually shared. But we also discover hard-core facts of global economic exchange, import of exotic medicine, and, on another level, intensive intellectual debates on religious issues. Literary evidence serves best to expose the extent to which contacts with people in foreign countries were imaginable, often desirable, and at times feared, of course. The pre-modern world was much more on the move and reached out to distant lands out of curiosity, economic interests, and political and military concerns. Diplomats crisscrossed the continents, and artists, poets, and craftsmen traveled widely. We can identify, for instance, both the Vikings and the Arabs as global players long before the rise of modern globalism, so this volume promises to rewrite many of our traditional notions about pre-modern worldviews, economic conditions, and the literary sharing on a global level, as perhaps best expressed by the genre of the fable.
The Women Who Ruled China by Stephanie Balkwill Pdf
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In the late fifth century, a girl whose name has been forgotten by history was born at the edge of the Chinese empire. By the time of her death, she had transformed herself into Empress Dowager Ling, one of the most powerful politicians of her age and one of the first of many Buddhist women to wield incredible influence in dynastic East Asia. In this book, Stephanie Balkwill documents the Empress Dowager’s rise to power and life on the throne against the broader world of imperial China under the rule of the Northern Wei dynasty, a foreign people from Inner Asia who built their capital deep in the Chinese heartland. Building on largely untapped Buddhist materials, Balkwill shows that the life and rule of the Empress Dowager is a larger story of the reinvention of religious, ethnic, and gender norms in a rapidly changing multicultural society. The Women Who Ruled China recovers the voices of those left out of the mainstream historical record, painting a compelling portrait of medieval Chinese society reinventing itself under the Empress Dowager’s leadership.
Exploring Written Artefacts by Jörg B. Quenzer Pdf
This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’.
Chinese Funerary Biographies by Patricia Buckley Ebrey,Ping Yao,Cong Ellen Zhang Pdf
Tens of thousands of epitaphs, or funerary biographies, survive from imperial China. Engraved on stone and placed in a grave, they typically focus on the deceased’s biography and exemplary words and deeds, expressing the survivors’ longing for the dead. These epitaphs provide glimpses of the lives of women, men who did not leave a mark politically, and children—people who are not well documented in more conventional sources such as dynastic histories and local gazetteers. This anthology of translations makes available funerary biographies covering nearly two thousand years, from the Han dynasty through the nineteenth century, selected for their value as teaching material for courses in Chinese history, literature, and women’s studies as well as world history. Because they include revealing details about personal conduct, families, local conditions, and social, cultural, and religious practices, these epitaphs illustrate ways of thinking and the realities of daily life. Most can be read and analyzed on multiple levels, and they stimulate investigation of topics such as the emotional tenor of family relations, rituals associated with death, Confucian values, women’s lives as written about by men, and the use of sources assumed to be biased. These biographies will be especially effective when combined with more readily available primary sources such as official documents, religious and intellectual discourses, and anecdotal stories, promising to generate provocative discussion of literary genre, the ways historians use sources, and how writers shape their accounts.
Author : Cong Ellen Zhang Publisher : University of Hawaii Press Page : 241 pages File Size : 49,7 Mb Release : 2020-09-30 Category : History ISBN : 9780824882754
Performing Filial Piety in Northern Song China by Cong Ellen Zhang Pdf
Educated men in Song-dynasty China (960–1279) traveled frequently in search of scholarly and bureaucratic success. These extensive periods of physical mobility took them away from their families, homes, and native places for long periods of time, preventing them from fulfilling their most sacred domestic duty: filial piety to their parents. In this deeply grounded work, Ellen Zhang locates the tension between worldly ambition and family duty at the heart of elite social and cultural life. Drawing on more than 2,000 funerary biographies and other official and private writing, Zhang argues that the predicament in which Song literati found themselves diminished neither the importance of filial piety nor the appeal of participating in examinations and government service. On the contrary, the Northern Song witnessed unprecedented literati activity and state involvement in the bolstering of ancient forms of filial performances and the promotion of new ones. The result was the triumph of a new filial ideal: luyang. By labeling highly coveted honors and privileges attainable solely through scholarly and official accomplishments as the most celebrated filial acts, the luyang rhetoric elevated office-holding men to be the most filial of sons. Consequently, the proper performance of filiality became essential to scholar-official identity and self-representation. Zhang convincingly demonstrates that this reconfiguration of elite male filiality transformed filial piety into a status- and gender-based virtue, a change that had wide implications for elite family life and relationships in the Northern Song. The separation of elite men from their parents and homes also made the idea of “native place” increasingly fluid. This development in turn generated an interest in family preservation as filial performance. Individually initiated, kinship- and native place-based projects flourished and coalesced with the moral and cultural visions of leading scholar-intellectuals, providing the social and familial foundations for the ascendancy of Neo-Confucianism as well as new cultural norms that transformed Chinese society in the Song and beyond.
Author : Jessey J. C. Choo Publisher : University of Hawaii Press Page : 305 pages File Size : 45,7 Mb Release : 2022-07-31 Category : Religion ISBN : 9780824893224
This nuanced study traces how Chinese came to view death as an opportunity to fashion and convey social identities and memories during the medieval period (200–1000) and the Tang dynasty (618–907), specifically. As Chinese society became increasingly multicultural and multireligious, to achieve these aims people selectively adopted, portrayed, and interpreted various acts of remembrance. Included in these were new and evolving burial, mourning, and commemorative practices: joint-burials of spouses, extended family members, and coreligionists; relocation and reburial of bodies; posthumous marriage and divorce; interment of a summoned soul in the absence of a body; and many changes to the classical mourning and commemorative rites that became the norm during the period. Individuals independently constructed the socio-religious meanings of a particular death and the handling of corpses by engaging in and reviewing acts of remembrance. Drawing on a variety of sources, including hundreds of newly excavated entombed epitaph inscriptions, Inscribing Death illuminates the process through which the living—and the dead—negotiated this multiplicity of meanings and how they shaped their memories and identities both as individuals and as part of collectives. In particular, it details the growing emphasis on remembrance as an expression of filial piety and the grave as a focal point of ancestral sacrifice. The work also identifies different modes of construction and representation of the self in life and death, deepening our understanding of ancestral worship and its changing modus operandi and continuous shaping influence on the most intimate human relationships—thus challenging the current monolithic representation of ancestral worship as an extension of families rather than individuals in medieval China.
The Zhuangzi (Sayings of Master Zhuang) is one of the foundational texts of the Chinese philosophical tradition and the cornerstone of Daoist thought. The earliest and most influential commentary on the Zhuangzi is that of Guo Xiang (265–312), who also edited the text into the thirty-three-chapter version known ever since. Guo’s commentary enriches readings of the Zhuangzi, offering keen insights into the meaning and significance of its pithy but often ambiguous aphorisms, narratives, and parables. Richard John Lynn’s new translation of the Zhuangzi is the first to follow Guo’s commentary in its interpretive choices. Unlike any previous translation into any language, its guiding principle is how Guo read the text; Lynn renders the Zhuangzi in terms of Guo’s understanding. This approach allows for the full integration of the text of the Zhuangzi with Guo’s commentary. The book also features a translation of Guo’s complete interlinear commentary and is annotated throughout. A critical introduction includes a detailed account of Guo’s life and times as well as analysis of his essential contributions to the arcane learning (xuanxue) of the fourth century and the development of Chinese philosophy. Lynn sheds new light on how the Daoist classic, which has often been seen as a timeless book of wisdom, is situated in its historical context, while also considering it as a guide to personal cultivation and self-realization.