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If ever a subject and a writer were perfectly matched it is here. The fated voyage of the Titanic, with its heroics and horror, has been dramatized many times before, but never by an artist with the skills and sensibility of Beryl Bainbridge. Bainbridge vividly recreates each scene of the voyage, from the suspicious fire in the Number 10 coal bunker, to the champange and crystal of the first-class public rooms, to that terrible midnight chaos in the frigid North Atlantic. This is remarkable, haunting tale substantiates Bainbridge as a consummate observer of the human condition.
For the four fraught, mysterious days of her doomed maiden voyage in 1912, the Titanic sails towards New York, glittering with luxury, freighted with millionaires and hopefuls. In her labyrinthine passageways are played out the last, secret hours of a small group of passengers, their fate sealed in prose of startling, sublime beauty, as Beryl Bainbridge's haunting masterpiece moves inexorably to its known and terrible end.
What does "being a guy" actually mean? Some of the most talented writers are about to show you. In this diverse and original collection of short stories, ten well-known writers, including Mo Willems, Walter Dean Myers, Ron Koertge, Rene Saldaña, Jr., David Levithan, and David Lubar, share their stories about the trials and tribulations of being a guy. Sometimes funny, sometimes sad, and always honest, each story portrays the reality of being an everyday guy who gets a few life lessons and still manages to come out on top.
This is Volume VIII of thirty-eight of collection of works on General Psychology. Initially published in 1947, it offers an enquiry into the psychology of ethics and forms a continuation of the author's other work 'Escape from Freedom’ in which he attempted to analyse modern man's escape from himself and his freedom. This book discusses the problem of ethics, of norms and values leading to the realisation of man's self and of his potential.
Every Man for Himself God for Us All by Rodney Neely Pdf
Every Man For Himself, God For Us All is a novel based on the life of Author and Motivational Speaker, Rodney Neely. Born to teenaged parents in 1970, struggle and strife were not foreign to him. Confronted with a turbulent childhood, uneasy adolescence, and young adult life marked by betrayal, crime, and murder, Rodney persevered to become a better man. During the course of it all he understood that God's promise for him was guaranteed, Rodney was able to turn a series of bad breaks and poor choices into opportunities to move forward. Overcoming adversities and assassination attempts on his rise as a street hustler to ultimately transforming his life in a more positive direction. Thereafter, Rodney became a successful businessman, traveled around the US and abroad and even met Barack Obama, The President of the United States. Moreover, Rodney has closed millions of dollars in real and business deals and inevitably became a noted motivational speaker and author, respectively. His story proof that giving up on a successful future is never an option and answers that age old question; If God is for you, who can be against you?
A “scrupulously honest” (O, The Oprah Magazine) debut memoir that explores one man’s gender transition amid a pivotal political moment in America. Becoming a Man is a “moving narrative [that] illuminates the joy, courage, necessity, and risk-taking of gender transition” (Kirkus Reviews). For fifty years P. Carl lived as a girl and then as a queer woman, building a career, a life, and a loving marriage, yet still waiting to realize himself in full. As Carl embarks on his gender transition, he takes us inside the complex shifts and questions that arise throughout—the alternating moments of arrival and estrangement. He writes intimately about how transitioning reconfigures both his own inner experience and his closest bonds—his twenty-year relationship with his wife, Lynette; his already tumultuous relationships with his parents; and seemingly solid friendships that are subtly altered, often painfully and wordlessly. Carl “has written a poignant and candid self-appraisal of life as a ‘work-of-progress’” (Booklist) and blends the remarkable story of his own personal journey with incisive cultural commentary, writing beautifully about gender, power, and inequality in America. His transition occurs amid the rise of the Trump administration and the #MeToo movement—a transition point in America’s own story, when transphobia and toxic masculinity are under fire even as they thrive in the highest halls of power. Carl’s quest to become himself and to reckon with his masculinity mirrors, in many ways, the challenge before the country as a whole, to imagine a society where every member can have a vibrant, livable life. Here, through this brave and deeply personal work, Carl brings an unparalleled new voice to this conversation.
"Based on a true story, this sweeping saga tells the tale of a working class couple in Berlin who decide to take a stand against the Nazis. More than an edge-of-your-seat thriller, more than a moving romance, even more than literature of the highest order, it's a deeply moving story of two people who stand up for what's right, and for each other. Hans Fallada wrote Every Man Dies Alone in a feverish twenty-four days, soon after the end of World War II and his release from a Nazi insane asylum. He did not live to see his its publication"--Page 4 of cover.
�EVERY art and every inquiry, and similarly every action and pursuit, is thought to aim at some good; and for this reason the good has rightly been declared to be that at which all things aim. But a certain difference is found among ends; some are activities, others are products apart from the activities that produce them. Where there are ends apart from the actions, it is the nature of the products to be better than the activities. Now, as there are many actions, arts, and sciences, their ends also are many; the end of the medical art is health, that of shipbuilding a vessel, that of strategy victory, that of economics wealth. But where such arts fall under a single capacity- as bridle-making and the other arts concerned with the equipment of horses fall under the art of riding, and this and every military action under strategy, in the same way other arts fall under yet others- in all of these the ends of the master arts are to be preferred to all the subordinate ends; for it is for the sake of the former that the latter are pursued. It makes no difference whether the activities themselves are the ends of the actions, or something else apart from the activities, as in the case of the sciences just mentioned.�
I do not follow ideas, I stumble into stories or into peop≤ and I know that this is so big, I have to make a film. Very often, films come like uninvited guests, like burglars in the middle of the night. They are in your kitchen; something is stirring, you wake up at 3 a.m. and all of a sudden they come wildly swinging at you. When I write a screenplay, I write it as if I have the whole film in front of my eyes. Then it is very easy for me, and I can write very, very fast. It is almost like copying. But of course sometimes I push myself; I read myself into a frenzy of poetry, reading Chinese poets of the eighth and ninth century, reading old Icelandic poetry, reading some of the finest German poets like Hölderlin. All of this has absolutely nothing to do with the idea of my film, but I work myself up into this kind of frenzy of high-caliber language and concepts and beauty. And then sometimes I push myself by playing music, for example, a piano concerto by Beethoven, and I play it and write furiously. But none of this is an answer to the question of how you focus on a single idea for a film. And then, during shooting, you have to depart from it sometimes, while keeping it alive in its essence. --Werner Herzog, on filmmaking Werner Herzog doesn't write traditional screenplays. He writes fever dreams brimming with madness, greed, humor, and dark isolation that can shift dramatically during production--and have materialized into extraordinary masterpieces unlike anything in film today. Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.
"Every Man for Himself" by Norman Duncan. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Every Man for Himself and God Against All by Werner Herzog Pdf
Legendary filmmaker and celebrated author Werner Herzog tells in his inimitable voice the story of his epic artistic career in a long-awaited memoir that is as inventive and daring as anything he has done before Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed. Until age 11, Herzog did not even know of the existence of cinema. His interest in films began at age 15, but since no one was willing to finance them, he worked the night shift as a welder in a steel factory. He started to travel on foot. He made his first phone call at age 17, and his first film in 1961 at age 19. The wildly productive working life that followed—spanning the seven continents and encompassing both documentary and fiction—was an adventure as grand and otherworldly as any depicted in his many classic films. Every Man for Himself and God Against All is at once a personal record of one of the great and self-invented lives of our time, and a singular literary masterpiece that will enthrall fans old and new alike. In a hypnotic swirl of memory, Herzog untangles and relives his most important experiences and inspirations, telling his story for the first and only time.
A Man for All Seasons dramatises the conflict between King Henry VIII and Sir Thomas More. It depicts the confrontation between church and state, theology and politics, absolute power and individual freedom. Throughout the play Sir Thomas More's eloquence and endurance, his purity, saintliness and tenacity in the face of ever-growing threats to his beliefs and family, earn him status as one of modern drama's greatest tragic heroes. The play was first staged in 1960 at the Globe Theatre in London and was voted New York's Best Foreign Play in 1962. In 1966 it was made into an Academy Award-winning film by Fred Zinneman starring Paul Scofield."A Man for All Seasons is a stark play, sparse in its narrative, sinewy in its writing, which confirms Mr Bolt as a genuine and solid playwright, a force in our awakening theatre." (Daily Mail)