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This text offers in-depth biographies of Chinese women from the fifth century BCE to the early 20th century. It reflects their achievements in poetry, literature, painting, music, dancing, calligraphy, medicine, science, politics, military leadership, diplomacy, religion, family and community life.
Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. Women Shall Not Rule offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony—rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives. Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research to describe the values and ideals of imperial polygamy and the ways in which it worked and did not work in real life. His rich sources are both historical and fictional, including poetic accounts and sensational stories told in pornographic detail. Displaying rare historical breadth, his lively and fascinating study will be invaluable as a comprehensive and authoritative resource for all readers interested in the domestic life of royal palaces across the world.
From the beloved, internationally bestselling author of Wild Swans, and co-author of the bestselling Mao: The Unknown Story, the dramatic, epic biography of the unusual woman who ruled China for 50 years, from concubine to Empress, overturning centuries of traditions and formalities to bring China into the modern world. A woman, an Empress of immense wealth who was largely a prisoner within the compound walls of her palaces, a mother, a ruthless enemy, and a brilliant strategist: Chang makes a compelling case that Cixi was one of the most formidable and enlightened rulers of any nation. Cixi led an intense and singular life. Chosen at the age of 12 to be a concubine by the Emperor Xianfeng, she gave birth to his only male heir who at four was designated Emperor when his father died in 1861. In a brilliant move, the young woman enlisted the help of the Emperor's widow and the two women orchestrated a coup that ousted the regents and made Cixi sole Regent. Untrained and untaught, the two studied history and politics together, ruling the huge nation from behind a curtain. When her boy died, Cixi designated a young nephew as Emperor, continuing her reign till her death in 1908. Chang gives us a complex, riveting portrait of Cixi through a reign as long as that of her fellow Empress, Victoria, whom she longed to meet: her ruthlessness in fighting off rivals; her curiosity to learn; her reliance on Westerners who she placed in key positions; and her sensitivity and desire to preserve the distinctiveness of China's past while overturning traditions (she, as Chang reveals--not Mao, as he claimed--banned footbinding) and exposing its culture to western ideas and technology.
Empress Wu Zetian in Fiction and in History by Dora Shu-fang Dien Pdf
In the dynastic history of China, Wu Zetian was the one woman who attained the status of emperor in her own right. A stone tablet marking her mausoleum was left blank, reportedly at her request because she wanted the future world to assess her. And her rise in the patriarchal system supported by Confucianism did later inspire many novelists and playwrights. Dien's slim study looks at the rise and achievements of the historical empress, her influence in the form of defiant woman who appear in legend and fiction, and (very briefly) the state of urban gender equality today. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Emperor Wu Zhao and Her Pantheon of Devis, Divinities, and Dynastic Mothers by N. Harry Rothschild Pdf
Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty. Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles. Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.
The story of three generations in twentieth-century China that blends the intimacy of memoir and the panoramic sweep of eyewitness history—a bestselling classic in thirty languages with more than ten million copies sold around the world, now with a new introduction from the author. An engrossing record of Mao’s impact on China, an unusual window on the female experience in the modern world, and an inspiring tale of courage and love, Jung Chang describes the extraordinary lives and experiences of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist; and her parents’ experience as members of the Communist elite and their ordeal during the Cultural Revolution. Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.
Writing Women in Late Imperial China by Ellen Widmer,Kang-i Sun Chang Pdf
Scholars from the fields of literature, history, and art history apply a range of methodologies to newly discovered works by women writers and to other sources concerning women writers in China from 1600 to 1900.
'Vivid and entertaining ... this is history as it plays upon the emotions. Empires crumble, hearts are broken' THE TIMES From the bestselling author of Red Azalea comes the much-anticipated sequel to Empress Orchid At the end of the nineteenth century China is rocked by foreign attacks and local rebellions. The only constant is the power wielded by one woman, Tzu Hsi, also known as Empress Orchid, who must face the perilous condition of her empire and devastating personal losses. In this sequel to the bestselling Empress Orchid, Anchee Min brings to life one of the most important figures in Chinese history, a very human leader who sacrifices all she has to protect both those she loves and her doomed empire.
Just over a thousand years ago, the Song dynasty emerged as the most advanced civilization on earth. Within two centuries, China was home to nearly half of all humankind. In this concise history, we learn why the inventiveness of this era has been favorably compared with the European Renaissance, which in many ways the Song transformation surpassed. With the chaotic dissolution of the Tang dynasty, the old aristocratic families vanished. A new class of scholar-officials—products of a meritocratic examination system—took up the task of reshaping Chinese tradition by adapting the precepts of Confucianism to a rapidly changing world. Through fiscal reforms, these elites liberalized the economy, eased the tax burden, and put paper money into circulation. Their redesigned capitals buzzed with traders, while the education system offered advancement to talented men of modest means. Their rationalist approach led to inventions in printing, shipbuilding, weaving, ceramics manufacture, mining, and agriculture. With a realist’s eye, they studied the natural world and applied their observations in art and science. And with the souls of diplomats, they chose peace over war with the aggressors on their borders. Yet persistent military threats from these nomadic tribes—which the Chinese scorned as their cultural inferiors—redefined China’s understanding of its place in the world and solidified a sense of what it meant to be Chinese. The Age of Confucian Rule is an essential introduction to this transformative era. “A scholar should congratulate himself that he has been born in such a time” (Zhao Ruyu, 1194).
Women and Property in China, 960-1949 by Kathryn Bernhardt Pdf
Drawing on newly available archival case records, this book demonstrates that Chinese women's rights to property changed substantially from the Song through the Qing dynasties, and even more dramatically under the Republican Civil Code of 1929-30.
Author : Fran Martin Publisher : Duke University Press Page : 235 pages File Size : 51,5 Mb Release : 2021-11-08 Category : Social Science ISBN : 9781478022220
In Dreams of Flight, Fran Martin explores how young Chinese women negotiate competing pressures on their identity while studying abroad. On one hand, unmarried middle-class women in the single-child generations are encouraged to develop themselves as professional human capital through international education, molding themselves into independent, cosmopolitan, career-oriented individuals. On the other, strong neotraditionalist state, social, and familial pressures of the post-Mao era push them back toward marriage and family by age thirty. Martin examines these women’s motivations for studying in Australia and traces their embodied and emotional experiences of urban life, social media worlds, work in low-skilled and professional jobs, romantic relationships, religion, Chinese patriotism, and changed self-understanding after study abroad. Martin illustrates how emerging forms of gender, class, and mobility fundamentally transform the basis of identity for a whole generation of Chinese women.