Erik Satie Music Art And Literature

Author : Caroline Potter
Publisher : Routledge
Page : 403 pages
File Size : 44,9 Mb
Release : 2016-05-13
Category : Music
ISBN : 9781317141785

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Erik Satie: Music, Art and Literature by Caroline Potter Pdf

Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.

Author : Caroline Potter
Publisher : Routledge
Page : 368 pages
File Size : 44,8 Mb
Release : 2016-05-13
Category : Music
ISBN : 9781317141792

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Erik Satie: Music, Art and Literature by Caroline Potter Pdf

Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.

Author : Nancy Perloff
Publisher : Oxford University Press, USA
Page : 256 pages
File Size : 44,8 Mb
Release : 1991
Category : Biography & Autobiography
ISBN : UOM:39015021977403

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Art and the Everyday by Nancy Perloff Pdf

The premiere of Erik Satie's Parade in May 1917 marked the emergence of a new musical avant-garde in Paris. To many young artists Parade exemplified a wish to escape Symbolist purity and fuse 'art' with everyday life--a rallying cry quickly adopted by Jean Cocteau in his celebrated pamphlet on new French music, The Cock And The Harlequin, in 1918.

Author : Caroline Potter
Publisher : Boydell & Brewer
Page : 305 pages
File Size : 51,8 Mb
Release : 2016
Category : Art and music
ISBN : 9781783270835

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Erik Satie by Caroline Potter Pdf

Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris.

Author : Robert Orledge
Publisher : Cambridge University Press
Page : 456 pages
File Size : 45,8 Mb
Release : 1990-10-26
Category : Biography & Autobiography
ISBN : 0521350379

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Satie the Composer by Robert Orledge Pdf

Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.

Author : Diane V. Silverthorne
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 51,6 Mb
Release : 2018-10-18
Category : Art
ISBN : 9781501330148

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Music, Art and Performance from Liszt to Riot Grrrl by Diane V. Silverthorne Pdf

Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the “isms” of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.

Author : Peter Dayan
Publisher : Routledge
Page : 196 pages
File Size : 51,9 Mb
Release : 2016-04-08
Category : Music
ISBN : 9781317178453

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Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond by Peter Dayan Pdf

In 1877, Ruskin accused Whistler of ’flinging a pot of paint in the public’s face’. Was he right? After all, Whistler always denied that the true function of art was to represent anything. If a painting does not represent, what is it, other than mere paint, flung in the public’s face? Whistler’s answer was simple: painting is music - or it is poetry. Georges Braque, half a century later, echoed Whistler’s answer. So did Braque’s friends Apollinaire and Ponge. They presented their poetry as music too - and as painting. But meanwhile, composers such as Satie and Stravinsky were presenting their own art - music - as if it transposed the values of painting or of poetry. The fundamental principle of this intermedial aesthetic, which bound together an extraordinary fraternity of artists in all media in Paris, from 1885 to 1945, was this: we must always think about the value of a work of art, not within the logic of its own medium, but as if it transposed the value of art in another medium. Peter Dayan traces the history of this principle: how it created our very notion of ’great art’, why it declined as a vision from the 1960s and how, in the 21st century, it is fighting back.

Author : Rollo H. Myers
Publisher : Unknown
Page : 184 pages
File Size : 47,7 Mb
Release : 1968
Category : Biography & Autobiography
ISBN : STANFORD:36105042680608

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Erik Satie by Rollo H. Myers Pdf

Author : Mary E. Davis
Publisher : Reaktion Books
Page : 192 pages
File Size : 46,5 Mb
Release : 2007-06-15
Category : Music
ISBN : 9781861896025

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Erik Satie by Mary E. Davis Pdf

A composer who dabbled in the Dada movement, a Bohemian “gymnopédiste” of fin-de-siècle Montmartre, and a legendary dresser known as “The Velvet Gentleman,” Erik Satie cut a unique figure among early twentieth-century European composers. Yet his legacy has largely languished in the shadows of Stravinsky, Debussy, and Ravel. Mary E. Davis now brings Satie to life in this fascinating new biography. Satie redefined the composer’s art, devising new methods of artistic expression that melded ordinary and rarified elements of words, visual art, and music. Davis argues that Satie’s modernist aesthetic was grounded in the contradictions of his life—such as enrolling in the conservative Schola Cantorum after working as a cabaret performer—and is reflected in his irreverent essays, drawn art, and music. Erik Satie explores how the composer was embraced by avant-garde artists and fashionable Parisian elite, and how his experiences inspired him to create the musical style of Neoclassicism. Satie also employed the power of the image through his infamous fashion statements, Davis contends, and became part of a nascent celebrity culture. A cogent and informative portrait, Erik Satie upends the accepted history of modernist music and restores the composer to his rightful pioneering status.

Author : Corrinne Chong,Michelle Foot
Publisher : Taylor & Francis
Page : 262 pages
File Size : 49,6 Mb
Release : 2024-07-29
Category : Art
ISBN : 9781040028889

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Art, Music, and Mysticism at the Fin de Siècle by Corrinne Chong,Michelle Foot Pdf

This edited volume explores the dialogue between art and music with that of mystical currents at the turn of the twentieth century. The volume draws on the most current research from both art historians and musicologists to present an interdisciplinary approach to the study of mysticism’s historical importance. The chapters in this edited volume gauge the scope of different interpretations of mysticism and illuminate how an exchange between the sister arts unveil an underlying stream of metaphysical, supernatural, and spiritual ideas over the course of the century. Case studies include Charles Tournemire, Joseph Péladan, Erik Satie, Hilma af Klint, Jean Sibelius, František Kupka, and Wassily Kandinsky. The contributors’ unique theoretical perspectives and disciplinary methodologies offer expert insight on both the rewards and inevitable aesthetic complications that arise when one artform meets another. The book will be of interest to scholars working in art history, musicology, visual culture, and mysticism.

Author : Alan M. Gillmor
Publisher : Unknown
Page : 387 pages
File Size : 45,5 Mb
Release : 1988
Category : Composers
ISBN : 0333463293

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Erik Satie by Alan M. Gillmor Pdf

This study of the career of the French composer Erik Satie (1866-1925), sets his music against a background of contemporary developments in the arts in France. Alan Gillmor describes and analyses Satie's work and looks at the influence his music has had on the development of contemporary musical thought. He dispels the accepted image of Satie as a mere clownish eccentric, presenting him instead as a progressive artist, an anti-Romantic and early neo-Classicist. Satie's creative work, a marriage of art and anarchism, is seen as a powerful catalyst in the birth of the avant-garde in France, and Satie himself as 'a uniquely original musician who did more to enlarge the experimental boundaries of musical forms than possibly any other musician of his time'.

Author : Edmund Mendelssohn
Publisher : Stanford University Press
Page : 366 pages
File Size : 41,8 Mb
Release : 2023-09-12
Category : Philosophy
ISBN : 9781503636644

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White Musical Mythologies by Edmund Mendelssohn Pdf

In a narrative that extends from fin de siècle Paris to the 1960s, Edmund Mendelssohn examines modernist thinkers and composers who engaged with non-European and pre-modern cultures as they developed new conceptions of "pure sound." Pairing Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida, White Musical Mythologies offers an ambitious critical history of the ontology of sound, suggesting that the avant-garde ideal of "pure sound" was always an expression of western ethnocentrism. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. These modernist artists believed that the presence effects of sound in their moment were more real and powerful than the outmoded norms of the European musical past. By examining musicians who strove to produce sonic presence, specifically by re-thinking the concept of musical writing (écriture), the book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound.

Author : Steven Moore Whiting
Publisher : Clarendon Press
Page : 610 pages
File Size : 55,6 Mb
Release : 1999-02-18
Category : Music
ISBN : 9780191584527

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Satie the Bohemian by Steven Moore Whiting Pdf

Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.

Author : Robert Philip
Publisher : Yale University Press
Page : 969 pages
File Size : 41,7 Mb
Release : 2018-01-01
Category : Music
ISBN : 9780300120691

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The Classical Music Lover's Companion to Orchestral Music by Robert Philip Pdf

An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer's intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.

Author : Helen Julia Minors
Publisher : Bloomsbury Publishing
Page : 217 pages
File Size : 47,6 Mb
Release : 2023-10-05
Category : Language Arts & Disciplines
ISBN : 9781350175747

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Music, Dance and Translation by Helen Julia Minors Pdf

How is music affected by its translation, interpretation and adaptation with, through, and by dance? How might notation of dance and music act as a form of translation? How does music influence the creation of dance? How might dance and music be understood to exchange and transfer their content, sense and process during both the creative process and the interpretative process? Bringing together chapters that explore theory and practice, this book questions the process and role translation has to play in the context of music and dance. It provides a range of case studies across this interdisciplinary field, and is not restricted by genre, style or cultural location. As one of very few volumes to explore translation in relation to music and to overtly tackle this topic in terms of dance, it moves the argument from a broad notion of text and translation, to think critically about the sound and movement arts of music and dance, using translation as a model to better understand the collaboration of these art forms.