Ethics Of Cinematic Experience

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Ethics of Cinematic Experience

Author : Orna Raviv
Publisher : Routledge
Page : 195 pages
File Size : 43,6 Mb
Release : 2019-10-16
Category : Performing Arts
ISBN : 9780429765353

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Ethics of Cinematic Experience by Orna Raviv Pdf

Ethics of Cinematic Experience: Screens of Alterity deals with the relationship between cinema and ethics from a philosophical perspective, finding an intrinsic connection between film spectatorship and the possibility of being open to different modes of alterity. The book’s main thesis is that openness to otherness is already found in the basic structures of cinematic experience. Through a close examination of the ethical relevance of the philosophy of Maurice Merleau-Ponty, Stanley Cavell, Emmanuel Levinas and Gilles Deleuze to cinema studies, Ethics of Cinematic Experience: Screens of Alterity pursues the question of how film can open the viewer to what is not her, and so bring her to encounter otherness in a way that is unique to cinematic experience. The book sees ethics as not just the subject, content or story of a film but part of its aesthetic structure. Accompanied by readings of films mainly from mainstream cinema, each chapter focuses on a different aspect of the encounter with alterity through cinema. The book gives particular attention to how theoretical discussion of the cinematic close-up can lead to ethical insights into the status of both the human and the non-human in film, and thus lead to an understanding of the relationships the viewer makes with them. The book is a helpful resource for students and scholars interested in the relationship between philosophy, film and ethics, and is appropriate for students of philosophy and media and cultural studies.

Emotions, Ethics, and Cinematic Experience

Author : Robert Sinnerbrink
Publisher : Berghahn Books
Page : 158 pages
File Size : 42,5 Mb
Release : 2021-06-11
Category : Art
ISBN : 9781800731462

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Emotions, Ethics, and Cinematic Experience by Robert Sinnerbrink Pdf

Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.

Cinematic Ethics

Author : Robert Sinnerbrink
Publisher : Routledge
Page : 216 pages
File Size : 54,7 Mb
Release : 2015-10-23
Category : Philosophy
ISBN : 9781317336112

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Cinematic Ethics by Robert Sinnerbrink Pdf

How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Cinematic Ethics: Exploring Ethical Experience through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking. In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics.

Cinematic Ethics

Author : Robert Sinnerbrink
Publisher : Routledge
Page : 261 pages
File Size : 53,6 Mb
Release : 2015-10-23
Category : Philosophy
ISBN : 9781317336105

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Cinematic Ethics by Robert Sinnerbrink Pdf

How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Cinematic Ethics: Exploring Ethical Experience through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking. In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics.

Pulling Focus

Author : Jane Stadler
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 48,8 Mb
Release : 2008-09-15
Category : Social Science
ISBN : 9781441186492

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Pulling Focus by Jane Stadler Pdf

The most powerful films have an afterlife. Their sensory appeal and their capacity to elicit involvement in story, character and conflict reaches beyond the screen to subtly reframe the way spectators view ethical issues and agents within the narrative, and in the world outside the cinema. Pulling Focus: Intersubjective Experience and Narrative Film questions how cinematic narratives relate to and affect ethical life. Extending Martha Nussbaum and Wayne Booth's work on moral philosophy and literature to consider cinema, Dr. Stadler shows that film spectatorship can be understood as a model for ethical attention that engages the audience in an affective relationship with characters and their values. Building on Vivian Sobchack's Address of the Eye and Carnal Thoughts, she uses a phenomenological approach to analyse ethical dimensions of film extending beyond narrative content, arguing that the camera describes experience and views screen characters with an evaluative form of perception: an ethical gaze in which spectators participate. Films discussed include Dead Man Walking, Lost Highway, Batman Begins, Nil By Mouth, and Eternal Sunshine of the Spotless Mind.

Cine-Ethics

Author : Jinhee Choi,Mattias Frey
Publisher : Routledge
Page : 266 pages
File Size : 41,6 Mb
Release : 2013-10-15
Category : Performing Arts
ISBN : 9781136745966

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Cine-Ethics by Jinhee Choi,Mattias Frey Pdf

This volume looks at the significance and range of ethical questions that pertain to various film practices. Diverse philosophical traditions provide useful frameworks to discuss spectators’ affective and emotional engagement with film, which can function as a moral ground for one’s connection to others and to the world outside the self. These traditions encompass theories of emotion, phenomenology, the philosophy of compassion, and analytic and continental ethical thinking and environmental ethics. This anthology is one of the first volumes to open up a dialogue among these diverse methodologies. Contributors bring to the fore some of the assumptions implicitly shared between these theories and forge a new relationship between them in order to explore the moral engagement of the spectator and the ethical consequences of both producing and consuming films

Transformational Ethics of Film

Author : Martin P. Rossouw
Publisher : BRILL
Page : 333 pages
File Size : 44,5 Mb
Release : 2021-05-31
Category : Philosophy
ISBN : 9789004460874

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Transformational Ethics of Film by Martin P. Rossouw Pdf

Charting new routes for film ethics, Transformational Ethics of Film develops a critical account of the ethics of personal transformation at work within the ‘film as philosophy’ debate.

Towards a Feminist Cinematic Ethics

Author : Kristin Lene Hole
Publisher : Edinburgh University Press
Page : 208 pages
File Size : 54,5 Mb
Release : 2015-12-31
Category : Performing Arts
ISBN : 9781474409520

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Towards a Feminist Cinematic Ethics by Kristin Lene Hole Pdf

Develops an account of non-normative feminist cinematic ethics and a fresh methodological approach to film-philosophy.

Ethics at the Cinema

Author : Ward E. Jones,Samantha Vice
Publisher : Oxford University Press
Page : 352 pages
File Size : 48,8 Mb
Release : 2011-01-07
Category : Philosophy
ISBN : 0199793166

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Ethics at the Cinema by Ward E. Jones,Samantha Vice Pdf

The editors of Ethics at the Cinema invited a diverse group of moral philosophers and philosophers of film to engage with ethical issues raised within, or within the process of viewing, a single film of each contributor's choice. The result is a unique collection of considerable breadth. Discussions focus on both classic and modern films, and topics range from problems of traditional concern to philosophers (e.g. virtue, justice, and ideals) to problems of traditional concern to filmmakers (e.g. sexuality, social belonging, and cultural identity).

Environmental Ethics and Film

Author : Pat Brereton
Publisher : Routledge
Page : 246 pages
File Size : 40,6 Mb
Release : 2015-09-16
Category : Business & Economics
ISBN : 9781317752684

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Environmental Ethics and Film by Pat Brereton Pdf

Environmental ethics presents and defends a systematic and comprehensive account of the moral relation between human beings and their natural environment and assumes that human behaviour toward the natural world can and is governed by moral norms. In contemporary society, film has provided a powerful instrument for the moulding of such ethical attitudes. Through a close examination of the medium, Environmental Ethics and Film explores how historical ethical values can be re-imagined and re-constituted for more contemporary audiences. Building on an extensive back-catalogue of eco-film analysis, the author focuses on a diverse selection of contemporary films which target audiences’ ethical sensibilities in very different ways. Each chapter focuses on at least three close readings of films and documentaries, examining a wide range of environmental issues as they are illustrated across contemporary Hollywood films. This book is an invaluable resource for students and scholars of environmental communication, film studies, media and cultural studies, environmental philosophy and ethics.

Social Aesthetics and Moral Judgment

Author : Jennifer A. McMahon
Publisher : Routledge
Page : 377 pages
File Size : 48,8 Mb
Release : 2018-06-13
Category : Philosophy
ISBN : 9781351373326

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Social Aesthetics and Moral Judgment by Jennifer A. McMahon Pdf

This edited collection sets forth a new understanding of aesthetic-moral judgment organized around three key concepts: pleasure, reflection, and accountability. The overarching theme is that art is not merely a representation or expression like any other, but that it promotes shared moral understanding and helps us engage in meaning-making. This volume offers an alternative to brain-centric and realist approaches to aesthetics. It features original essays from a number of leading philosophers of art, aesthetics, ethics, and perception, including Elizabeth Burns Coleman, Garrett Cullity, Cynthia A. Freeland, Ivan Gaskell, Paul Guyer, Jane Kneller, Keith Lehrer, Mohan Matthen, Jennifer A. McMahon, Bence Nanay, Nancy Sherman, and Robert Sinnerbrink. Part I of the book analyses the elements of aesthetic experience—pleasure, preference, and imagination—with the individual conceived as part of a particular cultural context and network of other minds. The chapters in Part II explain how it is possible for cultural learning to impact these elements through consensus building, an impulse to objectivity, emotional expression, and reflection. Finally, the chapters in Part III converge on the role of dissonance, difference, and diversity in promoting cultural understanding and advancement. Social Aesthetics and Moral Judgment will appeal to philosophers of art and aesthetics, as well as scholars in other disciplines interested in issues related to art and cultural exchange.

Cinema Against Doublethink

Author : David Martin-Jones
Publisher : Routledge
Page : 242 pages
File Size : 50,6 Mb
Release : 2018-09-28
Category : Social Science
ISBN : 9781317440765

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Cinema Against Doublethink by David Martin-Jones Pdf

When is it OK to lie about the past? If history is a story, then everyone knows that the 'official story' is told by the winners. No matter what we may know about how the past really happened, history is as it is recorded: this is what George Orwell called doublethink. But what happens to all the lost, forgotten, censored, and disappeared pasts of world history? Cinema Against Doublethink uncovers how a world of cinemas acts as a giant archive of these lost pasts, a vast virtual store of the world’s memories. The most enchanting and disturbing films of recent years – Uncle Boonmee Who Can Recall his Past Lives, Nostalgia for the Light, Even the Rain, The Act of Killing, Carancho, Lady Vengeance – create ethical encounters with these lost pasts, covering vast swathes of the planet and crossing huge eras of time. Analysed using the philosophies of Gilles Deleuze (the time-image) and Enrique Dussel (transmodern ethics), the multitudinous cinemas of the world are shown to speak out against doublethink, countering this biggest lie of all with their myriad 'false' versions of world history. Cinema, acting against doublethink, remains a powerful agent for reclaiming the truth of history for the 'post-truth' era.

Film and Ethics

Author : Lisa Downing,Libby Saxton
Publisher : Routledge
Page : 184 pages
File Size : 40,7 Mb
Release : 2009-09-10
Category : Performing Arts
ISBN : 9781135232009

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Film and Ethics by Lisa Downing,Libby Saxton Pdf

Film & Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists.

The Dardenne Brothers’ Cinematic Parables

Author : Joel Mayward
Publisher : Taylor & Francis
Page : 259 pages
File Size : 49,5 Mb
Release : 2022-09-30
Category : Religion
ISBN : 9781000686784

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The Dardenne Brothers’ Cinematic Parables by Joel Mayward Pdf

The Dardenne Brothers’ Cinematic Parables examines the work of Belgian filmmakers Jean-Pierre and Luc Dardenne, who have been celebrated for their powerfully affecting social realist films. Though the Dardenne brothers’ films rarely mention religion or God, they have received wide recognition for their moral complexity and spiritual resonance. This book brings the Dardennes’ filmography into consideration with theological aesthetics, Christian ethics, phenomenological film theory, and continental philosophy. The author explores the brothers’ nine major films—beginning with The Promise (1996) and culminating in Young Ahmed (2019)—through the hermeneutics of philosopher Paul Ricoeur. By using Ricoeur’s description of "parable" as a "narrative-metaphor" which generates an existential limit-experience, Joel Mayward crafts an innovative Ricoeurian hermeneutic for making theological interpretations of cinema. Drawing upon resources from three disciplinary spheres—theology, philosophy, and film studies—in a dynamic interweaving approach, Mayward proposes that the Dardennes create postsecular cinematic parables which evoke theological and ethical responses in audiences’ imaginations through the brothers’ distinctive filmmaking style, what is termed "transcendent realism." The book ultimately demonstrates how the Dardenne brothers are truly doing, not merely depicting, theology and ethics through the cinematic form—it presents film as theology, what Mayward refers to as "theocinematics." This is valuable reading for scholars of theology, philosophy, and film studies, as well as film critics and cinephiles interested in the cinema of the Dardenne brothers.

Terrence Malick

Author : Robert Sinnerbrink
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 44,6 Mb
Release : 2019-07-11
Category : Philosophy
ISBN : 9781350063624

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Terrence Malick by Robert Sinnerbrink Pdf

Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement. In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of experience, encompassing anxiety and doubt, wonder and awe, to questioning and acknowledgment, through aesthetic engagement and poetic reflection. Drawing on a range of thinkers and approaches from Heidegger and Cavell, Nietzsche and Kierkegaard, to phenomenology and moral psychology Sinnerbrink explores how Malick's films respond to the problem of nihilism the loss of conviction or belief in prevailing forms of value and meaning and the possibility of ethical transformation through cinema: from self-transformation in our relations with others to cultural transformation via our attitudes towards towards nature and the world. Sinnerbrink shows how Malick's later films, from The Tree of Life to Voyage of Time, provide unique opportunities to explore cinematic ethics in relation to the crisis of belief, the phenomenology of love, and film's potential to invite moral transformation.