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Exposition: The Princess Agenda Part III by Jeff Brown Pdf
Exposition picks up immediately following the previous installment, "Rescue," and follows Aileen's quest to prove to the powers that be that she is the true princess and heir to the throne of Valdria. Along the way, she encounters resistance, political maneuvering, a traitor, an assassination attempt, and discovers those who are truly loyal to her cause.
Rescue: The Princess Agenda Part II by Jeff Brown Pdf
The identity of the princess has been revealed. Princess Aileen and her team have been taken to their home world of Valdria. However, one of their number was taken captive by a Trae-Shan assault team. They have determined her location and Aileen orders a rescue mission against the protests of those charged with her protection. They embark on the mission, but they will not be alone once they reach the location where the prisoner is being held.
Recapitulation: The Princess Agenda Part V by Jeff Brown Pdf
The final installment of the Princess Agenda takes the team, now known as Shadow Squad, into direct conflict with the Trae-Shan forces. Princess Aileen leads them to Tritia Prime, the Trae-Shan homeworld, where a truth is revealed and a solution is presented, but it's not the solution either side had planned.
Development: The Princess Agenda Part IV by Jeff Brown Pdf
Development begins immediately following the conclusion of the previous installment, Exposition. The Princess has gained the authority necessary and has learned that the Trae-Shan has constructed a powerful new ship. By dividing her team into two squads, Shadow and Lumen, they will attack the facility where the prototype of this new ship has been constructed to steal both the ship and the plans.
Author : Council of Europe: Parliamentary Assembly Publisher : Council of Europe Page : 282 pages File Size : 45,9 Mb Release : 2006-04-06 Category : Political Science ISBN : 9287159076
#1 NEW YORK TIMES BESTSELLER • The thrilling sequel to the beloved worldwide bestseller Ready Player One, the near-future adventure that inspired the blockbuster Steven Spielberg film. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST • “The game is on again. . . . A great mix of exciting fantasy and threatening fact.”—The Wall Street Journal AN UNEXPECTED QUEST. TWO WORLDS AT STAKE. ARE YOU READY? Days after winning OASIS founder James Halliday’s contest, Wade Watts makes a discovery that changes everything. Hidden within Halliday’s vaults, waiting for his heir to find, lies a technological advancement that will once again change the world and make the OASIS a thousand times more wondrous—and addictive—than even Wade dreamed possible. With it comes a new riddle, and a new quest—a last Easter egg from Halliday, hinting at a mysterious prize. And an unexpected, impossibly powerful, and dangerous new rival awaits, one who’ll kill millions to get what he wants. Wade’s life and the future of the OASIS are again at stake, but this time the fate of humanity also hangs in the balance. Lovingly nostalgic and wildly original as only Ernest Cline could conceive it, Ready Player Two takes us on another imaginative, fun, action-packed adventure through his beloved virtual universe, and jolts us thrillingly into the future once again.
The Changing Basis of Political Conflict in Advanced Western Democracies by A. Arwine,L. Mayer Pdf
Political conflict in Western democracies has traditionally emerged from politics rooted in competing ideologies and interests. With the rise of politics of identity, political conflict is morphing as political parties align themselves with identities, rather than ideologies or interests.
Tribal Sovereignty and the Historical Imagination by Loretta Fowler Pdf
Loretta Fowler offers a new perspective on Native American politics by examining how power on multiple levels infuses the everyday lives and consciousness of the Cheyenne and Arapaho peoples of Oklahoma. Cheyennes and Arapahos today energetically pursue a variety of commercial enterprises, including gaming and developing retail businesses, and they operate a multitude of social programs. Such revitalization and economic mobilization, however, have not unambiguously produced greater tribal sovereignty. Tribal members challenge and often work vigorously to undermine their tribal government's efforts to strengthen the tribe as an independent political, economic, and cultural entity; at the same time, political consensus and tribal unity are continually recognized and promoted in powwows and dances. Why is there conflict in one sphere of Cheyenne-Arapaho politics and cooperation in the other? The key to the dynamics of current community life, Fowler contends, is found in the complicated relationship between the colonizer and the colonized that emerges in Fourth World or postcolonial settings. For over a century the lives of Cheyennes and Arapahos have been affected simultaneously by forces of resistance and domination. These circumstances are reflected in their constructions of history. Cheyennes and Arapahos accommodate an ideology that buttresses social forms of domination and helps mold experiences and perceptions. They also selectively recognize and resist such domination. Drawing upon a decade of fieldwork and archival research, Tribal Sovereignty and the Historical Imagination provides an insightful and provocative analysis of how Cheyenne and Arapaho constructions of history influence tribal politics today.
Reconciliation After Violent Conflict by David Bloomfield,Terri Barnes,Lucien Huyse Pdf
How does a newly democratized nation constructively address the past to move from a divided history to a shared future? How do people rebuild coexistence after violence? The International IDEA Handbook on Reconciliation after Violent Conflict presents a range of tools that can be, and have been, employed in the design and implementation of reconciliation processes. Most of them draw on the experience of people grappling with the problems of past violence and injustice. There is no "right answer" to the challenge of reconciliation, and so the Handbook prescribes no single approach. Instead, it presents the options and methods, with their strengths and weaknesses evaluated, so that practitioners and policy-makers can adopt or adapt them, as best suits each specific context. Also available in a French language version.
Nineteenth-Century Theatre and the Imperial Encounter by Marty Gould Pdf
In this study, Gould argues that it was in the imperial capital’s theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle offered Victorian audiences the illusion of unmediated access to the imperial periphery; separated from the action by only the thin shadow of the proscenium arch, theatrical audiences observed cross-cultural contact in action. But without narrative direction of the sort found in novels and travelogues, theatregoers were left to their own interpretive devices, making imperial drama both a powerful and yet uncertain site for the transmission of official imperial ideologies. Nineteenth-century playwrights fed the public’s interest in Britain’s Empire by producing a wide variety of plays set in colonial locales: India, Australia, and—to a lesser extent—Africa. These plays recreated the battles that consolidated Britain’s hold on overseas territories, dramatically depicted western humanitarian intervention in indigenous cultural practices, celebrated images of imperial supremacy, and occasionally criticized the sexual and material excesses that accompanied the processes of empire-building. An active participant in the real-world drama of empire, the Victorian theatre produced popular images that reflected, interrogated, and reinforced imperial policy. Indeed, it was largely through plays and spectacles that the British public vicariously encountered the sights and sounds of the distant imperial periphery. Empire as it was seen on stage was empire as it was popularly known: the repetitions of character types, plot scenarios, and thematic concerns helped forge an idea of empire that, though largely imaginary, entertained, informed, and molded the theatre-going British public.
