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In Joseph Campana's debut collection, starring Audrey Hepburn, icons of public consumption speak in the language of private devotion. Encourage emulation. Inspire idolatry. Be a muse, be a nymph, be a sprite, bewitch me. Rise from obscurity. Set trends. Break habits. Make statements. Count blessings. Distribute kindnesses. Arouse devotion. Devote yourself to nobility. Ascend, ascend, ascend. -from "How to Be a Star"
Reading Faces and Bodies: Behavioural and Neural Processes Underlying the Understanding of, and Interaction with, Others by Paola Ricciardelli,Andrew P. Bayliss,Rossana Actis-Grosso Pdf
The aim of this Research Topic was to offer an interdisciplinary forum for researchers interested in the interplay of face, eye gaze, and body perception in the understanding of others, with an emphasis on behavioural and neural processing. The papers included in this topic come from cognitive, neuroscience and social psychology perspectives and shed new light on how facial and body cues interact with each other and with social, ecological and contextual factors (such as for example social identification and group membership) to form a unified representation that can guide our perceptions and responses to other people. Altogether, they provide an up-to-date picture of advances in this fascinating research field.
Creating Digital Faces for Law Enforcement by Michael W. Streed Pdf
Today, law enforcement requires actionable and real-time intelligence; 24 hours a day, seven days a week to help respond to cases efficiently. When evidence is lacking in a case, law enforcement officers are often times left to rely on eyewitness descriptions. In order to quickly disseminate facial composites to news outlets and social media, law enforcement needs to rely on every tool available; including traditional forensic artists and advanced facial composite software. Creating Digital Faces for Law Enforcement provides the proper foundation for obtaining key information needed to create effective facial composites. There are two main methods to create a facial composite, first through traditional forensic art techniques and second by using commercially developed facial composite software. Traditional forensic art has advanced from pen and paper to more enhanced digital tools. This text reviews the development of digital tools used by the forensic artist describing each tool in detail. Creating Digital Faces for Law Enforcement is the first text of its kind to address the creation of digital sketches for forensic artists and software-driven sketches for non-artist/technicians. A step-by-step guide addressing the creation of digital, software-driven, sketches for non-artist technicians Includes descriptions supported by both photographs and video demonstrations to assist the reader in better understanding the process Written by an internationally-recognized police sketch artist with over 35 years of experience A companion website page will host author created / narrated videos for reader access
The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of image and sound, and, perhaps most fundamentally, the immaterial image—the cinema’s “shadow,” which figures both the material reality of the screen image and its racist past. Discussing early “race subjects,” Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive. The book examines how motion picture technology related to race, embodiment, and authenticity at specific junctures in cinema’s development, including the advent of narratives, feature films, and sound. In close readings of such films as The Cheat, Shadows, and Hallelujah!, Maurice reveals how the rhetoric of race repeatedly embodies film technology, endowing it with a powerful mix of authenticity and magic. In this way, the racialized subject became the perfect medium for showing off, shoring up, and reintroducing the cinematic apparatus at various points in the history of American film. Moving beyond analyzing race in purely thematic or ideological terms, Maurice traces how it shaped the formal and technological means of the cinema.
William Faulkner and the Faces of Modernity by Jay Watson Pdf
William Faulkner has enjoyed a secure reputation as American modernism's foremost fiction writer, and as a landmark figure in international literary modernism, for well over half a century. Less secure, however, has been any scholarly consensus about what those modernist credentials actually entail. Over recent decades, there have been lively debates in modernist studies over the who, what, where, when, and how of the surprisingly elusive phenomena of modernism and modernity. This book broadens and deepens an understanding of Faulkner's oeuvre by following some of the guiding questions and insights of new modernism studies scholarship into understudied aspects of Faulkner's literary modernism and his cultural modernity. William Faulkner and the Faces of Modernity explores Faulkner's rural Mississippians as modernizing subjects in their own right rather than mere objects of modernization; traces the new speed gradients, media formations, and intensifications of sensory and affective experience that the twentieth century brought to the cities and countryside of the US South; maps the fault lines in whiteness as a racial modernity under construction and contestation during the Jim Crow period; resituates Faulkner's fictional Yoknapatawpha County within the transnational counter-modernities of the Black Atlantic; and follows the author's imaginative engagement with modern biopolitics through his late work A Fable, a novel Faulkner hoped to make his 'magnum o.' By returning to the utterly uncontroversial fact of Faulkner's modernism with a critical sensibility sharpened by new modernism studies, William Faulkner and the Faces of Modernity aims to spark further reappraisal of a distinguished and quite dazzling body of fiction. Perhaps even make it new.
Combines psychoanalysis, queer theory, masculinity studies, and cultural studies to explore contemporary manhood in film. Ghost Faces explores the insidious nature of homophobia even in contemporary Hollywood films that promote their own homo-tolerance and appear to destabilize hegemonic masculinity. Reframing Laura Mulveys and Gilles Deleuzes paradigms and offering close readings grounded in psychoanalysis and queer theory, David Greven examines several key films and genre trends from the late 1990s forward. Movies considered range from the slasher film Scream to bromances and beta male comedies such as I Love You, Man to dramas such as Donnie Darko and 25th Hour to Rob Zombies remake of the horror film Halloween. Greven also traces the disturbing connections between torture porn found in such films as Hostel and gay male Internet pornography.
Fifteen-year-old Alison Shaw may not be beautiful, but she doesn’t really care: She’d much rather read a good book than primp in front of a mirror. But Alison’s gorgeous mother, Risa, knows that beauty can be a key to success and wishes only the best for her daughter–a wish that may come true after Risa marries widowed plastic surgeon Conrad Dunn. Conrad claims that he can turn Alison into a vision of loveliness, so the teenager reluctantly agrees to undergo the first procedure. Then Alison discovers a picture of Conrad’s first wife and notes, to her horror, a resemblance between the image in the photo and the work her stepfather is doing on her. Though, Risa refuses to acknowledge the strange similarities, Alison digs further into her stepfather’s murky past, uncovers dark secrets and even darker motives–and realizes that her worst fears are fast becoming reality.
Jacqueline was invincible. As a young teen, she knew what she wanted and how to achieve it. Even when she was framed and arrested for a crime she didn't commit, she managed to pick up the pieces of her life and move forward. In a world apart from hers, Montgomery Vendora carved himself a life full of crime, deceiving those closest to him and taking chances without regret. There would be no reason for their lives to ever collide. When a series of unfortunate incidents find their place in her life, including accidentally stumbling upon incriminating key evidence, Jacqueline's world begins to crumble. She is forced to avenge fate, playing a role she had never intended to take part in, receiving help from an unexpected source.
The Two Faces of Tomorrow by James P. Hogan,Ben Hogan Pdf
By the mid-21st Century, technology had become much too complicated for humans to handle -- and the computer network that had grown up to keep civilization from tripping over its own shoelaces was also beginning to be overwhelmed. Something Had To Be Done.As a solution, Raymond Dyer's project developed the first genuinely self-aware artificial intelligence -- code name: Spartacus. But could Spartacus be trusted to obey its makers? And if it went rogue, could it be shut down? As an acid test, Spartacus was put in charge of a space station and programmed with a survival instinct. Dyer and his team had the job of seeing how far the computer would go to defend itself when they tried to pull the plug. Dyer didn't expect any serious problems to arise in the experiment.Unfortunately, he had built more initiative into Spartacus than he realized....And a superintelligent computer with a high dose of initiative makes a dangerous guinea pig.