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The early United States was a culture of the episode. In Episodic Poetics, Matthew Garrett merges narrative theory with social and political history to explain the early American fascination with the episodic, piecemeal plot. Since Aristotle's Poetics, the episode has been a vexed category of literary analysis, troubling any easy view of the subsumption of unwieldy narrative parts into well-plotted wholes. Garrett puts forward a new, dialectical theory of episodic form to recast this peculiar object of literary history, looking to the episode as a narrative unit smaller than the genre in order to give an account of all the period's major prose genres. Garrett shows how, in ways both magisterial and mundane, episodic forms gave variegated shape to the social, political, and economic conflicts that defined the moment of national formation. Episodic Poetics proposes a new method of reading and a new way of conceiving of literary history. The book asks how we might understand the cultural role of the episode as a literary micro-unit, one that forces us to read individual narratives in terms of an always partial and fraught development toward plot. Episodic Poetics combines theoretical reflection and historical rigor with careful readings of texts from the early American canon such as The Federalist, Benjamin Franklin's Autobiography, and the novels of Charles Brockden Brown, along with hitherto understudied texts and ephemera such as Washington Irving's Salmagundi, Susanna Rowson's Trials of the Human Heart and the memoirs of the metalworker and failed entrepreneur John Fitch. Garrett recounts literary history not as the easy victory of grand nationalist ambitions, but rather as a series of social struggles expressed through writers' recurring engagement with incompletely integrated forms.
Beyond Liquidity by Brad Pasanek,Simone Polillo Pdf
‘Liquidity’, or rather lack of it, lies at the heart of the ongoing global financial crisis. In this collection of essays, the metaphor of money as liquidity, and the model of crisis it entails, is deliberated by a range of scholars from economics, history, anthropology, literature, and sociology. This volume offers a rhetorical explanation of the social, cultural, and historical contexts in which metaphors of money are produced, circulate, and fail. These essays, first presented at "After the Crash, Beyond Liquidity," a conference on money and metaphors held at the University of Virginia, USA, in October of 2009, were drafted in the wake of global uncertainty, TARP bailouts, the Great Recession, programs of stimulus and austerity, and recurrent threats of sovereign default in the EU. They question the language of liquidity and flows that is characteristic of everyday business, exposing what metaphors of money hide and explaining why the idea of liquidity has proved so durable. This book was originally published as a special issue of the Journal of Cultural Economy.
Transoceanic America offers a new approach to American literature by emphasizing the material and conceptual interconnectedness of the Atlantic and Pacific worlds. These oceans were tied together economically, textually, and politically, through such genres as maritime travel writing, mathematical and navigational schoolbooks, and the relatively new genre of the novel. Especially during the age of revolutions in the late eighteenth and early nineteenth centuries, long-distance transoceanic travel required calculating and managing risk in the interest of profit. The result was the emergence of a newly suspenseful form of narrative that came to characterize capitalist investment, political revolution, and novelistic plot. The calculus of risk that drove this expectationist narrative also concealed violence against vulnerable bodies on ships and shorelines around the world. A transoceanic American literary and cultural history requires new non-linear narratives to tell the story of this global context and to recognize its often forgotten textual archive.
Between the independence of the colonies and the start of the Jacksonian age, American readers consumed an enormous number of literary texts called "fragments."American Fragments argues that this archive of deliberately unfinished writing reimagined the place of marginalized individuals in a country that was itself still unfinished.
The pen was as mighty as the musket during the American Revolution, as poets waged literary war against politicians, journalists, and each other. Drawing on hundreds of poems, Poetry Wars reconstructs the important public role of poetry in the early republic and examines the reciprocal relationship between political conflict and verse.
American Literature in Transition, 1770–1828 by William Huntting Howell,Greta LaFleur Pdf
This volume presents a complex portrait of the United States of America grappling with the trials of national adolescence. Topics include (but are not limited to): the dynamics of language and power, the treachery of memory, the lived experience of racial and economic inequality, the aesthetics of Indigeneity, the radical possibilities of disability, the fluidity of gender and sexuality, the depth and culture-making power of literary genre, the history of poetics, the cult of performance, and the hidden costs of foodways. Taken together, the essays offer a vision of a vibrant, contradictory, and conflicted early US Republic resistant to consensus accountings and poised to inform new and better origin stories for the polity to come.
Political Liberalism and the Rise of American Romanticism by Scott M Reznick Pdf
This volume traces how American literature evolved in response to widespread conflicts over the very nature of US democracy in the early republic and antebellum eras. It examines how American writers reacted to three moments of profound divisiveness in the 1790s, 1830s, and 1850s.
The Part and the Whole in Early American Literature, Print Culture, and Art by Matthew Pethers,Daniel Diez Couch Pdf
The essays in this pathbreaking collection consider the significance of varied early American fragmentary genres and practices—from diaries and poetry, to almanacs and commonplace books, to sermons and lists, to Indigenous ruins and other material shards and fragments—often overlooked by critics in a scholarly privileging of the “whole.” Contributors from literary studies, book history, and visual culture discuss a host of canonical and non-canonical figures, from Edward Taylor and Washington Irving to Mary Rowlandson and Sarah Kemble Knight, offering insight into the many intellectual, ideological, and material variations of “form” that populated the early American cultural landscape. As these essays reveal, the casting of the fragmentary as aesthetically eccentric or incomplete was a way of reckoning with concerns about the related fragmentation of nation, society, and self. For a contemporary audience, they offer new ways to think about the inevitable gaps and absences in our cultural and historical archive.
Edgar Huntly is a compelling tale of sleepwalking, murder, and frontier violence set in rural Pennsylvania in the 1780s. His memory and wits shaken by the scenes he has witnessed, ordinary republican citizen Edgar Huntly relates the unpredictable and catastrophic consequences of his chance encounter with Clithero Edny, a mysterious Irish immigrant whose unfortunate but violent history catches up with him in the New World. Huntly’s growing obsession with Clithero plunges both men into physical and mental danger, unsettling the colonial territories of the Delaware basin and the cognitive territory of Huntly’s own mind. Brockden Brown’s artful sensationalism transplants the European form of the gothic romance to the new United States, yielding one of the most exciting, metaphysically sophisticated, and historically self-aware novels in early American literary culture. This Broadview Edition includes a rich selection of historical materials on the gothic and sublime, sleepwalking, captivity narratives, and early American literary nationalism.
Much of U.S. cultural production since the twentieth century has celebrated the figure of the singular individual, from the lonesome Huckleberry Finn to the cinematic loners John Wayne and Clint Eastwood, but that tradition casts a backward shadow that prohibits seeing how the singular in America was previously marked as unwanted, outcast, excessive, or weird. Feeling Singular: Queer Masculinities in the Early United States examines the paradoxical nature of masculine self-promotion and individuality in the early United States. Through a collection of singular life narratives, author Ben Bascom draws on a queer studies approach that uncovers how fraught private desires shaped a public masculinity increasingly at odds with the disinterested norms of republican public culture. In telling the stories of excessive American masculinities, Feeling Singular presents the Early Republic of the United States as a queer and messy world of social outcasts and eccentric personalities all vying--and in spectacular ways failing--for public attention. These figures include John Fitch (1743-1798), a struggling working-class mechanic; Jeffrey Brace (1742-1827), a formerly enslaved Black Revolutionary War veteran; Timothy Dexter (1747-1806), a self-declared "Lord" who secured a fortune through a risky venture in bedpans and whalebone corsets; Jonathan Plummer (1761-1819), an itinerant peddler and preacher; and William "Amos" Wilson (1762-1821), a reclusive stonecutter who became popularly known as "the Pennsylvania Hermit." Despite leaving behind copious manuscripts and printed autobiographies, they dwindled instead into cultural insignificance, failing to achieve what scholars have called the hallmarks of "republican masculinity." Through closely reading a range of texts--from manuscripts to hastily printed books, and from phonetically spelled pamphlets to sexually explicit broadsides--Bascom uses the language of queer studies to understand what made someone singular in the early United States and how that singularity points at the ruptures in social codes that get normalized through historical analysis. Departing from the likes of Benjamin Franklin, whom tradition positions as a paragon of self-production, this book offers instead typologies of the failed inventor, the tragic outsider, the flamboyant pretender, the farcical exhorter, and the disaffected exile.
America did not declare independence in its poetry as quickly or as dramatically as in politics. It took time for the new nation to free itself from the many and widely contrasting traditions, customs, codes, and cultures it had inherited, and expressed itself through scores of imitators before it found its own characteristic way of thinking, reacting, and writing. Here is the poetry of early America, revealing the spirit, the scenes, and the turbulence of the period, and setting forth the works of over forty accomplished poets, many of whom are forgotten to all but the literary historian. This collection in devoted to the expanding spirit as well as the formative genius of America.
Literature in the Early American Republic by Matthew Wynn Sivils,Jeffrey Walker Pdf
Promotes discussion of various facets of the literature that arose during the period spanning from the adoption of the Constitution in 1789 to the death of James Fenimore Cooper in 1851. This title includes political texts, natural history, biography, autobiography, drama, poetry, fiction, travel writing, and other cultural documents of the age.